 1970 the person isn't who starts the talent opinion but his talent is born with him I mean the person may not discover or know that he's an artist since he is so young but after experience as he gets to know that he has his own talent and he develops it by the artistic studying by media culture or making researches and so on. In addition to the practical matters he discovers that he is an artist and like this I discovered myself but surely this thing happened after suffering it wasn't easy I mean I didn't occur suddenly or wanted to be a painter but it's kind of an accumulation that composed my character like how an embryo is composed and it resulted in a thing related to art you can see an artist a patron a person who expresses or personal dreams all these are possible to be said. At first the school had a big effect because I usually in schools they give drawing courses and in the period of drawing I was very distinctive I used to draw in a very professional way with respect to my age I used to see my drawings as beautiful and also to art teachers saw them as well and encouraged me and inspired me to continue I remember funny that happened that happened during a math class the teacher was explaining the lesson and I was drawing him so the supervisor saw me from behind and when he caught me and but he didn't punish me or insult me but encouraged me and said that my future will be very important I still remember these words and what happened is what he said in general the only thing that people know about painting is that it's a kind of work to earn money or a hobby that is just for fun but because the person likes it as for me I try to gather the two things approximately the story started as a hobby at first it started by few experiences and then I started to evolve it step-by-step until I discovered this talent I was working in a restaurant as a waiter I mean my career was so far from art I used to supply food to people after finishing my work I used to go out and start drawing and them bring my pictures and drawings to exhibit them in the place that I worked in so when the customers used to come they started asking about the painter the the classy strata of society started to come there and they started to ask about who is drawing these because they understand the meaning and appreciate this talents they asked the manager who is the painter and he led them to me all this gave me an inspiration to be creative more and more and to evolve this this talent another thing after that experience I was still in my secondary level I crossed the second section our classes to back back baccalaureate and then I entered university I told my parents that I should complete in the domain of drawing and painting because my talent was already here and I should go ahead but surely my parents rejected they didn't like it because in their opinion drawing isn't a way to gain or earn money to live they've told me that I should be a doctor an engineer or in the domain of industry or any other thing I studied my first year around the 90s and then got engaged and left university after nine years approximately I came back to studying and continued I was married and I had children I completed my studies the nine years that I stopped gave me more strength and evolved in the domain of painting and when the artist enters a relation his whole life won't be his anymore it will be for the other person during the Israeli invasion I was in 1982 I was around 12 years old I was young when the invasion happened in school we used to draw things related to this like drawing a barbed wire or a flower that's bleeding or resistance sitting beside a rock or striking by a base seven all these ideas were due to the launching of the resistance against the enemy but to way because they affected us since we were very young our parents raised us on them so this things affected my drawing my artistic journey it didn't affect me only but also affected all the whole of the society I was tried as much as I can to express through drawing and things that happened in relation to the invasion and the suffering and oppression that we faced which inspired me more and gave me more strength to be creative and produce beautiful artistic things drawing painting in general is something that originates from a deep emotion in the human being who expresses it by scratching maybe or by placing a black collar and a white point and it all depends on the thing though what he's feeling the more he feels the more he expresses as for the issue of a hello bait I worked in something that's related to Islamic letters Islamic letters is very beautiful and superior art and approximately it is considered as a modern art unlike old Islamic arabesque or art that were symmetrical to each other and repeated a lot of artists worked in this art in Lebanon they were creative and produced an artistic school as well as for Karbala it affected me since I was in school each year in Ashura I was asked to draw things related to Karbala because I was the most clever in class and the school and drawing I mean and these things affected my character the most were the condolences wades that had been made and the stories that have been told to us when I used to attend the wade I was being so affected and expressing my ideas and feelings in an ambiguous way a lot of painters drew about Karbala they drew the horse and the arrows you do the sabaya they drew al-abbas beside the river in other words they drew Karbala incident in so many different way I tried to express Karbala incident in a panoramic way working on the shadows like drawing the sunset that includes things which express their reality in a very different and attractive way and simultaneously it does a message to people which which is Karbala is not only bloods and words it's about human humane and very effective issue like how Allah created the earth I considered that Allah created