 All right, let's watch this one more time here. It's super cool. I really really really like it. It's very very cool All right, so I'm gonna start with the guy on the left since that's the least least in quotation marks Amount of work. I'm gonna go down in volume I just left the hand Yay Actually, if you want to be super picky Which I can see your eye roll from here, even though this starts earlier This black hand here It does feel like they both come down at the same time And you can probably offset that a bit more Super cool. It's so awesome. It was filled with all kinds of guys in the background. Anyway I think the Breathing is great. It all works. I buy it I'm a bit concerned At how quickly This snaps here. This is such a linear poem Where I would probably give this at least one more frame of ease out of there It's just it's really really snappy It just takes all you know, like the thing is the way they all move That step there and how the arms go down and all of this All defines the weight and style of this shot And then you get to this and this kind of betrays that style and the weight you've established So that's just a bit harsh to me How the hold and settle and all the interactions of is great It's my dog by the way. He is howling at that frame Boom You know, that's a good feel to it. But again, all of the rest is all weighty So that this moment there just does not quite fit Just a bit too much Watch out. I think this hand pops of it at the end watcha watcha watch it and boop It's not a pop, but it's like it's a weird just kind of it translates Kind of a random thing just feels like it doesn't really need it. My dog really has something It just but I don't see that pull back in the body actually Let's go back here Yeah, it's just kind of there. I mean, I guess are you doing it because of the shake at the end? I don't know. It seems like I'll probably just take that out Not have that in there It would be neat doing this breathe in and all that stuff you have here To feel something in here like he's so loose that like this hand would slightly roll over a bit Especially through all of this here, right? Just something a bit looser Which just one has it's nice. I buy all this should be all good And I wonder Let's go back I'm just wondering if as you grab him here There might be like a slight change. I don't know if that's gonna miss you I worry if it's like an IK hip you have but to get that line a bit Different through here something where it's not like he takes a step or something I mean, I'm not gonna go that far, but there's something about This section through down here, you know, not really doing anything I was looking at his belly type of thing and there's so much going on with grabbing his head And moving him forward or something that I feel like it would do something a bit more down here It's about it's about that for this guy now on the other one I think when you have I'm starting on the detail thing that's not that important Watch out that your fingers don't move all at the same time And it kind of popped out and then it kind of stayed put So you want to on the way up here continue a bit of that squeeze And then open up the way you have it here and potentially On that end they roll out this finger just a bit more. It's just a bit more detail on the fingers I just I feel the pose to pose like the the popping and posing Yeah, another thing is It's not that it's wrong, but you see how at the very beginning this arm like nothing moves through here And it sounds like this is part of a longer speech I believe he says and at the beginning So it almost feels like you want to start the way you have it here because you don't want to get too close But throughout the thing before the move With his hands You want to go actually what I did here you want to go from this line up to this line, right? Because he goes and like the way he says it here And may their crystal like like the energy goes up and then Explodes, right? Like on crystal will be an accent. So to me it feels like as he says this He's preparing for this accent and you could Show that and bringing this arm up a little bit like Kill up and then whip that's for that And then during and may there's nothing going on in the head here You know, it's basically just Jaw see that that's a massive jaw move So you want to have to me like as he goes down you would have like a slight arc Either way it puts me if it's like this way if the nose tip will go so the head will go down and over a bit Oh man on this it will go up a bit and then go back down a bit like some something I think they may the down on the maze the frame were too too early And I think you can keep it down a bit longer This and may And may see how it just it just goes down and then stays Same high pretty much So it's would be here He may be not as much and then this and then one more and keep it open a bit longer Does he crystal lord? I don't know what he says, but let's pretend it's crystal Hey there Chris made it made it yes, it's you don't have to go down back in so much here The main thing is that the maze bit too early and it snaps and locks too much Let's move that out And may and may could have imagined this point would have a little arc this way. I feel the jaw arc and I think With that frame that you're going down too early You can