 Machu Picchu, unquestionably one of the most recognizable ancient ruins on earth. It is a place that has found high on countless astute explorers' bucket lists, and for good reason. Placed far away from modern civilization, requiring a 10-hour track along the Inca Trail to reach, however, when one arrives at the site, they are rewarded with an astonishing array of ancient feats of engineering. There are many anomalous characteristics of this pre-Incan site, which although ignored by academia, we intend to explore here on our channel. One of these peculiar and as-yet unexplained features is the Temple of Three Windows. West of the main square, this sacred temple, formed with the use of gigantic megalithic blocks, is adorned with three still-existing trapezoidal-shaped windows, aligned with the path of the sun, allowing its rays to pass through them at different times of the day, brightly illuminating the sacred plaza beyond. It is one of the many inexplicable features of Machu Picchu, and indeed pre-Incan Peru, which laughs in the face of currently-attested academic theory and its attempts to explain how such sites were initially built. Most funded archaeologists claim Machu Picchu was constructed as an estate for an Incan emperor known as Pachacuti between 1438 to 1472. However, we disagree with this claim, due to the exquisite nature of the site's the clearly advanced levels of architecture, specifically but not exclusively pertaining to its complex irrigation, sanitation, and drainage systems, and indeed the precision displayed with the use of such enormous, multi-ton stones. These ancient megaliths were not only somehow carried to the tops of these mountaintop fortresses, but as the Temple of the Three Windows clearly displays, masterfully cut to form the windows. Accomplishing such a refined finish to their surfaces that to claim they were chiseled out using primitive tools, we find not to be a viable or indeed logical conjecture. It is clear to us that whoever created this remarkable temple had at their disposal not only advanced highly capable transport systems, but stone-cutting tools far out of the reach of the academically claimed constructors. Furthermore, present upon the stones of the Temple of Three Windows, also visible throughout ancient Peru, are enigmatic marks left by a tool that we, the public, are yet to be informed of. Intriguingly, these marks are not only visible upon the stones within Peru, but are also in abundance at the ancient quarry within Aswan. We have in the past covered the pink granite columns found within the ancient temples of Baalbeck, transported from the same quarry to Baalbeck, a distance of over 1,000 miles. These columns, we hypothesize, link the temple to the ancient pyramids, and these enigmatic stone-cut marks present at Machu Picchu we assert connect all three. We believe that as more detailed alternative research is undertaken upon these sites, the connections between them, or more specifically, the true creators of said sites, will become apparent as the same. Both religious and evolution theories, in their current forms, stifle this truth by their very nature, yet thankfully, as more and more curious individuals relinquish themselves of the rigid and conformist chains of ideologies in favor of a pursuit of the truths of our Earth. The reality of history will inevitably be unraveled. Who built the Temple of Three Windows? How did they construct such an astonishing site built with such aligned precision with such enormous stones? It is undoubtedly highly compelling. There are many areas of modern historical study, and the conclusions thereof, which not only are incorrect, but carefully planned, highly funded, and precisely executed convolutions of our true history, theft of our true origins, and what lost civilizations were once capable of creating, systematically obliterating our heritage all around us, something the channel witnesses on a daily basis. There are many possible reasons for the motivation for such callous actions, yet all are ultimately found to have nefarious intentions, greed, power, control, and paradigm, with funded academics complicit in this destruction. There is now very little M.H. has not covered, investigated, or encountered regarding antiquarian subject matter. As such, is now utterly convinced the timeline for the history of humans is far larger, far greater, and far more spectacular than any religious, geological, archaeological, historical, or any other academically funded field or institute, who greatly profit from the propping up such continued misconceptions will ever willingly admit. It is up to all of us to remain thorns in the sides of institutional liars. The truth is out there, but one must be relentless in their pursuit of it. To those who fund the travesty, who publish the fallacy, is all a big game, a power play to preserve an already well-established deception. Yet as mentioned, these strategic moves are not only isolated to our modern era, in reality they have always been a consequence of greedy, psychopathic, power-hungry individuals throughout the ages. The incredible, still unexplained sights, re-inhabited by our more recent ancestors, who strategically began to claim them as their work, with modern academics using a similar strategy for their own beneficial motives. The past invaders motivated by the illusionary sense of power and intimidation, which would have struck fear or respect for their seemingly magical capabilities into the hearts of any surrounding group. This power play strategy, also used by modern academia, using the vast array of said individuals' artifacts, excavated at each site to support their posit for structural origin. This, always regardless of the complete absence of any claimed culture leaving any diagrams, messages, or anything, not one shred of evidence showing