 Alrighty there is sound let's watch as the full first But we let her live because that's what heroes do they show mercy these Are not the cookies, right? Okay. I ordered oreos. All right. I've I've been working so hard keeping everything together, baby, and I can't even get the cookies that I want Sweetheart they look the same But all right, all right, let's go with this first one Let's bring this up a bit here But we let her live because that's what But we let her live. Okay, there's some technical things here and there. I think generally I don't know if you're gonna render this I'll be careful with too Many lines going on here where we start to lose the silhouette I'll probably take this out and take this chair away and just have one We're starting to have tangents and just kind of love Get busy backgrounds But we let her live because that's what heroes do Now from a technical point of view watch out your elbow on the right But we let her live right there. It's a bit of a fast move That for a moment has This going down and this going up almost in sync They're live So watch out and it's almost kind of stopping at the same time too So watch out how much you are bring the arm down plus the shoulder and then the chest and the head I like that it's all connected. I like that this goes down and the rest is influenced But it's a bit But you let her live just a bit strong there but But we let her live and for But for the but I think But this is very subjective but to me it's like that thought has already been formed in there That he wants to say but and right now it's just kind of stuck in that pose and goes but But and you could do something where he goes And he's already compressing the lips and then maybe two three frames earlier that chain would already go down While the lips are still closed It's kind of but like it's already mouthing it and then the mouth opens like the lips separate for the but And I don't think you need to go back into a close It has a bit of a Default feeling whenever a word is being spoken afterwards that the mouth goes back to close you can do but But we later there's a but and then you stay maybe within like this range half of that We let her live we let her live, you know, it could be but And that open we let her live and then you really go When you move that which you have here So imagine you're going from a somewhat open between these two frames into This but this is more like having a straw in there like a whistle versus We we I don't feel good that strong. It could almost be here. Let her live because that Same thing here. Let her live We let her live because and to me it feels more like we let her live. Hold on. Let's do some scrubbing here Like there's no need to close that I don't this might be subjective But I'll just be careful in terms of always going back into this kind of default close Because that's what heroes do they show I don't mind here because he made points where he was do They show mercy And even he at the end mercy Kind of within this range. I would stay Turn that scrubbing off instead of going Back into a close like that's my main thing for the mouth But let her live because that's what heroes do. They show mercy I do like your accents though, especially here. They show mercy Right, I like that a lot Maybe now then it's a bit ik I see like a lot of movement in the body and this going back and then you can see here This is completely frozen I mean, you know, there might be some pixel movement, but it's fairly frozen Even on that pullback here like on something like this It just feels like a translate in his arm versus a little bit of move in a bit of slight rotation over at the wrist Just giving this a bit more complexity there And maybe here that's what heroes do Do gets a lot more tense do and at that point you can maybe Go back in with the fingers a little bit tense the cup holding here a little bit Not like a squeeze, but you want to feel like This fans out and it still has an influence everywhere like shoulders or elbows can go in a little bit Is that's what heroes do just a bit show mercy And in that way you have a release when you do this right and then you can open this up a bit You can almost relax that pinky here a little bit show mercy But we let her live because that's what heroes do they show mercy The only I would say is it's almost a bit of a default I know that I see the eyebrow higher here, but it's almost like a default expression Like when he says do they show mercy They show mercy Like how does he feel when he says that like what's if you say They show mercy How is he you know, is he just teaching is he condescending is he forceful? Is he disappointed in having to say this like what is he really thinking as he says this and what is The face telling us in that aspect like this feels a bit too default and almost neutral I'm not quite sure what he feels right there. This is almost like pity neutral pity And then I be careful. I know there's there's good stuff there in terms of movement How you go from this right to this like there's good stuff there, but he does have a general I'm always leaning against this and I wondered he gets very subjective But I wonder if is there a point where he says all of this right would it be something where I was almost almost gonna say he ends with this right imagine he starts like this is in his lecturing mode But then imagine he would say They show mercy and he wants to teach he wants to be friendly He wants to engage with whoever's in front of him Then he would almost end in this position because he's closer Right arms are closer. The body is closer to the person. He's engaging and then now he disengages I don't like I would think in those terms as well. I don't know how far I don't want to dictate you acting Like you got a you got to tell me what you want to have him come across as I don't know if that was English or what I just said, but you know, is he He's straight leaning not leaning forward. It's fairly straight and then he leans back Why like why do you want him to do that? And why do you keep him that way? Is that okay? Do you want that distance? Do you want that further distance from who is he talking to and so on? um I would think about that But before I go more into this I don't want to know what you think so You can always email about this and then I can give you some more pointers And the biggest thing for this shot The voice in him is I guess a lot of energy. There's a lot of stuff happening, but if I turn over the sound There's some accents with the hands, right? But then he is more like, okay. All right. Do this today. Yeah But if you listen to what is he saying here been working so hard keeping everything together, baby And I know he says I'm trying to keep everything together. Maybe that's why you want him so tense while he Explodes internally. I'm not saying he has to do some crazy gestures But I would amp up a bit more in terms of like this line to hear like some more Head accents where it's like you want to feel the tension basically what what I'm hearing in the voice is He's about to explode and he's trying to contain this And looking at the animation it almost feels a bit too clean There are some accents every now and then but then to me it's more like Okay, he's just forceful about something, but I don't feel the The tremor it's almost like it has already exploded And the shockwave is now going through his body and he's trying to keep that in He's trying to keep that shockwave in but he's already exploded like that's kind of how I see that part So like doing something like this right there when I just play this without sound This is more like okay Do you want this or not like this is more like a threatening creepy thing versus Let's go back to the audio Working so hard keeping everything that to me. It's just just like there should be Tremors he's shaking again not crazy overactive But there's an overall layer of tremors of I already exploded internally and I just I don't want to I don't want to kill this person I just uh And then that's the thing that last comment That's okay because now he does explode Sweetheart they look the same and for her it's a bit I like that she has that slight lean over Where visually she gets closer to the person but I think she wants to help him maybe they're kind of the same She's not making fun of him or anything So I think I would push that where I would have her lean forward or take a step forward a bit more to kind of Close that gap just go empathy change there in terms of distance and then loosen up the whole thing if you Just watch her I see mostly movement in the jaw and a drift in the body here. I suppose again watch this line She's just kind of drifting. It doesn't feel like she's saying something with with like a lean forward with head accents That come through because of the energy and the voice and what the jaw is is doing It feels very very isolated in here with a drift So I would think in terms of if she's like this Which she then opened up her arm which she let go of this and like how could you Not not to force animation into this but could you potentially have a post change? So it's not just this suddenly maybe a slightly bigger. This is to me more like a pose in a sub pose Is there something to be slightly bigger to me? It could just be maybe you keep all this But you do take a step forward or she brings that arm down And maybe relaxes this arm out into the open with a step forward or maybe a lean forward Like something where like I want to help you Get through this and of course he misunderstands because he's already raging and he already exploded If that makes sense, I don't know. I'm gonna leave it at that I'm curious how that works for you that type of feedback And if you want to take that and run with it or You want to give me some more information about what you're intending to do with them And then I can give you more pointers and be more more specific again to me It's always I want to I want to avoid Dictating acting choices because it's then it's not your shot anymore if that makes sense. Alrighty I'll leave it at that. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you