 Type 5, J-Wick, give me some, give me some goddamn, give me some of that. Nashville, Box Shedding, 215s, some 60s on that bitch, but they just stuck on them. They rubbing like a motherfucker. Coming down, hey, coming down, jump. Tension pull is squeaking like a motherfucker, but they bitch all motor. That's tough. Yeah, play me something just like that. That's all I need. Breakfast up, like somebody in the house cook. And you woke up late. You woke up late? It's all up. I'm ready to gotta be warmed up. Yeah? Yeah. That's what that feel like. This feel like when you finish with DUI Scoop. Graduation DUI Scoop. How did he get me hit the road? Start your shit up this morning. I'm coming out. Jeff got your license back. Yeah, I'm coming out with your baby momma called and she's like, never mind. Ain't no matter what that never mind go to. That's just a good head. What? Don't you love one of them motherfuckers in California? Hell yeah. Some people feel, they feel it. I love one of them, they be like, don't worry about it. Don't worry about it. We ain't even going no more. Appreciate you anyway. You don't even care about what they feel about it. I don't know, right? Don't even matter. Yeah, I fuck with that. We ain't here low. We ain't here. We got a special today, man. What you talking about? This special. You never know who's going to be in the trap with us. You did. You feel me? Bro, you look outside, it just be niggas outside rolling up and see them, but who? Oh, boy, I'm glad you said something. Right. No, but we got some real niggas in here with us today, man. First of all, we got one of the coldest motherfucking producers in the motherfucking game right here. Just sitting here chilling. Rolling up. They need to be everywhere. I'm not talking to anything. I'm a lean boy. I showed this nigga how to hit the beaten machine. Come on, man. Man, hey, I rap Pete Insane Wayne, man. Big bro, man. Insane Wayne. I want to be here for one for big bro. We're going to talk about all that. Then we got motherfucking cash bills on them. Ooh, dude. This nigga got so much rap game history. You can mention G-Unit. You can mention Cash Money. Keep going. Man, you can mention Dr. Drake. You can mention niggas like him and Nick. You can mention all of them niggas. And he was really right there with them, ready to knock some out about it. And in the studio, ready to rap a circle around the nigga, too. Oh, my mom. Man, this nigga had a motherfucking anthem with two hip hop legends dissing each other on that motherfucking man. Man, if you don't know what I'm talking about, tell me what the coldest nigga they ever to come out of Cash Bill, nigga. He the one who let you know that they were ten and- Yes, sir. You feel it? None other. Young buck. AKM, buck, mull it. I brought the 40. Cut the music. Since you brought it up first, check this out. When the streets heard, we don't know what happened, and we ain't going to ask you what happened. When we heard what allegedly happened, every nigga who even thought that they was a bit in your position like that nigga was not wrong. You supposed to do shit like that. That's the billions. That's the bankroll right there. We will figure out the rest of this shit. Come get me. And they did. They made sure I'm still right here on 85th Street. I did so much. That's Dr. Drew, for real. You did. You feel what I'm saying? Because at the time, he was like, man, you know, I got you too. So that situation, I was able to just, you know, walk through. It was one of those situations where, you know, shit happened. Honestly, I did not know what the commotion was about at that time. Right. Me and Banks backstage about to bring out a war for Snoop. And just the commotion popped out. You know, I don't know, man. Somehow a fork just batches in your hands out of nowhere. Right. You feel me? And you know, I made it through that situation, man. Blessed it. Like a real nigga, will you got to do that? Because at some point, your real nigga instincts going to kick in and be like, get to the motherfucking height. Hold on one second. Check the mic. Send the lady. Yo, your big ass chain has fucked the microphone up. Yo, big ass chain. He got that big ass chain. You got a, you got a big ass chain. Big ass chain. The big ass chain. He got a, he got a, he got a big ass chain. He got it from on the street. He got a big ass chain. And on the camera, you see, he got a big ass chain. You heard me bitch, he ain't right. He got a big ass chain. Chain on some big, that bitch was big as a crib. I had some diamonds in it. Bitch, it looked just like where your grandma lives. Savin' up your money for a bigger chain. Everything on my neck, don't stand on chains, man. I'm trying to stay in my lane. I should have wore a little chain. But you did, I brought a big ass chain. It brought a big ass chain. Big ass chain. I remember that chain from office album cover. Big ass chain. You ain't lying, my nigga. I just figured I'm on 85 this time, my nigga. And I pulled up in this motherfucker with the bang. I said, I'm doing well. My big ass chain. Big ass chain. Man, listen, you know what I mean? We done ran into each other so many different places, man. We in the mall, hotels, nigga. And I always, whenever I see you here, me by itself, I'm by myself. And it's always, what's up, nigga? But I got a question, man. I've been wanting to ask you this, but every time I ran into you, we was moving. And I've been wondering this for a long time. When you said, welcome to Cashville, motherfucker. Was you smoking a blunt or taking a shit, nigga? Because that was the strongest. Welcome to Cashville, motherfucker. I was like, nigga, I'm never going there. Listen to how you say that shit. Welcome to Cashville, motherfucker. Then that beat dropped. That's one of the coldest songs, like, and that was the first song on the CD. You know what I mean? I come from a small town where organized crime is the rule. You kill niggas without permission. Niggas gon' kill you. We bang them rags, too. Red and blue. That shit ain't on me out there on the west side, fool. I said, man, that nigga, that nigga said, man, nigga. The South ain't safe no more, so get a gun and I thought that you make it to C-21. I was like, okay, I'm not going there. That ain't what Dolly Parton and them was talking about, nigga. That's the way it's different. It's the first nigga to make a pre-ass whooping anthem. This nigga had a song that came on before niggas started fighting. I hate talking, buddy, about to get his ass thonged. I hate talking, buddy, about to get his ass thonged. The fuck happened before that. The fuck happened before that. Yo, he was talking. That's a classic fucking record. Bro, when you heard these niggas sitting eight verses back, did you even put together that they was talking about each other? You know, I'm, shout out to both of them even to this day, Tip and Luda, but when I created that record at the time, you know, my first mind of getting a feature was to stretch out the tip. Bro, do you know that about 30 niggas jumped on that remix? Yeah, man. That's how you know you got one of them ones when everybody wants to be on that remix. Everybody on them ones. That beat was so hard. Man. Who was that? DJ Paul. DJ Paul, man, stumped, man. Manfist niggas. We actually got a whole tape just dropping in, right after back on my book, volume three that I got out now, me and DJ Paul just wrapped up our tapes title, Uninspected, so it was one of them ones that got that same stump type of flavor. You know, even creating that record, man, I had reached out to Tip to put a verse on that, and when he sent the verse back, it was really that bar that he had on that. You know what I'm saying? That made me be like, me getting beat down, that's Luda Gris. So I was letting different motherfuckers hit and shit, and me and two chains is 100 with each other, and we was real close at that time, too. I had let him hit a record, and he was like, yo, bro, you gotta let Luda hit this shit. And you know, honestly, I didn't even really have no idea that they was having little issues or whatever at the time. But when I let Luda hit, you know what I'm saying? He was just like, fuck man, shit, bro, I gotta jump on this shit right here. I'm like, hell, yeah. You know what I'm saying? And it was more or less when Luda heard it, he was, I think he heard more than just that bar where Tip was kind of speaking and saying whatever he felt. But out of respect, I jumped back at Tip first and was like, yo, man, listen, Luda heard the record, he wanted to jump on it. You ain't got no problem, Tip was like, nah, shot it, man, let him, you know, go ahead and let him do his thing. So, you know, the record came out, and I really respect that record to this very day because to me it was one of those records where, you know, you got two legendary artists, you know, going back and forth on one record, but it stayed hip hop. It was nothing that got out of hand and, you know, turned into any kind of real beef, I think. Honestly, by the time I went to put the project, put that album out, Luda and Tip had, I think reconciled whatever situations that they had, so the label wasn't really there for Tip's verse. Still being on the record. So last minute I had to, you know, throw game on that. Game was like the newest edition of the G-Unit, and he needed that look for a while. I felt like, shit, game, I'm putting you on this motherfucker, you know, in regards to music and Tip with it, but the record had already blowed up and so, like you said, there's so many different versions of it, you know, I heard another fucking version of it the other day, like damn nigga, I didn't know you was on here too. Nigga, it's everybody in the south doing that monster. I remember I had seen an interview with Tip talking about this one, still wearing his hats like this, he had a grill and he was like, well, I laid my verse down first, and if I would have heard the verse that he laid, then we would have heard a different record. I'm like, ooh, nigga, he was the king with something, ooh, and