 Pepsi-Cola, P-E-P-S-I, that's your smartest cola buy. Pepsi-Cola presents Counter-Spy. Parting, Counter-Spy, calling Washington. State-States, Counter-Spy. Especially appointed to investigate and combat the enemies of our country, both at home and... The case of the photographed furrier. Another Counter-Spy report to the American people. Brought to you each Tuesday and Thursday by Pepsi-Cola. Pepsi-Cola hits a spot, two full glasses, that's a lot. Lots more value, lots more zest. Why take less when Pepsi's best? Yes, Pepsi's best. Because Pepsi and only Pepsi gives you more bounce to the out. More real value and quick food energy ounce for ounce than any other leading cola drink. That's right. No other leading cola can say that, but Pepsi-Cola. Proven, highest quality and homogenized for finer, smoother flavor. More bounce to the ounce, that's Pepsi. Now everybody, listen later in this program for a sensational special offer from Pepsi-Cola. Meanwhile, remember, get more bounce to the ounce. Get delicious ice cold Pepsi-Cola. And now to Counter-Spy. 2 a.m., a low-hanging haze clings to the surface of New York's East River. All is quiet except for the lapping of the water against the dock. And the occasional wail of a tugboat whistle in the distance. Suddenly, the thick silence is broken by the low purr of a motorboat engine. You see the peer number yet, Joe? Not yet, Bugs. People turn it over. Right. That looks like the right pair of bugs. There's a ladder at the motor. Stay with the tiller. We've got enough speed to drift into position. Okay. That's it. Hold the steady bugs against the dock. Right, Joe. Should I tie up? I'll climb up the ladder first to make sure it's the right peer. Is that it, Bugs? Tie up and come up. Right away. There they are, imported fur as bales. I'm waiting to be moved, just like Lloyd said. He sure gets the straight dope. Yeah. Let's get them over to the edge of the peer. Then we'll lower them into the boat. Right, I'll pick them up. The watchman. Come on, Bugs. Behind the spale of furs with me. Yeah. Drink with them, Joe. Now that I'm late, we'll keep an eye on them. I'll give them one more with my foot to make sure he sleeps solid. That's enough, Bugs. Let's get to work. There's $60,000 worth of furs on this dock, and Lloyd don't want us to miss a dime's worth. Good. Looks good. They finish the furs for a very smart New York fur salon. Lloyds of Park Avenue, and the samples we bought there check with the laboratory reports on the stolen furs. You got a tail on, Lloyd? We can pick him up now if we want to. No, no, Peters. We've got to make a thorough clean up in this case. The crooks, the sellers, and the buyers. A lot of money involved, Dave? Well, not only the money, Peters. Our trade relations with friendly countries. These robberies are leading to ill feeling and international lawsuits. That's why I want to wash this up once and for all, so there'll be no hangover. I see. And we'll stake out this bonner company. Get photographs of everyone who does business with them. We'll have agents with our new miniature cameras cover the place like a blanket. The company's building is located in the suburbs of New York City. You want to look it over yourself and plan the stakeout? Yes. We've got to get photographs that'll convict everyone who does business with the bonner company, as well as the fancy Mr. Lloyd himself. Good morning, Adele. Joseph's expecting me. We both are. He's in the private office. So let's go in. Joe is here. Lloyd. Hello, Joseph. That's the newest fad up on Park Avenue these days, Fort McCain. Who does it annoy you? Makes me happy. Did you get rid of the first from that peer job? Naturally. For how much? $60,000. That's full market value. Of course it is. Lloyd's Park Avenue never cuts prices. Work it over, Mr. Lloyd. And 10, too. $20,000. The usual one-third. Not any longer, Mr. Lloyd. What? Adele and I have been figuring that Divi ain't right. Oh? We do the dirty work, heist the furs and process them in this stinking building out here in Queens. So? You just sit in that fancy Park Avenue saloon of yours, peddling them to beat up bitties. Air-conditioned, no less. What do you want, Joseph? Air-conditioning? No. Two-thirds. Very funny. Now, if you'll step aside, I have to fit a patron at my son-in-law. I don't want to be late. You don't leave until we settle this, Mr. Lloyd. There's nothing to settle. Step aside, Joseph. Oh, no. And keep your hands off me. Easy, half-pipe. Let go. Get down in that chair. That's better. Joseph, you'll regret this. Maybe you'll regret it more. Now, I wouldn't want to muss up that pretty face of yours. Two-thirds for us and we're all friends again and stop shoving a cane in my face. Look at it more closely, Joseph. Notice the opening in the end. What? Joseph's a gun. Bright girl Adele. This cane is really a disguised gun. Lloyd. Not three inches from your throat, Joseph. Take it away, Mr. Lloyd. Back up, Joseph. It's the way against the wall. Push on this little button at the handle. It would make you