 Welcome back guys, so in this lesson we are going to look at, you could call them as advanced arpeggios or intermediate arpeggios if that works. I hope you watched the earlier part where we talked about some very simple basic important arpeggio concepts where I used both my hands to create some nice stuff. So now we are going to look at this, these arpeggios. First of all I am going to talk about a one handed or left handed arpeggio pattern which I think can be very very helpful to play a bunch of melodies to really inspire your improvisation and melodic creations in the right hand and work for a lot of material. So I have done a video on a YouTube page on just this one pattern where I have talked about something else so you can probably watch that after this lesson to supplement. But for the Andalusian cadence I am going to demonstrate it as slow as possible. So you go, what are the chords again of the Andalusian cadence D minor, C major, D flat major and A major. Now how we are going to voice it is, we are going to add the top octave from the bottom okay the D at that high D, C also has its C, G with the high C, B flat also has the high B flat and then A. So the pattern slowly, B flat, A major. Now what happens here, if you look at it we break it down, pinky holds on to the root of the chord for the whole duration. Then we do the index finger playing the fifth. Start with that first L, H, M, H, L, H, M, low note, high note, middle note, high note. That works very well I think. So to make the arpeggio pattern interesting, instead of repeating that twice I am doing, I am just copying the same low note and playing it or placing it an octave higher. So low high, middle high, low but one octave higher. My fingers, middle finger and index, top octave with the thumb, so all the chords again, B flat, A major, B flat is a little tricky. Try to angle your thumb a bit when you play B flat and repeat. You could also kind of flip out your thumb at the end or flip in your thumb. There we go, see it will help you shift to the next chord better. A few little tricks, actually making the process a lot easier. You can speed it up, that's the pattern. Consider flipping the thumb to help you play the next chord. So the last note of the first chord will help you shift to the next chord easily. So that's your left hand arpeggio pattern on the right hand. Well I've developed a nice melody, you can follow it. Now this A clashes right, so you can do that. Something like that, so or play the whole melody higher. If you can't do that, let's figure out an option. Actually play anything you would like, could actually improvise in a couple of ways. One way would just be using the chord tones, the chord tones or you can just take a scale like the blues scale. Ideas, you need to keep this pumping always. Don't compromise on the left hand. Even if it means starting a bit simple with the right pipe. So this is about the left hand arpeggio over the andelusian cadence. Moving forward.