 All right new version, let's go cool. I like it Like the hang time there Yeah, it's neat. I am not quite buying still this they just go through my frame. She's going up here pushes. Yeah, it's just this This right there this drop into this those three frames here This really feels more like She has a magical Belt that pulls it forward here or she suddenly has You know some rockets in the back here. I go And move it forward. It's just it's a tough sell for someone who's basically standing and who brings one leg forward to slide So far forward so quickly. I think that's my That's my biggest Issue here. So the rest is definitely cool. I really really like This as she comes in and it's the timing of that hang time The arms and that drop it's all very cool. I really like this Now if I look past this and just go it's up here. I Mean one thing where you go in terms of acting choices. This is a thing where Now she sees the guy like at this point. He flails. She wouldn't notice that think you can bring up Her head a bit so that there's a connection and she tracks this person and then when he falls She brings her head down right now. She's kind of looking always at the guy And it's a bit odd that she wouldn't have a broader look and that should have seen that before apologize That's something I would add acting wise to head up then down into this That's cool. I don't know that grabs this Watch out. I wouldn't have That hand gets a bit lost right through there and in there in terms of the speed and the silhouette I Feel like she is she's pulling and you can see how this is pointed down So when she slips You mean I I see this It goes up and then down. So to me, that's the path and not This this would work if that arm was down here And she's pulling on the neck or something and slips and then this goes up like that I mean, I'm not quite buying that the mechanics there of that. So I would bring That arm would now be down here. Maybe your silhouette and then could be here and Then you get into maybe here and then it could be here and then maybe swing over But then you go back down to it has to be a A shallower arc there and then watch out. She's a bit and Stop where it's a bit post-to-pose. I know this is stopping before arms are still moving and even then the body Stops and the arms are moving afterwards. There is offset, but there's something about Or feels very post-to-pose, but it's also her arms They go left left left left left left stop even though I see a bit more in here. There's an overall Post-to-pose feel I do like her little pop into this And it brings it low arm is more visible Watch out. It's a tough one to bend his wrist over this way And then bring this up like that if she pulls I think this would be lower and it's the fingers and the wrist that rotate our fingers up And it's not like that's when it extends But at that point that elbow would be down everything would be lower and the wrist would be up That makes sense. It's just this feels very I K And you have to soften that pop here rest is fine, and I like how she goes And on this instead of just that you might even go broader with the broader. Oh man It's right now. It's cool. You have this then it's oh Flat and then that is appointment Could be you know imagine maybe she's tried this 50 times It's and he messes it up all the time and that way you have a broader contrast to go from here to here to here Versus just in here He is fine Let me just check him out as he comes up here Watch out here This feels very broken here You're gonna have to reduce at least the forward rotation. Maybe Maybe in profile or like sideways here could work for this to be high But this feels rotated towards us too much. This feels better That's all fun Yeah, that's all fun like all of this and what the body guard let me just see this is something about him. Oh, yeah Because the camera, let's see what did you do? Did you move him in the camera? He's moving Oh nice. Yeah, it really pushes through Watch out. This feels like it's an intersection where her head is here And then that need is went straight through her in her head. It's so fast that he don't register it but See what you can do for her to be potentially a bit flatter Maybe And then she could also close her eyes close her eyes close her eyes and here open them You know, she's kind of protecting her face to some degree and then that arm is A bit through all of us a bit relaxed. It could also start to kind of go out a bit more You know, she gets into this and almost swings it back And it could be over here. Maybe even this helped a bit push that leg up. It just feels a bit too relaxed Where it's just cool Yeah That's kind of that so to me in terms of The acting choices. Yeah, it's just her at the end love this again Love the jump and then once you get into facial stuff, it could be Ha where she has a moment of maybe she has her head tilted lower She's like this Here longer, you know, it depends if you have to decide if you want her acting wise to be Playful menacing, you know when she goes up here That she has her head down and kind of the eyebrows cut into her eyes She goes like, oh, you're not gonna take me out or she's like this Eyebrows up and and laughing like oh, this is going to be great I can't wait to beat you up into this. I mean and even here you would have a big smile And she's laughing like how does this awesome and then when this happens like oh, man, not that idiot again And it's kind of that change of we can make we can make it we can make it And it's like, you know a lot of strain and pain in the face and then here. Ah, you idiot did it again And you know and he could be the idiot who goes huh, and then he has a big smile like hey guys What's going on nice nights tonight? So that could be something or you make it, you know menacing where this And this is more like her squinting the teeth clenched are getting into this and so on That could be that now the biggest thing that I feel needs fixing With this is what if what if this will change the time It's a destructive note as I call these words. It's a potential change but But I think could help you So when she gets up here, let's see Basically, how can we as new Get her to be so fast. So what if she gets up and hold on she needs to Could it be something where she's like this but then jumps up backwards and Then it's almost like her hands are against the wall with one leg up and The other leg against the wall and then When she pushes it's that she she pushes herself off the wall If that makes sense, I can't really draw well, you know She's like she's she is in that pose like I have before and then back It's almost like back bounce forward. She jumps up With this leg against the wall pushes herself into this Into that I know that makes sense And if not, I know again, I don't know if that makes sense But if if you need help you can always send me the scene. I should have all of these characters I think including this guy. I think that's the punisher, right? Or you can just import them all and that can I can take a quick pass at it in the in Maya Just to make it clear so I'm not confusing you but I think that could also be Playing into the playfulness or aggressiveness of her of not just hey, I'm here. I'm gonna charge you I'm gonna be a creative in going going into Slide anyway that could be cool. Let me know Yeah, and that's that. Thanks Alright, there's an email you can sign up. You can start whenever you want You can submit whatever you want you get 16 submissions either way like and subscribe would be awesome. All right. Thank you