 Suspense. Hadn't the producer of radio's outstanding theatre of thrills, the master of mystery and adventure, William M. Robeson. Some years ago, Ernest Hemingway's great short story, The Killers, was made into a movie. Anyone who saw it will never forget the menace and brutality of the two gunmen in the opening sequence. Two nastier heavies have rarely been seen together on the screen. Saying that their type of tough guy should not be allowed to languish in limbo, we have brought them together again in a rather different kind of story, yet still a story of heavies. Listen, listen then, as William Conrad and Charles McGraw star in Two for the Road. Were we not, Joe? You've been asleep. Yeah. Where are we now? I don't know for sure. Some place in Arkansas, I think. Sure is a big country, ain't it? Yeah. Hey, you want me to drive? No, I'm all right. You get some more sleep. Ah, I got enough. Sure you all right? There will be a little groggy. We'll stop in the next place for coffee and you can take it from there. Okay. Hey, what time is it? It must be past midnight. You know, I keep wondering. Yeah, I wonder what. Ah, for doing the right thing, cutting out like this. What else could we do? New York is dead by Chicago and New York. You think the coast will be any better? It's got to be. There's plenty of action on the coast. Ah, I hope you're right. But all we got lined up is that job for Rocky. What about after? Well, we do the job good for Rocky. He'll take care of us. When we get there, you think? Well, we come nearly halfway in 24 hours. If we go right through, we ought to make it by an hour after noon. I don't seem possible. It's such a big country. If Rocky wasn't in such a hurry with that job, we could see some of it. Nothing between New York and a coast but scenery. Oh, there's Vegas. Yeah, but that's practically the coast. Yeah. You've seen one superhighway, you've seen them all. Yeah, cities too. I was in Boston once for a tryout. Nothing. Drug haven. Ah, join it up ahead there. Let's stop for coffee. Okay. You know what they say? If the truck drivers stop at a joint, the food's gotta be good. Well, I don't see any trucks. Then all I want is coffee. I can't go wrong in coffee. This place might as well close up for the night. No cars parked outside. No customers inside. Yeah, there's one. Look at that doll at the counter. Yeah, not bad. I know what she's doing out here all alone in the middle of the night. Ah, waiting for a bus, maybe. Evening. Aye, aye. Two coffees make mine black. Yeah, same here. Two coffees. Hey, Mac, what's the matter with your TV? It's about the lozziest picture I ever saw. Best we can do, we ain't close enough to Little Rock, and we're too far from Memphis. Must drive your nuts all fuzzy like that. You get used to it. Hi, hello. Say, ain't I seen you fellas before? I don't know how. We ain't never been here before. Neither have I. I'm from Memphis. We went through Memphis this evening. I'm sure I've seen you someplace. No. In New York, maybe. Uh-uh. I never been east of Chattanooga. We never been west of Weehawker. Well, excuse me for butting there. Not at all. Hey, Joe. She's not bad, not bad. Yeah. Seems better. I can't tell through all that snow. Hey, Charlie, look. How about that? It's an old cannery of the plain clothes. Yeah. That's us. Yeah, but are you mind reaching up and turning it off? It stinks even when you can see the picture. I always watch your program. Glad to know we got an audience in Arkansas. What's your fellas doing way out here? Driving to the coast. Hollywood? Yeah, that's right. Hey, you want a lift? Sure. Why? Why not? Well, we're driving right through. I wouldn't be very comfortable for you. Well, I don't mind. I won't take up hardly any room at all. And I don't have any luggage, just this purse. Well, I don't know. I got a little money. I'll pay for my share of the gas. Oh, come on, Joe. Let's give the kid a lift, huh? Well, Charlie, haven't you heard about picking up strangers on a highway? You don't mean you're afraid of me. Well, no, but you gotta admit it's a little cook finding a girl out in the middle of nowhere without any baggage, wanting to go to the coast. All right, it's like this. I'm running away from home. Why don't you run back? We don't want your husband gunning for us. Oh, no. I'm running away from my old man and my old lady. Tonight we had a big beef and I walked out. I'm going to ride out of Memphis as far as here. What's so funny? Don't worry about giving me a ride. I'm the one that's got the worries. This fellow that gave me a lift out of Memphis wanted me to pay for the ride. The price was too high. So I'm out here in the middle of nowhere. What a dirty, no good. But you guys don't look like that, Ty. Oh, we're not. So I trust you and I'll accept your invitation. Well, OK. You finished your coffee, Lothario. Oh, yeah, sure. All right, let's hit the road then. In a moment, we continue with the second act of... Suspense. 