these claimed culprits knew how to construct them, a vast portion of the general public simply go away, presuming those running the studies know all about who built these sites and how. Thus, those unfamiliar with the anomalies we cover can easily make a forgivable oversight, as these charlatans openly declare they do indeed know who built them, resulting in a mass of misplaced faith from individuals unaware of the concealed features and the hidden agenda by the institutes who bribe others through the academic funding structure. Manipulating those with limited information of such sites, academics put tremendous effort into being perceived as intellectually superior to us all. This is solely for the purpose of financial gain, as if they are perceived as being more knowledgeable by default they possess a greater influence, as such, can uphold misconceptions and concealment of the controversial and the contradictory. We often stumble upon unexplainable anomalies, sites claimed as the work of civilizations that were simply incapable of such feats. Polygonal masonry, enormous megalithic block walls, and rare but crucial polygonal floors. We have also recognized signature blockwork, found in many different countries, with many ancient stone-builds ingeniously put together, weight-bearing architecture, such as the lintel in the treasury of Atreus, that due to its accurate and complex design is simply preposterous to attempt to claim as the work of a group of ancestors which we know predates our own modern understandings of such techniques. Yet regardless, academic explanations insult our intelligence by still claiming such ridiculous explanations. It seems that due to the fact that academia not only wants to continue to appear accurate and all-knowing in their explanations as to who built said structures, but also due to the clearly funded structure and the orchestrated efforts to conceal our past, is also to possibly conceal realizations that could arise within one's ponderings from the exposure of the complete picture of inexplicable technologically advanced ruins. Not only are many of these sites ignored, but many have experienced tremendous levels of vandalism and destruction. As mentioned, many of the most impressive ancient sites have had many of their most impressive engineering legacies stolen. Lots were adapted and claimed as another's creation. The Roman road, Roman columns, blinds, etc. The Great Pyramids claimed as the work of copper-wielding ancient Egyptians. Each of these supposed accomplishments by these supposed constructors are all absent any explanation as to how they constructed such wonders and those techniques found to have been used by these groups. The channel suspects were replicated, for if they were engineered by these groups, how did they consistently make such tremendous leaps in such tiny timeframes? It seems highly illogical and convenient that these occurrences of rapid technological development have all been found to have occurred within or near these still unexplained ruins. This clearly seems to have been due to the fact that just as we don't know how they were constructed, neither did our distant ancestors. They would have undoubtedly looked upon such accomplishments with awe and respect. A reaction they eventually crave from their enemies and allies alike. However, although these unexplained ruins, claimed by these civilizations, are absent any explanation as to their construction. They do still fortunately possess countless features, missed by the thieves of our heritage, which not only support all I have claimed for over three years. A motive for this would be an attempt to support the mainstream paradigm of the builders of such, yet it is nothing more than deceit, with modern movies involving these theaters merely an attempt to warp one's impression of their true purpose and origins. For example, Delphi in Greece, a site we have covered in the past, is one of the only sites we are aware of which still contains a near-pristine picture of the building techniques once present at sites which contain ancient amphitheaters. Segesta is still another little-known, rarely shared temple ruin that, due to this continued propaganda regarding Roman responsibility, is merely overlooked or rather dismissed and brushed under the rug, nothing more than another one of their many ancient ruins. However, the channel perceives such sites in a different light. Not only does it contain an amphitheater, one suspiciously robbed out of its stage stonework, but Delphi is clearly of a very similar age, with Delphi still displaying a polygonal stage floor. Yet at Segesta, a group of individuals, perhaps from a certain institute which shall not be named, who have for over a century been repeatedly reported as actively seeking out, stealing, and eventually concealing many controversial artifacts. Yet the deliberate destruction of features such as the stone at these sites is beyond the pale. These structures have survived millennia until primitive beliefs poisoned our species to such an extent that they destroy the truth in favor of their fictional storybooks. The temple, although predictably now missing its roof, still contains features that not only fly in the face of academic teaching, but reinforces our conclusions of the sites having a far greater antiquity than the Greeks. And regardless of the attempts to destroy its advanced anomalies, advanced features are also found in the foundation blocks, out of reach of this group of morally deficient vigilantes. Protuberances These enigmatic notches are a signature we have already identified previously as an enigmatic feature, a signature of a lost civilization, one which we call the polygonal civilization. Additionally, the incredible levels of pitting found upon the columns is clearly demonstrative of many eons of erosion. In