 Natu ki get guys from across the country because pia series enye ikona themes niyo na fanika Somali but the different actors on a represent different aspects of life is ordinary Kenyans na diya kuna out from different parts of the country so to create a pia wasani from different parts of the country kumikishwa that ya ni imengiana visuri so new upcoming artists to kaget kakolaborate na producers wengine pia upcoming wengisana engineers and so on and so forth Ya Okay, say that like to Jo, you know you're a super producer hadu mengi asasakwa film before film atu lukwa msa ni umetun bia pos edaksha ya we can see your growth what can you tell other upcoming producers nini wana need kudu as kia pama lumefika Right, right, right Okay, inisha li nili kwa na fkiriya okay nili kwa na fkiriya the best I can do ni kutengeneza two let's say beats, you know but then I realized bisaiz kutengeneza beat one a kachini na msa ni to na fkiriya ideas na analyze market and so on and so forth so ni kanza kwa explore your side pia after kwa kuna asa ni kwa sediya kwa setup businesses ni kwa realize kuna ideas nambazo na takakufanya nambazo ni ngependa kufanya just me mungu neneza so I use na come up na concept your song I can get an artist nmombu nyadze why don't you do this song in a kwa idea yango but pia at the same time because I can do that with artists pia na zafanya for movies, films, TV, commercials and so on and so forth so it just became like the obvious next thing to do to explore as much as I can be able to do so my advice to anybody else who'd like to I mungu na interest in busy production ukuna gift very unique don't limit yourself to just one thing you know expose yourself as much as possible in different ways tengeneza mzikiya movies, skiza tunes ata mzikiza gym you know we make kazi etu ni kuku tengeneza mzikiya maina kwa soundtrack ya life zawato so that's that's my hope that I can be able to put put every place possible in neneza kwa soundtrack or music neneza kwa skiza interaction na na maskeo ya kwa kutani pata ako that's the idea so I add everybody else to also jump on the bandwagon and do the same thing ya tigi na kwenye production niya umpaka ni neneza kata mbia how many hours did it take kwa ni nyuku kwa koe kwa medisha the whole project ama how long did it take eh eh it took a long time no maybe let's just say total about six months ya because ya about six months because to me kwa tuna once to me to me decide on the music yo process ya kutafutamsa ni kufanya recording kumats the music to it kuna kuru di back and forth na client kumeku sure that imingiana vizuri kama kuna changes na fanyika we make sure we do them so it took about six months na kuduku kwa trafanya at the same time episode na malizwa kufanya editing ok na kusut the next episode sit na fanya mziki and so on and so forth so it'll take a long time but kwa libiditu kwa deliberate na kila kitombachat na fanya ya say no you know I know you've worked it so tiso na tumon na juzi wa mea naun skidogo, they are splitting how did that make you feel? well bittersweet ya know because I've worked it so tiso for a long time I think I was their first um keyboard player um and even music director if I'm not wrong because to keep a tana they were doing mostly like an acoustic kind of set took it up a bit another notch ya know and then wakatin li toka kufanya kazi na wasa ni wengine because they deliver that to other people and they've been doing a really good job um but na appreciate the fact that kufuana break pia ineza kwa sa idea audience kwa appreciate mo ineza kwa sa idea creatives kwa sa kwa decide do you really wanna do this and come back more and do it better or whatever the path it'll take na feel kufuana break ni very important I just hope that or at least I know that tokobado connected na mziki yao na najiwa tendelea kuku connect nao in other avenues and I hope maybe one day tapat opportunity kuku experience sautisol in another way kira kwa the next sautisol from sasa sautisol oh my god that's difficult to answer but what I can say is ni me una lot of young guys ona come up ya ni kuna so many young guys wana kujia up na ona faniabitu kwa pwa I'm not sure that neza se mati who will do the next sautisol but na jwa as much as as much as one person ona step away in a create room for someone else to come up kwa laugh na delea kuku grow and so on so people basically are saying kwa kwa chance kwa sautisol wenda kuka jenga some artist omwa kupinyati na kudiposik some where the money a kwa na kwa nii well ni difficult to pijua because sometimes what you na assume me but na se mati oke na ona ni kama any awa ki break up na ona ni kama any ule na tefanya ina ule na tefanya but it's I think it's too early to tell all the members of sautisol because ni wak nao personally wak kwa talented in different ways savara na fancy fingers ni amazing producers you know bie ni an amazing songwriter shimano na understand branding na fashion na all those things so kila mojawao a kuna ule na chikuwa shine ya mungine and that's how wali kwa na fanya kwa group I assume at least that's how it was when you were there so my feeling is that maybe ata kama parts de tokelezea different I feel kila meto ra shine kivi ya kila meto kwa na opportunity ya kwa shine kivi ya ke yeah you've been in the industry for a while me kukifanya kazi zuri and of course many upcoming producers looking up to you a heeni kipen na kufahamutitu kwa producer mae ngaia kwa niiha kwenya industry umumia mshawuri vipu kwa yana being paid for job done or correcting royalties for the job ah you have to do both you have to do both kwa sababu systems of royalty collection in Kenya has iko very advanced you know kuna fights between royalty collecting bodies na wa sani kuna fights between wa sani amongst themselves leaders were industries government na wa sani and so on and so forth so bado tukwa a long way kwa kustrim line late na zasema na za depend on royalties 100% from this country you know ni very difficult kama top artists bia na lukwa na sumali tukwa in tumiyos ni 14k na kuna one of the biggest catalog so you can