then just the nigga of me was like, I wonder what he would have seen if he'd have heard that shit. Well, that's the little tip to the foolish, because, you know, even when he, like I say, I stepped, I had a stretch back out to him, it was like, yo, Ludo want to jump on it and I'm sure somewhere in the line, he had to feel like Ludo was going to throw some type of shot or say something and he could have easily, you know, been a bitch-ass nigga and he said, nah, man, take me off of it, but he laid the flow there for Ludo to come and Ludo done what he done and, like I say, man, that's one of my favorite records that I've created. Just for that backstory and that, like, that shit gonna live forever, you'll never, like, you probably never see two rappers like that, you know, like you said, that's in the middle of a lyrical disagreement. That's not what that even know was really going on in that lyrical, let's, a lyrical jabs. I think we need more stuff in this generation. Let's see, them niggas like, they ain't never gonna let that shit go and that's the worst part about it. They ain't cool. Trust me, niggas ain't cool. Niggas ain't cool. Niggas ain't cool. Them niggas is cool before they fill out. Just cuz niggas ain't in tune, don't make shit cool. I'm saying them niggas ain't in tune. Yeah, yeah, we get some money. Rappers these days, they don't get any shit. We ain't just gonna be butty-butty type shit. It's just for the, I guess, for the check, for the business. And not even a check, I guess, I don't know about the niggas situation to be honest with you, but, you know, I just think hip-hop need more of those type of competitors, though, that competitors, you know, a lot of people have different situations and having, you know, different problems with each other as rappers and shit. And, you know, a lot of it resorts into, you know, how many diamonds a motherfucker can buy more than you or whatever accolades come along with, how many records of, now, how many streams a motherfucker got versus anything. How would niggas play that shit no more? Niggas done hit a billion. Big face. Niggas, if you you lost that one. But I think from what you just said, my question to you is, is the game bred for that anymore because I think a lot of that probably was lost in the wake of people seeing what happened with guys that was really active and going to get active when it got to the point where you ran into each other and a lot of people probably ain't built for that no more. So do you think that the game is bred for competitive energy? You know, honestly, man, I would just, I would say this generation right now has kind of steered itself into having to feel like they have to match some of the shit that they say in the records. And you know, even rap in itself is just a competitive game in itself. It's like, it's remind me of a boxing match, really, because everybody fighting to be number one. No matter what, everybody chasing to be, you know, the biggest, the biggest that they can be with it. I just feel like this generation right here that we dealing with for the youngsters that you see winning and some of the issues that they have is, is, is resulted into hands on violence, but it was no different in the same way when we was there. I think it's room for, I think it's room for, but it would have to be the conflict of two artists both looking to go down that route versus then the route that we used to being, what we're seeing playing out right now. And that's motherfuckers getting killed, man. You know, motherfuckers have differences and you see a motherfucker and you know it's just about, you know, who gonna catch your body type of thing now. So if we take the bodies to the, to the, to the bars you understand what I'm saying. Even with G-Unit and I, in the beginning of at least my time amongst being with G-Unit, it was based on real life. The issues that was going on with real life issues involved with, say, a 50 or whatever. So, you know, when we had those vessels and shit like that on, it was for real. It wasn't it wasn't, you know, for the camera. It was really niggas trying to protect their life at any moment shit can go down. Yeah. You put that on record. Four folks, bulldogs, small enough to fit in the nigga boots. So it's whatever, whatever, whatever you want to do. I'm like, okay, these niggas is, but, but I saw a clip on the internet of y'all two talking to Big U and salute to him. And he was telling the story, you know what I mean. I don't know if you want to get into the actual story of what happened, but just seeing that you were willing to be as active as you were, my question to you is, as an artist do you feel like that's something that's necessary in the game now as it was back then to be somebody that was really willing to go and show that these words that I'm speaking are legit? You know, it depends on the situation in the individuals that you're dealing with. In my situation I would say, you know, yeah, because I've always been involved in real life issues around music. So it wasn't like I felt like I could resort to just allowing certain shit to go down. And you get put in certain situations where it's not just about your life, but it's about everybody's life that you will. You understand? And if, if there's any man or anybody in my eyes, if you feel like your life is being threatened, you're gonna do whatever it takes to make sure, you know, you maintain that life, you know, of yours. I love living, you know. So I just, I've been put in situations where, you know, I feel like my life is threatened. I'm gonna do whatever I gotta do to survive or I gotta make it home to my kids, home to period. And like I say, a lot of this shit is just based on the energy of the individuals that you have issues with. Speaking of issues, bro, tell me when you started teaching drama boy how to make them beats and shit. Nah, I ain't talking to you. I don't make no beats. Straight up and down. Teach me how to make them fucking beats. I be watching. I cook this shit right up in front of you, goddammit. Good dope. Right. Well, shit, let's from start to finish book. How you get in the game, bro? You got a lot of, you got a long history, bro. And people think it just, a lot of the younger generation don't think it just started with the unit. But nigga, you was putting shit down before that, even. Thanks. I was a, I was one of the ones where, you know, I came in the game the first individuals that I was, I was basically around was Cash Money. How old were you when you got in? I was around 14 years old, man, 14, 15. The Wayne didn't even had a dress, nigga. The niggas still had the baby throw like yours. Oh, where, no, it wasn't like mine. I'm the only nigga with one like mine that in this time I'm the only young nigga with this. I ain't nobody else got this. No, but. Me and Maurice White. That's it. Real facts though, but uh, you know, uh they had came to my city. We was always big fans of that music. Forged me and my circle of niggas of that. I came up with one of my partners had picked up a CD. I think it was Chopper CD in the ghetto. It was like probably one. Probably one. Big ass bullets was got there. And homie now, you know, they had that wave throughout the south. You feel me? We was just fans picked up the CD one day and partner had called. I was a youngster, you know, in the back seat. My other partners in shit, you know, they was kind of the ones who rotated my city and shit like that. So they was jokingly, you know, man, some number on the world fucker. You know what I'm saying? And called the number. It's like, man, what y'all niggas want to come down here to the villa? And uh, whatever it was, it was pennies and shit. Niggas was like, what? Y'all niggas come in tomorrow. And uh, they didn't come, but it ended up being like a week or two later, niggas call themselves trying to put a show together and shit. Bunch of Doughboy niggas. They don't know nothing about the game, but you know, get a venue, got them in the city. And when they touched down, baby was really fucked up or how young we was and really active, really active like that. So I can't, I think they really, really was the motivation for him to you know, build upon at the time with my surroundings and they end up booking a studio of my brother from another mother, little Jimmy had got in touch with me somehow. Niggas didn't have no cell phone, but he got in touch with somebody to pick me up and bring me over to the studio, walked in the studio first thing I seen was Juvenile. I'm like, damn let that nigga go right there. You feel what I'm saying? And uh went on in and it was BG Juvenile, Turk, Wayne and then the nigga baby walked up to me as a youngster first word to this very day. I never forget it. He said spit something little one and uh, like I say man, I was always, I was already in the streets full of flares just trying to find a fucking way but music was always my thing from day one. So when the nigga told me to spit, so I might have fucking uh. Do you remember what you spit? I don't. I couldn't I couldn't even tell you that shit to this day. That's dope shit. It wasn't one thing because what happened was when I spit he immediately told the Wayne hey come in and spit something. So me and the Wayne battled it out. And uh I tell niggas, I didn't win what I want nigga. He did because you know walking from that situation the next day I was getting a call from my partner saying yo baby want us to come to New Orleans with him. He won't give you a situation. So my life started basically from Cashville to New Orleans at that moment. I left I was supposed to be in school you know what I'm saying around that time with school never was my thing uh man it never was not even in like first grade I believe this nigga school was never my thing first grade on my mommy even in first grade I ain't really fucked with school man I was I mean you know it just was one of them things like my childhood was for real coming up on some you know I come from a single parent background and it was