 Ddwych yn ddod o gydag a'r awdurdod o'r ddysolwysio ar gael gael yng nghymru, oedd hwn yn ddod o'n ddysolwysio'n ddysolwysio. Ond ymuchwch yn cwylwch yn ddod o'r ddysolwysio'n gwyllwch. Y Llywodraeth yn ymwysig, mae'r cyllidau cyllidau cyllidiau lleodraethau cyllidiau lleodraethau. Mae'r ddysolwysio yn ddod o gydag o'n cyllidau cyllidau cwylwysio, ..a'r cymdeithasol yn cymdeithasol. But I can't possibly compare it to the more in that detail. So I'm just going to go over a few specific collections that I've looked at.. ..as part of what the HD research is, and then we'll take you through.. ..a more specific case study which focuses on Kingston and Monholl. So the first collection is that of the Collarane Collection of British Teoghwy. This is bequeath to the Society by Henry Hayath. yma o'r llwyddiad o'r Llyfrinolau yn 1749, ac yn ystod yma'r ffordd yma o'r 17th, 18th cymru yn gyntafol. Rwy'n gwneud o'r llwyddiad o'r llwyddiad, ac mae'r llwyddiad arall o'r llwyddiad arall. Mae'r llwyddiad wedi'u allanol iawn, yn cael eu cyntafol. Rwy'n cael ei wneud i'r llwyddiad o'r llwyddiad o'r llwyddiad o'r llwyddiad o'r llwyddiad o'r llwyddiad. Rwy'n cael ei【Gyfu?標 twee di Cael moddd gyngwyn?】 Rhaid gredu nhw, er oedd y 1 ymgylchedd equivalent gynyddsod youngbl arum i niad. Felly, y lle'r llwyddiad gyngwynwch eraill yn Yreadilion Gyhoedd Gwyddiad, ac mae wir ilinegaradau yn gweithio ger hosegidaeth auresur, ac mae hynny'n medded y mae gwrs storage. Roedd yn meddwl, mae'r mynd i siogel ar bobl rai, yn ymrwyngod rai o'r pethau rwylo i'r hanfodol. Rwy'n meddwl, mae'n meddwl. Mae'r meddwl. Mae'r meddwl i'r pryd yn ffordd o'r pryd yn ei wneud hynny. Roedd y profiad yn ei hunanc ayn nhw'n ei wneud eu gwirion. Mae肉. Mae'r bobl yn ei madefyn. Fel y mewn yw'r 1 behaved yn ddod am gwurianedd y cithidwyr i fynd o'r gweithio'r lleidwyr cithidwyr i'r gweithio'r pleidwyr cithidwyr yn eliadio'r wych yn gyfwrdd yigodd. Mae'r 1 sefydltyn sydd y tuwg yw eu tuwgau'r llach yn cael y cyllid i ddweud oes yn y 18r o gyllidol, ac mae'n gwabodd ar gyfer mae'r llachysgau'r lleidwyr twdd, ac mae'r cifio'r llachysgau'r llachysgau'r llachysgwyr yn cyfeidio'r llachysgwyr. The number two, is the height of the tower. There is a boast of the height of the tower. It is 410 feet. The second, that I got for you, that is a slightly better resolution, is of York at 1736. Dyma hwnnw, mae'r dweud o'r honno'r gwbl yn ysgolwg yma gan Ffrancysgrif Llyfrgell. Mae'r ddau'r ffordd yn ysgrifol yn wyf i ddysgu'r 17th yma, a oes iawn i'w ddau'r gweithio, dyma'r gweithio yn hynny'n mynd i'w ysgrifol yma, a'r twfodol yn ymgyrch gweithio wahanol o'r hwnnw o'r gweithio ar y bwrdd yma. a llwyddoedd ymyd o bobl hwn yn gwneud credu i ymddangos yn effeithio. Felly a llifon, ond i'r dyrgyntedd, mae'n gweithio'n bryhau arna yn ysgrifennig, mae'r gweithio'n bryhau cyfeist i'r gweithio'n bryhau ar yngrifrif. Mae'r dd plutoedd yn yma i'n ddwy i'r gweithio'n bryhau ar y stwm ar y ddwy i'r ddwy i'r ddwy i'r ddweud. Antiquities and Antiquities of the West of the Moogs and they basically detailed the medieval and early buildings still upstanding at that point. Just as an example of that, we've got the minster labelled with the capital E there with quite a nice large elevation. And then on the right hand side you go across and you come down to E, the close of the cathedral. So the final point I'll put into the colouring collection is this one called Worcester. This is from 1741 by John Doherty showing Austrian suburbs, including those south of the river Eben 7. Immediately striking is its abnormal orientation, where east north east being used to orientate the plan, where you might normally expect north. This is most likely, I think, a reference to the main crossing over the river 7, which is the most significant crossing for a little while around. You quite often see this use of a keen topographical feature to orientate the plan for the benefit of the user rather than the abstract concept of the war, as we might expect today. So just in the top right hand corner, I don't know if you can quite make out, but there is a battle going on. That is a reference to the Battle of Worcester, which was the final battle from the English Civil War in 1651. So if we just skip across. In the bottom left hand corner, you've got this quite large inset history. This is, again, these maps produced for public sale, usually in the local area, have an interested history of the town. So that takes us through from the porting found in all the way through to the time of publication. It doesn't make any mention of the Battle of Worcester, in the top right hand side, which is always interesting, which shows the kind of disconnects between the authors of the map and the history. So along the bottom you have two quite nice engravings of Roman coins found lately in the town, in the context of the actual question. So again, we've got the brown porphyrios, which was the settings collection I've close to like that. These comprise 16 individual porphyrios, which made up of loose sheets of material relating to the geography of a particular county. The nature of this material is varied, but broadly it's mainly the principle of the drawings. So I've only got one example for you from this collection, but this is close to my heart. This is a plan of Sheffield. This is from 1771 and by the famous family of surveyors, the Fairbanks, this is by William Fairbanks. This was created as an inset map for a much larger survey of Yorkshire carried out by Thomas Jeffries in published in the same year, a full copy of which is in the British Library. The street plan that you can see there would be revised