15 minutes behind the wheel. That's all it takes to convince you that the 59 Clements really got it. Got the newest of new design, new sport car handling ease, new fury performance, new get up and go. Just tell your Plymouth dealer you want to sample the go. Then you turn the key and Plymouth's new Golden Commander V8 leaps into life. Now you just push a button and go on your way to the most fun-filled 15 minutes of your driving life. See your Plymouth dealer. Take your fun drive in the 59 Plymouth real soon. You really go, go, go, go. Charles McGraw and William Conrad. Act two of two for the road. What? Me on my way to Hollywood with two famous actors. Oh, we're not so famous. Not famous? Why, I bet the Plain Closeman is the most popular TV show in Memphis. Everybody knows Joe Harrison, Charlie Bloom. You're Charlie, aren't you? That's right. And you're Joe. Yeah. I killed us with that. Good. Yeah, what Joe means is we got too big for the Plain Closeman, see? And the star of the show, Hubert Brownlee. Oh, I can't stand him. Yeah, well, anyway, he's a star and he didn't like how big Joe and I was getting so we had the writers get us killed in last week's episode. Well, that was mean of him. Well, that's sharp as... And being as how we was typecast as hoods, we couldn't get any good parts in New York. Actually, Joe and I are pretty serious actors. Oh, I know you are. Yeah, we just look like hoods. That's what I liked about you in the Plain Closeman. Yeah. Well, we got this pal in Hollywood, Rocky. Rocky Lamont, he used to hang around walls but he's a director now. And he's got a couple of swell parts for us and a pilot he's shooting. The three musketeers. Well, I thought that was a kid's show. Musketeers, not mouseketeers. Oh. That's why we're in such a hurry. Rocky starts shooting day after tomorrow. Say, honey. Yeah, Joe? You got any idea where we are? Hmm. I don't want to be too far from Little Rock. Hey, Joe, Joe, look, must be a wreck up ahead. All those flashing red lights. Police cars. It's a roadblock. There's signal us to stop. All right, what do you suppose they want? Who knows. Don't stop, Joe. What do you want me to do, barrel right through? Yeah. Are you crazy? It's something that shoot us full of holes. We'll shoot back. With what? With this. Hey, Joe, look, she's got a rod. What? You nuts, you'll put that out of sight. Help! Help! What's the matter with her? Well, don't ask me. She was your right there. It's a trouble there. Thank heaven you stopped us, officer. These two men are kidnapping me. Okay, you two are. Hey, now, listen, officer, that's broad split. Yeah, we just met her up the road. Hold your hand up high. Now look, Sergeant, I'm sure we can explain everything. You better. Now you, young lady. Hey, Sam. Yeah? The gal ain't here. The door on the other side's open. She must have got out that way. There she is. She's on Jerry's sick. Hey, stop! Stop or I'll shoot! Look out, she's got a gun. That chivalry has fallen on Arkansas. Shootin' at women. It'll be children next. All right, mister. It's my duty to tell you that anything you say may be used against you. Frisk them, Sam. Aye. Where are you from? New York. Where are you going? Hollywood. Yes, Sergeant, we're just driving through. They're both clean. Check them against those descriptions. Are you in Memphis tonight? Yeah. Doing what? Just driving through. They'll see you drive his license. Okay. Yeah, yeah. It's gone. My wallet's gone. So's mine, Joe. That broad, she's a pickpocket. Yeah, she stole my wallet. You gotta arrest her. Oh, don't you worry. We'll arrest her as soon as we can catch her. Descriptions fit, Riggs. Mm, so's the car. Blue and white convertible, New York license plates. Check their registration. What's your name? Joe Harris. And what's yours? Charlie Bloom. Whose car is this? Mine. The car's registered to Yus... Yus of Horowitz. Mm. Now, come again. What's your name? Joe Harris. And that's your car. That's right. And how come it's registered to Yus of Horowitz? You see, Joe Harris is short for Yus of Horowitz. Why'd you steal the car? Look, I didn't steal the car. It's mine. All of it. It's paid up. That's my name. Yus of Horowitz. Joe Harris is my stage name. That's right, officer. Hey, listen, you don't believe that crazy broad, do you? You don't think we kidnapped her? Nope. Not for a minute. I think she was in this here thing with you from the beginning. I think she drove the getaway car. Getaway from what? The whole up of the Cotton State National Bank in Memphis