 All righty, new version. Let's check it out Some shake Well, I like it Yeah, it's neat. Let me just see all different steps that I keep torturing about. I love that little sping of steps Hold on. It's a wrong tool here. Love those little steps here Big aggressive Into that So a lot less IK that's good Yeah, there's some Keep alive in there every now and then on something like this when it goes back like that It has a slight IK feel it's mostly Stop bending that wrist and then you go back the way kind of the wrist stays. I know it's super tricky because you're holding You're holding it. It's Definitely a lot better. It's probably moments like these when it's just kind of going straight down and And it's minimized by keeping the arms kind of together with the chest usually I Critique, you know where it's like everything moves as one unit and you got to loosen up and break things up where it's a chest head hips and all that stuff and Having, you know, no like arms all that as one but with this it might help you a bit more to get rid of that IK feel But it's definitely a lot better Watch out something like this you go back and it kind of pops into a straight and then it's extending stretching a little bit How we just soften that pops it doesn't like it really feels like a block scale type of thing and Then on that path here Again, this here is a bit straight this way That makes a bit look a bit IK so you have maybe a little bit of Rotation in the wrist overall and you can kind of just to grip a little bit give us a bit more of an arc into this It doesn't feel like you're doing this right now And then it stops a bit abruptly here Going up there. So just overall that beginning arc could be pushed And then same thing here. You're going back with his hand and then bam here especially Hit that wall versus a little bit of a bit of an arc in there. I don't mind the harsh stop here So that's for that intensity like the looks there I'm thinking the eyes and the brows That's cool Yeah, I don't like to look back Yeah, that's great. And then the back and forth So you got dino guy that was back Yeah Guy looks first probably be a little bit The way you have it here with a little bit of chest up Let me just see and then here a little bit more. It's a little bit isolated in here and This is part of the model But I think it would help you a little bit So if I go this look at the dinosaur and then a little bit of the corner I see this and I think if you do a head turn and like this line here goes up to here Maybe a bit less So it's not just in here Because I like that you keep going with this right it goes And because of that repetition you're more likely to see what's going on there With this. I think the tongue is a bit loose Well, I think it could be a bit faster. You can probably have a like one And then drops and then the rest it kind of stays here and more high frequency head jitter It's a bit loser a lot a lot a lot on the head does a little bit back and forth I think that could just be shortened up a little bit and watch out. Not sure if that's It's going on there. It feels like from here to here There To there It's like we're almost scaling stretching that part of them the skull here in the neck watch out But yeah, I think otherwise Look at him Creature a bit bigger will look back here then we can look back here Then he goes over with a little bit of going up again Not too much because you do want to have enough room to go into here But you know, you can always go also a bit straight or up which then will make this a bit higher as well Then drops it like I'm out of here This is a bit sticky so you let go and then watch out it feels like we're going That's the hand No, well this goes to here No, it's okay. That's good But then it feels like it lands into sand Which I guess it could That's up to you to the side But then I feel like the steps everything that looks more like on rock, you know, like little pebbles here This is rock as well So I would probably hit here and then this bounces up this goes down So the stuff is more like this so the spear seven more pop on pop on and Then again because of those steps, that's fine here and then he runs looks back. That's great I like how elevated the head is and it looks over. That's great Yeah, so great. I love it. That's all cool Something like this. You can see all that bending here A bit of a shifting of the weight and it kind of stops here So you won't have a bit of a flattening maybe with a side roll tiny bit so That we filled in here. There's a bit more pressure. There's so much going on It's a bit of more weight shifting and like final policy. You're so close to all this and I wonder if during the I'm professing Dino ignorance here, but I wonder if this is too human to make a fist and to make this more like really tense Curled fingers Almost was human, but I could be wrong Just a thought But that's some great offsets there Steps are good again on that and then he leans it. Well, there's a camera. We can barely see it. I Think you should be fine. It's gonna say on this bit of a spleen compression, but Barely see this. What about the protector here? Cool. Oh, yeah, then we don't stop But he had it kind of cutting out a bit sooner Yeah, great offset and changes in here for contrast Maybe look at the feet if they look a bit soft No Cool, it's like you got some Spreading of the toes there. It's great. Yeah, that's probably all I have Looking at this section here as he gets up If you want to have a little bit of Little bit of drag during this and then come back up, but it's good that it's curved Down it's not like dog going up here Yeah, it's cool like the end pose. We're more overlapy. So they're more of a unit together Some good separation for silhouette Good clarity in there Yeah, and the cameras need to in the upper third. It's not quite centered. Let me go down ready for this, but it's subtle I like that. It's it's almost like a bit of a dissipation, but without really telegraphing it too much I'm giving us some good Good framing there if api super picky this line here just goes right into that I know I would probably lower it. So it's like that That's not too bad either. You're just hitting the right way, but I like Just here the separation of it So I think you can afford to just have that stone be That cutting in here. I just super picky, but like even here stone line is right where that tail is Might as well bring this up here kind of cheat it For super clear clarity in all the lines and everything and that's kind of that. All right. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you