 We dressed up as we thought that we'd gotten the wrong dinner. We have a bag over your shoulder. You look a little rumpled, you're sort of like a fella checking out a motel on the ground. You don't listen with the camera. The thought makes me shudder. Why we didn't put a stop to Sam's shouting out questions as we were out in the south lawn. We did the starlings would come back. Today I saw my first Robin Redbreast in the spring and the tree outside the Oval Office. Six of you in the bushes. This is, you know, all the things that go with the job. I was worried that I'd get out of shape in this job. But thanks to Mike Dever's diet and Jane Fonda's workout book, I feel just great. You wouldn't believe the muscle I developed in my left arm. Among photographers that journalists don't treat you well or as fairly as you like. Welcome to the club. White House photographers model the one pictures worth a thousand denials. I have a confession to make. Those top secrets, satellite photos of the Granada Air Base that I showed up and took down a few weeks ago. I think you really should know they weren't really satellite photos. We had a balloon on Mike Dever's. The other day when all those ball players were out there on the south lawn in the baseball day that they had, Jim Watt told me out there that when he was a boy, he dreamed of one day being out in the center field in Yang State. Truly going. Fair. I also know that you have wide-angle lenses that are wide enough to get all the Democratic presidential candidates in one shot. You just don't have a lens that's wide enough to get all their promises. Is it true that young Gary Hart is having the wrinkles airbrushed in? There are some things that you and I have in common in addition to being on the opposite ends of the camera. For you in the dark room is a place to develop film. For me, it's a place where the Democrats use it as a think tank. But you're a star in Normandy Beach. You raise your flag on Mount Surabachi. You have breakfast with Baker, Dever, Meese. Let's get serious for just a moment. And that's all I'm going to take. On the newspaper or magazine page, I always look at your work first. And so does everyone else. It's that still photo that captures the essence of the moment speaks in our memory. And if the rhythm of the broad-caged meeting can capture the truth as consistently and accurately as you do, the American people might have a better perspective on many issues in the day. And I believe you do your job honestly and fairly and that's the basis of our press freedoms. So I thank you for inviting us here this evening. I thank you for your fairness and your hospitality. And if we'll all just remember, this side is my right side. My far right side.