 All right, let's play this in full here. Let's see Wasn't that just magnificent? I was worried it was getting a little dodgy in the middle part, but then that finale Wow All right, so let's see you said you kept your transition But add more change in the first bit and change the last pose. Yes for sure flesh it all out Alright opinions before Splining Wasn't that just magnificent? There's still an element of repetition there. I do like that you go lower But then once we get this spot here, this whole section is all the same Wouldn't that just magnificent? I mean one thing that you could try if you want to make this a bit more interesting is Have them what if I notice this again throwing changes out there But obviously feel free to ignore everything what if at the beginning He is a bit more turn over it actually looks This playground and goes Looks to us and then I don't know. I don't have time to look I was thinking about looking over this way looking over the other way Well, there's nothing here, but they could be a thing of it might be turned over Looking here Turning a bit so that he's three-quarter at us looking at us and then going back to looking maybe over here And then coming towards the end to this that makes sense Wasn't that just magnificent? I was worried it was getting a little dodgy in the mill part, but then that finale Wow, then I don't know. I mean, he's not exactly talking about the structure is I Was worried it's getting a little dodgy in the mill part, but then that finale Yeah, no talking about something you perform. So I don't know. There's something I feel like if there's anything that we can do where where See this clap all the time Yeah, they need to be something there's something a bit more where he might he might start off with a pose That's potentially you know, I'm changing things again, but where he might be hunched over and then And then gets up and then that's just magnificent wasn't magnificent where he has almost like a bit of a wavy action in the head going left Right. Oh, wasn't that he's a bit more? Celebration II and it's in its acting. It's not just in here That's all that's the only thing where Even that it's okay, but then it just gets it really stalls into always the same thing and it might get better once you do a You know more facial stuff, but I feel like there's something that we can push a bit more because in a way It's it's this whole section Comes down and and it's just it's kind of the same but hunched over and I know that's something that I was suggesting But seeing it now it feels like it's just not enough But I don't want to dictate, you know, I do this to that So if you have any ideas as well, I'm obviously open but to me it seems like you want to do something where it Can be a bit more You know where he might start like this Like I said, and maybe then he straightens up and then goes And then as he does that it maybe he leans his head back and closes his eyes He's like in a dream state or something And then right at the end, you know gets back into this to go into that potentially That's that's a potential thought there I was I was worried it was getting a little dodgy in the mill part, but then that's Switch up. It's it feels a bit broken in how far back this goes if there's anything we can do to show the elbow a bit more So doesn't feel like that is a little short arm that grows out of the side just for silhouette Then that finale, you know, even if it's I don't if you want to go and change the hand and actually grasping the other way I know mine of that will be very comfortable This wow, it's definitely better Slightly concerned about the fast camera movement. I know this is just in step So what once we see a spline camera, it might just work with the whole energy. Wow But I do like this and I do like the offset. I do like the last pose. I think this works a lot better So my main concern is mainly the beginning just feels very very simple and I think you can Because you have great poses otherwise I think you can absolutely pull this off and bring something a bit more interesting into an into this section acting wise It's the bummer that the clapping is a repetitive Yeah, it could be something where potentially he starts also with lower shoulders And then he does this whole and then imagine You know going back I can send me with the head up eyes closed and then the shoulders are up And he's really in this into this trans state of how this was so great And then gets into that Something like that So, yeah, I wonder if you're already cutting things off if you want to bring that leg down here Then we just cut off that thing and that way we have a cleaner Uh, just a cleaner silhouette there on that leg. So it's not Going into this Something huge thing because we do have a color change, but I don't know this could be a bit more comfortable It's also pretty bent Are you almost waiting for a foot roll so this might just help with making this a bit more relaxed And because of that giving us a nicer Silhouette and negative space there Same thing with this arm kind of grows out of there. I don't know if there's a way to potentially See just the bends of that arm there. I was worried it was getting a little dodgy in the middle part But then that finale And don't forget here in that finale Yes, the little that finale That huh, let me just scrub here finale that part That could have a little bit of an up and a bit of a jump a little shoulder thing Like a little moment there. So that you know, you can look out for that once you get into More refined work in terms of splining right because that's your next pass spline and facial stuff But anyway, that's it again. I don't want to I hate to again change things and throw things out there It just I just want to give you my honest opinion that I felt like oh man, that's kind of a bummer Even though what I said I felt like I guess I was wrong and it just it's just it's so too simple I thought that's going to be enough of a contrast But just the the you know the repetitive nature of the clapping shoulders up and always the same face Doesn't help so but I don't think having facial stuff would be just enough You might have to have a little bit of either you could have in a way We think where he does a bit of acting with the head or something potentially where I guess it goes back Or something else that you can think of again, it's your shot So I don't want to dictate things and you know make it my shot in a way So anything that you want to add let me know you can email me as always We can have a little discussion about that and that is it from me now. 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