this afternoon. What? Snap the cuffs on them, Sam. Now, look here. You're making a terrible mistake. You haven't got any charges. Oh, yes, we have. Armed robbery and murder. That bank teller you shot died an hour ago. In a moment, we continue with the third act of suspense. It has the fresh clean scent of pine. It's new. It's at your store. What is it? It's the best disinfectant anywhere. Kills disease germs on contact. It's Lysol in a new pine scent. Right. Now there's a new pine scented Lysol. Now your home can be pine sweet and Lysol clean. With genuine Lysol brand disinfectant. New pine scented Lysol disinfects, deodorizes, deep cleans, kitchen, bathroom, nursery, sick room. Keeps things fresh and sweet with no extra work. Pine scented Lysol helps guard your home. In laboratory tests, Lysol's anti-germ action kept working for seven full days. So try this new pine scented Lysol. Make your home. Pine sweet and Lysol clean. You can still get regular Lysol too. And now, Starrick William Conrad and Charles McGraw act three of two for the road. Hey, tanky. I got a talk to you. Knock it off. You got no right to wrap him across the knuckles. I got any right I want to take. Now listen, where's the sheriff? I told you I want to talk to the sheriff. I know you did. What did you tell him? Maybe I did, maybe I didn't. Now you can't keep us in jail like this. You're in, ain't you? Where's the sheriff? I wouldn't know. Now look, listen, we got to get out of here. We got in the Portland, Hollywood. You better cancel it. All right, Sam, you can bring in the prisoners. Yes, sir. This way. Sit down, boys. I hear you want to talk to me. You darn right we do, sheriff. Well, good. Because I want to talk to you. What about? Can't you guess? A cop last night said something about a bank robbery in Memphis, but we don't know nothing about it. We're just a couple of actors. Well, it looks like you're a couple of bad actors. Look, you can check it. I'm Joe Harris. Yeah, that's Charlie Blue. Now we've been playing the heavies in a TV series of plain clothes. Yeah, we were on last night on Channel 2. Well, I don't look at TV very much, but I look at descriptions of wanted men, and you fit the description of the men who robbed that bank in Memphis yesterday. Well, that was just a coincidence. Well, is it a coincidence that the girl who was with you last night, when you were arrested, fits the description of the girl who drove the getaway car at the bank holder? Yeah, that's a coincidence, too. I want to talk to an attorney. You can. Now, we've got to write the counsel. You can't hold us like that. I can, and I am. You didn't communicate her for 72 hours, and that's a loss. Oh, listen, Sheriff, be reasonable. We got an important date on the coast where late as it is. And you're going to be much later. You can't prove that we robbed that bank. Can you prove you didn't? Sure. Ask anybody who saw the plain clothesman last night. Yeah, ask that girl. She saw us on TV last night. I'd like to ask her a lot of things. Like, what about the kidnapping? Sheriff, there wasn't no kidnapping. She asked us for a lift, and we gave it to her. Well, until I question her, we'll just forget the kidnapping charge, huh? Thanks a lot. But you can make it easier on yourself if you cooperate with us about that bank robbery. You must be kidding. I don't kid. Now, let's have the story. Look, I told you we're actors. Oh, yes. Oh, yes. Well, then act. What? Look at plenty of time. If you say you're actors, well, go on, act. Will you believe us if we prove that we're actors? Well, I'm not making any promises. The burden of proof lies with you. Hey, Joe, Joe, let me. I'll prove it to him. Remember that closing speech in the plain clothesman that got me the Emmy? All right, you listen to me, copper. You put the roust on me for the last time. I hate cops. I was born hating cops. And cops ain't done nothing all my life to make me like them. I've always promised myself that someday I'd kill me a cop in two days a day. Joe, wait. Will you shut up? Let him go on. I believe him. Well, I believe every word he said. Well, go on, boy. What are you going to do after you kill you a cop? Well, that's all at the end of the speech. So you hate cops? Well, that makes us even because I hate punks. Hey, wait a minute, wait a minute. I hate that man. Not he was acting. He convinced me. That he's an actor? No, that he's a bank robber. All right, listen. Now, if you don't understand Charlie's act, can you listen to this? It's a different kind of act. Oh, what a rogue and peasant slave am I. Isn't that monstrous that this player here, but in fiction and a dream of passion, could force his soul so to his own conceit and all for nothing. For Hecuba, what's Hecuba