 Hello and welcome to the Panasonic booth at ISC 2020. We show a lot of range of our products here. We've got our new projectors here, the RQ 50. This is 50,000 lumens. This is 50,000 lumens, yes. So we have that projecting on to all the different walls here. We've got three here, blending, and then this center one It looks like something like this. This is the 30,000 lumens. This is the RQ 35. This is 30,000 lumens projector. Why is it so big? What's special about it? This is like for museums and stuff like that, right? Yeah, basically it's perfect for auditoriums. So you've got the 4k, 4k digital link as well. You've got the 3D professional in there as well. Is it for cinema and stuff like that? No, not for cinema. It's for live events, museums, all those different things where you can have it projecting anywhere you really want. I was at the Doha Museum, National Museum of Qatar. I think they had like, it looked like they had a thousand of those. Yeah, they had a bunch of them put in to the Doha Museum as well. And so you're launching the 50,000 lumens. 50,000 is brighter. There's demand for that, right? Yeah, absolutely, especially in this sort of live events area, where there's huge events being put on all over the world. So at the moment we're showing our eSports event, where we've got four gamers. Yeah, I'll take you to the middle. So we've got four gamers. We've got the 50,000 lumens projecting one of the main screens where they're gaming on it. And you can see this, the whole sort of panasonic solution in a way, cameras and projectors and screens. So it's projecting some interactive stuff there. What's happening here with this multi-scene? So we've mapped it to the trophy over there. So this is the next generation ITIP platform. So what you can actually do is control and switch between cameras just completely over IP with a touchscreen panel. And there's like a screen here, the whole system, big display. And each source can be a 4K. It can be 4K, HD, any sort of solution you want. We can put it up onto the ITIP platform. What brings the customers with something like that? Everybody doing big shows, live shows? Yes, rental companies. Then you've got the live events companies. Anyone that would be using any sort of switcher at the moment, or sort of controller, they'll be able to use in any live event now. So they'll be able to convert over to the IP platform. Nice. Can we walk over there on the other side? Yeah, absolutely. I'll take you over here. There's a big booth you have. There we go. He's already in front. What is this? This is the UC-4000. This is our 4K studio camera. This will be perfect for the live events as well. What's special about this camera? It's got a 4K sensor. It's basically made for sports. So it's such a high frame rate. It's good to take 12G at the back as well. So you go to 12G at SDI, then you can take it out and then transmit from there. What do you do with all this? 12G SDI? Sorry. This is to get the 4K signal out? Yeah, essentially. So the 12G is 4G SDIs. Why is this set up here saying 8K HDR, 8K ROI? So that's our 8K ROI camera. So the ROI stands for region of interest. So we've got an 8K sensor and then you can have an actual crop into that sensor. So you can see the different crops within that. So you can move it with this 4K? Yeah, exactly. And this is a part of your... Yes, this is the color control system. So we've got the HRP 1000s, three of them. One of them is made for the 8K ROI. Then we have our 10-point dolly system. So this is our dolly system where we can have a camera on top and we can have a rail system. You can have that on the floor, on the ceiling, on the truss. On the ceiling too. Let's walk around that. Let's walk around your booth. This is our new 4K switcher. So you can see on there. So it's an upgrade of the HS410 to the UHS500. And it basically allows you to have the 12G option on there. It looks really cool. Yeah, so this has got a big screen on there as well. And then this is our HRP150, which is our controller. What's the price of these kinds of things? Can you talk about price or not really? I can't confirm that price right just yet. The price of the controller is about, I think about 4-5 grand, I think. Is it like TV channels using this or not for TV? Yeah, so in the UK we have lots of TV channels like Reality TV, such as Love Island or 24 Hours in A&E. All of these use Panasonic controllers and also Panasonic apps. Are you world leader in this market? We have most market share for the Panasonic PTZs, yes. And we're now releasing the UE150 to one of our bachelors. So this is the UE150, the AWU-150. And we have out of the back, we can take Fiber, we can take 12G, 3G, HDMI, GenLog. And you can control it over IP, and you have the option for a 12 volt power supply. You can also power it via PoE++ projector if you like. And it's on our Panapod system. So this is a flyaway kit where you can pack it into one flight case and it allows you to take it up to, I think it's about 6 meters or 3 meters. And it allows that sort of studio up and down motion of the camera. Is it like a one inch sensor or what kind of sensors do you use? Yes, the camera is a one inch sensor. And in 4K, very high HDR support? Yes, HDR, UHD as well. And what kind of price? Price is about, you're looking at about 10,000 pounds, just British