 He is the most dream line one. What's up y'all. What's up? What's up? What's up? Thank you, Angela. I was with resin on then. Now I know I've been hanging out with Kenny and Rhonda too long. I've been mixing 12 ounces of resin with a drill. It's a little bit that much easier. Quite easier. Especially by sticks. We will get back to our, to our multi-camera angle soon. This place is just still a little bit of a wreck. It's okay. I survived. You said you wanted one for a big job. Oh yeah. That's true. So we're going to try, we're going to try something we've never done. I'm going to use these here tangerine. It's so crazy how, how wide angle this, that app. Like the YouTube. Like if I were, if I were to just use my camera regular, like you would probably be going to see this right here to about this right here. And maybe to about right here. You can literally the whole, you can see the whole circle in this. So I want to do a solid of this, a solid of that. And then some transparent black. No. Right. Or yes, a paint black. Maybe. Maybe like a swirl around just a, I don't know. We'll see. Okay. Tangerine. Thank you, Angela. So you're doing just a little bit of the colors or a lot of the colors? A lot. Okay. Yeah. We want a lot. Like that's why I'm like, like. According to the math, which I am an expert mathematician. Hmm. Hmm. Hmm. Listen. Don't judge me for my crazy awesome amount of math skills. Judge me solely on the fact that I have shoes on in the studio. Hmm. It is a plus. It is. It was in my vows. That's true. All right. You start mixing your color. I'll make sure you have just a little bit more of a zing. We haven't used our sticks in a while. I thought I'd use them. We still have them. They're still on the website. These are small. Boom. They fit in perfect smaller cups. We do have move size sticks, which are smaller than that, which are good for Dixie cup size mixes. I really do like. Why am I putting that in there? That's just because you're pretty. I haven't gotten any resin out yet. But see, that's what you do. You get resin on them. Just take some alcohol. Boom. Put it on a rag. Clean. By the beam. By the boom. Boom. Bam. Bam. Bam. But if you do buy these and you've had trouble, just take another stick or something with a little bit of an edge and you just peel it. Like crab legs. That's basically what it's like. We haven't had crab legs in a while. We've had resin on them. So that's how easy that comes off. If you can see that. All right. So they gave us, they gave us a color, basically a swatch, but it's more of photos and drinks. It's a mood board. Yeah. And I. Jeff's out orange. I saw orange. I saw light stuff, light colors, but if you want it to be dark. It was very moody. It was very dramatic. We'll say. I don't know if this is going to work because I'm not good with colors. But I can see this with a very transparent black. And it's just going to be kind of like a big, a swirl type of thing. Oh, no, we'll see. I'm mixing up just a drop of color, passion black. A little bit more, maybe. I don't know. We'll see. We can always add. So this is tangerine by just resin. Whoops. I'm kind of excited about seeing. We never use orange. That's pretty opaque. You think it's opaque? I mean, you can barely see the stick through it. I think because there's something on the other side, but. I'll mix more in it if you want me to. But the fact that it's a black background already. So then let's just use straight clear like we do with the Miami marble. So you're going to put some abalone in there. No. I want. I want. Miami was halo. I know. We're just going to use just clear. Maybe put some gold dust. That'll look good. Maybe just a little gold dust. You're going to be making more simple wine caddies. Jenny Higgins. Hey, Jenny, how are you? Yeah. Jeff's going to pick up plastic hopefully tomorrow. And get more items cut for you. Why? I just didn't. Well, now we have some left over in the bucket for just in case. Yeah. I like gold dust. It doesn't dye the resin. And the particles aren't quite as big as a glitter. But they are a bigger particle than a mica. I wouldn't even mind like putting gold leaf. Like just having it in the clear. Just listen to me. You're like nodding your head. No. You guys, you can't see her, but she's nodding her head. No. Put it in like a good amount of clear, but just like putting it in and just kind of turning it so it doesn't get all really crazy, but putting a mountain in there to where you can see it or it on like this. And when it does get with another color, it just kind of melts in with it. And then maybe some would be up. Some would be down. Some would be underneath some colors to transparent black. That's what I'm seeing. Like that's what I mean. It doesn't matter what you do to it. It's going to be chunky unless we put it in our food processor and like chop it down a bite size. Food processor. Oh, she's. All right. This is what's going to happen here. I'm just going to go for it. Okay. Go for it. Hopefully this is enough. I made you enough for many boards. No, this is definitely not enough. I'll make you more red. I'm glad you added red to it so it doesn't look Halloweeny. Unfortunately, orange and black just have that wrap. Well, Vampa agrees with you for your gold leaf idea. Too much what? Gold? Yeah, like. Well, the good thing about that gold is it's going to sink. Well, that's why I was trying to put it next to the black. So the black might take over in a little bit. I got you. So you can see it, but you can't. That's why I wanted to transparent. That's right. So it'd be like, is that a good? No. Yes. Yeah. What are we going to do with it? You need a heat gun. You need a swiping paper. No more resin is going to fit on this board. Black is just going to. Thank you, Angela. Have a hair dryer. Oh, get our blower thing. I think that's maybe what I'm seeing too. Space for. Space for what? Mega George party on. Excellent. It looks like some kind of weird camo for real, like both in person and on camera. Sorry about the noise, y'all. I'm looking for it. I put on off. Oh, Angela, we are doing tests for a sample piece. For a countertop that a client in. Austin wants for her establishment. And so we're working up a few different samples for her. Maybe a lot more black. Well, that's a translucent black. So it's not going to be full takeover. I want it to be in and out. I want it to be like this to that. So far, I'm not hating it. But I need to stop mixing at some point. Yeah. It's going to keep getting busy. However, it looks like a whole bunch of feather plumes. So maybe more black. I just said, remember, these will also keep