a mainly temperate climate, this process of erosion would be considerably slower than that of a more abrasive or damp environment, making such erosion scars much slower to form, thus much older than what would witness in a location with far greater variation in seasonal conditions. Indicative of its unimaginable age is but another structure claimed to date from the Greek and Roman eras. Yet, when the condition of said temple is compared to other structures known for a fact to have dated from the same supposed era, it clearly exposes not only academia's conspiracy, but that they are indeed remnants left by a now lost, highly advanced civilization. They are undoubtedly highly compelling. There are countless astonishing relics still to be unearthed in Peru, rediscovered within the modern age, like that of Machu Picchu, long forgotten and gulfed by nature, still hidden within our past. With those which are rediscovered, simply dismissed and massed by cult-like actions of many of our modern institutions, most of which at a loss to explain the advanced nature of many of these relics, simply labeling said sites as pre-Incan. Peru is home to some of the most exquisite polygonal stonework to be found anywhere on the planet. Additionally, some of this inexplicable stoneworking incorporated some of the most enormous of stones into their construction. Furthermore, the Inca Road, a ruin we have previously covered, long ignored and rarely discussed. It is the largest man-made structure ever found, dwarfing the Great Wall of China, stretching an astounding 25,000 miles, once connecting many of the most inexplicable sites found within the country. It seems Peru was once a very important place, and possibly the capital of a civilization now lost long ago within history. Many of the unexplained ancient ruins we cover also express a near-obsession with the movement of the planets amongst the stars. And a huge portion of these ruins are either celestially aimed or had some form of astronomical significance built into their design. And our next subject of interest is of no exception. Known as chanquillo, we feel, it is a demonstration of exceptional astronomical knowledge, abilities far out of the reach of its currently academically claimed constructor. Rivaling even that of Stonehenge, it is an ancient monumental complex, located along the Peruvian coastal desert in a place known as the Kazma Seachin Basin, within the Ankhash Department of Peru. Atop a hill, there are 13 towers regularly spaced, forming a toothed horizon. What is incredible about this undertaking, however, is that throughout the year, if one is positioned in the correct place, one can witness the sunrises between each of these ridges, with solstices also significantly highlighted by their builders. The question is, how did a people place centuries ago within known history, and thus, with a far more limited understanding of astronomical precisions, accomplish the building of such an enormous ruin, aligned with the sun with such accuracy? Just like that of the precision displayed in other ancient ruins, perfectly aligned to cardinal points, the chanquillo is yet another example of an ancient civilization's workmanship, far more advanced and far more capable than that of the culture academia currently claims as the maker of said relic. From the east and west, investigators designated two possible observation points. From these vanishes, the 300 meter long spread of the towers corresponds to the rising and setting positions of the sun over the year. On the winter solstice, the sun would rise behind the leftmost tower of chanquillo, and rise behind each of the towers until it reached the rightmost tower six months later on the summer solstice. Inhabitants of chanquillo would have been able to determine the date, with an accuracy within a day or two, simply by observing the sunrise or sunset from these correct observational points. The 13 towers have been interpreted as an astronomical observatory, built in the 4th century BC. However, we believe, with such incredible abilities and knowledge of the processional positions required to have constructed these towers, they are far out of the reach of our own well-studied currently claimed ancient ancestors. Claimed as that of the chasmaseachan culture, we however disagree with this posit, simply on the grounds of its astonishing nature and the capabilities of its past constructor. It is a place which we find highly compelling. Many people are aware of the archaeological site known as Gobekli Tepe, an astonishing site of clearly great antiquity, a site like many others which dot our earth, which displays a far more sophisticated understanding construction and living practices to that of which would be publicly accepted by much of modern academia. Instead, it is often more favored to merely ignore such data as abnormalities, or it seems, if possible, to lock such controversies away from inquisitive minds, deep within archives or underwater. And our next site is no exception. Although Gobekli Tepe has become a synonymous candidate for evidence of a once highly advanced ancient civilization which once flourished here on our planet, it is not the only site to be found within the area, or even the most astonishing. Known as Norsen Tepe, this is the real gem of archaeological Turkey, and yet, just like Waffle Rock, a site we have previously covered on our channel, located within the US, it lay at the bottom of a man-made dam, submerged deliberately and conveniently very shortly after some highly controversial discoveries were beginning to be made at the site. An enormous mounded fort, designed and shaped with a purpose of providing a sophisticated living quarters when the site was excavated, it was found that no less than 40 inhabitations were present within the strata. Excavations were conducted