about really uh really trying to keep the fucking lights and water on in real life you know you know these rappers come through and be having them everybody got a struggle story but my struggle in my life it kind of is there for the like niggas know what I come from throughout my city I come from nothing you being so I really that's what forced me in the streets at a young age just trying to kind of help my moms get out of the situation that I was brought up in it was about hustling I was one of the niggas that used to cut every nigga in the neighborhood grass take out the trash and shit pumping gas until it before a nigga ever picked up a pek trying to do anything with it I just was one of them ones just trying to make a dollar to be able to provide but yeah man it was my journey started with cash money well baby would drop Wayne and Turk off at school and I ride around with him you know doing doing that thing just just trying to make shit happen I come from real solid circle of individuals and shit so you know even in juveniles home video the yellow Ferrari and things like that those are our vehicles we we poured them vehicles there to you had a yellow for you was 14 no nigga it was in the circle though oh basically yeah you did no wonder you ain't fucking school back bitch I got a Ferrari outside no you don't yes I did but yeah it was in the circle so you know shit like that like I say man we really really come from the streets and all that good shit and from there the difference is I can give you all of the different stories in regards to coming up with cash money but I can't play you no music where I was actually what I was there for you know my situation was based on me coming to cash money to do a deal and it turned out to be in where in my mind where I was kind of like pushed to the back not cause baby didn't want to get to me or whatever it's just that they shit they blew up they blew up so fast so you know he had to focus on what was working versus trying to break a brand new artist but I never was a tag alone nigga so it forced me to have to go back and make a decision with themself and I was you know I'm 18, 19 years old now you know these niggas is all I wanted was a opportunity to be heard let the world let the streets be the judge of me and it was just I had records but none of them was actually getting pushed to the world and none of that shit so I made a decision to come back home to cash real and start my own independent push you did what I'm saying I felt like I had built the name for my from my city by just being amongst them you know what I'm saying so shit man I went put me a little CD together back then I think it cost $300 to press up a thousand CD damn that was a good deal yeah I'm sending $10 a piece you do the mail I slowed down from doing whatever I was doing just because I've read the music started really paying me a lot of hustle the hands on money was really being more started making more sense to me because I put my life on the line for less lesser so that's where the hustle came in and just starting to understand the whole independent game and you know really pushing myself to get to where I'm at and like I say that led back to me coming with cash money but it didn't work out and I actually was with Juvenile when I ran into 50 and started my situation with G you did what I'm saying very crazy was there to be the only dude from the south in a group with some dudes from New York that shit was it's the experience just to be honest with you it was one of those things where I felt like never felt like I had nothing to prove but I always didn't feel like I got to hold my own I'm not just doing it for me but I'm doing it for the south you get what I'm saying what I come from you know it was almost like this this competitiveness that we have created amongst each other you understand and everybody wanted to kind of outdo each other but in a good way on the records so you know in that era in that time the energy was in a different place of music in itself let me ask you this like you was coming up in a time where the perception was dudes dudes from the south weren't lyrical or killed in rap and you had really had to face that like an uphill like I'm still in the game from the south that was the number one criticism that they tried to throw and like you always been a lyrical dude who went out the way to say some shit like do you still feel like they're sleeping on the south lyricism at that time up until now or what I think a lot of the youngsters now has adapted a lot of other things than just the lyricism for us from the south you know we dress the way we dress you know what I'm saying we shine the way we shine for me in that time it wasn't about the other things that now put you in front of this camera and you can kind of blow up other than actually being able to have bars you did what I'm saying and I felt like it was a point of time where we didn't get that burn that play from the east coast that we really deserved as artists pimp see used to be very very outspoken on that situation country rap tone rest in peace to pimp he's one of the first ones that I made as well as a youngster trying to get my ass on nigga your childhood was better nigga had a man with game man pimp see he didn't jump off the bus with cash money pimp see pumping gas what the fuck you doing on that tour bus man you got here fucking with the rap game man it's crazy because rest in peace to my partner biz man he's no longer living he took me to pimp see house and I was honestly it's crazy you say that because I was 15 to 16 years old and he brought me to pimp you know even while I was still amongst cash money but we were still kind of moving around and just you know feeling this rap shit out period and when he brought me to pimp pimp said something to me that stuck with me and still stick with me through my whole life and career and then pimp said I can't ask no nigga to star biz and that right there was one of the realest things at the time I was kind of like what do you mean he can't ask me to star and then he told me you know what I mean he was like you dope you gonna get the way you gotta go I just will be asking you to star because we're dealing with our own situation right now at the time they was going to shit with jive and shit you know what I'm saying so that led me to you know what I'm saying respecting him enough to to note it he didn't take advantage of me being young and naive to the game and just run me down the loop he gave me real game that shit right there made me you know know the difference because I ran into a lot of bullshit at the same time when fucking selling you dreams and I was, I was negative about some of them soul dreams too that's when I was about to ask you next crazy thing when the MC houses didn't know what to put me out I'd have been the bad one with that nigga furrow man let me let me come to my house he's the bad one I got a damn furrow in the mirror what was it about you as a youngster that made these old hustlin ass gangsta ass niggas take you everywhere and let you be a grown ass nigga amongst all these goddamn hustlers hey I'm Carlos Miller and if you haven't heard blue chew is making waves and bringing more confidence to the bedroom by offering trouble tablets that can help men get stronger and longer lasting erections blue chew is an online prescription service so no visits to the doctor's office no awkward conversations and no waiting in line at the pharmacy and ships right to your door in a discrete package blue chews tablets help men achieve harder stronger erections to combat all forms of erectile dysfunction blue chews license medical providers work with you to find the right ingredient and strength for your prescription and we've got a special deal for our listeners try bluechew.com for free when you use our promo code 85 South and check out just pay $5 and ship blue chews tablets are made in the USA and they prepare and ship direct so it's cheaper than a pharmacy and it's bluechew.com promo code 85 South to receive your first month free and we thank blue chew for sponsoring this podcast I mean shit I was one of them too you dig what I'm saying and shit I ain't look like I was young and I used to put it this way man I look like a grown man I look like a grown man full beard he twirled but he's sick and everything you don't smoke as young as you trust me but I no coming from these streets and shit like that it's just they can see something in me and that's what got me to really where I met now is the hustlers is the is the older guys that seem more than just me being in the streets you know what I'm saying even though I was in the streets I still had these older guys that was in the streets a little bit harder than me that didn't want me to be there they didn't want me to go down there and they knew and felt that I knew how to rap so you know whatever connections or whoever they know they was just trying to give me some different and the shit end up paying to what it is now you know so at what moment going through all of that that you just went through at what moment did you feel like I'm here I finally got here I did it oh man when 50 gave me my opportunity of being amongst the unit you know the first time I honestly truly felt it was when I had got that call from Shaw Money at that time and he was like yo 50 want to put the bloodhound record on this give richard die trying now that was a record I already had you understand what I'm saying 50 basically got that record kept my verse on it you know what I mean and put him a couple verses he shit on the record sung the hook that was already there put me on the album but when Shaw Money was like yo nigga him loves the record and he mixed me I said who? and nigga it was like him loves the record him actually mixed bloodhound and now that moment right there like I say him was the fucking like he is now you know one of the gigantic into this shit and I knew then that yeah I'm finna go I'm finna I'm finna make the best out of it I think the icing on the