pounds. And you can put a bunch of them around, there's one here, there's one there. So we've got one of the Dolly there, we've got one on the Totem over there, and we've got one on the Panapod here. So you can have your own little setup here. And then with the RP150 controller that we looked at earlier, you can actually crop into the 4K sensor with that. Nice, and so this is a huge booth, right? What is it, Panasonic Business Area? What's happening in there? Let's go. It's more about projectors. So here we show you. They're all DLP projectors, right? Sorry? It's using DLP technology, right? So they are DLP projectors, and they also have LCD range as well. But these are set up like a short throw? Yes, this is the short throw lens, so you can get it as close to the wall as you want, and it just predicts down or up depending on where you want your projector. This is 4K short throw, very bright. Perfect for a situation where you've got a small stage and you just want the projector close to the stage. Nice, this one also? This is our elbow lens. This is our elbow lens. So it's not possible to get better projectors than these, DLP 4K. Where's the 8K projector? Not yet? Maybe we don't have an 8K projector? Not yet, yeah. It could be arriving at any moment, no? Potentially, hopefully it'll be before... I haven't been told anything on that, so... Tokyo 2020? You have to try it. Is this on this side or where do we go from now? Is this sharing the module? This is for our service area. This is a projector module? This is a service area, so with Panasonic Business you have, whenever you buy a camera or projector or a screen, you're able to have a three-year warranty on generally a lot of our... Not all of them, but a lot of our... What are these parts? These parts within the projector and heating, cooling systems. And here we have the DLP chips, so it's 4K. This is the new, maybe the small 4K with the oscillating, potentially. And this is the full frame, the full 4K, potentially. Yeah, I'm not sure exactly what fits inside. All right, does it mean the service for free? No, you get the warranty on top of that, so you add warranty, but then we can arrange a five-day turnaround of our equipment, depending on how damaged it is. But we can pick it up for you, fix it, drop it back to you. How do a museum, let's say, they buy 100 of these, put it all over the museum, and they need to change something every three or four years in there. The LED burns out, there's a lamp, there's a lamp. So that would come down, if it's out of warranty, that would come down to buying new kit in. Potentially swapping something, right? Well, if you would like, after four years, maybe there's a whole new range of projectors out there that you might want. What is that part? What's that then? So the yellow phosphor makes it yellow, the kick is our yellow light, but when you put a magenta in front of it, it makes the light go red. Because the light from my pattern is making it really dim, but the magenta color wheel in front of the yellow light makes it go red. It's just a color wheel. It's a color wheel. Yeah, that's the yellow light coming out of the light that's shining from the lamp. And it's hitting the phosphor wheel and making it go yellow. But to make red light, basically the magenta blocks out the green in it. That makes the light go red, if you see. It's quite dim, but if you see it, that's red light shining out of that paper. Do you see the color change? Let's work around a little bit. Yeah, so I can take you through here. So through here we've got our collaboration area. And we've got one of our UE 70s over there, our PTZ cameras. Up there? Up there. So this is one of our little dome cameras. So it's a perfect sort of position for lecturers in lecture capture. So they don't know they're necessarily being filmed or anything like that, but it's for the students, so you'll be able to capture the lecture. Does it have optical zoom? Yeah, so on certain cameras it can go from 20 times to 30 times optical zoom. And then you have 10 times digital zoom on top of that, generally. Is it possible to automatically crop into the speaker, go back to the presentation, stuff like that? Is there AI going on for this kind of stuff? No, I'm not sure about that. I don't know. What's up over here? So here we have one of our projectors. I think this is the MZ16 up here. And we've got two elbow lenses projecting onto this wall as well. So here we have our AWUB4, which is a static PTZ, so it's perfect for any environment that needs a 4K camera, and then you just want to leave it there and control it over IP. You can take the HDMI out, so that's how you can get the 4K out, but if you just want an HD and a static PTZ, and that's all for the around about the £1,000 mark, so just less than £1,000. And you can crop into the sensor, so I'll move this a little bit. You can crop in to 1080p or what? On the sensor you can actually zoom into it, so if you're displaying a wide-angle image, then you can actually crop in and get the HD image out. Can you demonstrate some of that, or is it connected now? Not that we can get it up. Okay, maybe it's not set up. Let's come back here a little bit. What are all these setups here? So I'll take you over here. So this is the PTZ Control Center. This is all free software that Panasonic provided