 Now, let's look at some key quotations, but also word-level analysis when it comes to the character of Romeo. Now, as you can see behind me, essentially, I've selected all the key quotations you should consider and memorize when it comes to Romeo's character, so I'm going to go through each quotation and, of course, what word-level analysis you can do. The first quotation is, at the beginning in Act 1, scene 1, when he says, Oh, Loving Hate, and this is an exclamatory sentence. This obviously focuses on the fact that the play opens with Romeo suffering heartbreak as a result of Rosaline. He's heartbroken over Rosaline, who doesn't seem to require his love. This heartbreak is emphasized through the oxymoron, Loving and Hate. These are opposite terms. And, of course, the exclamatory sentence is speaking using exclamation marks, showing his deep sense of anguish. The second quotation to bear in mind, which is taken from Act 1, scene 5, is when he goes to the Capulet Ball, he encounters Juliet, falls instantly in love with her, and then he states, I never saw true beauty till this night. And, of course, never saw. This is hyperbole. He is really enamoured. He is in love with Juliet. OK? Now, the next quotation to bear in mind is when he meets Juliet, talks to her, and then he describes her as a winged messenger of heaven. And this is from Act 2, scene 2. Now, in this quotation, of course, this is after he's met Juliet, fallen in love with her. And even if he knows that she's a Capulet, he still wants to have a relationship with her, and of course, also marry her. Now, the key thing to focus on with this quotation is winged messenger, which is a metaphor. Basically, talking about how Juliet is almost like an angel, OK? So, of course, this is showing how quick to fall in love Romeo can really be, how his emotions are so quick to be riled up. And, of course, also it makes us, the audience, interested and intrigued. Because, of course, when the play had began, he was so in love with Rosaline. Rosaline was all these qualities, but suddenly he's now really, really fallen in love and deeply in love with Juliet. The next quotation to bear in mind with Romeo is after he marries Juliet in secret. He marries her. Both Romeo and Juliet are really blissfully happy. But, of course, nobody else knows about their union, apart from Forrest Lawrence and the nurse. Now, he encounters Tybalt, challenging McCuscio. Of course, Tybalt realised that Romeo was at the Capulet ball. He wants to seek revenge. He challenges him to a duel. McCuscio steps in because Romeo refuses. Of course, Tybalt kills McCuscio. And Romeo then, of course, in retaliation to protect the honour of his friend who's been killed, kills Tybalt. He then is unhappy because, of course, this means that he's now going to be either killed or banished with which Prince Escalus does make good on. Now, he reflects on fortune, being unkind to him. Fate being unkind by stating in that three scene one, I am fortune's fall. Now, of course, the key terms to focus on are fortune and fall, which is, of course, alliteration of F, which shows his emphatic sadness. And, of course, this is also an exclamatory sentence. It shows his emphatic feeling as to now his fate has been completely reversed due to his actions and, of course, due to killing Tybalt. The other quotation to bear in mind with Romeo is when he realises he learns from Balthazar, mistakenly he learns that Juliet has died. He doesn't, of course, realise that this is an elaborate trick that she's set up with Fire Lawrence. Now, he decides, because she's died, he's going to kill himself in order to join her in heaven. And he states in act five scene one, Juliet, I will lie with thee tonight. And then he goes, of course, and gets poisoned and decides to go to her tomb. The key word-level analysis to do for this quotation is the alliteration of W for will and with, and, of course, alliteration of also T and T. So, I will lie with thee tonight from act five scene one. The final quotation to bear in mind with Romeo from act five scene three is when he encounters what he believes to be Juliet's dead body. He believes she's dead, but then he finds it really intriguing that she still has a lot of beautiful colour on her face. She doesn't seem to be dead, and, of course, this is dramatic irony from our part as the audience because we know that Juliet isn't dead. She's just asleep, okay? And Romeo, when he encounters her, and, of course, this is what amplifies this tragedy, he says, beauty's in sign yet is crimson in thy lips. Death's pale flag is not advanced there. This is from act five scene three. And, of course, there's dramatic irony here because the language that he's using, firstly, he's talking about how her beauty, so beauty's in sign yet is crimson in thy lips. Essentially, her lips, she still seems to be very beautiful, very lifelike, very vivid. She has crimson red lips, and, of course, the colour red crimson. Actually, in terms of word-level analysis, it has connotations of death. Of course, there's foreshadows. Juliet herself later on waking up, finding Romeo dead, and then stabbing herself. Of course, this is blood that she's going to shed. And then the other key thing to focus on with this quotation is the metaphor. Death's pale flag. And, of course, this is a metaphor relating to how death is yet to essentially show in Juliet's face. Okay, she's not undergone yet rigor mortis, which is basically the Latin term for the gradual deterioration of her body. Okay, of course, this is because she's not died. She's just asleep, okay? So these are really the key quotations to bear in mind when it comes to the character of Romeo.