a very bloody spectacle, Joseph. Joseph. Easy, Adele. I don't want my hand to slip. Please, Lloyd. Take it away. I will, Joseph. When you get this clear, this is my operation. I finance it. I tip you off when furs are due in. I sell them once they're stolen. You're nearly my workhorse. Sure, Mr. Lloyd. Sure. You remember that? Yeah, I only take that thing away from my throat. Very well. One mistake is permitted, Joseph. Take it away this time. Particularly since I'll have work for you to do shortly. Okay, Mr. Lloyd. For the boss. Same setup. Same split. Bright boy, Joseph. Don't change your mind. Because the next time you see the end of this cane, a bullet will be spitting out of it. Looks bad, Dave. The Bonner Company is the only building within four square blocks of these vacant lots. A fleet couldn't be inconspicuous out here. Just across from the Bonner building, that new stand right by the subway entrance. I think we can use it? Pull up to the stand. I'll buy a paper. All right. It's the paper here. Uh, son. All right. What'll it be, Mr. Times and the Tribune. Sure thing. Dave, maybe we could set an agent to take over this stand. I might make these fur thieves suspicious. Chance. Times and Tribune. Thanks. Keep the change. Thanks. That's a nice spot you got here. End of a subway line, end of a bus line. No competition. You been in this spot for long? For years. Well, been in business a long time, huh? What's your name? Eddie Sloan. Well, good luck, Eddie. Maybe I'll be seeing you again. Sure. Now I'm always here, mister. So long. So long. What do you mean? Let's go, Peter. What are you thinking about, Dave? Using the kid? Yes. From his stand, he could snap anyone who walked in or out of that building. Looks like our best bet. He could operate the new camera all right. It's simple enough. That's the way I feel. Find out where he lives, his family, all about him. Then bring him in the office tomorrow. If he's as bright and as able as he seems, we'll add a slightly underage counter spy to our staff. Fine, our fur company. Joe. Oh, yes, Mr. Lloyd. A little information. More fur is coming in. Get trained across country from Seattle. Officially, that is. Caprigirated Yukon Pacific. Six-two-two-oh. Got it. Good. I'll leave it to you to make the... This is Mr. Harding. David Harding? That's right, Eddie. Oh, then Mr. Peters, you weren't conning me and my uncle. You really are counter-sponsing. I wasn't conning you, Eddie. Gosh. Sit down, Eddie. Oh, yes, sure. Peters, have you told Eddie and his uncle what we wanted him for? Just a little. Eddie's uncle says the decision is up to Eddie. As long as it's safe. That's fair enough. Eddie, what do you know about the counter-spire? Gosh, everything. Everything? I mean everything that's been on the radio or in the papers. I follow every case you're on. Oh, that's flattering. Very. Oh, that last case with the hijackers and those cameras. I followed it all. I'm glad you did, Eddie. Would you like to see the new cameras we used? You bet. Peters, there's some cameras and packages of film in that cabinet, by the way. Take a look at it. Boy, it's key. You could take pictures without hardly anybody knowing you were taken. Well, that's just what it was designed for, Eddie. In fact, that's what we'd like you to do. Me? Yes, Eddie. Gosh, me helping the counter-spire. What do you want me to do with you, Eddie? Well, I'm not the fast Eddie. I want to make sure you understand this might be a little dangerous. I ain't afraid. Well, you should be, Eddie. It's always good to be afraid. Then you'll be careful. Oh. Now that we've slowed down, we'll go into the details. Now, first the camera. Go ahead and pick it up, Eddie. To you? It's simple to operate. You see, Eddie, it's precision design made to be foolproof. It goes lots of times, we have to use that camera under very difficult circumstances. I see, sir. Now, what we want you to do, Eddie, is take pictures of everyone who goes into that building opposite your newsstand. The fur company. That's right, Eddie. The Bonner building. Crooks, huh? Well, that's what we hope to prove by your pictures, Eddie. Therefore, it thieves, Eddie. And the men going in, they're going in. And the men going in will be going there to buy stolen goods. And we want to catch the buyers as well as the actual crooks. I'll do whatever you say, Mr. Hardy. Good boy. Now, you won't be entirely alone. No. Now, I'm arranged to replace the agent in the subway station change booth with one of our counter spies. From time to time, he'll come up to see whether everything's all right. I can take care of myself. Oh, I'm sure you can, Eddie, but we'll just play it safe. Now, you'll have to conceal the camera so it won't be obvious to anyone that you're taking pictures. Well, I could cover it with a newspaper. Well, the newspaper could blow away or the camera might slip out. That's right. Well, how about my change box? I use a wooden box. I could get another one, cut a hole in it, and sight it through the hole. Well, that sounds like a better