 All right, let's put it in full first of course. I have super powers. I have super strength. I can fly I have laser vision all the good stuff. It's just you know, I got to keep it on the down low All right, it's very cool So you would like to finish this so I'm gonna go through and just kind of mention the broader things of things That stand out one thing is this is just because It's probably not I know where you have the audio from It's like I wish I had 10 more frames 50 more frames that we don't Cut out so quickly. This is like a super tiny tiny thing But I'm just wondering if you had access to the full clip wherever this is from The main thing that I'm seeing here and this is this is tricky. Actually, let me let me find another player The main reason I'm bringing this up is because of the lip sync the lip sync just seems off And if I even play it here, so does you never know but just watching this It's definitely off. So the biggest thing to me would be to kind of relook at reference Yeah, I think body wise if you watch this again with sound here That is a bit strong that move over. I would just reduce that a bit and make sure there's also enough of a Up down in the hips not just in why but pushing She's resting on that So it should be exaggerating but someone like this in terms of your hips, right? And then as you move over more weight goes on to this So your hips will stabilize a bit more and then she starts to be a bit more with this leg So it will go up a bit more here That's a means that One thing I would check out. I'm gonna turn on the song this on here So everything else works it pretty well doing nothing. I would say is because of that fast move It also takes the whole body with it So if you look at this drop of this arm it goes left left left left left left left left left and you feel like it Wants to continue swinging over where that hand would be here But then it doesn't because the root brings it over So if you look at this this comes over to left and it whoop immediately goes to the right and in real time Bam that feels a bit strange. Not that she's all floppy and swingy, but I would still have I mean I would personally reduce the amount Going over and even your stop is a bit abrupt if you look at this line And then it stops right there and has that strange pivot We're just kind of split offs off of here then it continues a bit to me is a bit of a mix of Just reducing. I mean if you reduce the amount It's gonna already be slower. So same timing, but different distance is gonna slow it down But even then I would watch out that this arm keeps on swinging a bit more and then comes back into this I mean you can lead and join that move here This feels a bit even in timing That going up here Same thing with this hand changing and compressing and again arc-wise like to me I know you want to finish this but these are the things that you would really pay attention to As this risk goes out. I'm just tracking kind of Roughly the top part, but you can see how the top part just goes Right there. So really pay attention to the spacing and the arcs and some of those moments Even this here at the end That elbow move or that shoulder move, sorry It's kind of separate I don't mind like a separate move like this, but it just feels a bit too much I would cut that down maybe in half or slight adjustment because it really takes the whole arm with it into that But I mind the mechanics of it kind of having a talk and then kind of Readjusting before she gets back up. I don't mind that. It just feels a bit too Accentuate a bit too big there But you already have some changes in the wrist fingers. That's good But again, you're moving your body this way in the hand this way So as it goes over to the left, you're starting it translate to the left But then again, if I would just track this, it's gonna be super boring to watch But if I'm tracking kind of this Part of the wrist really horribly. Oh too high But anyway, you can see what's going on here. It just goes left Boom and down into something like this again looking at your arcs and your and your spacing like in here It's not bad on bigger moves. I don't mind stuff like that The only thing I would say here is that to take your arm and move it out a bit more So you don't have a tangent right there with the hair and the wrist like even that's better like that We feel okay And I know you just want to you want to get this done But you're paying me and I want to I want to tell you everything. It's totally up to you what you want to incorporate But again, if I'm looking at what this wrist is doing as it goes up Into something like this this just feels very harsh Where it's fairly straight ish. It's a bit of an arc But then bam big change there and a fairly flat I was again look at your arc. So Even this year a bit harsh Because you got a moment where like this all moves as one and then it just kind of goes up and then stops I know you're getting into the wavy part But I would still at least one more frame of ease in then change direction to every now and then You got some some harsher parts the other thing This she feels fairly crazy with so much white like she's ready to eat that child So I would just lower the head of it so that you know that line kind of almost covers the pupil So she's a bit more relaxed like that's a nice That's like that to me is the thing that she has like this is the tone and an attitude Even here it gets a bit wide, but it's okay. It's just I'm slightly concerned about how intense That look is here at the beginning here. I will bring out that I a bit more to the right So it's not so like here and this one goes out this way She just got some moments here and there that you can look at where this feels like we're really losing the pupils I would cheat and bring those out a bit more. So we see a bit more of these Same thing she gets a bit cross-eyed here eyes, but it might just be Thing right there. It's not that's not a big one I think that works. Okay Can you're a bit low you start it feels like you're almost halfway to the pupil of a bringing pupils a bit higher That's solely fine. I still love this That's great Even this here you might also have to just kind of so maybe she's not so straight towards us Anyway, maybe go a bit more looking this way which gives us a bit more room to bring those eyes over there Because then what you can do is by having that face more turned like that towards the girl You can then turn towards us for this on that bling She would turn bore and then end up in this head position. That's really great. By the way I love that that's your good little concerned look at that moment It's cute. It's a good stuff in the eyebrows there, too Let's watch out that it's not Separate we're like one corner of the eyebrow moves more than the other you want to make them feel connected This just was a bit much here how this moves separately Of course I've gone way into detail now I know you want this to be over but feel free to just take this and ignore whatever you want to ignore and the last thing is There's something where an overall wide shape is in the mouth all the time Let's go back to Actually turning on the lip sync here. Oh the audio. I know there's something where she doesn't strike me as so Wide mouthy and if you listen to the audio like strength would be okay Even fly but this this feels more like Really strong I would just take all of these shapes and reduce those by 20% Even like all the good stuff like this feels more contain where it's just more closer together Like that that to me feels better But then even here then you go into like a really big Change of only this corn is moving and then this corner comes up into like a rara gets a bit too swimmy here And that works better to me, but there's just something about the shapes Because that's being not in sync so watch out for that one I would just reduce the amount of opening and whiteness and push it a bit more in terms of Where it's more like that I have super the more contained that's great and then super strength But then the strength It feels more stretcher with the strength where corn is out and see more teeth the mouth a bit close together Then I can fly I don't see the F here. Let's go crazy and scrub here I mean you can hear here how the sink is off, but Like this is your fly I can fly So your limb your sink is definitely off, but I don't see the F. I can fly. There's a really big moment where she She really thinks I can fly laser vision again a So that's kind of that that would have kind of paid attention to I know I want to keep this much shorter But you know again, I guess it pick and choose what you want to choose I want to give you all my thoughts because that's what you are paying me for and I want to make sure that I'm not giving you like a one-minute critique here and that is that's all right. Thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way like and subscribe would be awesome. All right. Thank you