 know that some of you are so very leery of wearing color. I am here to help you dip your toe into color. Hi YouTube family, we're going to be doing a very very simple eye look, which is to pop up green on the liner down there below, kind of a little bit up in this side, just a little bit. It's so simple, but it's a great way to be able to explore if you've been thinking about wanting to do color without going completely full-blown color all over your eye. I will probably at some point be doing a smokey all over my eye green, but I thought this is a great way to show you how you can go ahead and just use a little bit. So I chose the Dream Street palette from Colourpop and Kathleen Lights and the Just My Luck palette. And both of these are from Colourpop and I will show you the Just My Luck. These are the little nine-pan palettes that have a color theme in them and we're going to be working with just two colors in there and then we're going to be working with just three colors here in the Dream Street palette. So when you see me next I'm going to have one eye done, one eye not. I apologize because the sound is just a tiny bit tinny on the rest of the video. Yeah, I'm working out all kinds of kinks. You guys are great for sticking with me out while I do all of this. I'm kind of learning as I go along and have a new setup. So thank you so much for being a part of it. Let's get into this tutorial right now. Okay, one eye is done. I'm going to start out with the makeup tape that I always use and I'm going to be putting it a quarter inch away or an eighth of an inch away from the bottom lash line to the tail end of the eyebrow. I've already primed my eye with my eyeshadow primer. You can use whichever you want. I use Anastasia Beverly Hills eyeshadow primer and it works really good for me. Starting with the Dream Street palette and I'm going to be using this color right here which is quite a peachy color to start with and so I'm using Amorfi M441 and loading that brush up, tapping off the excess. We're just going just above the crease and this is our transition color. Remember no windshield wiper motions. You can just kind of stipple. Kind of a technique where you're kind of laying it down in a certain spot and then pushing it in. So I hope that helps a little bit and then what I'm doing is I'm following the crease all the way over and the fluffy brush is above the crease completely. But the bottom of it gets to follow the crease in order to make that arch. Sometimes when I get into the doing these I can find that I will open my eyes and I won't see any transition color and I just want that to be there very defined because if you don't then all you're going to see is whatever's on the lid and down in the crease and that can make your eyes look kind of darker than they really need to be when you have hooded eyes. So we are trying to build up that color and follow the arch of the eyebrow. And then out here on the end as always I'm pulling it just a little bit further out towards the tail. We're just building that up until I look at it straight on and I see that it looks even on both sides. The second color I'm going to use is this deep brown right here from the Dream Street palette. And I am barely going to be touching both sides in the shadow because I don't want this to get built up too quick too fast. And we're going to push all of the color that's on that brush right into the corner of the eyelid. And we're just going to kind of build it up just slightly towards the transition color. And when there's hardly any color left on your brush then I want you to just use that brush to push over towards the inner corner of the eye in the crease. I'm dipping into the color again and I'm tapping it off and I'm just deepening right there on that outer corner of the eyelid. Then I'm going to take that fluffy brush that I had before and I'm just going to blend blend blend blend blend blend blend. Alright at this point I'm going to go in with the silver color right here in the corner and I'm going to put that on my finger. You guys have seen me do this before. I'm going to build that up on my finger. I'm going to take some setting spray and yes this does have alcohol in it. The reason that I use a setting spray for this with alcohol in it, it dries that shadow down, makes it just cling to the eyelid instead of transferring all over which is what I used to get all the time. So I'm just spraying it lightly. I'm not putting a ton on there to make it super wet. Again as usual I'm just going from lash line up to the crease. I find that because my hands shake that it's easier for me to just kind of dot it on there instead of just swiping it once. If you guys don't have shaky hands bless you but I have to do it this way. I always put a shimmer color on my lid to bring brightness there because when you do have hooded eyes, when you open your eyes like I'm opening them right now, you can see that little bit of color right there that little bit of brightness right there. That's why I love to put a metallic color there or a super light matte color right there. Just really build it up and that's what the eye is drawn to and it kind of pulls that eye open. Okay I'm going to go back with the flat shader brush and I'm going to shade that corner color in with this lid color and we're just going to make it very seamless there and I'm just bringing it up a little bit now towards the tail with that same shader brush and just a tiny bit over. Now I'm going to go back in with the original brush and I'm going to blend everything together. This really makes your look seamless when you at the very end just blend as much as you can and then I'm going to take off the tape. A lot of people have asked me does that take off your makeup. Sometimes it does and I'll go back in and I'll either tap around or I'll get my dampen beauty blender and I'll go back in and fix it but right now looks okay. So now I am going in with the nude color in my rim because I don't want this to get smoldering or smoky or anything like that. We're just dipping our toe into color. So if I was going to go for like bright green or something I might put a green into the waterline but right now I'm just going to put a nude in there and I want to tell you guys this is a really good pencil for this. This is the Rimmel scandalize the 24-hour pencil. I have never found anything that stuck as good as this. So I put a coat on just let it sit for a second and then I'll go back in and I'll put a second coat on which really seems to help build that up and kind of seal it in a little bit. Okay so now for that little pop of green that you see there I'm going to take just a very small shader brush and I'm going to go into the green color that's right here. It's the darkest green in this palette and I'm going to load that up and then I'm going to take my spray and I'm going to spray that brush gives it a little bit extra little bit extra hole on the bottom as you're doing that and then just stick right out there on the outer corner of the eye and you're just pushing it across and you should be able to feel that your brush is a little bit wet. That's good because then it helps us keep the shadow on. So I wanted to start with the dark color so it kind of blended into out here. So take that dark color and just kind of push it around in the corner a little bit pull it up a little bit if you want to towards the tail of the eyebrow and up towards that little outer corner right here on the eyelid and next I'm going to go into this green right here and I'm going to load my brush it's kind of a shimmery green or metallic green but it's a lot brighter than the last one we were working with and again spray your brush and this time I'm going to start out on that outer corner and I'm going to pull it all the way over. If you use a brighter green and then it's going to give you that look of green you can actually see the green when you're looking at the eye. I'm going to go back into that original lid color with a flat shader brush actually this is more like a concealer tiny concealer brush and I'm just going to go right there into that inner corner and then I'm going to take just another pencil brush I think this one's a Sigma but it's not a stiff pencil brush so I'm going to take that brush and I'm going to go into some setting powder it's on this puff right here and I'm pick that up on that pencil brush and to lock in or ensure that all of that eyeshadow doesn't come down my face I'm going to go just right below the eyeliner I just stuttered all the way through that sorry you guys okay and then just look at the two make sure that they are even and when you're looking straight on and then you are done you're ready for mascara and liner what I do on my top line is I line it with black as tight as I possibly can to the to the actual lash line and then I'm going to put two coats of mascara and I did have some people say why don't you do that on camera there's two reasons one is that I take a very long time with that part it takes me a long time but I'm going to link a video for you down below in the description and up here in a car this sake of time constraints here today I'm not going to do my eyeliner or my mascara on camera but I will be right back after I do that alright you guys that is it I hope that you do like it I'm gonna get just a little bit closer and I'll look down the top is very neutral looking kind of on the warm side and then when we dealt with the green it was all down here this is a great way to dip your toe into color because you don't have to go full-blown color all over it just can give you just a little bit of that little edgy look just on the bottom so I really like doing this this is actually how I got started into color too thanks so much for being a part of my day today and sticking around I love you so much and I will see you all in my very next video love you guys bye