cake out of all of that shit was when we when I when I got that plane ticket to come to LA and record you know and I happened to be in the studio recording in LA the first time that me and 50 now have basically had in the studio to record we started immediately on the G-Unit project and one of the first songs we created was G'd Up and that track was produced by Dr. Dre so it was like I was in the booth doing my shit and I was you know thinking some shit to say and then I heard motherfucker was like yo sit like this and I was one of the niggas like nigga don't tell me how to say that I don't know how to say it nigga I'll be there so who was there who was there but when I looked up at nigga Dr. Dre was leaned over the big ass board looking at a nigga directly I'm shit man how you want me to say it niggas I'm talking about how you want me to say it bro like but yeah bro to actually be in that circular with Dre and him you know it's just shit that I cherish to this very day like you know that was that I've arrived feeling you know what I'm saying it is so when you started recording you know I mean welcome to cashville I'm not just saying it's you here that's personally my favorite solo record of all of the GU's it was you and Lloyd Banks but then as I listen to it now I identify more with that record so when you started to record that was that your first time ever going in and saying I'm recording a record that's mine thanks it's crazy because my process of making that record was different than what was going on through G-Unit at that time you know going off into my solo I had already seen the processes of how 50 created the get Richard Dattran to beg for mercy and then here comes the solo pause and I just said I'm going to do something that everybody else wasn't doing so I told Shaw to start giving me my music on a CD without me knowing who the producers was I want to pick the music for the music instead of actually picking the producers from the name you know what I'm saying like and that right there was one of the methods that you know what I'm saying I still kind of follow today of course we ain't got CDs but what I I was about to say ladies what I got from that though was the fact of when I created straight out of Cashville I had no idea who the actual producers was of the record so once I made you know when I'm getting to the end of this tape I started going and seeing who produced this who produced that and things like that and realized I just created a whole project with pretty much guys that didn't have a big name you understand so I put a lot and gave a lot of producers that was trying to be heard a shot by just having that method as well as kept my goddamn budget low you feel what I'm saying and created one of the most low budgeted records that was done in G-Unit period in the sense I was able to recoup offer that whole album in the first two weeks you did what I'm saying straight up straight up I'm about to say speaking of producers speaking of producers speaking of producers speaking of producers we got one of the coldest producers you know what I mean I mean some of the best beats that you ever gonna hear like and from now for those who don't know give a couple of them they don't fucking be knowing but they don't be knowing until you tell them what's in my pocket though big face big face stop playing with me I'm right around I'm right around you know what I'm saying you gotta know that you can look at my dad you can look at my dad whenever no love I've seen a Nicki Minaj shawty t-pain we come in the game oh no hands you know what I'm saying you got classic records we poppin Birdman we poppin NBA young boy are you definitely buying the rest of everything you know what I'm saying first record Elville coming up with Goddy you know what I'm saying I did four records on the life album then we follow up back to the basics when you see me shawty poppin, colla, day, holla been a long time coming in a lot of dope running trying to dodge the KC ten and C ten and C go back to the basics you ain't true to my life ain't true to my world Chris white girl man the niggas get the status on the goddamn couch my glocks they cock rocks in a magic box that nigga went crazy and you was in your bag too I was like you know what I'm saying when I bumped into Goddy for the first time the niggas is just made niggas and you ain't failure by the time you grow shit your ass down damn these niggas out here waitin' to have drinks ten and C was on the second go round about something then 17 I jumped up damn we was embarrassed elementary school with the Lamborghinis and shit I had a bike I had a work haul I was like when I'm telling you I came up under R.R.P. and Sian Wang you gotta understand my brother 14 year older than me so a nigga who cut her, chop her you know what I'm saying got all the chicks you know what I'm saying you got the whips got the clothes I'm wearing big bro this the first nigga I wanna be like walk like talk like all of it you know what I'm saying and it's a cheat code cause he doin' beats for teal you know what I'm saying so I'll say bro I got some shit too you know what I'm saying you know what I'm saying you know what I'm saying do a lot of things with TMT he was the manager for teal he was like man come on man play something you know what I mean I end up playing 5 beats end up with 3 beats on teal so because my brother gettin' 2500 to beat I get 2500 to beat that's 7500 3 beats I did Tennessee we wangin' and uh Tennessee 23 we keep it clean I ain't Tennessee in a land of good and good at Tennessee bro that's me on the hook I'm fuckin' 17 18 you know what I'm saying this is my first song on the radio so this shit took off we had the Tennessee tights and blah blah blah you know what I mean and I put got it gangsta boo criminal man teal bro I don't want your haystack criminal man you know what I'm saying haystack one of the most slept on rappers in the whole 5 5 man that Tennessee connection you know what I mean like you coming from Nashville you coming from Memphis like y'all Tennessee got a strong culture man even to this day some of the hottest y'all niggas Poo Shiesty you know what I mean out of Memphis you know what I mean 7 in my urrs man I'm cool with his daddy you know what I'm saying I'm gonna be all the way solid with y'all I give a lot of credit when it comes to cause I'm from Nashville and he from Memphis we three hours away and it's always and it used to be probably here and there where there was this separation between the two cities okay we didn't really just get along like that it was one of those things I think was breaded from the penitentiary it's everywhere every city like that it's the same way everywhere you go like DC and Baltimore niggas we call them niggas country type shit we all country but one of the records that really broke the mold and kind of bringing us together was the state fly record me A ball and MJG Juicy J and DJ Paul did that record was bigger than what people know because it was the first time where we had somebody from Nashville and you came right up on them and I'm nigga to you let me smoke for free now we know why they can plug all the way in I don't want you to bother me to get together the city they love to hate so I always try to bring that unification in let me mix this shit up you see what Atlanta doing I always look at Atlanta like they got this shit downpacked how they blend and merge and make this shit everybody eat I just implemented that even with my city coming out with came up with Dauph but still introducing Dauph you know what I'm saying just mind working with Jesus I first heard about that A plus I heard Buck tell him the crazy story about how DJ Paul sent project Pat to pick you up big deal thank you bro we got a lot of shit we're back to the 85 stop show I don't know what you had but right now we talking some real motherfucking pimp shit rap shit Tennessee Titans over here we got young buck drunk boy he really just running it down but I gotta hit his story in person you said DJ Paul sent project Pat to pick you up from where? The Privates that's the only person who could say we're in the project hey project Pat which one? I got it what you know is crazy he was riding with that nigga name was Lou Buck and his name was Lou Buck and it's crazy about how that situation happened because I was actually with baby when I met DJ Paul I think we was on some type of tour at the time and we was coming through Memphis and baby was like yo nigga this is what I got coming you did what I'm saying and buck come and spit some for these niggas and I end up spitting and Paul was like nigga you from Tennessee nigga I was a youngster so you know when my situation was like I say I was kind of moving around one day I had got a call because I had kept in touch with Paul and he was like man I need you on this record and I'm like what? he was like man I'm Pat from to come pick you up and that's like three and a half hours away he was like he was like what you want me to tell him to come I said tell that nigga to meet me at the Burger King Park a lot across from Joe Johnson and hell yeah he pulled up in the black navigator man Pat was of course big as fuck at that time and it was like man I rolled back to the fucking Memphis with this nigga and like I say it was one of the dopest experiences as a youngster that I had you were mad to ride back with project Pat he was like he was like all the truth he had no license in the car who's son in the back look if you look in the car so you know I got a strap he was like you know what he's my hobby man know who's smashing out throw the little boy out the window I don't know who asked him out not the little boy driving because I'm shooting out the window bro I don't know who I didn't hit but I didn't know what killed the whole then at the end as always then we made a safe lead with the project they ain't tell a story to the stands by the counter loop that's the best thing you like about rappers bro when they tell stories they're your favorite rappers when you listen