between 1968 and 1974 by the German Archaeological Institute. Archaeologists, led by Harold Hopmann, the Heidelberg Professor of Prehistory and Early History, found considerable evidence to suggest that many of the later inhabitants of this sophisticated fort were themselves highly advanced, seemingly preserving many mysterious items left by many as yet unknown people. Why a government would make the move to flood such a location remains a subject of debate, and one which has led some to accuse the Mexican government of being complicit in the cover-up of a highly advanced ancient civilization which once lived here on earth. The fieldwork was finished by 1974. Shortly thereafter, the construction of the Quiband dam works began, rising the water level and submerging the site away from prying eyes. Who built Norse and Tepe? Why did they build it? It seems this fort has remained impenetrable since the day it was built, even successfully keeping out the elements for untold millennia, preserving untold treasures from a bygone era, treasures which seemingly shown too bright a light for some to bear. What kind of controversial archaeology is Norse and Tepe protecting? What are these government's bodies attempting to hide? These are questions which must be answered. Thanks for watching guys, and until next time, take care. There are a considerable number of ancient anomalies located within Egypt. These ancient feats of engineering litter sites and the quarries the stones were sourced and shaped at. And although many of you would have heard of Aswan Quarry, Elephantine may be a less familiar location to you, and for good reason. Not only are the pyramids one of the most perplexing, near perfectly constructed, and as yet unexplained ancient architectural accomplishments on earth. But how an ancient civilization supposedly placed within permitted known archaeological history accomplished such a feat, or indeed why? What was their original purpose? Academic contradiction, a severe lack of anomalous artifacts explored, never mentioned or somehow conveniently go unnoticed. However, in the real world, beyond the boundaries of the fenced or so-called schools of education, thanks to our own work and the presentation of such a volume of inexplicable events, ruins or megaliths, along with many others, allied within similar fields, independently funded researchers, investigative agents, and many more, sometimes even noticed first by a viewer credited with its rediscovery within our coverage. Thanks to all this movement working to expose such enigmas, has meant that not only are these incredible characteristics now being documented, mentioned, popularized, photographed, and studied more and more each day, now being recognized by more and more critically thinking individuals individually finding evidence of lost technologies that had until then either been undiscovered or deliberately overlooked by the funded academic, the vast catalog of unexplained architecture, again growing by the day, but also the often accompanying curious stone cuts, scars, and striations, all clearly left by high-speed disc-cutting machine, a signature toolmark, identical to that which is left by modern-day power tools, along with the still absent demonstration of the methods used to construct the pyramids, leads anyone to this ongoing and seemingly most controversial of arguments regarding the origins of the ruins found across Egypt. The Colossus of Memmon, each one weighing far over 1,000 tons, would sing every morning an amazing ability we have covered in a previous video, a curious characteristic reported all the way up until the Roman era. We also covered the thick layer of sea salt once found coating the pyramid's ground and underground caverns, along with a waterline reported at around 40 meters up their sides, still visible during the Spanish invasion. This clearly suggests that the pyramids and their accompanying Sphinx are in reality so old they even had once been submerged in ocean waters. An ancient ocean which over the eons has shifted, leaving behind sediment in the form of the desert sands. There are many enormous ancient megalithic stones hidden in and around the three great pyramids of Egypt. Not only are their enormous ancient stones virtually hidden in plain sight, thus although walked across largely overlooked, hardly ever mentioned, and never explained in regards to their transport and placement, as modern academia will never be able to provide a logical sound explanation for these feats. The casing stones, an area of interest we have explored and documented, not only displayed vastly different ages, but also construction methods and types of stones sourced in use. Ultimately, undeniable proof of efforts to preserve the outer stones of these incredible ancient pyramids later on within their history. Signature tool marks, unique features such as protuberances, masonry shapes, polygonal stone walling, and many other features which we have discovered during our explanations into the relics of lost antiquity. Yet Egypt's most intriguing assets, and we feel the most baffling relics which all alternative historians should have within their debacle armory, are undoubtedly to be found within the once abruptly abandoned quarries. The unfinished obelisk founded Aswan, being one such relic, the most well-known of these incredible stones by a long way, not only is the obelisk over 1,000 tons, but also due to the identifiable scoop-like tool marks left upon its granite sides. A signature scarring, which again, we have so far found, explored and shared this marking at many other ancient sites around the world. Who were the original builders of the Great Pyramids? Were they the same group that quarries Aswan? What tools did these people use to cut many of the relics still left at the Elephantine Island quarry? How can anyone