 Hey, it's on fun. This is I don't know they six of making the Track for the FM challenge Not sure about the kick. I think I'm gonna try to use Dexed because dexed if I think it has a pitch envelope And I can basically use all of the synthesizers Even though I kind of try to limit myself to It's in that for instance of dexed because we might need more than one Let's try make a kick out of dexed Maybe or maybe I will use both like in Composite composite Yeah, that could be that could be a thing Maybe let's try to select No, it's only It's only showing audio tracks, but this is a MIDI track. What the heck? I think that's a bug Cuz just copy this. Oh Why is it mono? Oh because dexed is mono All right, but the truck is not Well, it's at a splitter Mono stereo splitter. Yay And there you go Our stereo again. Fantastic. Okay now The hardest thing about dexed for me was the more the envelopes ice cream Here it has a pitch envelope which makes it possible It's like what the fuck is going on? What is this? This is some duration, right? This is a duration. It's not it's a level. What the fuck? It's mirroring. Why? Fuck for me that the envelopes are just Absolute pain to work with I have no idea why pure luck that I can do anything with this. Well, that's not what I wanted Maybe I can find some I don't know. Oh, there are no patches here Well, fuck Let's try to reset. Yeah, okay I'm gonna try and read up on dexed envelopes. Maybe that's a thing. Wait a minute Okay, I think I'm starting to understand what's going on first we have the Levels and the rates and this this last knob seems to set both the first and the last point So this can kind of loop and then we can set whatever is in the middle these are the levels and Below we have the rates. So the higher the rate the shorter the segment I guess So Yeah, but even though I have the rates on maximum. It's still pretty slow. I mean it won't do for a kick drum Okay, anyway, let's try Let's try. Oh, this is gonna be good. Please no feedback And I'm just going to Use a voice one, right? I think that should give us nice. Why is it so high? Let's use fixed. Yeah, and we have again Now this works differently start. Oh, this is the attack. All right Now lower, but I want it faster kind of but it's too high And it doesn't sweep fast enough. Okay, let's try maybe tune it lower There's also a filter, but it's always a low pass Okay, maybe that's gonna help to support the kick drum I'm not super sure. All right, let's go call this kick To I think I need to well, I need any cue first. Let's see what's happening. Okay. We have a nice peak here Let's now maybe try to gate this Actually, I just lose the transient and not get any any better So maybe not Maybe let's use some distortions that I think we could use Equalization after this too or maybe first some compression Making we're making very strange sounds. That's Also by no means better. It's different. Maybe the two can I don't know work together Maybe if I I don't know cut off the highs from this kick And use this for the lows just for the lows. Maybe that's gonna that's gonna work nicely Let's just do this and Low pass this maybe. Yeah, maybe that can work Okay, I'm gonna put the kick to also to the drums bus so they both do whatever thing All right, we have something that's interesting. I think I'm starting to like this So I have like 10 minutes left. So there's not much Not much I can do How about this? All right, you let's save this is a as a new version Calls bodacious seven We need some intro definitely there is like kind of a drop but How about Selecting select all in range. Oh, that's useful. There's also select automation. It does. Well, okay Let's come try and cut And I'm gonna try to paste See what happens. It's gonna break gonna work Yeah, I think not everything works. Let's undo this and see what didn't okay. We've called filter and RIT Let's maybe use the range tool for that Control shift Yeah, so we have this Now I'm gonna also select. Oh, I wonder if it's also working on Inactive tracks, I think it did it does Control C Control V. Let's maybe do it like that Right. I think it did what should all the automation seems to be in place, right? Nice, so you just have to duplicate it. Well, okay, I'm just going to Delete the first one. I guess Because we just want something entirely different there Right, yep. Oh and this I Don't even remember what that is. Ah, that was some beatbox mock-up. I think I'm gonna save And let's maybe try and create something interesting. I don't know Some chords something nice Beats beats gonna be okay. Ah now we have beats by eight. All right And move this maybe it's a B. Let's call this C. Oh All right, let's use C markers If it's what you want That's the default thing I should be using right because the Key-nump keypad enter inserts a marker at your playhead position and Yeah, I've been using CD markers instead of location markers. So now let's use location markers Okay, I'm gonna try maybe Hmm. Oh, yeah, I'm tempted for this sound actually I'll call this pad and I am going to Your patch Yeah, I wish there was a reset. No, this doesn't reset this resets Why is there not an in-it? Patch the fuck I Want an in-it patch? Why do I have to do this every single time? I know I'm gonna save my own patch. That's the thing I'm just going to reset all that The crappy thing is like, you know, all the different things are just moved around and I Need to reset them manually and they have envelopes and stuff and Okay, now just let's do F playing this. Oh Okay Okay, let's save this as my in-it patch add In-it Great, I can recall this Hopefully I can recall this. Yeah Every time I want to make a new patch in the OXC FM synth. Great. That's some progress I'm already kind of charmed by the sound but It's very close to you know. Oh, I didn't add this Okay, let's make it long or make it Flipping and harmonic Yeah, cuz in harmonic parts that are cool. Could be better, but okay. Oh, we're hanging. Hello. You're there Maybe four beats. Oh, it wasn't beats. So I should go for bars Yeah, it's just a minor chord. Isn't this the same? Oh, no, it's not what? It doesn't make sense why I Don't Yes, because when they overlap there's some tiny tiny timing error in Ardor and They don't sound okay. I think that's all the time I have right now Just throw some reverb and Hope it's gonna be something nice Makes me want to have a phaser on top of this off-langer. Oh Yes, okay, let me just I think I can spare a few minutes Just a few Yes, yes, yes, yes, let's make this all a fucking ramp Kind of like this Maybe Yes, I probably should have some drums that just slowly building up And then release and drop Yeah, we'll see Like these non tribal chords Tribal chords are kind of boring after a while like doing all simple major minor major minor So yeah, this is more interesting Even though I'm not sure about if they define like a coherent progression yet Maybe I need to fill it up or maybe shuffle it around I will see. Oh, I think this is also not deep enough. It should go from Savin Uh, that's all for now. See you in the next iteration Of refining this piece Bye