to them she pay attention to them bro I guarantee your favorite rapper he tell you a story there you go I ended up dropping a record from that though he came and got me a lot of people don't know I was on the hypnotized pysosong he was like 20 niggas on the goddamn song but he Paul heard something from when he had heard me rap for him end up giving him the opportunity sent the nigga Pat to pick me up we've been locked in ever since bro to be silent with you it's always to have my back like drum you know through my ups and downs and shit like that bro all these different things I done been through in the game you know them two of the ones that sideways gave me that motivation like you gotta keep going you know I mean you gotta keep doing this shit he make a history right now bro he just he got records with Gucci and Jesus and that out of all the verses battles that didn't happen I feel like that one was the most impactful you feel what I'm saying to see it performed I never thought that would happen for real now being as though you both of y'all for this for that matter you then got so much rich history with so many artists was there any point where you realize you were one of the people that you grew up being around for artists like did you ever had that moment where somebody came and saw you and was like oh shit young buck and you ended up helping them and giving them the same game and a lot of these guys and getting you big facts I watched this shit happen you know with me and numerous artists man I love seeing little 42 Doug do his thing me and his father you know come up in the streets together and you know I remember 42 just being really in the streets and really really trying to find a way you know what I'm saying and I never could present no kind of opportunity to him for me being and going through my own thing but I watched him and I would tell him you know you got this shit you don't do your shit you know what I mean just stay down just keep pushing and to watch him you know walking to get his situation with with God here even with young dolphin his producer Ben play I gave him you know his push to the game in a sense by just giving them that opportunity to rap on his tracks you know I was going through so many different situations where he was a youngster that was like almost understood the fact of you know I scratch your back you scratch mine so it was like I'm rapping on your music and I used to always tell him you know if if opportunity presents itself take advantage of it I'm trying to give myself through these contract issues and things like that and now he's producing you know multiple hits for young dove you know what I'm saying so I mean I can go on for days bro it's just like I've always been one of them ones that has never been stingy with giving the knowledge I don't call it game because games is meant to be played I give them a for the true honest knowledge of what I've learned and try to give a personal honest opinion you understand to whatever they looking to do whether it's something that I like or don't you know what I'm saying I just try to keep it as silent as possible you know with these dudes because and keep it where you know some of the same people you see going up man you don't do this shit right you'll see them same people on your way down so I try to not burn no bridges and shit with niggas and shit and keep it silent but the way this game is kind of built you know you have a lot of times a lot of people getting positions of power and they tend to either forget or don't acknowledge what got them there so I just try to stay you know as humble and just stay as focused as possible and that's what I would encourage a lot of these dudes that's come from nothing or something and getting positions of power you know just you know take your blessing and for what it really is is a blessing you know to go from point A to point B or finally get the way you're trying to go but just don't take it for granted yeah we see that shit dudes take this shit for granted you know through all the downs that you went through though you were just speaking on that what kept the game from souring for you you know what I mean like because through all that you didn't been through that the public didn't see you go through let alone what you didn't been through that you ain't and don't nobody know about what kept you still saying fuck that shit my children you know what I'm saying it's my motivation I got good solid brothers like drummers you know what I'm saying individuals like you know they know who I really am outside of being pushed in the public or have been pushed in the public and I found myself at one point in time trying to fight public opinion with a lot of bullshit and had to just realize I'm never going to win that battle so I'm typing nigga where with a lot of this shit you know I've never had nothing to prove what you see is what you get who I really am is who I really am but I've been in front of a lot of shit that's been tangled and twisted and I try to be the one to untwist this shit because I stand for something and I realize man I can't it's never going to work that way so honestly letting go and letting God in my situation has got me you know why I'm mad outside of just having damn good music quality street music consistently you know it's always I've always felt like I haven't got my just do you know I haven't truly felt like I've got my just do as a solo artist I've been blessed to have a platinum album you understand what I'm saying and you know platinum albums by being amongst the group but me as an artist I still got so much more to offer I always look to rappers almost a stepping stone to get off in this shit that I like to do or want to do movies and different things like that so it's just so much more in the game that I got to give need a cookbook man audio cookbook it's a fucking young book two motherfucking eggs with your heart here cook a butter in the skillet you don't listen to shit nobody did let me produce it speaking on what you just said about public perception piece of nip I heard a nip quote where he said you know he read something and said would you rather be at war with yourself and at peace with the world or at peace with yourself and at war with the world so you know what I mean I think that's something that you know people need to listen to because from somebody like you who went through so much bullshit publicly you know what I mean you pick whichever situation you want to say you know what I mean you know who you are and being content in that is something that you need to fight and it's ever been when you first got in the game niggas say it's something about you it might take you a couple days or weeks for you to even hear what a motherfucker said now every time you pick up your phone and you know it's right there in front of you you know what I mean it's right somebody with the same bullshit I mean like I say man I know who I am and I also know I'm not perfect but I've learned that I put myself in certain positions to have to deal with a lot of bullshit and I just learned how to kind of channel figure out on correct and my wrong versus trying to figure out how to correct y'all so you dig what I'm saying or whoever feel you know it's any kind of wrongs I'd rather focus on self and see what the fuck I did or what I'm doing wrong people gonna say and do whatever the fuck they want to period everybody ain't meant to like you don't to be like by all you motherfuckers anyway I need some of the hate the hate is like fuel to my fire anyway so I just learned to like I say focus on doing what I gotta fucking do and in turn a lot of the negative make it work for myself you know what I'm saying because a lot of times I've realized you know it's a problem when they're not talking about you you know one of the things that I will say that this project that me and drummer boy got out right now back on my buck shit volume 3 it's a little bit more than just a solid project we you know charted at number 6 you dig what I'm saying through our iTunes and the steady more rising and going and all of that good stuff but one thing drummer told me about this in regards to all of the bullshit that like you said I've had to you know endure and go through he said buck man you know this is kind of more than just a fucking solid ass tape we showing niggas brotherhood you know we bringing that brotherhood back to things you know what I'm saying because you know when it's really your brother you dig what I'm saying whether he's up or down bro you're supposed to be your brother you know what I'm saying and that's one of the things that stick to me in regards to what you're getting when you get me and drummer boy you know what I'm saying together it's not just about him being a dope ass producer me being a dope ass rapper it's just more to it when you got real life shit that come along with me and shit like that you get me here from this latest project that we just dropped drummer boy what was your process putting this putting it together I just got the phone call like you know what I mean like what you doing nigga you said nigga cooking heat you know what I mean I was just so if a nigga just randomly called you you'll just be making brother shit hold on he's just up here making some of the best shit you know I ain't even any time 615 call me it ain't to me the people call me from 615 to be honest with you it was a new number and I knew at some point bro was gonna call me through everything that was going on you know what I'm saying so you know shit I seen 615 just pick them off a girl I knew it with that nigga you know what I'm saying pick up the phone shit what you doing we ain't cooking up what's up nigga you good you ready to shake that shit off you know what I mean like I'm an uplifted bro I'm a big brother I worked at the wire of CA I'm from the volunteer state yeah yeah you know what I mean when I was 15 I started a Goodwill chapter like we had to bike back back we was buying back bikes for the children in the