for the PTZ cameras. Open source? Sorry? Is it open source now? Yeah, you can get it from online whenever you need. But here we can just easily add a camera. So essentially it's just a free control software that you can get. You can just go into here, add a camera. You can see all your IPs of the cameras on there. You can go out of here and go back to main. Select which camera you want to use, and then here you can control it. You can speed up how fast it would rotate and zoom. You can add your presets in here, and then you have your image adjustments like iris, gain and white balance. Is there any kind of lag or something? Is the preview feed coming over here? Yeah, this is the preview feed. But then when you select the stuff, it's the full feed? Yeah, so if you were recording right now, it would look like the normal feed that you get out through IP. What kind of bit trace? Do you compress a lot to do a low bit? Not through something like HDMI. I've got to come back to you on that. I don't want to give you an answer. So I'm currently, one of my colleagues is being filmed as well. Okay, let's talk about what's happening. In the middle screen over there. On this middle screen behind me, you have the auto tracking system. So we've got a UE 70 up there. If you want to show that off up there. It's the top camera. We also have a UE 150 below that, which we talked about earlier. But the top camera is then capturing the people behind me on the machine. So we've got one person moving and then one person stationary. And what we've actually got is the auto tracking software downloaded onto this PC behind us. So we've connected the PC and the camera into the same TP link. And then we've taken the image of the person's face, of the man's face on there. And then it's tracking that man's face. Nice. So it's actually moving physically the motors and moving the camera around to follow the person and the zoom. So it's zoomed right into that person's face. If you were here, you'd be able to definitely see, it's quite a tiny face for the camera to see. But we've zoomed in and then we've just managed to capture an image of that person's face. On the software, it's very much like the control software we saw earlier. So the only difference is the auto tracking bit below us. Which is part of the software. There you can upload faces from a database you already have or you can capture an image from the camera that's already set up. You can add limitations to it and then you can also choose which angle you want, whether you want the full body, just the chest and the head or just the head. So how much is one of these? The UE 70. With the UE 70 you have a 4K 3G SDI out and HDMI out back. It's also NDI compatible. And that goes for about 3,000 to 4,000 pounds. All right. And the bigger one there. And then this is the one we saw earlier which is the 12G. 4K 50, but I guess 4K 60 also, right? The US and Japanese market and stuff, maybe. Yeah, I'm not sure about that. But for Europe we've got 50p, yeah. All right. So you have a bunch more stuff? Yeah, so we've got one last thing I definitely want to show you guys. And that's our wireless presentation system. The Panasonic obviously we have a lot of screens and a lot of projectors. And a lot of them work in education environments or corporate environments where someone would do a presentation. So behind me is our wireless presentation system and that will basically allow us to plug it into a laptop like we've done here and then the presentation will just come up on the screen. So they don't have to do any HDMI cable runs or anything like that in the... It's just the USB? Yes, so it's just USB that you plug in. Potentially it's using display link or some kind of technology to take the feed of the USB and then wireless to send it over. So it transmits it, yeah. But you can also, the interesting part is... Is it 4K? I am not sure about that. There's a bunch of 4K levels there. Yes, so we have a 4K professional. I think that's for the screen. So the screen is 4K. But for our new SQ range we can take the actual board out and we can add the wireless transmitter into the board so you don't have to have the wireless base station hanging out on the table but you can add that into the board and then every single screen if you were to up the table. You were to update your university or college or corporate area with new screens. You can have that implemented in there and then just the wireless dongle to plug into the laptop. How much is the price for this kind of thing? I don't have a price just yet. This is a revolutionary. It's making all these presentations easier than what's been before because before it seems to be like a guy mixing somewhere has a copy of the presentation manually selects and puts it over. There you can potentially just broadcast it over as a video feed. That's exactly it. And then that's pretty much it. We've got a couple more collaborative areas such as wolf vision. So this is all for education. And these are the top-deck desks. That's a 4K logo again, but that's maybe the displays and the fully integrated solution here. This is the sign-up pure. Sign-up pure. And over here is the touch screen. It's multi-touch so you can have two students come up to the screen at once. So you have two students come up to the screen. Let's say you had