for a later edition, but in this edition you can see the upstanding buildings that we saw on previous plans we looked at. They're shown abnormally as blank white areas and then the kind of open areas illustrated with various indications of use. So if we look up at the top, we've got the coals and crafts in the top right hand corner there, and you've got within the same kind of, obviously, demarcation, you've got areas of pasture and areas of planted agricultural exploitation and all that. They're kind of more symbolic. You don't know exactly how accurate these references are in quite a lot of the time. They are illustrative, but the specific distinction in that area seems interesting to me. On the left-hand side, the Fairbanks were quakers. They made quite significant references to all the places that were shared within the town. They were kind of conformist among all this, which is another abnormal feature. On the bottom right, we've got the hospitals surviving through, which is, again, a nice feature. One of the good things about the brown portfolios is that, like I said, they're all loose leaf, so even across lots of them we have endorsements surviving in an easily visible collection that highlighted the amount of things. So this is a reference to the donation of this particular plan to the society by the great grandson of William Fairbanks, the lineator. The final collection that I'm just going to quickly go over is the red portfolio. These are similar in character to the brown. The content is very similar, but they are much more numerous, and they comprise 62 bound volumes. Again, these are organized by county. The majority of the remaining plans that I'm going to take you through come from the Yorkshire red portfolio volume 180k, as an idea of how to divide it up. So, I'm going to start with a plan that is not from the Society of Antiquaries collection. This is held in the British Library, and it is a 16th century plan of Kingston, on hold. This is the earliest surviving representation we have on hold, and was commissioned by Cromwell as part of a series of plans of the East Coast ports. There's another one of Scarborough surviving, and I've had a look at those, and I've managed to see so far. We think it dates for about 1541, but there's not a precise date on it. It may well be based on a much earlier depiction, though that again is a circumstantial suggestion. But whatever its origin, like I said, is the most complete depiction we have of the town at this time, and specifically around the time of the dissolution, which, as I said, is why we focus as regards to our PhD. So, stylistically, this view is a bird's-eye view, and it is orientated approximately north, but like I said before, I think it's more the significant feature of the Humber that's being used to orientate the plan as opposed to any kind of cartel. You can see the key local settlements depicted along the left-hand side of the map there, as well. So, we've got Bedley in the top left there, and then there's Cuthiam in the centre, and then this is Barton on the far side of the map. There was a key ferry crossing, which is now north of the south ferry, just a little bit further along there, just off the edge of the map. We've also got the Charter House in the centre top. That was looking at the Carthusian Priory, which was at its own wall precinct, and was quite distinct from the town, as you can see there. So, coming on, there's a slightly closer image, that's for sure. That is a zoomed version of that, and it's not. We imagine that's the Charter House. It's survived beyond the dissolution and continues as a hospital into the 16th and 17th century, and there's still a version of it today, but it's just straightened out because it was an illusive sight when it came to the 19th century. We can date this prior to 1645, when the Friars were disbanded off. This is the Black Friars down on the far side, which was not as many things as the Black Friars, but it was more increasingly the Friars. There's also some notable defences around the entrance to the hall there, and the docks along the west bank of the hall. You can see the ships with the cranes. On the left-hand side, we've got the Beverly Gate, which was, at least for most of the close-up, a striking landmark of the hall. You can see it's quite a story, when it's got this crack-and-goat spire on the top of the hall. On the right-hand side, we've got this characterisation of the hints of it with the meals there. That's not to say those meals were situated immediately without the Beverly Gate, but rather that there were some agricultural and other types of activity going on in that area. There's also some galleries there, which is exciting. Moving on, we're back into the Society of Antiquaries' Collections now. This is Wenceslas College's 1640 view of home. The Society holds two companies, both of which are out down the front here. I have a look at their quite nice, especially the first one, which is this colour version. You can see this has been retrospectively coloured, so it would have been engraved and printed. There's no real packing to the colour, it doesn't really signify anything loosely with reds, unless you have roots and structures on the top side. They have also used the yellow to indicate the stone of the church, but then again, the yellow is used on the walls. The red are the features of the homes of the Psalms, which are red-gray walls, so it's not representative of the colourists who have never seen the hall in person. The parish church, you can still see, dominates the centre of the city by the town. The spires of both of the Friarie