community so they would have a sense of self worth to know what I ain't like to sell for cash my mom and my grandfather was a principal you know what I'm saying so it was like a lot of shit that I learned from him on like just how to beat their beauty and help people figure out what the fuck they got going on cause you know what I'm saying sometimes it can be a lot of shit going on not just a producing music you're producing life it takes something to produce that to be able to first thing I'm going to do is listen to your music I bet what you got what you been record he played me some records he got down been doing in Nashville just so I can see where nigga mind it you know what I'm saying we see what the story is so how we gonna tell that motherfucker and him he picky is a motherfucker gonna beat so you got to come with you want straight trap hard shit did you know that he thought you were picky I did yeah I'm picky I did shit nigga how do you go give me my knife nigga no no no nah damn give me the knife oh I'm picky huh yeah nigga he want the knife don't give it to him but that's what you want bro like GZ till they specific you know Drake shit a lot of niggas that I don't work with they very specific on what they want they feel a certain type of way you know what I'm saying if you angry if you mad at the world you da da da da bro you want some shit that matches how you feel you ever have a gangsta nigga like hey bro can you put some little horns in there hahahaha when we first started I was mad at the bitch I feel like I'm a little mader now I don't have no problem you know what I'm saying like at the end of the day you got to look at it like I'm going to work for hire so I work for you I dive into your world bro you know these new rappers being on pills and shit ain't big bro you can put some doves in there and I'm putting the motherfuckers in there and I just want to hit a wing and then she going to say the hardest brother put the gold that's crazy and then she say I want to hit a bird I just want to hit a wing we did that I forget the name of the song but we did it with Gucci I remember it was one of the Ferrari boy songs we put the chicken talking some shit that's hard you got to you got to you got to had to loop it now man honestly though the process especially with creating back on my books I give drum a lot of credit I tell them you should be drum boy aka the conductor because he's one of them is where I may have an idea of my head when I'm listening to the beat he make that shit from the future listen to that shit that he was naming that he did that's that shit that don't never get old that's that real even if they make music so I tell this nigga that's dope look at that with that in there it just told me something they're standing ovation yeah nigga had to tell them that shit ay ay ay put some claps in that motherfucker nigga not regular claps I want graduation claps real quick though that's another do I will tell my picky bro the night before jesus turning in motivation one on one trap motivation one on one I'm turning in he calling the shit out of me bro what we gonna do with this beat I sold the original beat 6 months prior you know what I'm saying so I got down took one verse I stay in stone mountain I'm driving to patchwork you know what I mean look for the 30 minute drive pull up with the first verse I gotta redo the beat he said you gotta come get the aqua pose so I redo the shit go back he ain't fuck with the first verse you know what I'm saying so I gotta drive back stone mountain redo another beat pull up with the second verse that ain't it that's close so on the way back you gotta listen to the whole trap about mixtape shit and I noticed it in every goddamn beat he had horns in that motherfucker so I was like alright big that's the first sound that I goddamn did and I came with the horns put the claps in that motherfucker that should sound good with the hey jesus I know you're the snowman I came back I came back to patchwork it was about 6 in the morning literally wrapping up the last mixtape coach K in there you know what I'm saying and bruh that was literally the first time I heard jesus say before the atelier when we came out swear to god you know what I'm saying and that was my first plat on plat here we go well the lesson in that motherfucker story so deep I told you this nigga make nipples you know man like even like I was saying I processed bruh I'll have something going on in my head and I just didn't learn that you know whatever it is that I'm hearing drumming what you hear to this beat and he'll give you a fucking melody or something that you just wasn't it just wasn't there so I'll be like damn you know I put this with what I'm already thinking too you see what I'm saying and that's how a lot of it get created I just like to hear his input outside of just making a beat because you know motherfucker be having these different melodies and shit that's producers and shit going through their heads and sometimes the melodies be totally different from where I'm going at and I've been able to implement a lot of it into what I'm doing too that's where the whole collaboration part that's like you said you good at what you're doing he's great you know y'all both great in your own mediums but it's like when y'all coming together that's where the creativity flows it ain't just seeming to be alright rap on the bitch and now we got a song it's like you gotta collaborate and say nigga what you feel like nigga need them dubs hold on and that's literally what we do that's what we've been doing from the gate when we came in the game like it was you know a lot of people do the shit that we've done and then doing this with three of us being on stage it's never rehearsed it's just we get on stage and we just and collaborate like he said melody is something I love I love melody man that's one of my big things I'm a music connoisseur but melody is something that's something that's major that type of shit and that's why like for example young thug is one of my favorite artists I think that nigga is one of the dopeest he's incredible my nigga just because of the sounds it's like that nigga is dope to be able to do that is like and then to do that on your own is one but to be able to collaborate with somebody else who has a whole another pocket of whatever they thinking about and you be able to bring it together that's when you make some dubs on that shit man put them wings on that bitch man put them hocks in them all for real so like after this project now that you done that do you still have the desire to like you said you feel like you ain't got your just do do you still want that superstardom yeah man this shit my fire has never burnt out it might have went low but it's never burnt the fuck out this shit lit me up to the point where I feel better I feel like I'm grown even better than I was even in my you did what I'm saying which was my younger years I don't see no fucking retiring and all that shit for me no time soon don't retire fuck that they always want to give it up they always want to wrap us to retire nigga Mick Jagger 97 years old come on everybody it's important it's important I'm playing on duty like that you're still here everybody put your hands together do you remember this song cause I can't fucking remember you did we don't only not hate that about it if you remember the words sing them I'll play the song you know what I mean I hate that about hip hop we are only as big as the genre it's more grown niggas than young niggas it's like as big as the genre is it's always like all that nigga old but any other genre music you see the country artist and mother could be performing for 50 years you know what I mean and selling out crowds and still it's space for that for hip hop because we create the music that creates the climate of the world but I think we do it to ourselves as connoisseurs where we just automatically say oh young buck all that nigga we're with G no more yes it is motherfucker take a listen you know what I mean it's still something that you can gain cause every job site in the world got at least one nigga who still wear G-Unit jeans it's a nigga who got up this morning and wore some G-Unit jeans oh it's a nigga right now running tank tops right now he took it out for some bitches it's tank tops it tank tops was a motherfucker I wasn't putting that up I ain't never seen a union I wasn't wearing a tank top that tank top was strictly 450 nobody else he made that tank top just for him it was a union that 50 came with the union tank 50 top you feel me 50 tank shit that I can proudly say I never I was actually it looked like a field goal even when you looked at it honestly I just didn't fuck with it I didn't fuck with it tank tops feel me that shit was just straight up straight out of a skin graft yo that nigga is crazy but the sneakers though nigga I ain't gonna front the G-Unit sneakers I fuck with the sneakers crazy bro I remember one time when 50 took the deal from us man it was like we had got like a quarter million out of Reebok in regards to me and other members of the group 50 basically put us in the mix it was his sneaker deal but he worked his hand to kind of get us a situation out of it well but the problem was that 51 I'm about to say y'all wasn't wearing them nigga he said he wasn't wearing them nigga it's when Chico we was wearing them I wear them every got there man nigga gotta go to the bad dude take a shower with these motherfuckers Reebok for $250,000 I don't throw away all my other shoes I ain't I ain't I ain't I ain't I ain't I wasn't hard bottoms on them bitches and wearing them in the church it's me 15 years nigga with another bad shoe man it's just man for no fucking reason no that's a reason you got over Jordan to my nigga you can't even dump what the fuck is wrong with you wearing them bitches when I think when I think about this shit I just wanted that shit it took you this long you was dead in this room why the fuck was I wearing them goochies bro they didn't give me no fucking $200,000 bro ain't no way in the world you got a fucking you got money I still wear them bro ain't no way in the hell I got to wear them fucking shoes to church I was gonna judge a lot of times anyway you ain't never just nigga got a where these motherfuckers nigga got a where these motherfuckers everywhere shit on the back of the motherfuckers out the shop what's up champ you know what I wore I don't take my shit off nigga working in a hospital with them if I work these whippies I'm putting the slip resistant bottoms on my motherfuckers I'm not wearing nothing but the G you think it's restricted I'm talking about the thing about it is a nigga might have a mouth when ain't nobody around and this nigga know a nigga ain't got a mouth you feel nigga nigga in the house bro just trying on shit you ain't got some goddamn the G unit song huh no let me put these backwoods right here you did nah fuck that I had a you all seen that clip with Dr. Dre with all them Air Force ones that have been me with the G unit nigga that's it everywhere I go nigga everybody you can't come around me if you ain't got a morning we all smoking backwoods but nigga you had y'all own shoe like that's a dream ain't your own shoe that's too good wait till I get mine let's make it bust out boy I don't give fuck what company it is niggas a coney come on with it I don't give a fuck coney nigga who else who was calling people niggas tell them to call me any company that ain't got a trouble calling them niggas niggas if they want to fix that call these niggas hey nigga you get the pepperoni on the tongue you can take it on put the sausage on that motherfucker boy we'll make them bitches go come on man y'all you done lived a lot of hood dreams already man so I know you say you don't feel like you got your just do but over here we like to let niggas know who they is just in case they might have forgotten you cold and legendary nigga they got to put a statue up of you and cash I actually know what I was wanting to put that motherfucker up in too in the same parking lot project pat picked you up oh my mama you gotta have a plan you just put that motherfucker right in front of the fucking what we just got a big museum just honoring all the african music and shit around throughout my way african-american museum this big shout out some of the hoods in nashville oh man we got a basically size east south side west side north side that's all of them you know what I'm saying basically it's lit out in the floor you want to it's a north side it's pockets all in between that shit street names and shit like that but uh we fuck with nashville whatever it is it don't matter how many shows it is every time we come every time we come I don't know if it's the same people or what my last show before the pandemic was in nashville that was the last show I did machete 2022 shows on a Sunday night they sold both of them bitches out I didn't work again in the whole 2020 thank you nashville believe it you know it's a thing about where I come from nashville is that predominantly we known for country music you know what I'm saying but if you go you know a mile in any direction there you go you go a mile from any direction north east south west you're going to land in a hood you did what I'm saying and I know there's one thing that shocking white people too is that niggas be going all that country music shit I don't give a fuck we ain't up you two of them fallin' cakes you talkin' back turnin' their handwigs up exactly you know it's just things like that me being basically one of the the only artists to actually sell a million records coming from them at this point it opened a lot of doors but like I say it's still a lot of doors that's gotta be broke down like I was speaking on we got an african-american museum and we got slots of every fucking different artists and it ain't even a fucking slot of mine like how y'all gonna have a fucking african-american museum of music and don't even have the individual the only individual that come from the city somebody old probably googled you no, that boy got to fight down there every time I see this motherfucker he's snatching somebody he was down there with 50 Cent in him and then some happened with Dr. Dre in him and we just don't want to get caught up in all that mess there you go it's just a politics he's about to give some of them oh mother fuckers out of there it's somebody new mother fuckers it's coming though trust and believe cause you still out here laying down on the planet groundwork and still laying down back on that book shit you still doing it so you still laying down the foundation that they gonna have to respect cause a million or anything is a lot I don't give a fuck what you say this nigga sold a million records when they cost $20,000 when you really had to go stand outside in line to get that fucker when they came with the book in them and you get to read and see the pictures and shit see that's why you wonder why the fucking tour is there man about to be almost sold the fucking out my back on my book shit tour is being booked crazy you know what I mean to any of the promoters this tap in try to get you a date you did what I'm saying we kind of really been really this album this tape is just kind of lit that flame back up I actually dropped it a tape a week before back on my book shit volume 3 two tapes on the charts the other one is titled the vaccine you understand what I'm saying the vaccine oh shit you just gotta get it we just don't want to get caught up in this mess we make sure y'all go get the vaccine I'm talking about the music I mean you gotta get that you can't even say the word you better use virginity get the virginity but yeah bro we actually about to run around the world on the back of my book shit tour you still excited you got any features on hold you got any features back on my book shit volume 3 we got a few features on there one of my favorite records is with boosie like he said Burner shout out to Burner and shit and all of the smoking that motherfuckers doing right now shout out to him and his brands Sada Bay Chico was the first nigga that put me up on Sada Bay in real life too I fuck with T Grisly and Sada we actually got a record that we have recorded and put them both on the record you don't put that shit now at this point yeah I mean well at the time we recorded we were rocking together it wasn't nothing that I put together none of that but yeah man that shit is dope even with the record that Burner's on him and Scott Storch produced it that was something different for me you know what I'm saying drummer boy and Scott Storch collaborated you ain't L.A. you're like I'm out here I have been working with Scott Storch people here about it is a fuck that's crazy still got all the money back you got to be a bad motherfucker to go through that get all the bread back so salute the Scott Storch still can't believe it my singing with D'Rez DeShawn D'Rez DeShawn told me three days straight we did 12 beats that mix tape he did with Slim Duncan still one of my favorite Joyce man that what's the name of that song off that mix tape yeah I know man that this shit crazy my life is amazing and putting on yeah that's my shit I fuck with that D'Rez is a solid dude bro I really appreciate that boy music as well I tell you one of my favorites well he is my favorite artist in rap next to Tupac and I plan on you know working with him and I always got to give him this fly I give that scar face now the general is over and all the tears are dried up niggas in the back getting fired up ready to pull the pistol on the nigga that smoked my homie now for an asshole now your life is what you owe me me nigga I just feel like faces that nigga this is my favorite scar face nobody knows my name they only know my face on the gorilla my nigga they call me scar face I was like that's your name then face face is one of the greatest especially from the south man ever but for us period I just feel like face is one of the ones that is one of our our real deal profits living profits a poet man I met this bitch one time I had to fuck this bitch one time that nigga said that I met this bitch so fine I had to fuck this bitch one time and in my homies man in my homies is one of my favorite joint I started small time dope gang cocaine then the rocks on the block I never broke man I got a pocket full of stone I got a pocket full of stone UGK now is just like always been like I like I say these is my room would kind of create what we got going on with punk I always bring up a ball when they start talking about lyricism a lot of these youngsters man you bring up some of this shit they like it ain't they fault that they ain't never heard not at all not at all it's for us to educate take the time and go listen to this shit I'm talking about some shit that's real life that's sticking in you forever I'm talking about cause I'm from the city I'm from DC we was influenced a lot by Southern music cause we had go go we had our own music so a lot of it was influenced and you know just the streets they was talking about the shit that was going on so we was little boys in the basement listening to ghetto dope and Scarface and UGK and all these different people and you know what I mean when I hear people say that the south they got no lyricism and they ain't got no you crazy as fuck you ever heard these niggas on these records they telling real stories so much drama in a nigga life I have to take the scenic route home I'm not afraid of the dog just what the dog has killers with their face masks trying to get my safe cash if I catch them should I blast nigga hell yeah cause if they catch me up in that shit I'm a dead man this nigga ate all the gold and then like you was talking about Pepsi the way he kept murder is one of my favorite top 3 verses ever nigga the way that he came on both of the niggas went crazy that's one of the best songs ever still Pepsi bitch so what the fuck is up putting powder on the streets cause I got big fuckin' nuts coming back and we's anna in a flea wood