 All right, let's play this in full first, what is it you want Barry? What do you want? You you want the moon? Just say the word and I'll throw a lasso around and pull it down. What is it you want Barry? All right So my impressions would be a that I like it was pretty like the characters always cool to see this reanimated I think generally I have two questions for you That would be one. What are your thoughts? What is it you want Barry? What are your thoughts on this is just me there's always kind of a thing that I'm Looking for but again, it's not it's always a bit of a destructive note Because it it asks for changes like bigger changes suppose if I scrub through right the main thing I'm seeing is that the character is pretty much always here in his box the biggest contrast is from Going up here to being up straight here, right? So you got that contrast there what if Again, it's a big if what if He would be Standing and I know I can I can see I rolls already, but imagine Standing is it starts standing with with a turn into a sit-down or If you start here, what is it you want Barry? What do you want you you want them or maybe you start Just globally moved over this way same poses and he is hunched over but maybe potentially even a bit more and a bit more three-quarter to us to get a bigger sea curve and What is it you want Barry and on this he would be Straight up because he's more tense. That's my awesome drawing by the way three and a half years of art school This is my result. I love it So imagine he's hunched over and then because he's more tense He's like, what do you want? I'm angry and then what do you what you and then as he gets a bit more relaxed here You what you you want the moon? You want the moon like use that to to have him then Almost because it's a very complicated note here, but almost lean over Just say the word and I'll throw a lasso around and pull it down I'll just throw a lasso and pull it down and then it then it's more that he's kind of He's kind of like like that No, it is with his buckets. I know it's tricky was then the bucket would be too far away But then I'm it's just something where You know where he's almost like that Or the opposite I mean, you know just to throw out something even more confusing. What if he starts all? Relax this way. It may be even one arm up or one leg or maybe even both legs And I move my tool here. Hold on This is you one Barry and you might be able to say that as he's here. What is it you want, Barry? What do you want? Then what do you want like just on that little quiet one? Maybe maybe pushes himself up a bit more on that on that arm, right? And maybe he can bring then one leg down And my mission you must be on the phone here and I'm killing all of this here with the bucket But you you want the moon? You want the moon and then you end up here Just say the word and I'll throw a lasso around and pull it down Maybe that's maybe that's a thought because right now did again just to go back He's mostly stuck in here and I'm trying to loosen it up where it might start here and here or with you know Standing sitting down into this is just there's a bit more interesting contrast in the in the body poses Just say the word and I'll throw a lasso around and pull it down And it's almost like do we need this because you haven't It reinforces that you watch this TV and Probably has popcorn right we can see it at the end But it's such a thing at the end that is it if we lose it is it that much of a big deal there? I think I think we could lose it if we sacrifice it for more contrasting poses What is it you and the second thing is what the moon? Just say the word and I'll throw a lasso around and pull it down So I'm assuming Just say the word is to me. You have two things going on a He says the line Just say the word and he's upset and like yeah, they're very dismissive But at the same time as he says this it seems like he's also thinking about the TV And he just sees something that is now more important to him in the discussion and it's I don't know I don't know if that's a bit Conflicting right there and then his expression and the smile seems I don't hear that in the voice Well, maybe I guess Just say the word and I'll throw a lasso around and pull it down I know there's still more frustration in there that this seems a bit of a weird Weird expression doesn't quite match the tone to me But I understand that he's not invested in that conversation anymore And then does that It's a bit tricky my main thing would be just to break up the things. I like the poses. This is it's a nice pose So clear your color silhouette All that stuff is cool. I like to lean over with the body like all that stuff is cool. I'm not saying it's bad I'm just looking for ways to make this a bit more interesting. It seems just a bit simplified subjectively for me a bit too simple where we could push The posing more to kind of a reflect his mood a bit more But again give us a bit more contrast and and complexity especially here You got one thing going on in the leg It doesn't have to be that you know The character has to move all the time and everything has to be moving this could be completely valid shot So that's why it's to me. It's less of a note. It's more for question Are you okay with doing this? Are you willing to explore this or you do want to or do you want to keep it like this and Refine the animation based on what's there because again in this, you know for people that are listening It's I don't want to animate through The person here. I don't want to force my notes on there This is all still their shots and if I wait, this is your shot So I don't want to dictate things if that's what you want to do. I can help you with this These are just my thoughts on that It's all you know all your keep this every pushing the eating factor a bit more But I want to hear your thoughts email me your thought process and ideas of What he sees and if that's what if that's if I'm reading this correctly This because this would happen what because he suddenly hear something or there's something maybe a bigger flash on a TV that that catches his attention and then You know, it's such a big take to just say the word the word And I don't know if that it feels like say the word is that not how to the audio is that A delivery with that move based on the audio is that a the word a surprise take of what he's seen like with that is anticipation of hey That's something cool on TV Which again could be slightly conflicting anyway, I feel like I'm rambling so instead of giving you You know crazy Crazy notes on you know in terms of animation. I do want to clarify some things in terms of just broader poses and ideas So I'm gonna leave it at that and you can let me know through email and we can continue. All right. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way like and subscribe would be awesome. All right. Thank you