hold The m a bit longer and the thing is right now. You just closes the mouth But there's no there's no roll in of the lips. You do want to feel the may In a moment where you know, the lips are down are closed Here imagine from here to here like it wouldn't go down as much But the lips would still be closed imagine, you know, imagine you close the lips close your mouth And now you open the job while the lips are still closed You do want to feel that and see that in here Rest assured pretty good. I like it. I think even on guide. It's like your jaws are a bit sharp That's it to me. It feels like going back towards it before and on the end that will probably have like a slight squeeze slightly frown And then open And may and on the end go in and may and then open And then just a bit is not the full thing was like that. I will keep what you have here But it feels like you're hitting The maximum here in the eyebrows. You usually want to go here and then one two three four five continue Maybe this line would be up here. So it's it hits but it kind of you know, fleshiest So the verb to flesh Flesh is fleshiest up a bit more And then so it's crystal up and then Lord imagine lord it goes from this to a bit more in not super sad But then you get those crunchy things so the eyebrows go in a bit So you do have a bit of a change eyebrows. It's not just Up and then that's it. Like I don't see anything through here And then same thing here guide my hand. There's nothing going on in there the eyebrows I might again guide my mic and go in and then hands open up again And then on that big turn To soften that a bit. I mean it is very fast It's the very linear key. I'll give this one more frame And go be from here to here and then go sharp the way you have it just a bit too linear and then Two frames before I would you have it slightly the eyebrow down, but I would make this Farmer too earlier and a bit bigger You want to see it. This is more of a feeling. I want to see it Because that way we'll also soften the turn without losing its snappiness But something else is already moving and changing Then this turns Against your roman popery Against your roman pop- and in roman again has nothing in the head as this is a massive move here so this cupina the one where the nose does like a Down to the left turn because of the jaw doing the same thing like it the jaw does a little arc And pulls the head with it Against a roman popery Now to be crazy, but those will also help with the accent there Against a roman popery and then on popery Against a roman popery sounds like potpourri popourri Against a roman pop- I like what you have here, but what you could do is Bum bum two frames Actually a wide rotation this way so the nose is here And then boom on this the nose would end up being here And then three frames later might be back to here. So a bit of a like a head shake left right It's subtle, but a bit more of an explosion Just a bit more right now it's And on that explosion through here the nose kind of locks So you're through all of this and you want to keep that just a bit more alive They're like a slight little left right The earrings are great Against a roman popery Actually would be really cool if you know if you do the whole eyebrow thing and you keep just go one more frame But otherwise you keep that snappiness Just for a frame or two that ear would drag And then as you stop here on that frame the ear comes forward a bit super subtle This would be really adds adding some fleshiness But so much on the on the edge of feeling you don't really want to see it, but you want to feel something Just a bit Just tiny tiny tiny And you could experiment if this thing has a nose control ear controls Every time you know, but you have such a huge amount of down and up with some squishiness here that every time You go up like this you could also bring up the ears a bit You can start adding some you know when you smile You go back with the corners and the ears go up you can incorporate some of that stuff here, especially through this Big moves like this for the head is not doing much even though you would add hopefully some other accents in there That jaw up and down could still influence some stuff here So you can really feel how the fleshiness is not just here, but it really influences that part of the skin and the ears Roman Pauperi And one last thing there And against a Roman Pauperi And I feel like this is a bit too wiggly on the last Against a Roman Pauperi Right there. I think it's I like this But I wouldn't come back as much because you have so much Tension here, but then this is so loose that it kind of fights that So I will go out on that accent But then go back maybe only this much and then that's it and then go back to the right again It's a tense moment on in his arm Against a Roman Pauperi You know if you look at the end it just it just swings all the time Against a Roman Pauperi Yeah swing And then it would be and stay there a bit left right little tense moment Against a Roman Pauperi It'd be awesome if this would move But yeah That is it. It's a fantastic piece being picky here. You know good stuff that you want to basically add some character Oh, yeah. All right, thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way the like and subscribe would be awesome. All right. Thank you