gaze upon such precision stonework, and not ponder, how did he accomplish such an incredible finish with such hard stone, with such soft chisels, and those made of copper? Not only do we find the currently attested tale of events vastly incomplete, but in many ways, virtually impossible. Predictably, we are often confronted with an illogical explanation as to the origins of many unexplainable ruins. Yet Egypt, in particular Aswan and Giza, were clearly the work of a group capable of working and building with 1,000 ton plus stones, with columns of pink Aswan granite weighing over 14 tons each over 10,000 kilometers to Baalback. Is this connection mere coincidence? Or are the builders of said sites connected somehow? Possibly, one and the same? Questions we get closer to answering every day. We find it highly compelling. Neolithic man is often talked of as if he were a very different being to that of the modern man. Throughout the modern era, a well-funded, close-knit, often aristocratic academia has portrayed Neolithic man as an illiterate figure, often leopard print toga-wearing, club-wielding, bearded nincompoop, a grubby, forceful, filthy beast who had barely managed to master the art of creating fire, let alone complex language or societal behaviors. This paradigm of us emerging for the first time from the last Ice Age, developing into the complex advanced civilization we find ourselves in, means that Origins of Man is somewhat of a closed book, for to preserve this influential dominance within modern society, anything which contradicts this long-attested claim is simply thrown out, discarded as an anomaly, and any who pursue such avenues of inquiry a mere conspiracy theorist, this regardless of the evidence we so eagerly put forth in our defense. Countless still existing astonishing anomalies, unexplained, simply baffling feats of ancient engineering, so often covered here on our channel, either merely ignored or claimed as absent in explanation as to how the work of our well-studied more recent ancestors, people who were simply incapable of completing such mammoth tasks. Many of these ancient ruins, claimed as more recent achievements, we feel, possess sufficient evidence to support far greater ages littering many said sites, clearly built using far more advanced precision technologies and neolithic sites are of no exception. We believe here on the channel that the size of many of these highly eroded prehistoric stone trilathons, and indeed stones contained within many enormous dolmens, are also left by this ancient group, dolmens made using similar, if not identical techniques throughout the world, from Scotland to Ireland to Japan, all of similar design and possessing inexplicable features, board entrances, multi-ton megaliths. It is as if this group still possessed the knowledge of how to lift and work such stones, but had lost the technologies used to carve with precision. It is as if they were a surviving remnant of a once more capable or more precisely better equipped civilization. How did this ancient people, academically claimed as never having had any contact, build such similar structures, or perhaps more importantly, and the feature which initially attracted us to neolithic ruins, the size of their stonework, megaliths often incorporated into their structures, forming trilathons or entrance tunnels with top slabs upon dolmens, sometimes up to 8 feet aloft weighing well over 100 tons. Our discoveries at New Grange and Donor in Meath, Ireland, with a slab tunnel entrance, like so many neolithic granges and barrows, regardless of their immense size, once precisely aligned them with solstices, yet they remain mostly buried and thus most conveniently concealed. Some argue that the most impressive neolithic dwellings can be found dotting the Japanese landscape. However, we feel the most archaeological interesting of neolithic sites dot the United Kingdom, France, and some areas of the US, yet particularly Scotland and Ireland. Sites which have fragments of ancient symbols left within, celestial alignments, and a similar pattern decoration, or possibly coded message, which crop up over and over, especially one found all over the world of a strange enigmatic spiral. And although usually found sparsely decorating neolithic sites, barrows, and internal earthworks, its reoccurrence so regularly must indicate it as once having been significant and important to them in some way. Yet, for some reason, gavernous is undoubtedly the most spectacular of them all. This little shared ruin displays this symbol significance in their carvings as seemingly fanatically overwhelming. Located in France, to have so many of these patterns clearly arranged in careful and concise manners by a people capable of aligning 100-plus tonne rocks with pinpoint accuracy, we feel should be perceived as a very deliberate and important undertaking, perhaps in an attempt to convey a message to a future people. A people far removed from themselves in terms of language, a fact they may have fully understood, having, as we believe, experienced global cataclysm within living memory. So encoded messages yet to be deciphered or even recognized as such, hidden within symbolism rather than writings. Are gavernous's spirals mere decoration? If so, why go to such great efforts? Are these spirals an ancient code? Possibly a warning, a message yet to be unraveled? Whoever created gavernous, and for whatever purpose, remains a mystery yet to be solved. Gavernous is a place very much still unexplained, yet very rarely shared academically. As such, it is a place we find highly compelling. Multiple sites nowadays are often, due to their immense age and their impossible characteristics yet to be explained, their size and precision, although clearly of an artificial, as yet unexplainable nature. Alas, if it contradicts