one student here and one student here. Both maths equations or something like that and they can both answer at the same time and they can have two touching boards. So if we have multi-touch there we go. This is called the TH75Q1 multi-touch displays. It says 75 inch. It's big. So that's from our EQ1 range. So ISC is definitely an important place for Panasonic. Yeah, absolutely. It's a big booth. Yeah, we always like to show as many products as we can, not all of them. What's happening here? So this is the Art of Engaging Museum. So you can have this in a museum, something going on, something interactive for children to come and play with. There you can stand here. We've got our camera up there and it will just capture you in that sort of environment. Nice. And then you going up there triggers it to do something basically. Cool. I'm here and I have to be careful where I'm standing. All right. And this is this system here. Three-chip, remote for short throw, large venue projector, 20,000 lumen. And this is our HE42 camera, our HE42 camera, which is our full HD camera with the 3G SDI and the HDMI on the back. This is the new trend, to do museums more interactive. Absolutely. Enter some sharks. Absolutely. Get the kids excited. And it's kind of like the new thing where you want to have... Especially for school trips and stuff like that. Obviously you bring a lot of kids along. And sometimes museums can be a little bit boring or they were when I was growing up. So for this, to come into the museum, definitely sort of bring them, bring the museum alive. You have to compete with the iPad and stuff that the kids are like playing at home. Yeah, exactly, exactly. So you've got to take the kids out of the house, get them in the museum and then keep it as an interactive as possible. So here we have some expanded 4K LCDs that are upright. Why do you like this? Because you could use this in portrait mode as advertising in any shop or shopping mall. And here we have our SQ1 series. When I was talking about removing the board from one of the screens, these are the screens that you'd be able to do that with or you'd be able to add the wireless dongle for the presentation system into these, that's here. And then we have our EQ series. And obviously, depending on your price point, you choose between these sorts of screens. And then we have our CQ series here. And obviously we have our different ranges here. So 86, 75, 65 and 55 in the SQ series, sorry. What's happening with all these? Those are showing some of the points. So these are different out, the boards that you can have put in. So this is the wall vision sign-up fuel. This is the SDML slot. And then this is the 3G SDR. This one is an Altera FPGA? Yes. Maybe accelerating a bunch of stuff in there. And with the 3G SDI, what's quite interesting is we, as a broadcast, we have a broadcast division as well. So they'd be using these screens, the 3G SDI, in the photo as well. Probably a smaller screen, maybe like a 55 inch in the SQ series, because that's the only one that works with this. But that would be perfect for that sort of scenario, using it as a monitor, or even as just a final display. Let's just go back to that area over here. Something's happening there too. So if you check this one, this is the world's thinnest bezel. Yes, so as you can see. What is this? DLED? So yeah, DLED, LCD display. What does the D stand for, Jason? DLED. Direct LED display. Direct LED. You can see here how thin the actual bezel is. That was 4K? Yes, no, they're not 4K. IPS. Very, very, very small bezel. You can have it as portrait mode. So you put four of them together, it's 4K. But then you have direct LEDs in the back. Great. And if you go back over here. Yeah, so that was a great tour. So thanks a lot for showing all the stuff. Thank you for coming by and enjoying the rest of ISE. So how's the business with Panasonic? There's like a big office somewhere in the UK? Yeah, we have a big office in the UK. We also have an office in Wiesbaden in Germany. Wasn't the office moved to Holland or something? Because of Brexit? Not yet. I can't be sure about what's happened with that personally. But because I haven't been staying up to date with it all. There's been a lot of stuff in the news, so I'm just like... You're based in the UK? But I'm based in the UK, yeah. And so out of there is all the customers for Europe. For the world. By through here. Middle East. What do you mean, sorry? They make the customers in the Middle East. They communicate with each other directly. Oh yes, making the Middle East come to the European. Sorry, the Middle East come to Europe. And we also have our own divisions in the Middle East as well. And North America is a different department over there? And North America have their own separate entity over there. Asia and Japan I guess. Asia, yeah, exactly. All right. But then you have all the showrooms, the demos. Showrooms maybe in the UK? Yeah, we have some showrooms. We have a solution centre in the UK where we display a lot of our projectors. And we have some cameras showing Lech Capture and all the tracking systems. Any solution that we could have thought of, we generally put into that room. Is it near London? It's in Bracknell, so it depends where you're coming from in London. But it could be about an hour away from London.