to him? I him to Hecuba that he should weep for her. Well, now, who's this Hecuba? Oh, of course. Hecuba's that broad that swiped that motorcycle. Well, that was from Hamlet. Act two, scene two. That was acting. Oh, that was acting. All right, now, are you ready to talk about that bank job? Look, once more real slow. We don't know nothing about no bank job. Well, like I said, we could plenty of time while we're waiting for you to make a confession on that bank robbery. Maybe we can find some other charges against you. Oh, but this is crazy. What charges? Well, I don't know yet. I know better after the lineup. Line up? Yeah, a couple of acting fellows like you claim to be, oh, my, you ought to enjoy the lineup. I'll put you up there in the stage with the footlights on you and I'll give you an order. Look, you don't have to do that. That girl, she knows who we are, ask her. No, I can't. Not know we pick her up. But it'd be nice to have her in the lineup, too. Now, wouldn't it, boys? Yeah. That add little sex appeal to your show. Sam? Yeah, chief. Got anything on that girl yet? Yeah, chief. A teletype just came in a couple minutes ago. Oh, they got her? We might say they have. Found her an hour ago in a gully north of Greenville. Oh, she didn't get far then? Far enough. She's dead. Dead? Yeah. Guess she didn't know too much about driving a sickle. Skidded the thing right through the guardrail last night. Well, thank you, Sam. You hear that, boys? Yeah. Oh, you gotta believe us. I don't gotta do anything. You gotta get a new alibi. In a moment, we continue with the fourth act of suspense. What bothers you most about a cold? For me, it's the choked up congested feeling. In fact, science now says to clear away most cold miseries, clear away congestion, sinus congestion that causes headaches, nasal congestion that shuts off breathing, throat phlegm with its choking discomfort, bronchial irritation that starts coughing. Yes, to clear away those cold miseries, clear away that congestion, and now there's a specialized new medicine to do that, fast four-way liquid cough and cold medication. Taken as directed, with the first dose, feel sinus pressure and headache clear, feel runny nose dry and open up, breathe freely, so a throat is soothed, cough, eased. Yes, four-way liquid clears away cold congestion and clears away worst cold miseries. Going through the bloodstream, it reaches all those congested areas because its liquid relief comes fast. So, to clear away cold suffering, clear away congestion with new four-way liquid cough and cold medication, get it today, only 98 cents. And now, starring Charles McGraw and William Conrad, act four of Two for the Road. Get up there on the platform. Hit the lights. Wow, they're bright. Yeah, they could use some scrims. Okay, Chef, we're ready here. We're gonna get out of this, Joe. I don't know, Charlie. I don't like the scrims. I just act, you know. All right, folks. Will you please come in now? That is all right. Just take a chair there, anyways. Right there, that's all right. Just sit down right there. Now, that's it. Now, we're holding these men suspects. Any of them look familiar to you? No, I don't know about that, do you? Well, it's hard to say, Sheriff. The hold-up happens so fast. Well, maybe if you heard them speak, what was it that the gunman said to you? Uh, this is a stick up. Don't move. The nobody will get hurt. Something like that. All right, you men. Now, you men up there, let me hear each one of you say that. That this is a stick up. Don't know one move and you won't get hurt. Me? This is a stick up. Don't know one move and you won't get hurt. Next? This is a stick up. Don't know one move and you won't get hurt. Yes. Next, man. This is a stick up. Don't know one move and you won't get hurt. Last, man. This is a stick up. Don't know one move and you won't get hurt. That's him! That's him! I'll never forget that voice as long as I live. I couldn't see him, of course. It was pitch dark. In the bank? No, in my bedroom. He crept in through the window, and he stood over my bed, and I could hear him breathing. And then he spoke. He didn't say those words, of course. And then I screamed. Yes, well, you can testify to that in court. Oh, yes. Well, thank you, Missy. It's Miss. Miss Freilandhausen. Oh, I see. Well, thanks, ma'am. Yes, now, Mr. Johnson, about the bank robbery. Well, I'd like to hear that second man again. OK. You, number two, speak your piece again. That's a stick up. Don't know when move, and you won't get hurt. Well, Mr. Johnson? Yes, I'm fairly sure that's the voice. He was the only one who spoke. That other one there stood by the door and covered him. He was the one who shot the teller. Yes, yes, I'm positive now. There's no doubt