idea. And I'll take good care of the camera. I won't drop it or nothing. Well, don't worry about that. It's very strongly built. Well, now, Eddie, when you've taken all the films on the roll, you'll remove the roll. Mr. Peters or I will come along at the end of the day and we'll buy a newspaper. Include the rolls with the paper. I start right away, Mr. Artie. Right away, Eddie. Here's your camera, Eddie. Gee, thanks. And plenty of film. Now, Eddie, if you get the right pictures with this new counter spy camera, you'll be going a long way toward helping us solve this case. In fact, everything depends on you. Now, everybody listen for the amazing Pepsi Cola offer mentioned earlier in this program. For a few days only, you can actually get a genuine, instant action counter spy candid type camera. Yes, a real super speed snapshot camera that takes wonderful, clear, sharp black and white pictures. Now yours for only 50 cents and one bottle top from Pepsi Cola. Did you ever hear anything so amazing? And you'll be even more amazed when I tell you all the high quality features usually found on expensive imported cameras. Genuine Plano Convex double element lens. Genuine beauty finish photographic black plastic case. 16 pictures, not just eight on every reel of film. And mind you, that standard size film that you can get at your nearby camera store. Takes pictures one and one quarter inches by one and five eighths inches. So clear, you can actually have them enlarged. Instant eye level viewfinder that shows exactly the picture you're taking. Instantaneous 125th of a second speed shutter. Fixed, sure focus that needs no adjustment. Just the thing to take to the beach with a carton of Pepsi Cola. In fact, this is such a wonderful camera. It's guaranteed for one year against mechanical defects. It's selling in stores right now for much more. But listen, here's all you do. Send only 50 cents in coin with your name and address. And only one Pepsi Cola bottle top to counter spy headquarters. Box 12, New York eight, New York. Now please print your name and address clearly. And be sure to enclose 50 cents. Your counter spy candid style camera will be sent post-paid. But don't delay. This offer must be limited. Send for your camera now. Remember, I'll repeat that address later. And now back to counter spy. As the entrance show the East Shore freight yachts. Drive right in box. Yeah, but there's a watchman on duty, I case. I know, just drive right in. All right, the watchman. I heard, stop for him. What? Stop. How just where do you finish think you're going? You the art watchman? That's right. You're the guy I want to see. I'm from Bay Trading Company. Here's my loading bill. So, we're working overtime. Supposed to pick up a load of furs from refrigerator car 622-0. You know where it is? Sure, trade down the art of it. I'll hop on the running board and direct you. Thanks. All right, just go straight ahead. I'll tell you when to turn. Slow down. Turn right across the tracks ahead. 62-20. You can back right up to the doors. Thanks, Pop. It's a sealed carry, you know. We'll get it open all right, Pop. Like this. All right, come on, Pudge. Roll him over in the shadow. I'll break the sail and we'll start unloading. Oh, you got nerve. Joe just walking right in. The only way to pull a job. Make him think it's legitimate and you'll even get the mayor to help load the truck. Anybody else shows up. We're just working overtime. Catch? Catch. Now, let's get started. I got a lot of overtime to put in 100,000 bucks with. The pictures Eddie took yesterday. Those cameras do a wonderful job. Yes, Peter. And Eddie's no expert. But still, these photographs show every detail. Mm-hmm. You know, anybody can work these cameras. They're 32 photographs. We've identified 24 of the men as supposedly legitimate fur dealers. We'll investigate and put agents on them. Tell the agents to stand by for a pickup order. Right, Chief. A couple of more days of Eddie's camera work and we'll be ready to round up everyone who's had dealings with this mob. News, kid. Oh, sure, Mr. Here. I have a buck, Carl. Take change from the... Oh, no, don't. I'm sorry. Kid, I thought that was your change box. It's a nice camera. Yeah, my hobby. Here you are, mister. 47 cents. Thanks. So long, kid. Another guy. Got it. Now, this guy. You take a lot of pictures, kid. Huh? I've been watching you for the past 10 minutes. What's the idea? What do you mean? Taking pictures of everyone who goes into the fur company. Who says I don't? Don't get wise, kid. I told you this camera's my hobby. You get easy, kid. I'll break it. Go on, get going. You've got some talk in the do. No, Lloyd. This coat doesn't seem to do anything for my figure. But Mrs. Vanderpool, why tamper with perfection? And that in a word is your figure. Now, Lloyd... I mean it. I could show you several other fur coats we have in a salon, but this coat is simply stunning. You set it off beautifully. You... you really think so? Mrs. Vanderpool, I know women. I know furs. I know beauty. At the