 Alrighty, so you are writing that you worked on the body hands and face for the last shot Alright, let's check it out. Just context Context here taking all this out the flow the feel All very cool a bit softer on that cool Hold on. Let me just I think it would be cool doing whoops doing Last section here Watch out just this is we're only seeing the hips Just make sure that as you put all the weight on this leg here That's some technical things where your leg pops into place here You do want to feel how this side of the hips go up For the weight shift You know you can do a shift over there and they might a little bit of a I mean he does slide the leg over But maybe this is light over and then it's you know a little bit of a tiny Slide back this way just so you can kind of reposition the hips into a straighter fashion Something so we can kind of tell there's a little bit of a back-and-forth again subtle It just feels very clean how it comes over stops and then goes straight down again. It's all very Clean in one axis and it's really like a very very clean ease in I think it would be neat to get a bit of a Over there a slight weight shift back and then on the way down You know I could favor one side whatever you want to choose, but probably I would probably say this side coming towards us And maybe you know with a bit of a bit of a I'm exaggerating obviously a bit of a lean like it'll twist What's the word side lean in the body just so it's not so super clean So you might land on one but cheek first and it's you know It's a bit leaning over this way and then as he lands Onto that thing he straightens up a bit, but it's also a bit of a harder Boom harder plop onto that wooden bench and then potentially it could also be Bit of slight little pause almost before it sits down and then plops down Just so to get some contrast and some texture in the timing just feels a bit even That's all cool with eyes are doing there. It's cool Keep working on these guys. It was some contact points missing, you know intersections and stuff like that just mainly to me the the evenness in Tires of posing I comes down how smoothly it just eases in and stops it doesn't feel like it's Butt cheeks and bones and everything plopping onto a wooden bench, but that's all cool There's something here in the face. Hold on. I wonder if this is too big It's almost like he heard something and it's also kind of looking at me So I would probably just go maybe This between this and this or only this far So in terms of goes up. There's a bit of a dark to the side just a bit less, right? Little here ish between these two and Then back here and that feels Almost a bit too arky And even what eyes are doing a Bit much it just It's it gets a bit unclear what he's doing here. What's up and like to me it felt like he goes up Huh, so I hear something and Then goes over because he's checking maybe something over there And then it's more of a thought process type of thing. So it feels like you want to Go pause there and goes up just a weird moment where he looks at me But it could be you could take that time or maybe he looks straight a bit longer. It's a quick look over there and Then less arky maybe a bit faster Maybe just to check maybe he's looking left and right who else is here or if no one's here Just a bit unclear what he's doing what the concern is at the same time To be honest, I don't even know if we need it because he comes in here, right? And he looks around he looks around he has all the Sheepish look here same thing here. He looks around he's seen everything by now You should know what's going on. I wonder I'm just speaking a lot I'm you know thinking out loud here, and it's completely stupid But what if you go just from here and you have that all this here all that good stuff And instead of looking over you go from this Straight into I want to say straight into this It's basically just basically looking up and doing all that thought process here into that without left Without right, you mean that look to the left that look to the right I don't think that's needed because it feels like a repetition to all of what's going on here So I think this could just be looking up and imagine he's doing The amount of darting that you have here all of this here But just kind of more contained within That focus point is looking forward. So what I'm trying to say is right. He's got all of this Pause a little bit the way you have it here looks up Just straightforward and in that orientation you do all of that type of thinking And then into that I think that I would focus probably on that I mean again, it's all very subjective. You could do whatever you want to That would just be my impression that it was all redundant. We don't need all that extra thing here And I think at this point it could just all be internal It's just thinking for himself what he needs to do and get to that resolution and when he gets to this that could be a slight Movement in here to lean forward, maybe a hinting or lowering of the shoulders I really want to play it. It just feels a bit empty there Looking at the hand are they contacting with the mouth and going down to go down and maybe shoulders go up just kind of Maybe she shows roll forward a bit as well But yeah, that's kind of it and quiz what you think you might want to keep all this and then I would definitely just fix That he doesn't look at us. They only just goes this far and Then on that look like I said just a bit fast it cut a couple frames out and do less of an arc It's a bit more straightforward Which would also work I'm just proposing a potential or to alternate or he just looks straight up Like I said thought process of all of this in here without a distinct left and right look I Hope that makes sense. If not, let me know he ma me in I can't write it out But that's about it. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you