 All right, let's play this in full first. We've got three shots that one and then all right I Think what would be helpful just right off the bat especially with these two if you had any You know, even if it's columns or something or some set design Just so we know that it's only her and there's no camera move. It doesn't seem to be I'm seeing some of the Bending there where I don't see any movement. You can see the cut here I don't think there's any camera movements also according to email. I don't think I don't think there is anything that but just in case because there's some Some issues I have with the arc there But again a koopy camera thing just double check. I mean double check. Let me know if there's a camera thing This is kind of neat I like to kind of relax pose. It's very clean The only thing I would say is a bit of a I would really Stabilize that hand on that ball See how much that ball goes up and down A little bit of sliding there. So if you're already, you know, you're leaning on this But you're also leaning that elbow on this here. So I will make that contact fairly solid It also be neat to almost have a little bit of an indentation there like a little dense Feeling that little squish So that is really leaning on there. This is super piggyback. It's mostly the contact I'm not sure you need that much waving in the fingers And I will probably rotate that hand Away from us so that you know, it's maybe only like this and a bit of a curvature in the fingers So it's not so flat towards us almost was a bit too exaggerated curve towards us there a bit too flat Giving us that angle kind of nice to to give it a bit of a nicer Flow to that pose there I think that's okay. You're fairly close, but it gives us still some Some negative space, but then I would almost keep this a bit a bit higher See how when that ball drops down It's a bit harsh and it's not not that it's a linear key But I think given the flowiness of everything and you know, you have a nice s-curve and everything you can Extend that feeling to the ball just being softer and it's in its up and down It's mostly that it's fairly relaxed. If I could pick it feels like a little bit of a disconnect between the chest and the pelvis area and how far Down this goes and almost feels like there's a slight stretch Just watch out for that that it doesn't feel too disconnected so you can push this You know when you scrub and kind of see how it's a lot of movement down in this whole structure But then this here just feels Interesting put if you go this far down Like that then you would have a little bit of a Rotation down and then you can always counter with the head here That might help this one There are a couple things about this. It's a bit. I mean despite the offset the asymmetry which I like It's just a bit straight. It could be interesting since you are going forward like that to have a potentially bit of an s-curve there I mean it doesn't have to be you know Crazy in terms of like that, but it could be interesting to kind of push the overall Pose just a bit more And then when you do something like this up and down, it's a bit too straight if I bring in Some onion skinning you can see how straight that line is the piece since she is controlling this You know, you can have a little bit of A little bit of an arc Flourish in there will be kind of nice Same thing with her hand like this seems like an icky arm Going straight down Going straight up with a bit of a big flip in that elbow almost will pop almost. That's a big linear key there From here to here And so even that hands could have a bit of a down Bit of a flow to it And I think that's kind of the overall Note on this And just watch out just because I'm fairing through this I will bring in that arm if you would keep this bring that arm higher So that it's not so close to the thigh there just having a nice cleaner silhouette But there's something about Giving her even on this it feels like she just goes Fairly straight down. I know she's moving to the left But it just feels a bit stiff and now she goes down and then it feels more like something Is pulling her forward without I can a nice little like a little flow In this where she would potentially, you know, if she's leading like this she could then Lean forward and maybe even have that hand up there So then go The flow like that And then potentially even this feels a bit stiff through there Kind of lean that forward And you can even have a bit of a lean even the neck head forward shoulder up and really Reach forward into just a stronger either with an S curve or just a line like that Into that pose, but even then when you when you then go out I would then Bring that arm back Which then brings the body back, but then the legs The legs could still be trailing So that it's not that magical floats This is what I was wondering is this in the camera or is this bit of a weird translates imagine All that four momentum those legs will continue so that when she goes back It's more of like this she goes back with the body and the and the legs would still be there just a bit of a just a strange Stiff move to go back like this While the the legs just kind of go back and then suddenly go to the left again This just doesn't feel quite right. So to me it would be Legs continue the body can go back And then you can do this and then again it would the the legs could still trail And then when this stops then the legs to shoot forward again It might be too much back and forth constantly But I would just think in terms of Like imagine you have a nerves curve as a as a path in your actual 3d scene and you're you're having your character follow that path So just so you don't have those sudden translates where everything is moving without any drag was kind of crabbing through the scene That's the biggest thing I have through there and then watch out how you end kind of Comes to that stop in a couple frames of nothing and then that's it. So go there and Cut me a bit sooner or have a little longer settle That's not too bad But even this feels just a bit stiff just how that leg comes up And then that's it in terms of stomp push off Into that it's nice how she then Uses that leg to come forward as a nice compression With recovery it's a bit poppy at the end there that watch out that leg is a bit of a pop And then again comes kind of an ease in to stop versus up and drop certain smoothness missing but this goes back into Just the pose could just be a bit more dynamic. I mean we used to say that you don't go lower with her where she could even have potential bends and then she Leads with the upper body and then, you know, then You have a further back then the legs are there. It's just an overall stronger sea curve Even through this so it's not that as your shape visually, it's a bit harsh, but you can continue in the in a Stronger even if you overlap the legs You could still have an overall sea curve through there Into that All right, that's kind of that hope it helps. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you