 All right, let's check this out here. You are saying I'm still working on the guy I don't think it's reading in the beginning and it's too fast Should I have just kept it as is and just add maybe a little movement in the beginning? That is too fast. Yeah, that's a pop. I don't think you need to think this is well Technically I would start here Slight bent knee as you're heading into over stretch IK and then he pops into the bend I think you can just go like this and leave the eyes open and not do that Because it is too fast. It was like the door slamming into him, but then also the head It's on a linear key and then it stops as well, which all feels weird I would just keep it here and Just keep his eyes, you know opens. It's elastic. We kind of see do you have it here? Many good closes That eyes here and closes you might still see a little bit of the eye and then that's it I would just keep it like that Other than that, I made the door wider and fixed the girl to make it look like she's closing the door Yeah, it's better. I think By now it's there's a lot of sliding and I wish maybe through here The hand wouldn't go up to which be a moment where it almost sticks where it feels like she's actually pushing against it You have maybe Three frames here of doing that. It's be a bit longer and sooner by now. Maybe already that's all cool. I like all that Now the turn Yeah, it's still it still has that feel of one big piece here It's it feels better Right there again, it feels Right there. It's almost like almost a linear key how you rotate. There's a moment through here There's not quite a linear key, but just at this point here frame 93 for me You don't have a frame counter. So I don't know what that is for you Around it three, it's I know what it if it's the root chest or the head but something is a bit harsh But the thing is like by the time she's here imagine The chest is maybe only this far But then the head that would be more rotation through here Not too much and the most of it through here so that she's in this orientation and really looking profile And that would lead the whole thing more and then the body can catch up Just this section still feels stiff here Because a couple of things it feels like the chest if you look at her buck crack and the chest crack the back crack here You can see how it all moves as one piece So it doesn't feel like this is left behind then this turns more and this turns the most Then you have this feeling of the chest turns and that arm All moves as one piece. There's no break up over. Maybe the hand rags Or there's like a slight change with the hand the whole arm might move over first Then bring the chest over so that type of breakup is not quite there there yet Fixes your when she looks at the wall and added some head movements and okay, let's see Just that section there Watch out. There's a bit of a wiggle pop on this leg here this foot pop up right there These guys come in a bit As one thing I think you can bring in maybe the pinky first and then maybe by now The index finishes and this some slight adjustment maybe on that thumb so some polish on that connection there would be good The drop is a lot better though Why is it so why is it so hard to find a good man? Oh, yeah ending is a lot better, too Why is it so hard to find a good man? Well Watch out right through here on this forward movement here It was like it all comes out of the chest that takes the lower neck and the head with it So that forward Haitian and feels like this is one Big chunk and you want to break it up between those three one two and three So she could You could counter maybe you can try it with the chest first many facts lie down it might be the chest first Just almost kind of leaning with the head so you can at this point, you know when this is done Keep this button rotate the lower neck Just the neck a bit bit back and then rotate the head back just a bit for the dragon And maybe by now you hit this overall pose and all three. It's so hard to find a good man Why is it so hard to find a good Only through here it gets a bit weird you have a just a rotation in the head a sideways tilt While all of this is going on and it feels a bit swimmy Why is it so hard to find a good Why are to find it hard to find I would go down on hard and go down on finds just to give it some accents Hard to find a good man So hard to find a good man Hard to find a good man Watch out for you man. I'm not quite reading The lips on man here You can hold this a frame or two longer at least a frame and what I would do is to M And then as your jaw goes down, it's still closed and then here you can have corners together Maybe starts opening kind of like a sticky lip, but you want it's good to have the jaw go down While the mouth is still closed. It makes it a bit more organic Man I mean she says you want you want to bring that tongue up if you say man And you can leave the mouth open, but the tongue will go up for the end It's so hard to find a good It's so hard to find a good the F This might just be my program too. Sometimes the sink might be as slightly off Um But just double check this feels man feels early. It's so hard to find a good man. Uh fine. Sorry. Why is it so hard to find? It's so hard To me at least she's still doing the while this is already opening all bit early Why is it so hard to find a good man? Oh, why is it so Watch out like that eye looks this way and this guy looks this way So you want to take that eye box of the individual eyes and move this over so this pupil is a bit more here Oh, why is it so hard same thing here This feels too closed up while there's so some white here. Is it so hard to find a good man? Is it so hard to find a good man? a good man That last eyebrow drop here is a bit harsh. You want to ease in and ease out of that Find a good man right there. It's a little bit poppy hard to find a good man Find a good man And you see your uh shoulder raise is also twins Frame offset. I don't sound silly, but a frame and then maybe one is more than the other It's not so twins. This is cool though. Is it so hard to find a good man? It's a bit swimy I would say how that thumb find a good man comes in and intersects I think you want to maybe slow and then speed up and then slow down as it contacts and as you end here that thumb tip goes Counter as this goes in so you feel the pressure while this finger is pushing the tip forward there or up It's a lot better though. It's very cool. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way the like and subscribe would be awesome. All right. Thank you