the incident to tell humanity a message about oppression about sacrificing self-esteem and hundreds of things that are related to human humane life so I embody this incident in this way that is very expressive I guess and I can't speak about my work except after it's being seen I mean the person after seeing an issue we can evaluate it as for the technique the materials that we use are the acrylic and oil paints oil colors and in the panoramic that I talked about I tried to work it in a graphic way I tried to develop it in a way that I mix colors together line and there's a line in the sunset we start by yellow and we start to reach the plaque which is a gradual coloring and dark lines is broken by the Sunway and so we use your soil colors like red which is bloods color and also we use black which resembles oppression of course you can't use colors such as pink and green so I tried as much as I could to work in colors that to graph that reflect the grief which expresses the whole incident the color for me is a breath so like how human beings breathe and drink water to stay alive the colors are the same when I hold a paintbrush to start coloring I feel that I start loving life I feel that I'm giving something related to human creation which is created by Allah because Allah created us and granted us the brain and the talent to be creative so colors are very important matter to me Karabada incident in general tells us about the oppression that Ahlulbayt suffered from and especially when Al-Hussain peace be upon him it's a huge oppression there is something called patience which is that Imam Al-Hussain and his family so when the painter wants to draw a panel he has to be patient so he can't draw it so easily that's the patience of Ahlulbayt their suffering and sacrificing affected me a lot and let me embody this character in my way which is as a gradualness of ideas like that of colors I embodied the whole incident from the moment it started until it's finished I'm a democratic person at some point I'm with the freedom of expression but this freedom when it's about religious Shirai's it has red lines it has limits that we can't cross I mean regardless of how much a person is democratic civilized or with the freedoms expression of freedom when it's about religious symbolism that are related to profits messengers and so on we he should stop because here we start going to taboo is so surely I'm against it and I'm preparing something related to this subject which is called the contrary war I will start as much as I can to transmit an opposite idea via Facebook or social networks in my work maybe I'm nothing in this domain but each person does what he's supposed to do in life and transmit a message that only Allah knows where it will reach so the important thing is that I'll do my duties in this issue and what let anybody deform me and my religious rights and surely by drawing a person can transmit hundreds of messages and when they draw things that humiliate our prophet I won't reply by drawing the same things that insult or hurt their religion but I will try to transmit my message by a sentence maybe a status or a chronic war that they are using against us via the mosa the Zionism I'm not against Jewish but I'm against which transformed it to Zionism this is a very long subject and a debate so I'll try as much as I can to transmit a message in my own way so I won't be able to express these things that I'm going to do regardless of how much I talk about and this when they are shown and touched I can surely express by art and drawing where a poet can also express by words and the journals can express and relate things to his own career art is branched a lot and I mean that it can be limited in a specific corner and graphic art and our becomes a modern art that can develop it like how we want and the flexible like a dough I moved on to work in things related to mosques like doing arabesque and drawing letters and other things are related to decorative paints like sites jugularies for example we draw our we write holy names of Allah as if they are written a 3d technique this art is applied in many mosques in Beirut and now we will apply it in Iraq inshallah there is more than one project that will work in order to develop the Islamic mosque and to get out of the arabesque move on towards a more modern art I mean decorative art the artist shouldn't only jump right he should also be educated he should read lectures and learn foreign languages in Lebanon or any other arabic country he should transmit a message which is that the Islam culture or Islam in general is very superior religion and not a terrorist religion the terrorism was detected due to Zionism Islam is a very superior religion it is the religion of forgiveness and when Allah sent down Islam he sent it for forgiveness beauty and pure issues and for human if humane values not for terrorism and murder of course I'm able to transmit my message through art and drawings I draw panoramics I draw wallpapers and other matters and I generalize them by Facebook I I may make wallpapers on boulevards or beside bridges so in general the painter expresses through his panel or images as well so when people see his drawings and understand his ideas they will be able to understand the story of Ahlulbayt and how they suffered this is a message by itself and as for the oppression of Ahlulbayt there is only one thing that comes always to my mind it is an idea that is all about three colors white red and black that's it I will express I will explain this to you and if you you can see it through my work I don't mind that red is the color of the striking blood black is the color that resembles the dark line which passes over the blood and the third most important is that the blood does not fall down to the ground but ascends to reach the sky and this resembles the when the martyrs died his blood ascends to the sky