 When did y'all do that song, man, that wanted everybody love, man? Yeah, man. In the backseat of a kind of chocolate I'm doing, it was 7WM. Man, it was a man be like one day walking into my mom's house. Yeah, we on Boss Talk 101, 101. Yeah, we gonna talk. That's true. So you basically, man, like I said, you got it. You figured that our early is what you're telling me. Yeah. You figured out this is what I'm gonna do. I'm gonna commit myself to this music career. And so as you're doing that, do or die, it becomes a thing where people, when did y'all do that song, man, that wanted everybody love, man? Okay. Yeah, man. In the backseat of a kind of chocolate I'm doing, it was... Man, it was a man be like one day walking into my mom's house. Man, me and B-Lo sat down for a minute because we had just got through jogging. I picked up a tape, put it in the radio, played it. You know this old school, it's my radio. You ain't got to tell me, you know... Hey, to the tape pop! To the tape pop! Push that plate. And a song came on called Miss. Okay. David Oliver. I said, man, be like, we probably need to get the tracks to replay this. So we take it to the studio, have tracks to replay it. We start coming up with the hook. As we coming up with the hook, we was like, man, we need somebody to sing this. My childhood friend, Johnny P., who's singing on the hook of Pope Pimp. One of our mutual friends go say, man, we can go get this singer. Now, we don't even know his Johnny. Okay. So we're going to get this singer. I'm like, man, I hope this nigga can sing. Can sing? We get that Johnny walk out. I said, aw, man. I said, dude, it's my childhood friend. He said, yeah, I said, yeah, Johnny, get in there. He sing. So what happened next day? We go downstairs. We were going to the flea market place called Flea Market. We going downstairs, Twister coming up, and I see him. I said, Twister, man, I want you to get on this song. He said, what song? I said, it's called Pope Pimp. He said, send it to me, man. I'll get on it. Send it to him. Put this on his profile. How did he send it? He said, send it to me. Meaning, you know, you can't send it. That's what I'm trying to ask you. How you saying send it to him? Send him a tape. A mail. Yeah, a mail. He never handed it to me, man. Get it to him. Get it to me. We're going to get it done. Yeah. So that's what he meant by send it to him. You know, back then, he didn't want to eat there. No, he wasn't like that. Man, he got it, man. He wrote his verse. We got up. He jumped in the truck. He said his verse to us. I was like, damn. In the end, I need like three or four more bars. He was like, I said, well, just say P-O-P-I-M-P. All of them, he said, he said, I'm feeling it. I said, let's go, man. He really did lay this verse. The next thing you know, man, I went, I took Twiz to go get his last check and got my mom's out of her car that she was driving for like four years. Who was to get the last check? Where? From the job he was working at the time. He was working? Yeah, he was working. Where was he working? Do you remember? I don't remember, but it was in the suburb. It was in the suburb. You took him over the ol' factory building somewhere. No sign on it. I took him over to his last check, man. And he walked back out of there like, it's all, it's all. Yeah. And it's been on ever since. That's huge. That's what God do, man. That's beautiful, bro. Yeah. When did that first time you heard it on the radio? That all was jumping. That whole coming ever since day one. Mixed and mastered. Mixed and mastered. Look at my wife, nigga. Mixed and mastered. She owned it, man. Look, the crazy, now here's the crazy part. The radio station in Chicago didn't want to play it. They didn't want to play it. They didn't want to play it. Why? Hating on the real players. Exactly. Hating on some youngsters trying to come up. So happy. We get with rap a lot. Jay Prince. And at this time, Jay Prince was over at Virgin. Okay. You know what I'm saying? And they so smart. They was being so smart over at Virgin. They said, man, look, this is what we're going to do. We're not going to get the radio station. We're not going to give them the rights to Janet Jackson if they don't play poop. What a strategy to use. What a strategy to use. And show enough, I'm riding Roosevelt coming across the bridge. And I hear, be real, do you want to ride? But I'm saying to myself, man, why I got this tape in? I'm thinking this tape is real. I look down. It's the radio. Once again, that was reassurance that God said, I said, I'm going to do what I said. And it's going to do. So you don't just meet Jay Prince. How do y'all have ties to get to Jay Prince at that time? Did y'all know him? Because I know Chicago love Jay Prince and embrace the ghetto boys. How did y'all link with him? How did y'all make that connection? So a show. Okay. Fifth Ward juvenile boys. Fifth Ward doing a show. I grabbed my mom's car. We used this in the beginning of it. Grab my mom's car. We get in my mom's car. Shoot over to the place. Nobody in it. So Fifth Ward juvenile boys didn't pack the place. Nobody in it. But still ain't yet. I said, if we, I told the group, if we're going to perform, let's perform like it's a million of people in here. And that's what we did. Got on stage, performed like it was a million of people in the place. As we performed, Carlton Joshua from Rappel I Handed a lot. Say here. Looked at the card. Called him. Told him to bring us down. Wow. We was going, we went back and forth with Rappel I, probably like three times. The fourth time they had to come find us with Pope Pym. They had to come see, they had to come get you. God re-insured one of them. Wow. That was just God re-insured. What was the conversation like when they, when they said they wanted y'all to sign? You talked to Jay or did y'all? We talked straight to Jay. And we talked straight to Jay. Jay said, man, we want y'all to come join the Rappel I family. He ain't seen it like that. Jay said, yeah, I want y'all to come join the Rappel I. I already know what it is, man. Y'all got the album. We got the hits. Let's do it, man. You know, that's how it gets going, man. So, you know. How did y'all feel? Y'all was excited? Oh, man. Pat's excited because you had the ghetto boys. That's it, boy. Scarface, like, man, and just to see face, listening to all face music and then being able to be a label me. Man, come on. Oh, man, that's a cat dream, man. So, but that was just you and your brother. It was you? It was just y'all three? Just us three, yeah. Twisted. He was already signed. Twisted signed over to Seawall. He did the company that we was dealing with with Popeye. Yeah. He signed over to them. Okay, okay. And, man, you know, that's great. Did y'all ever come back together? Yeah. To do, you know, to collect. Because that was such a big song. Yeah, we actually working right now. It's in Twisted right now. Oh, something. Really? I got a new album out called Swimming with Sharks. You and who? Man, Twisted. We working right now. Really? Yeah. I got a solo album out right now called. I seen that. Sharks, yeah. So he on two of the joints. Got two videos with it.