 Before I begin this reading, there is a caution to be given here, SCP-1127 may contain sexual content described in the article, and it may not be safe for some viewers, and also it may not be safe for work-eaters, so just letting you know before I start. Number SCP-1127 Object Class Safe Special Containment Procedures Instances of SCP-1127 identified outside of containment are to be investigated by Mobile Task Force Move 53, Ebert's Thumb. Physical copies of SCP-1127 are to be seized, and digital copies are to be captured on secure encrypted recording media before being neutralized. Any victims of full SCP-1127 exposure must be evaluated to determine if the effects of SCP-1127 have readied them in an unacceptable threat to the general public. Those deemed in acceptable risk are to be treated with Class A amnesiacs and released. Note, amnesiacs have no effect on the symptoms of SCP-1127 exposure. Those that cannot be re-released back into the population will be reclassed as D-class personnel or terminated to Site Director's discretion. Contained copies of SCP-1127 are to be kept to the secure media vault at Site ████████ Instances of SCP-1127 shall only be viewed on devices approved by the Site Director within Site ██████'s secure viewing room. Instances of SCP-1127 shall only be viewed in their entirety by D-class subjects as part of an approved experiment. Foundation personnel should avoid unnecessary exposure and log any instance of viewing SCP-1127. Any personnel who have logged over 15 minutes come until the lifetime viewing of any version of SCP-1127 must cease working with SCP-1127 and be assigned to other duties. Description, SCP-1127 is a series of short films ranging between 23 and 42 minutes in length. To date, ██████ copies of three different films have been recovered and one film has been identified but not yet contained. The films have been designated SCP-1127-1, –2, –3, and –4. It is unknown how many more films in the SCP-1127 series have yet to be identified and recovered by the Foundation. Each film is composed primarily of scenes clipped from other movies and shorts with additional video from various other sources. Sound and dialogue have been added or modified and a narrator character unique to each film appears, fully integrated into the clips comprised in the film, regardless of the original source of the material. The narrator provides commentary and occasionally interacts with objects and characters within the recycled footage. Anomalous properties present after a comal of 20 minutes of exposure to the contents of any single film in the SCP-1127 series. Effects do not present when audio and video are perceived separately. Each film in the series produces a different effect on the viewer, but in each case the effect is of the permanent disruption of normal behavior patterns, altering emotional reactions to various stimuli. Description of SCP-1127-1 Initial appearance, SCP-1127-1 first appeared on ██████ at the ██████ Space-10 Centiplex in ██████ SCP-1127-1 had been inserted into the first hour half of ██████. Exits were blocked by persons unknown and approximately ██████ people were exposed. Length 23 minutes. Title, were Clowns Always Yellow? ██████. Narrator, a middle-aged man wearing an SS uniform including a holstered pistol. His face is obscured by elaborate clown makeup. Inside video sources, the sound of music, 1965, the Night Porter, 1974, the day the clown cried, 1972, surf Nazis must die, 1987, ██████, archival footage from the World War II era. Sample narration, when our lives become the joke, humor becomes a war crime. The punchline is always death, and to get it is to abandon the pretense that getting it matters. Half of the reality that is laughing at you. Narrator draws his pistol and shoots ██████ in the back of the head. Effects from exposure. After exposure to SCP-1127-1, subjects were generally considered to be the most humorous thing they ever seen. Afterwards, subjects will express disturbance and disgust at any communication normally intended to be humorous. Most jokes will be seen as offensive, and videos of comedians and comedians will cause distress or revulsion. Some D-class subjects had to be physically restrained when shown an episode of Monty Python flying circus after exposure. Conversely, communications that might normally be caused by the stress prior to exposure, autopsy photos, graphic war footage, videos of public suicide will be seen as amusing or funny. Conclusions, victims of SCP-1127-1 exposure are deemed safe to reenter the general population through administration of Class A amnesiacs. Description of SCP-1127-2. Several parents on ██████ a copy of SCP-1127-2 was uploaded to ██████.com and registered ████ views before exposure was contained with a DMCA notice. Foundation agents tracked the origin to a Proxy server in Guam. Investigation continues as to its origin. Length ████, 37 minutes. Title ████, Crazy Where? You are ████, ████, 0. Narrator, a female child approximately 12 years old wearing a blue dress and a black domino mask, she carries a teddy bear that she sold to his members with a small knife during the course of the film. Identified video sources, Willy Wonka in the Chocolate Factory, 1971, a three-stuja short they stooged to Conga, 1943, Faces of Death, 1978, La Planette, Salvage, 