moment, you are the highest form of all three. It's so wonderful to deal with you, Lloyd. You understand me. The real me. Now, my husband doesn't... Oh, pardon me, Mrs. Vanderpool. I'll return the moment. Of course. Lloyd of Park, have you speaking? Oh... what? I... I'll see you. All right, all right, all right. I'll be right over. Now, Lloyd... Mrs. Vanderpool, if you'll excuse me, one of the girls will take care of you. Girls? I'm so sorry. Urgent business. But I'll see you soon, perhaps for lunch sometime. Lunch? That would be splendid. I sure it would. Till then, Mrs. Vanderpool, au revoir. Harding speaking. This is Saunders reporting from the subway booth, Mr. Harding. Are you a Saunders? The news boy is gone. What? Yes, but since I last saw the boy. Forty-five minutes. Saunders, I told you... Look, never mind. Stay there on duty. Peter, did you get that about Eddie Sloan? Yes, sir. Alert the rating squad. We've got to move in on that perc company right away. Before, it was a question of chiseling crooks and taxivators, but now it's a boy's life. I wouldn't risk that for all the crooks in creation. Get the squad moving. Fast. Doc, you stay out here with a tell. Okay. The kids in the next room, Mr. Lloyd. All right, Joseph. And Bucks, don't think. Please don't ever think again. I thought you'd want to know that's why I brought the kid over. Please close your moronic mouth or I'll close it for you. Come on, Joseph. And to take care of... This is the little beast, eh, Joseph? Yeah. Who are you? I'll ask the questions. Why were you taking pictures of this establishment? It's a hobby. Don't be insolent, you little brat. Can't talk to me like that. I'll do much worse if you don't answer my questions promptly and truthfully. I don't know what you're all excited about. That guy takes pictures and you think it was robbing a bank. Any particular reason for that reference to robbery? What? This new little devil. Obviously, someone put you up to taking pictures. I wish to know who. I told you. It's my own hobby. Joseph, grab that brat's shoulders. Okay, Mr. Lloyd. Hey, cut it out. Turn him over that chair. See if a little caning will loosen his tongue. Let me go. All right, you little beast. Are you ready to tell me who put you up to this? I wouldn't tell you the time of day. Very well. Joseph, we'll just... Hey. Don't! Mr. Lloyd! What's that? A doll, but I don't... All right, you two. Then where you are? Mr. Harding. Harding. Get out of the spice. Now we know the answer. Yes, Lloyd. We've been on your trail for a long time. And I got lots of pictures, Mr. Harding. About 20 guys went in this morning. Good, Eddie. When we confront them with that evidence, I'm sure they'll all be willing to talk about their dealings with Mr. Lloyd. I won't be here to listen, Mr. Harding. What? This cane pointing at the boy's throat is a concealed gun. For you... Now move, Mr. Harding, and I'll blow this urchin's dirty little throat apart. Joseph, we'll leave Mr. Harding with his gun. Okay, Mr. Harding. Thanks. Now, Mr. Harding, you will do as I say, or I'll slaughter the brat with the greatest of pleasure. That's better. Mr. Harding. A silenced you little beast. Now, Lloyd. Start walking in front of me. That's right. Through that door. Duck, Eddie. Leggo! Miss Cain, watch it, Peter. I'll kill both of you. No, you don't, Joe. I'll take that. Bye. God, here we go. Close. Nice work, Peter's. You got Lloyd. Couldn't shoot before it. They might have gotten ready. He stood by the door and grabbed the cane gun when he came out. I'm one guy who's glad you did. So am I, Peter's. Come on, Eddie, let's go. We'll take Joe and Adele along. And don't forget that camera, Eddie. Those pictures are going to help increase our prison population. Now, everybody, act immediately. Send only 50 cents with your name and address. Clearly printed. And only one Pepsi-Cola bottle top for your genuine Counter Spy candid type camera. The same type David Harding used in the episode you just heard. Send to counterspy headquarters, box 12, New York 8, New York. That's box 12, New York 8, New York. And remember, Pepsi-Cola hits the spot. Two full glasses, that's a lot. Lots more value, lots more zest. Why take less when Pepsi's best? June in every Tuesday and Thursday. Same time, same station to Counter Spy. Listen on Thursday for the exciting Counter Spy case of the International Entry. A case involving such elements as a hidden chateau in the mountains, an x-ray picture of special teeth, and a scientist who died and came to life. Your Counter Spies will never forget this attempt on one of our most precious security secrets. Be sure to be listening Thursday, day after tomorrow for Case of the International Entry on Counter Spy. Tonight's Counter Spy program originated in New York, was directed by Leonard L. Bass, dramatized by Palmer Thompson, and featured Don McLaughlin and Mandel Kramer with music by Jesse Crawford. Bob Shepard speaking. Counter Spy is the Phillips H. Lord production for Pepsi-Cola. Enjoy some Pepsi ice cold tonight.