modern paradigm, is deliberately overlooked and mass. Or, when claimed as a permitted known world history group's work, is always absent methodological explanations as to how they achieve these feats. Academics controlled via financial and vocational security. Ultimately, becoming the arch enemy of a field that should be dynamic in nature, ever changing, expanding and accurate. A pioneering pursuit into the mysteries of history, and indeed ourselves, in regards to true historical fact. A career of submissive deceit, many presumably went into the field with good intentions, yet quickly learned that they must toe the mainstream line if they were to survive, a theory that they all must know is fiction. They in unison defend and continue to push as conclusive fact. When the truth is, we have barely scratched the surface of the history of ourselves, or indeed the universe, the place we call home, the task of shipping the Lamosu. Would have shown the curators of London Museum, and indeed all involved and all interested in this undertaking, just what an incredible feat the transportation of these statues must have once been. For the museum chose a mere modest statue, and the arduous nine-month task, along with the custom-built ramps, would have shown them what we claim is clearly fact. They were fully aware of the unexplainable nature of the monuments, and the mystery of how they transported them more than a century ago. So why all the secrets? Why hide our past? If we were introduced to the real mysteries currently hidden regarding life, it would inspire, free, and help so many people on their journey through life, as it enables us all to pursue a logical explanation in regards to where we all came from, or indeed why we are here. Many sites dot the earth, which have either experienced cataclysm, sea salt halfway up the pyramid's sides, inner chambers coated, marine shells found around the Sphinx's base, a mega-metropolis recently rediscovered, abandoned, and reclaimed by the jungle of Guatemala, which once contained over 10 million civilians. Many other sites, mostly quarries due to the unfinished process stones that were underway, display abandonment of said work abruptly. Thus, not only is there evidence that can be found throughout the earth of past cataclysm and quarrying undertakings seemingly left, as if the culprits vanished, it is clear something happened. However, although if dated at more than the permitted chronology of man is denied as artificial, regardless of the obvious fact they were man-built, this same field, geology, have, however, become unwitting, unpredicted ally to the channel's overall mission. In other areas of our investigations, their dating of water redistribution, for example, how rivers, seas, and ice radically changes location geographically over thousands of years, and due to this geology accurately dating when an area became submerged. The changing of the seas and the date in which these events occurred, with still flooded sites worldwide, a number of which we have so far covered. Bimini Road being one such anomaly, one of these artifacts that, although submerged, thanks to academia's astute studies into the dates at which water levels changed, allows for dates far earlier than currently attested timelines of man can allow. Due to these dates, and the fact that they were clearly once built upon dry land, gives each ruin a minimum age far older than academia can ever admit to. Floodings dated by these same geologists, who were crucially initially unaware of their existence, have dated many submerged ruins, including a number of pyramid complexes, at far over 10,000 to 20,000 years old, with some floodings dated as occurring sometimes upwards of hundreds of thousands of years ago. For many of these sites, due to them not having been re-inhabited and left to the elements since their original abandonment, are clearly intelligently created ruins with clear artificial origins. Doorcuts, right angles, even polygonal masonry, all denied as anything but geological by those who have even been there, yet again, due to Gornia Shoria's immense size, sediment build-ups, thus clearly prehistoric age, clearly proves any denial of artificial origin as an obvious conspiratorial lie. The fact that modern paradigm doesn't tell of any advanced civilization at this location within known history, thus no archaeological footprints left by a later people, relics which would have allowed academics to label said groups as undoubtedly the builders, and the undeniable evidence of prehistoric age, they must overlook such evidence. It must be overlooked or dismissed. The better at this you are, the more popular these institutions make you. If no civilization was ever recorded re-inhabiting an area at any time throughout permitted history, thus no archaeology. It is far too controversially old for academics to study, so the denial continues. Yet ironically, the undeniable is the ultimate weapon, slain by their own proverbial sword. The strategy of deceit is always succeeded by the truth, for the truth is grounded, unchanging, immovable, and founded upon a solid foundation. When such an occasion arises, the mere introduction of logical honesty, due to it being the truth, is far too fitting and in reflection of our regular expose of the lies littering modern teachings of history. The truth sticks. It resonates. Once the truth is exposed, it never dies. It is immortalized and unchanging. All we have ever wanted is for our viewers to ask themselves the questions we painstakingly search for the answers to ourselves, and we have dedicated a number of years of extremely hard work in amassing such a vast collection of stories, evidence, and other aspects supporting our work, regardless of MSM's reluctancy to ever promote, popularize, or pursue such subjects within their studies, papers, journals, or