lat I just serve them niggas shit to put their things on their back got the pounds on for both cause you know I just think too nigga bulk 30 from me so I'm frontin' for it too nigga prophecy I'm gonna time 62 2480 is what I get so nigga fuck what you do if I told you cocaine numbers you would think I was nine youngest niggas 22 was talking about they retired man sign this nigga right now I'm telling you that but he was talking about you niggas he was talking about they retired he shoulda put that in the verse I know we niggas both team with a yellow Lamborghini bruh yeah we're still to this day ain't heard a rapper be obliged nigga MJG the first nigga to be obliged I be obliged if you step outside I'm not coming after that whatever that nigga got outside let me show you how cold MJG was this niggas said heat from your feet keeps me warm what woman you know got warm feet nigga that nigga was laying so much yeah now niggas she mighta took us socks off no niggas women feet be fresh fresh coming up off the socks niggas said he would be obliged if you step outside man I'm talking about that was real pimping real looking easy money pimping hoes and stuff ain't that what y'all do man same man the first nigga song I ever loved in my life was the original looking for the chewing looking for the chewing ain't probably looking for the chewing and that's what I be doing come on bruh skinny niggas it's in the house it's that shit niggas live north niggas area it's certain niggas that we niggas have to charge it like project pat I met pat in the airport man this niggas talk for 45 minutes standing at the luggage joint they got both our bags just spinning around but you had pepper shit did that shit really happen that hot summer night when you was kicking it with poncho niggas it just those records really impacted wait till you listen to Tom ski mask you didn't put me on the Tom ski mask man dead man call endo G little blunt endo G now when I die remember me by the time I first shot the wound 1973 endo G he just put out a remix Michael Jackson I was going to smell some gang gang man that's your hardest moment you got two more verses to do bro can you know what's home I never needed a loan this niggas is crazy man I gotta go check it out see this is the funniest shit ever fly be gone mega blast I gotta smoke that's that old shit that's one thing I don't think the south get the credit for the influence that it's always had on the Sam even back then even with everything that's why people like Jay-Z I respect Jigga because he was one of them dudes that was the New York dudes they had it, him, Noriega all them dudes that was fucking with Southern Norie always been on Southern like he always did features with Southern rappers that's why I think that niggas don't even realize how big his fan base is in the south I've been running shit now for 20 years I know Norie for a long time is where I met Norie back when I was with Juvenile on the come up trying to make it man you gotta write a book I know I started writing I started writing a book in the penitentiary you know what I'm saying I had a I want to capture my experience by being a celebrity behind the walls that's the actual name of it I ended up going to the federal penitentiary I bet you walked the main line didn't you you better know it there's no other way for me like I say my experience was a little bit different because I did it backwards you know when I was really in the streets doing a light you know what I mean I was blessed to make it through but then once I became a fucking full fledged celebrity I found myself waking up in the fucking penitentiary you did what I'm saying so the experience that I had from prison was a little bit different because everybody knows who you are you know regardless so you know some mother fuckers fuck with you and some mother fuckers don't you did what I'm saying I hate to see you making stoke every time exactly again who did you make the shit from last time more dedication they got stores everywhere you're making big stoke every week spray it every day but the impact that I did do I'll share this with y'all real quick in prison that I really cherished myself for was being a person like I said I had school and education I fell in there I got my G in prison and all of that you know I'm serious and I actually motivate and do some things that I realized from the guys in prison that's never been done a lot of older guys my cell had you know 40 some years he's 20 some million already shit like that but I know this started noticing the influence that I had on the prison period and I got smart enough fast enough to start bringing my energy towards the wardens and shit like that to try to get them to do things that they had never done and it worked I was running into so many different artists in prison niggas wanted to rap niggas the coldest niggas I've ever heard in my life is in prison no cap I heard niggas in prison that was so cold to the point where I had to figure out a way to at least you know some of them had life sentences some of them had so long that you know you don't know how it's going to play out for them but I knew I had an influence in prison so what I did was reached out to a couple guards and shit that they used to be solid enough for me to at least try to get something going and they actually let me start having a music class in prison and basically I was getting I was getting all these guys together that was niggas that would come and want to rap for me and shit like this nigga cold this nigga cold and we were able to put together a talent show a whole show in prison and men the warden had green lighted on allowing us to do this on the actual basketball court on the yard of the prison they brought in fucking cordless mics and big fucking speakers like concert speakers and set it up around the actual basketball court. That bitch was cold as fuck those niggas rap about wild shit my throat is always clean fuck that and I ain't never had to watch my shit in the sink bitch ass nigga this shit was crazy though man because you know you got a lot of gang politics a lot of different nationalities and different races and individuals but it was the first time at least the prison that I was in y'all's new federal penitentiary where you actually seen everybody on the yard it was so bad that I actually come from a prison where it was a compound and in the federal prison you have lows, mediums and the USP max they basically had to shut down the medium and the USP to have enough guards to come do the talent show because everybody had came out on the yard and it's something they never experienced at one time and it was a day where they allowed loud niggas to be kind of free in there you know you look around the prison yard and you see big clouds of smoke going up like in this motherfucker and wasn't no guards pumping down rushing on niggas niggas got you know hooching every time y'all say all kind of shit but niggas got the experience feeling what a concert felt like you understand what I'm saying and I put it in a place of almost kind of hosting the situation and this rapper this rapper and your audience was all the prisoners and they fucked with it you know it was just like niggas became celebrities in prison from that moment on the next day you know niggas niggas is having all kind of shit by just kind of creating that ambience of oh that nigga wrapped that nigga cold you know what I'm saying and a lot of dudes was on their way out and I felt like that's the least that I could have did was you know get them as hurt as much as possible so you know shit like that man bringing shit like that to the table you know this shit that you know you don't expect nothing like this going to the fucking prison but you realize when you get there at least I did I gotta make the best out of this situation make the most of this nigga you say you won't get your credit you can win and made history and jail you didn't win and did the Apollo in the federal penitentiary nigga I don't know how many niggas that wrap or otherwise can say that they did you know I mean like that's something that needs to be but I'm glad you said that shit never hurt. I did it with a nigga that just doing acapella doing the beat on his chest. Yeah. What's that nigga name? I'm six Soops. Six Soops. That's my rap name. Six Soops. I ain't love man. This bitch you know I'm a block six I came up in this bitch from 94 got out in 96 came back in the bitch in 97 then I took it 98 to 99 man I had to hold it then I went to court in early 2000 with no ever days then they came back in 02 and gave a nigga a longer six and it ain't never go I feel like I'm inside me. Got my knife up on my chest right now and see Six Soops in this bitch Alright my man Hey nigga we the one Yeah I did it with Six Soops Niggas Six Soops I'm Robin Raymond nigga I'm Robin Raymond and you're Six Soops It's not Robin Newcomer I'm Robin Raymond I can just get out the hole but I wrote some shit while I was down Robin Raymond Next up we got Robin Raymond and Six Soops they coming up to do their thing Six Soops Hey man I just want to do a few jokes man they ain't going to be here long you heard about the dude in the shower Oh they telling me to cut the joke That was good right there I ain't going to be here all weekend What's that? Not guilty I said I'd take a stab I'm going to show them tonight I'm going to tell them Buddy could pay for that type of thing No not at all It's just like to still be relevant bro right now is a blessing as well I know so many motherfucking artists right now that was around in the peak of G-Unit or just was here no longer around so I pride myself on just trying to stay relevant keep pushing keep getting good music out there and come fucking with y'all crazy Man what they can find that new tape at It's on everything Back on my book shit look check this out This is the 85th absolute trap edition young buck We out this bitch We back like a spine dope shit man Y'all think this is the code Y'all need to think this we have to hurt shit