 So Alicia, this question is to you as well. What is a question that archivists like to ask other archivists? Yeah, this is always a funny one. When we meet in our, you know, our state conferences or in our meetings, this generally comes up in our annual Society of American Archivist meetings. And what's the weirdest thing that's in your collection? Or where's the weirdest place you've had to go to pick up a collection? And that can get the ball really rolling to know, like, you know, I was in the bottom of a dumpster picking up this clay, you know, something that somebody threw away that they didn't think it was important but it's vital for your, for your collecting area. Or I was in the, you know, the attic of a barn to pick up these, you know, this family's papers. So that puts you into a lot of weirder situations that you never really thought you'd end up as an archivist. Kind of, I kind of described along the lines of like American Pickers, the show on TV where they're going into old, you know, storage facilities and old houses and things are dusty and dirty and maybe there's a snakeskin or two in those collections. But yeah, so that's generally what we talk about if we're asking about our new collections. A fun question. Yes, absolutely. And I was gonna say, so Laura and Chris, you wanna add as far as something weird, weird that you have in your collections or the weirdest place that you have been to pick up a collection. Chris, wanna, you wanna start, Chris? I'm gonna pick on you. Well, I've been to some tractor barns not for McCormick International Harvester stuff, but so nothing weirder than that. But I think my favorite, my favorite things that are in my collection right now in terms of just like weird objects is a little vial of perfume or cologne actually that Estes Kefauver, who was a senator from Tennessee, someone made for him as like a campaign novelty. And we also have a lot of his hats. He wore a lot of hats on the campaign trail. So, and they're quite unique. So those would be my weirdest objects. Yeah, always think of him in that koon skin cap with his perfume on with his grin. That was his signature in 1952. Yes, this is great, it's great. Laura, what about you? I feel like this is also, you know, one of those questions too, where we can always think of kind of different things. Like the answer depends on the day. But one thing I've been thinking about is we have a lot of collections of World War II veterans and they picked up and kept a lot of souvenirs from their time overseas in various places and sometimes they're a little strange. And one that I can think of right now is that we do have a collection and it has the skeleton of a seahorse in a box. There's not really any information about it either. So I think that can also, sometimes the knowing is weird but also the not knowing. So not really knowing where it came from, why they picked it up, why they had it, why they kept it. So yeah, a skeleton seahorse, that's a strange one. That's a good one. And they're great. Making an enclosure for a skeleton of a seahorse is also something you probably never thought you were gonna do as an archivist. So there's a lot of that too. Like how am I going to store this unique object? So. Absolutely. Alicia, do you have a weird place or object you were to add? I have so many. I mean, there could be anything from like, you know the materials that Dr. Bass has donated. And when we did his exhibit on his and he gave me one of his teaching schools to walk across campus with and or. Tell us who Dr. Bass is. He is a world renowned professor in forensic anthropology and he studied decomposition and many other things. I'm not giving him his just do but we have his research papers from all of the digs that he had done over the years. And so we had the information on those remains that they had found. And so when we kind of talked about the life of his career we did an exhibit. And so we needed some of the artifacts that are in the Bass building and within the McClung collection as well. And so it was just fun to kind of put those altogether but the one we did recently with the 225th anniversary of the university. My favorite was the creepy smoky costume the one of the first the 1970s smokies costume that we everyone was sort of horrified but could not turn away from. And so that was one of my favorite, you know we use these students walking past the exhibit and they'd be like, wait, what is this? And so which nobody thought was odd at the time it's super cute it was homemade but it was one of the first generations of having our smoky costume here on campus. So it kind of looks like a orange and white bunny costume that might give you nightmares, I don't know. Or you might love it, who knows? So that was always a fun thing to put in the exhibit as well. Yeah, we love the Smoky and the holes that go into the abyss of Oz, right? That was, this is great. We had it on a mannequin before we put it into the exhibit and our student workers would come in to come to work and they'd be like, what? I thought somebody was standing there in this creepy costume. So yeah, we had to put that back in the box pretty quickly after we took the exhibit down.