articles. Those towing the line of illogical dating and explanations for origins must deny the obvious artificial nature it's one or the other. We find all of these things highly compelling. The modern-day institution, man's way of organizing belief systems into their different clans, cult-like attitudes, often driven by an existential perception, specialisms of some form, or merely a naturally occurring passion. They are either built around a certain series of events, or an apparent factor claim, which stand as the cornerstones of said institution. It is therefore within the profiteers of said ideologies' interests, to not only suppress any evidence that may surface that would make their treasured institutions crumble to their very core foundation, but to actively destroy said relics whenever one gets an opportunity to do so. The Bamiyan Buddha, for example, apparently this monstrous carving, perfectly bored into a sheer rock face in the Bamiyan Valley of central Afghanistan, is not only a relic, which we hypothesize, was left by a now lost civilization, but due to the facial features once masterfully depicted upon the statue, removed at some later time within history, carved flat, not only making its identification as Buddha questionable, it was for some reason completely destroyed during the Iraq War. Its destruction, I propose, supports our prior posit of it indeed being that of a lost civilization's work, this being the sole motive for such actions. Interestingly, hidden voids found behind the carving, if it were indeed a solid carving, as one would have once presumed when gazing upon it, how were these hollow chambers once placed behind said carving? Additionally, not only do most modern institutions deny any of the evidence we so often put forward on our channel, often in regards to a past-law civilization, but fields such as geology is simply actively writing off countless ancient sites and anomalies as simply geological coincidences, their existence being an impossibility according to already established supposedly concluded chronology for human civilization, one reoccurring strategy which I like to call the Paridolia effect denial as befallen countless sites of interest. One of the most hotly debated being the face on Mars, now simply dismissed as a trick of light, the intriguing pyramidal features nearby which also somehow align with Pleiades. This denial strategy has condemned other said features here on Earth, some of which found in remote places that according to modern academia have simply never been inhabited, thus regardless of the artificial nature of such places as Gornia Shoria must be dismissed as mere coincidental geological features. The ruins clearly immense age, often used in an unfortunate twist of fate, as support of such claims as nature eventually reclaims all, thus the older the ruin, the easier this said denial strategy is to argue. That is, until now, in a modern era where modern technology now allows us to collect a massive amount of information on simply anything, unexplained features, uparts, and many other advanced unexplained legacies of an antiquity, once hidden, now shared far and wide, evidence which flies in the face of modern paradigm. This Sharanian is yet another of these curious, clearly immensely old anomalies that regardless of its form once being carved from extremely tough rock, maybe this is why our lost ancestors built with such enormous stones and did so in an as yet unexplained yet clearly highly advanced way known as polygonal masonry. Perhaps they built like this so that their footprint here on our planet be long lived, designed to deliberately be resistant to the elements, to reach us now in the modern day, giving all of us an opportunity to understand the real history of our Earth, regardless of what others would like. We find all of these things highly compelling. Osaka Castle is one of the most intriguing of all of Japan's forgotten wonders, a place we have covered in the past. It was, we believe, like so many other inexplicable sites around the world, re-inhabited by our most recent of ancestors, placed within an academically permitted timeline of events. A chronology that if one wishes to succeed in the mainstream must toe the line of. For if one goes against the grain and explores the site with a critical mind, one can clearly see it contains a number of surviving features, which not only displays lost knowledge, thus the work of a lost civilization, which at some point in the very distant past built ruins all around the globe. Building countless polygonal ruins, which have, due to their incredible construction technique, fortunately survived into the modern era. However, it is not just its polygonal foundations, which show clear evidence of these elusive and consistently denied lost ancestors. Octopus rock, for example, also sometimes known as the drumstone, is the largest megalithic stone found within the walls within the castle's grounds. This giant stone, just like those of Baalback, is enormous. Estimates for its weight range from 100 to 300 tons, although it could of course be far heavier. However, even at these conservative estimates, any explanation of how ancient man accomplished such feats remains elusive. For the fact remains, the stone is of an incredible size, and to this day its placement, along with many others found throughout the world, remains unexplained and unknown. So, for one to conclude that this stone's use, its quarrying, transporting, and placement within this wall, was done by our less capable, more primitive post-ice age ancestors. Yet all these methods of building and lifting, the knowledge of how to do such tasks, somehow simply vanished through the ages, all of which now remaining a mystery, even with computer technology. An explanation still evades us. Thus to conclude this to be