 Oh, well, while we're on Scorsese real quick, what was your direction in that movie? Meaning what's the, Sebastian's in the Irishman and is very funny and very, it's a broad perform, it's like, when you entered, I laughed out loud when I was watching it. Cause it's somebody, somebody, I'm not going to say who said it. Someone said, and Sebastian Maniscalco asked himself, which I don't agree with because you play like a, like a Frankie Valley, kind of like sunglasses and stuff. Like you move, were you, did you try it out before you did it on camera? Did you guys rehearse? What did you discuss with him before the first take? There was no discussion. So you just, that was the first scene, your entrance. The first, did they shoot it in order? No, the first scene was me, De Niro and Pesci at the Copacabana, where I come up to him and I'm flicking Joe Pesci. He's like, me and Pesci get into a little something and then De Niro and I, he pulls me aside. So that was like the first day of shooting. And then De Niro, they said, cut Scorsese came out, De Niro, Pesci, Scorsese got in the huddle and started to talk. And I was over here with the, with the bodyguard I was with in the scene. And I'm thinking, it's it. Yeah, that was it. It's over. They're telling, they're, they're, they're getting rid of me. Cause I was, I mean, I was extremely nervous working with these guys. It's weirdly a good first scene though. To, cause you're not, you can't be nervous. And you are the, you, you're, they're seated, right? Yeah, yeah. And you're standing already good. For you. It's nice that they're down. And then you're flicking shit. Well, Catherine Narducci, who was in the scene playing Joe Pesci's wife, had come to me in the middle of all that and said, man, Joe's getting kind of upset that you're flicking his lapel. Like not, not in the scene. I think he was getting upset, you know, which was good for his character. But I'm like, oh shit, should, you know, should I pull back on it? No, no, just keep doing it. So, you know, the acting world for me is very new. I've got a lot of these things I haven't really seen before. So that was a lesson. And that's also the hardest it's going to be. Yeah. I mean, you're not like, it's you. That's the most scared you're ever going to be. Yeah. And I, and I, and I keep that in the back of my head when I go into other things going, all right. I already did the scariest thing you could possibly do for an Italian. You, you're, it's Mount Vesuvius, I would say Olympus, but I went to Italy. What did they, when they came out of the huddle, were they even talking about you? No, they just said, you know, we'll do it again. You know, I think they were just kind of maybe discussing things on their part that these guys have been working against for 40 years. So, yeah, I mean, not, not a lot of direction from Scorsese. He would come out and there was a point where I was in the Copacabana and Don Rickles was on stage. Norton played Rickles. And when I got up to throw the champagne bottle where I was going to, I had some direction on how to do that or what. But and in the court scene, when I came in with the glasses on, Scorsese had kind of directed me when I was sitting at the table with the craps, the crap, but that entrance and what do you want? I love the entrance for myself because I've always wanted to be in a movie with sunglasses on. If I could quit, don't do it, literally don't do another one. That's that was for me, it was like the pinnacle of success. If I could just get it, I laughed out loud. It's like, are you laughing because you know me because I know you. And I quit because I knew you were in the movie. And then I'm like, did you stop doing the joke? Because I kind of stole it in my special. Oh, great. Not exactly. The thing where you're at a club and you're and the girl goes in the club goes, you're hilarious. And you go, yeah, I know. Did you do it? It was like that sunglass performance was that joke to me. Yeah, I know. Like I so I do a joke where I'm like, guys are hilarious, but I don't it's whatever that's it. That's the that's that's the crossover. Yeah, the acknowledgement that matter. No, that's a good that's a good parallel that that that joke could be put. Yeah, it's like that's that character. Yeah, that joke, if it was a character like. Well, this guy was a cocky guy. It was a real guy. Yeah. So so he, you know, I talked to a few people who kind of were around him during that time and said this guy was, you know, he owned a tiger in his basement. He was like, you know, he hired black people to work with him, which back then. Yeah. And the mob was you couldn't you couldn't do that. He was going against all rules. Right. He killed a mob and put a hit on a Colombo. So yeah, there was a lot of things that he was doing that were really out of the box. So yeah, so hence the answer.