about it. They're the ones. Good. I want to thank you, folks, for doing your duty as citizens, taxpayers, and voters. Take her back to jail. Welcome. Well, boys, I guess we can stop the play, Acton. You ready to confess? We haven't got nothing to confess, Sheriff. We heard the people, Mr. Johnson, a testify in court that you stuck up the bank. And we got you on a break-in, entrance, and attempt I wouldn't go near an old bag like that if I was alone with her in a desert. Of course they say us before, and they heard us before, every week on a TV I'm satisfied with their identification, and the court will be too. But I'd like to save the county a lot of time and money, and you could make it a lot easier on yourself by just giving me a full confession. You can save yourself a false arrest sold by letting us go. On your own, say so? No, you got our fingerprints. Why don't you send them to wash? We don't need to help the FBI in this county. We solve a room crime. Excuse me, Sheriff. Yes, Sam? They just brought in body that girl. Here's her purse. Yes, there's no doubt she was the one who drove the getaway car. She was carrying $2,500 of the bank's money in this purse. See? Hmm, sure. That's one-third of the stolen money. What'd you do with your cut, boy? I'll knock it off. Hey, wait a minute. Look, Joe. Our wallets. Look, she had our wallets in her purse. Your hands are on the stuff. Well, look at them, Sheriff. You'll find our driver's licenses and all sorts of ID cards there. This is Joe Harris. That won't prove a thing. You've been identified by the victim. Oh, but, Sheriff. Yes? Your wife's outside, Sheriff. Well, tell her I've got to go. Oh, no, that wouldn't be any good. I'm afraid not, sir. She's on her way in. Elmo, why didn't you tell me you were entertaining celebrities? Clara Bell Friling hasn't called me. Oh, poor thing. She's all confused when she was down here. She was sure she'd seen him somewhere before. And after she got home, she realized where, on TV. Well, aren't you going to introduce me? Now, look here, Ellie. I'm very busy. Oh, don't bother. I'd recognize them anywhere. You're Joe Harris. That's right, ma'am. And you're Charlie Bloom. Yes, ma'am. Oh, my. This is an honor. Here, Elmo. Elmo, give me a piece of paper and a pencil. Yes, ma'am. There. Now, would you please give me your autograph? I'd be delighted. You don't know how delighted, ma'am. Well, what brings you down Fair City? Your husband. Why didn't you tell me, Elmo? We could have had a parade and a civic celebration. Hope it's not too late for an impromptu reception at least. I'm afraid we couldn't make it, ma'am. You see, we're under arrest. Arrest? What for? Your husband thinks we're bank robbers, ma'am. He wants to send us to prison for the rest of our lives. Elmo, have you lost your mind? Don't you know that these two gentlemen are famous actors? Not until now. We tried to tell him. Do you want to make yourself the laughing stock of Jack Rabbit County and just before election too? No. Well, you let them go this instant. But, Ellie, how can I be sure? Just take my word for it. Oh, honest, I don't know what had become of you if it weren't for me. Yes, Ellie. Well, boys, here's your wallets. I guess you can go. Oh, my goodness, I don't know how I can make this up to you. But I'd be tickled pink if you'd come out to the house for supper. Well, thank you, ma'am, but we're in sort of a hurry. Yeah, you see, we got to make a picture in Hollywood, and we're a little late. Well, don't forget us. I don't think that's possible, ma'am. And when you come back again this way, do drop in to see us. Yes, ma'am. We'll think about that, ma'am. We'll think a long time about that. Suspense, in which William Conrad and Charles McGraw starred in Two for the Road, written, produced, and directed by William N. Robeson. In just a moment, the names of the supporting players and a word about next week's story of suspense. Of all meaning, filter, cigarettes can't filter's best, can't filter's best. It makes good sense when you smoke, can't, can't, filter's best. Of all of the brands of cigarettes, can't taste the best, can't taste the best, a richer taste than all the rest, can't filter's best. It makes good sense when you smoke, can't, of all meaning, filter's cigarettes, can't filter's best. Supporting Mr. Conrad and Mr. McGraw in Two for the Road were Paula Winslow, June Foray, Howard McNeer, Evan Thompson, Barney Phillips, Sam Pierce, and Jack O'Rourke. In just a moment, the names of the supporting players and Barney Phillips, Sam Pierce, and Jack Krushan. Listen. Listen again next week when we return with another tale well calculated to keep you in suspense. Every Sunday night, Mitch Miller stars on the CBS radio network.