 Hello, I am David Reumanns, I am a filmmaker who studies at Metro, and I'm about to graduate BFA in permaking the schools. And today I'm talking about lithography. The traditional win-making lithograph was from stone, which can only be cored in Bulgaria. And it uses the property of hydrophilic and hydrophilic traits of oil on a plate, or in this case a plate. Traditionally, it's on a stone. It allows for the imagery to have a subtle gradient. It looks kind of like a drawing, etc. to reproduce it. When you pull down this lever, it's what applies the thousands of pounds of pressure that help with this planographic process in making an image. Or transferring an image from the plate to the paper. Throughout the entire process you have to make sure that the plate is constantly wet. So it's greased and rested on it through sweat, touching anything, potentially a flat band on it. The specific plate I'm using is a faux litho plate. In that you expose it with a lightsaber unit, one sign, and it creates a positive image where the light is blocked. So this one specifically was based off the drawing. I'm just going with the hydrophilic and hydrophilic properties of the plate. Where the gray area likes the water and keeps the water there. And the black area likes the oil and the oil repels the water from it. So when you blow it up with the rollers, the ink only goes to what the ink should. And this press is the lithography press. The highest amount of pressure you can get in printing processes.