 The musical postcard project brings the story of very old composers, their story of their life in music. And we bring these short compositions to classrooms, to rehearsal studios, we connect them to professional musicians and in this way we bring their voices to the stage of professional music. We bring recordings of that and these recordings we send back to the original, very old composer who's then stimulated to continue the work and to spread the personal message. If we think of the world of 2030, it's very abstract, it's very far away. It's not clear what needs to be done today. The postcard project invites very old people to express their dreams and their hopes in music. So we give a voice to the generation of 2030, with all the voices and words, the voice with music. These compositions travel the world. We record songs and pieces of music, sometimes in very remote places. There are energy camps in children's prisons or just in a music school somewhere. And in this way we amplify the real story of the generation of 2030. Tonight we present the composition of Shazana. She composed it herself and her composition then was, again, a young people of her age built into compositions for the musicians that she did here. I'm Shazana, I'm 30 years old. I am from Syria and now I'm living here. This is the caravan. It's an Arabic-Turkish instrument. I started playing when I was 7 years old, I guess. I looked up and it is above me. I thought it was cool to just imagine how it could be. I don't wish that the culture becomes that once of the world because I just want it to stay like that. I just want humans to stay in connection with each other. I think music can play a role and I hope to keep connecting with each other.