moving. Angela said these are beautiful colors together. Love it. And more bolder, like bigger. Like that's why I think I wanted more like and then do a big. You could have done with all of that because it's still running off. No, but that's a solid. Like do a big solid and then a big solid next to that. Just kind of just kind of whip it a little bit. There's too many little lines. Like I'm I know I'm I'm all over with this. But just now that I see it, sometimes you just have to see no gold. I don't like that gold in there. I think it looks good with this orange right here. I think this will look good dried for something of background. I actually I really like it. It reminds me of what's it called? Pompous. Don't add too much heat to it. JJ. Love the orange. Yeah, it's a good orange. It's a good color combination. Pompous grass. Right. Don't you see that with these plumes? Honestly, I thought with the amount of heat you were putting on that it would have been all one color by the time you let up, but it's not. It's still definite parts of color. I want but I want big like if I can just take this out. This is what I want to see, but like more black. Like I wanted to go from, you know, a solid to light to black. Like I don't want all these little. Okay. So next time we do this, remember me saying just a big don't add so much heat because the thinner it is, the more it's going to shoot like that. No, it's just putting all the paint down in one area, not doing all this when I put it down because then you have to do that with all the other stuff. I don't know. It's just, I feel like it's just more too much movement. No, I was just about to say I don't mind the movement. I like the movement, but I see what you're saying about wanting bigger portions of it. Like where this black goes over the orange right here, that shadow looking business. I like, I like what you're saying about putting it over the other color to have that mid tone fade. And this, like if you had a bigger chunk of black here, going over this. Hey Pamela, we're about to dirty for it. But that might look just like not necessarily this, this red. I don't know. Maybe just one big, see that's why I don't want to be ideas because I get too much in my head and then I don't stick with what I originally see. So the difference in this and what you originally saw was that it's just bigger splatters of color. Yeah. So Pamela, I'm not going to add yellow because I don't want it to read as fire. Jeff, one color in the middle and then the next color and then put the black around the edge and drizzle black in the center. So that would look very blue meme. And it may look good, but consider the fact this is going to be on a large scale bar top. Yeah. Sue says needs more red to me. What's up Tim? A fire engine red. Yeah. When you think of a coaster, you always put too much on a coaster, you know, and you go, oh my God, this looks so good. And then you try to reproduce that on a big piece and it doesn't work out. Is that because the amount of resin you use? Yeah. Or just because it's easier to control smaller? Well, it's easier to put too much on something smaller than this. Not enough on something bigger because it's just, you can't. It's such a bigger picture, I guess you could say. We're going to try something here y'all. Way too much. Take me, get me away from this. William, Cal gone, take me away. That is not what I was going for. Oh, that's good. It's reading as golden red. You can't even see any of the black in that. Hello Jerry. It's fun to stay. You can hope. Not as easy as it looks. I like that. This looks like a rib cage. Like for real? Hello Donna Parker. It's so funny how I could see it, but it's just not. For one, it's not, we can't do it. It'd be done the way it should look like it's where it's going to look. You know what I'm saying? When you spritz alcohol on it or run paper through it. So, yes, but because the colors are already so muddied, if I were to run paper through them and do a swipe, then it would just make them more muddy and it probably won't do any good design wise because just don't spritz that one. It's not going to do anything design wise because there's no blocks of color. And with the alcohol, it's going to look cool right now, but since the resin's so fresh, it's all going to melt away. So if we were to do this alcohol in an hour, it would probably look really neat because everything we used was a metallic of some sort. I mean, I guess except for the black. Unfortunately right now the resin's too fresh to have any kind of alcohol on it that it's going to last. For example, this looks pretty cool. It's a little bit snake skinny, but that will dissipate within the next 10 minutes. However, we can come back in an hour, do the spritz just like that and those types of design elements will stay. So tomorrow I... I think we should abandon all the colors for Austin. Start over without red. Yeah, I think we should just get rid of the red. We can do the red. I mean we can't abort the red. I'm thinking about doing an all gold one for Ruffarill. She's going to be like, why did you do that? Making Halloween coasters. In May. It's going to be May. Just be ready for April in the 25th, in the 25th days. Just be prepared for it. It's going to be May 1st. 1st. It just kind of goes away. That one hasn't. Time to clean some sticks. Are you going to do the live tomorrow or are we going to forgo it because of my appointment? I don't know, it depends on what... Are they going to do something? I mean, are they going to actually do something or are they going to look at you and say, well, this is what we need to do. Are they going to take it out? Will they even know what it is? I'm sure they're going to fill it. Alright. Guys, somebody got a haircut today. Do you see that little guy got a haircut? Look how fluffy. Would you look at that? When I see something like that, I say would you look at that? You got him a haircut today. Alright, that's it. That is it over and out. I know that was kind of a short whack experiment. But what are you going to do? Just look at that. Look how his hair just flows like it's underwater. And now he is very handsome. We need to get him a brother or a sister. One of the other. Yep, he agrees. That was cute. Alright, you guys. Erica goes to the dentist tomorrow so we'll see how that goes. You guys have an awesome rest of your Monday night. He sits like that all the time. We kind of went another because you never know what somebody is going through. Bowie, you're lying. Always remember, we do the test. You guys have an awesome night. Thank you for joining. We'll see you tomorrow. Bye.