imagine tata na msanim dogo in a kuwajik you know so the model to na tumiyas a heeni who are we charge client something small heo charge ni convenience fee you know ni make transports team up by equipment and so on and so forth but bado na retain rights zango intellectual kwa yo piso music which is a property so essentially most artists wa na wajawai and royalties because systems has idea wa favor which is unfortunate so wa na make more of their money from yo pesa wana pata initially lakini essentially na fahu and from both perspectives get some money ya kuku set up to in the short term kusot bills but also long term wneza and from royalty collecting bodies na it's improving so I guess in the next few years takwa better ya ya na pengina ni wuliziki to kwenye experience ya kwa ya ufanya kazi kwenye series ya onfakan na nina ni nima ni komba this is not the first film mamba yume fanya in terms of production nneza kusama imekwa no tofotigani na what are some of the interesting things ambazozi kwa zina fanyi ka during production stage ambazozi wunweza kumbuka you are like wow I need to expect okay it's nimefanya music for TV but this is my first series ufanya end to end normally nimefanya maybe just small pieces awamsana kuja nabia nge nifanya the theme song only but this is the first time nifanya end to end so first of all niliyanda estimate the amount of work in ita itadzika kwa kwa so by the time tulikotu na kunakwa cut date yuna by the time wakoridi kwenye na kwa niya the next the next what sisi mziki atu kore nizima to kaitu na toji arakisha zitu kanya so what there's a time nili realize that inabidi ni ni niyazi kwa creative na ku involve other artists from across the country so kwa yo series I didn't plan it but tukona jama wana imba po kiluia rap drill za kiluia kone yo series kuna jama wana imba mziki aki jaluo nizima ni kuna a lot of interesting things nafanya kaivo tulikwa ikwa natradzedi studio tulikwa tajali kawungua wakati amba po tunapanya nafanya mziki kwa this series so ikabidi to set up kwa ofisi ya folk stone studio so happened yo tukafanya most of the work actually three quarters of the work tulikwa niya kwa ofisi ya po studio nili tulisi idea kwa sibabu at least tulikwa able kwa kwa one on one na directors one on one na producer one on one na scriptwriter and so on and so forth nikuweza kumik the success of the project na pia we were lucky to get a lot of support from different people wa li kuja kwa smaka you know what to jali bit is not happen use my microphone you know use my speakers use my whatever and so on and so forth so atuku weza kukupanga but it was a very difficult challenge in li bidi to find a way to weza kukunavigate very unexpected ya ya you are thinking in sorry kwa kwa but you also want the content producers to produce content for a while and right now for the content creators about to go in the industry to nambukam but the government wants to tax you know content creators 15% I don't know he who made tukulia well okay serial quality tax you know they will do what they want you know that's fine but I think the reason why to naumasana me o kichikuwa na haupiani I feel balanced you see kama tuge kwa tuna pata as much overwhelming support ku give tax see shida ku tua asa money ku support ku jisapot muunere that's fine but in a letter guumu and bapu tuna laws hazi you know our laws are not working for us our government systems are not working for us the system that desisi we know as wasani tuna put in place tuna tusumbwa because now we have to fight with other businesses we have to fight with corporate government and so on and so forth so in auma in the aspect that if you're going to take I hope you're going to give in the otoeze kuwana visibly change okay take some money but also show us show us value otoeze kuwana haina it's not problem taking a tax but if it's if not a value but sayi because at one value lazimat as wasani to feel you know what's what's happening here any how do you balance this so already as an industry as a creative industry ready to suffer sun you know because to go behind amongst you know become other countries other governments depending they want to say yeah wasani wow wukuwana covid some countries will bail out wasani wow na joika bail out creative industry eh some few individuals benefited from meeting this country most of most did not so in now in auma kidogo so I hope that there's a final balance for sure kutusana kumtum waipegine ajatazama mpa kani ama je pata full self tazama mpa kani kutu him umuambie ati pata bip right so first before atani kumbutu ati pata hape mpa kani is the number one action series imefanika in the country right now music wise now unlike unlike series ingidia mba zotuna chikuwa mziki from so much na patika apo here to make create music specifically for scenes that may work with different artists that should release even an album badai yai zi mziki so kime kwaiki onyesha kbc for a short period of time now to namegiyo the digital platform chikuwa konye feel it tv utai pata apo to buy the movie in 1000 bob kawana takunu no episode by episode ni 200 bob peke ake go and watch uneza onja episode 1 kwanza wone get to vibe nara la fuji unbe kawana takunu nde laya nara but it's available on feel it tv watch it enjoy thank you very much asante so that like to know ume onja film industry kidogo what do you think the future is looking like well i hope that uneza kwa niya mo collaborations is a film na music because um music in a play available tuli kuatunu aika mziki kwa scene and everything changes anyone uneza kufil the emotions even more so i really hope that uneza kwa niya mo collaborations is a local producers na local artists like just kama ini modem zuri sa because feel it ni platform loko all the directors, creatives ume kwa niya kazi ni wote niya uchi na kenya so this creates a very good opportunity for mani e za kupugea deba kiviyake someone else say that pugi a deba kiviyake na wote tunakamfa unahiver shuwa this is not the last tuneza zi fanya ma iza asante sanali kormactit eyelids thank you so much na appreciate asante Kwa, kwa, kwa.