anything else than that of a relic, left by a far older, now lost civilization's work, we believe would be highly illogical, and should appear illogical to anyone with a capacity to dissect the purposes for these actions, taken by an academia claiming to hold all the answers. All the while, actively concealing or ignoring any conflicting controversial evidence, truths that due to their belief in their power, laying within their reluctance to ever admit an incorrect hypothesis for the origins of species or the timeline of man, thus this doubling down on fallacy merely makes their persistence at sticking to said posits not only a damaging conspiracy, which robs us all of our heritage, but can also be perceived as an attempt to conceal anything which could alter the status quo. The octopus rock is an incredible feat of ancient engineering, and one, just like that of the polygonal masonry techniques that can be found at countless other sites the world over, is clearly a relic of a forgotten past, accomplished with the use of forgotten technology and knowledge. Just how big is octopus rock? How old is it for that matter? And how did our ancient ancestors accomplish these feats? As our research deepens and our studies widen, our target, that of a currently hidden lost civilization, becomes clearer in the mind every day, and it is only a matter of time before they are fully rediscovered. To deny such facts will eventually become too ludicrous. It is a journey of discovery which is undoubtedly highly compelling. When an ancient ruin is academically studied, it will often be attributed as the work of a far more recent already studied, thus previously permitted group placed within known history, often a group simply incapable of such undertakings. Furthermore, not only do many sites hold evidence of a far older yet far more advanced builder having once been responsible for their construction, but such sites can often share characteristics with ancient ruins found far away, features from a said site also found on another continent on the other side of the globe. False doors, for example, found over countless ancient ruins spanning much of the world. This reoccurrence, along with many other similar signature features, are far from mere coincidence and can only be explained by a past intercontinental highly capable lost civilization, as we have postulated in the past in regards to many factors indicative of their megalithic legacy. Metal clamps identified on differing continents, varying in style and composition relative to what was presumably readily available, so although they differ in style, the knowledge of how to create and use such ancient technology had clearly been the work of the same civilization. The Pyramids of Uimea, for example, are six rectangular pyramids you would more than likely have never heard of and most certainly would not have been taught of their existence by modern mainstream academia. Built from lava stone without the use of mortar, they are uncannily reminiscent of many structures within the South Americas. They are located in the districts of Chakona, part of the town of Uimea, on the island of Tenerife in the Canary Islands, Spain. The structures have been attempted to be dismissed as nothing but 19th century buildings, argued as the byproduct of contemporary agricultural techniques. Yet their infamous shape and the signature building techniques incorporated into said structures are undeniably found elsewhere on Earth. Other pyramids employing the same methods and materials of construction can be found in various sites on Tenerife. In Uimea itself, there were nine pyramids, any yet regardless of academics attesting to them being no more than a century old. Only six of the pyramids survived to this day. In 1990, adventurer and publisher Thor Haida became aware of the Canarian pyramids by reading an article written by Francisco Pedron in the Tenerife newspaper Dario de Avizos, detailing the quote, Real Pyramids of the Canaries. As Haida had hypothesized a transatlantic link between Egypt and Central America, which is a subtle way of saying a now lost yet once global superpower who once ruled the waves, he became intrigued by the Uimea pyramids and relocated to Tenerife. Hyerdahl hypothesized that the Canarian pyramids formed a temporal and geographical stopping point on voyages between ancient Egypt and the so-called Mayan civilizations ruins, a claim we agree with, yet we posit that this contact was not between the Egyptians and Mayans, but was one and the same force, a far older now lost world conquering civilization, an ingenious group who not only passed on their wisdom to every corner of the world, but even built in ways we are yet to understand, unexplainable anomalies litter many ancient ruins to this day. Hyerdahl had predictably initiated a controversy with historians, esoterics, archaeologists, astronomers. Most of mainstream academia staunchly opposed such claims. By suggesting such a hypothesis, which flies in the face of already established paradigms, his research was predictably never pursued further than Hyerdahl personally took it. Yet I feel he succeeded in publishing a ruthlessly honest opinion in regards to the ruins, regardless of what was already apparently established as fact. And along with our research within Basda caves, and the similarities, differentiations, and other investigative strategies utilized to support such an argument of a now lost, world-going super-civilization, we feel the evidence for our case is now all but overwhelming. There are far too many connecting factors to simply claim coincidence, and as the proof of this past civilization's capabilities becomes more apparent, and in turn researched, the closer we become to finally finding these now lost ancestors. It is a pursuit for the truth which we find highly compelling.