churches have disappeared. There is another church in Hull, but at this point it doesn't have a tower. It went out of a tower by the next door. The town you can see here is called the Tower of the White Horse. It's a little bit like that. It's turned into an era of something before the end of the year, something 18th century. So, moving on. This is the other version, which is very similar already. The fact that it's identical, apart from the lack of colour. I thought it was just quite out of a different version, but it's similar to the north. So, again, we have this abnormal orientation, focussed on better the gate, as I said, the main line of entrance into the town. So, it was immediately orientated if they had a knowledge of the town at all. The top of it is orientated from the Humber, so that's the main, just coming into the mouth of the house. That's the main sewer approach to the town. North of the town there we have the chath house. As you can see, it's now no longer a church, it's just a cluster of buildings, and that's the kind of form it had until it got overtaken by the suburbs in the 18th century. Later, it's interesting. So, just up down here we've got the very big gate again. No longer does it have a spire, but it does have a jolly big flag. So, it's nearly there. Oh, yes, and it's interestingly inscribed in Latin. This is the donation of my detail and the donation of the plan to the society by Mr Sandgell and the society staff. So, the next example is an 18th century view of hall engraved for the Ladies' Magazine. The Ladies' Magazine ran from 1770 to 1880, and this engraving was produced specifically for that publication. However, the depicted perspective predates this edition. So, this is based on an earlier engraving, which is accompanied by a cracking great history along there and on the bottom, and there's a copy both in the Wrex Library and the National Archives. But that version dates to 1745. So, even though this view might not have been printed until the turn of the century, I haven't been able to identify exactly which edition this would have been published in. But it could well at the time of publication have been a half a century old. So, there's a couple of interesting points and worth pointing out. First of all, this ship is the key similarity between the two different planets. The scene in the background is much condensed. It could be a little bit different though. It is, say, much less detailed, whereas this ship is like strength for strength, I don't think. Behind that ship, we can see all of these other ships. And this is a real reflection of the economic prosperity of Holland at this point, and the way it took off throughout the start of the 18th century, and through into the early 19th century. And the results of that increase in trade and in fishing, we will see in the next round. The bottom left, outside, you can see this is a very similar view to the one we saw in the Holland plan. Except for now, we've got the church dominating there, and the slowly decaying line of the defences. You can see one of our mills that we had been decaying earlier on in its actual location, beyond the west side of the town. And this structure, actually, behind which I've missed off, is the new tower for St Mary's in the northern side of the town. So, the final plan I've got for you is this 19th-century plan of hope, and it shows perhaps, in surprising, the most dramatic evidence of development. The plan was produced in 1846, and was made almost exactly a century after the previous week that we looked at. In that time, I'll expand it rapidly in the wake of its success in East Coast Trade and Centre and Fishing Port, and you can see the reactive building of the purpose of docks along the line of the old town wall there. So, just to orientate you, this island, as it appears now, is actually the old town of Holt, and previously, the brick defences kind of ran the length of the inside of these docks with the noble on the outside, so they just replaced that entire section of waste ground with this series of docks. Also, on the previous, I didn't point it out, but on the blockhouses, on this side of the hole, these are replaced in this period by the Citadel, which is a really grand barracks. This reuses some of the stone from various medieval structures within the town. It also reuses the bricks from the town defences, and the blockhouses that ran on this side. You can still see two of the blockhouses that kept us from the corner towers. It was quite imposing, but it was never really used in anger. It was just a pretty grand barracks. This is just a zoomed-in version of that, I'll take you in a little bit more detail. You can see this is the church in the centre here. Actually, no one here is here, because it makes a lot of noise, because we are supposed to make some noise. Beyond the north of the town, I'll just go back and say, you can see, where are they? That is the Charter House, as it survives, just on this north face. That's all I've got for you, but I'd just like to tell everyone to go look at the collections they've got in the library here. They're extensive and viewing rewards. There's multiple points of access. There's the online catalogue, some card indexes in the library itself, with the cost and knowledge of the library and stuff. There are a few useful, the second of the two, which is all worth pointing out. The most useful one I've got was Barley 1974, and that's available as a PDF for any of the charities you've started with. It's a little bit dated, but it has most of the top graphic collections. It's summarised. That's all I've got for you. Thank you.