1973. Various animated sources from 1913 until 1916, including Bugs Bunny Nips the Nips, and the Tom Jerry Short, the Big Night Snack, 1941. Sample narration, whispering during a clip of Bugs Bunny Nips the Nips. What are you afraid of? Violence? Afraid that violence is the answer? Or is it the question? Ask the question you are afraid of, you already know the answer. Pain doesn't hurt. Effects from viewing, after exposure, subjects were generally expressed no strong emotional response to SCP-11's 27-2 at all. Subjects also lose interest in emotional connections to things, activities, and people they had prior to exposure. Subjects will also react to dangerous and hostile environments for this interest to the point that they will ignore immediate threats to their personal safety. Subjects also express a marked decrease in empathy and may injure or harm others out of curiosity. Conclusions, victims of SCP-11-27-2 exposure are unsafe to re-enter the general population due to the risks they pose to others. Subjection of SCP-11-27-3 Initial Appearance During ██-UHF Transmitter off the coast of ██-Mich. Broadcast a loop of SCP-11-27-3 for approximately 72 hours. Foundation involvement occurred subsequent to cetacean of broadcast. People were found to be affected. No copy of SCP-11-27-3 has yet been recovered. Length, 30 minutes, approximate, title, all, comes with yesterday, number X. Narrator, a woman approximately or mid-30s wearing an Elizabethan ball gown. She wears a metallic golden mask in the form of a rat's face. When she is in profile, the mask appears to be stitched to the side of her head. Some blood is visible. Identified video sources, Robocop 1987, Eraserhead 1977, The Ten Commandments 1956, Civil Born Killers 1994, Dawn of the Dead 1978, and Apocalypse Now 1979. Sample narration, monotone, three-second beat between words, desire, aspire, require, come retire, expire, choir, pire, continuous saying liar for several minutes. Effects from viewing, after exposure, subjects express an extreme discomfort with technological artifacts. They dislike any object that has been machined, processed, or otherwise manufactured. This applies not only to things generally considered technological, but to almost anything that has resulted in human intervention and environment, including clothing and anything beyond the most simple tool to use. This effect extends to abstract concepts as well, in particular the concepts of money, personal property, and political organization. Conclusions, victims of SCP-11-27-3 exposure pose little danger, but are unable to reintegrate into modern society. After administration of Class A amnesiacs, any individuals to be released must be placed in an institutional environment, or be relocated to ████, or they can be assimilated into the ████ population. Initial appearance from ████ to ████ copies of SCP-11-27-4 have been inserted as a special feature on the DVDs stocked at the ████ Adult Bookstore in ████, Canada. Length, 42 minutes. Title, Why Are You Crying, ██-1. Narrator, Mel in his early 20s shirtless wearing black leather pants and a leather mask obscuring his face, as the film progresses, welds and bruises appear on the narrator's torso without apparent cause. Identified Video Sources, CREAMaster III 2002, Dog ████, 1971, A Dirty Shame 2004, Lolita, 1962, The Rocky Horror Picture Show, 1975, Salo Ole, 128, Garonet, D. Sedoma, 1975. Various videos available on the Internet, including ████ Sample Narration, Do you want to close your eyes and run to mommy, we'll run to her then, run to her and tell her all those sick things to make you want to puke and whip it out and jerk off, while the warm shit smears across your naked skin and she'll kiss it and make it all better because mommy knows what you want, what you always wanted, and she'll give it to you hard if only you had the balls to ask if mommy loves you and loving nothing but sex misspelled. Effects from viewing, after exposure, subjects will no longer be able to attain sexual arousal as they would prior to exposure. Anything they would have found erotic or stimulating prior to exposure will become at best an object of disinterest and occasionally it will become a source revulsion. Instead, the subject will have acquired new and apparently random subjects and or actions they consider erotic and or stimulating. All subjects lose the ability to be stimulated by fantasizing or use of pornography and was actively engaged in their acquired fixations in order to become aroused. New sexual interests may be relatively benign, such as, Cisatomasticism, Croprophagia, Acrotomophilia, Partialism, Chlismophilia, Mesaophilia, Voyeurism, Exhibitionism, Potentially Harmful or Criminal, Ephixiophilia, Zucatism, were actively dangerous and likely to cause harm to the subject or others, Biasophilia, Pedophilia, Necrophilia, Pononophilia, and Voreraphilia. Conclusions. Dispositions of victims of SCP-1127-4 is dependent on the valuation of their acquired paraffilia. Because the necessity of the subject to act on these desires to achieve any form of sexual function, any subject expressing a paraffilia that requires a non-consensual partner or a partner that cannot legally consent and or risk actual permanent physical harm or death of the subject and or partner shall be deemed unsuitable for release.