 Now we are going to look at a couple of really, really popular scales which you can improvise over a chord. So what happens is a chord will be part of a scale. It will end up always being a subset of a scale. So you don't just have to play three notes when you are faced with a three note chord. So you can play a scale in which the chord is a subset of or the three notes of the chord will be contained in that scale. So a very common scale which is sort of like an anything goes scale over pretty much any chord will be the major pentatonic. Pentatonic as the word suggests means five, five notes. So we build it as B flat, C, D, F, G, B flat. From the scale degree front, one, two, three, five, six octave, of course the octave is not counted. We just play it to complete that's octave, sixth, five, three, two, one, in terms of swaras. So again remember our rhythm, so we are trying to use that same rhythm and try to build a phrase using the major pentatonic scale and the melody which we have come up with is something like this. Which is B flat, D, F, G, D, F, G, F, D, C, B flat, G, B flat, D, F. So let's divide that and when you are playing the melody like I said earlier since the melody is constructed around a rhythmic sentence, try to divide your melody as well as you practice. For instance, you can just play that and give a stray, give a gap, something like that and then build, you know, build it more and end it. So to me it really feels like a conversation or a nice sentence. Here is another melody which I have composed using a major pentatonic scale but let's hear it on the trumpet, that's kind of fun. So we have looked at the major pentatonic scale, another really awesome scale which I would highly recommend you guys to check out is the Mixolydian scale. It's a beautiful scale which is like the major scale with a flat in seventh. That is A flat with respect to B flat major or with respect to C major, it's B flat which is the flat seven. So let's build the scale again, 1, 2, 3, 4, 1, 2, 3, perfect, 4, 5, perfect, 5, major sixth dominant or flat in seven or minor seventh octave, okay. So remember, pa, pa, pa, pa, pa, pa, pa, pa, pa, para, para. So you are getting that rhythm over the Mixolydian. The melody which I have come up with is pa, pa, para, para, para. Play that on the piano, pa, para, para, para. Quite easy, right? So let's just hear that on another instrument, the trumpet and I've also come up with another melody which you should also work on on the Mixolydian which involves some higher notes. And before we hear this on the trumpet, it would be awesome if you head over to our Patreon channel where all of this information is presented with a lot of downloadable material, a lot of backing tracks and of course all my handwritten notes which you could read, download and watch while we are learning or even after the lessons learnt.