 suspense. This is The Man in Black, here again to introduce Columbia's program, suspense. Tonight from Hollywood we bring you two of America's most artful and distinguished stars. From the Metro-Goldwyn-Mare Lottstadt Studios comes Mr. Robert Young, and from Warner Bros. Miss Geraldine Fitzgerald. Mr. Young and Miss Fitzgerald are with us to play in an unusual tale by the unusual James Thurber. An excerpt from the book My World and Welcome to It called A Friend to Alexander, adapted for radio by Freya Howard, is tonight's study in suspense. If you've been with us before, you will know that suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution until the last possible moment. And so it is with Mr. Thurber's poignant and strange story and the performances of Robert Young is the man who was a friend to Alexander and of Geraldine Fitzgerald as his wife, Bess, who relates these events to us. We again hope to keep you in suspense. Harry was a laughing, happy-go-lucky fellow before he began to have those dreams. I guess he was pretty much like dozens of other men who go to work every morning, settle down in soft chairs with their newspapers after dinner, and like a weekend in the country now and then. He was fond of easy living and good times. Like everyone else, he talked of the war, rationing tires and his golf scores, until, until those nightmares began to plague him. At first I was amused. You know, I've been dreaming about Aaron Burr every night. What for? Well, how do I know what for? Aaron Burr is a funny person to be dreaming about nowadays. Why? I mean with all the countries in the world at war with each other. What's so funny about dreaming? Maybe you're upset. Well, everybody dreams, don't they? I don't see why you'd see Aaron Burr in your dreams. Well, I do. Where do you see him? Oh, places in Washington Square or Bowling Green or on Broadway. Even here on 55th Street? Mostly downtown. I'll be talking to a woman in a Victoria, woman holding a white lace parasol. Oh. And suddenly there will be Aaron Burr bowing and smiling and smelling like a carnation, telling his stories about France and getting off his insults. Who is the woman in the Victoria? Hmm? What? The woman. Who is she? Well, how do I know? You know about people and dreams, don't you? There's nobody at all or everybody. Oh, but you see Aaron Burr playly enough though. I mean, he isn't anybody or nobody or everybody. All right. All right. You have me there, but I don't know who the woman is. Are you sure? What's more, I don't care. Maybe it's Madame Jumelle or Mittens Willett or a girl I knew in high school. Who's Mittens Willett? She was a famous New York actress in her day 50 years ago or so. She's buried in an old cemetery on Second Avenue. I've seen the tombstone. That's very sad. Why is it? Oh, I mean, she probably died young. Almost all women did in those days. He's a vile, cynical cad. I was standing and talking to Alexander Hamilton when Burr stepped up and slapped him in the face. When I looked at Hamilton, who do you suppose it was? I don't know. Who? My brother, Walter, when I told you about the one who was killed by that drunk in the cemetery. Harry, I never could get that story. I've told you about it a dozen times. This drunk came up to him when his back was turned and... What was he doing in the cemetery? That's not the point. He was killed. That's what's important. And I loved him very much. I don't understand what... What's the use of telling you every time I mention it? You start asking the same questions. I understand now, dear. When you looked at Hamilton, he was your brother, Walter. Yes. Harry, maybe... Maybe we ought to go to the country for more weekends. Weekends? Yes. I'm going to bed. For a time that evening, I worried about Harry. Not about his dream. Why shouldn't he dream? But I wondered about his health. He looked so worried somehow, so unlike himself. I was glad when he went to bed. A good night's sleep was just what he needed, I thought. The next morning, we were quietly eating our grapefruit when Harry flung down his spoon. I wish he'd go back to France and stay there, him and his lala. Who, dear? Oh, you mean air and bird. Did you dream about him again? Yes. He said lala to me. Why should he say lala? I was at the tavern and we were drinking ale and I said something funny. I don't remember what it was. Something amusing about what Ben Franklin had said to Washington once. One of those things, you know. No, I don't. Have some more coffee, dear. I don't want any coffee. I made this remark and everyone laughed. Everyone but Burr, that is, he sort of sniffed. And then he said lala. Well, why not? I mean, is there anything wrong about him saying lala? It was the way he said it. He was sneering at me. They all noticed it. Who, dear? Who noticed? The others, all of them. And Hamilton. I was there with Hamilton. It was swell until Burr came in. Aaron Burr. I don't see why you dream about him all the time. Don't you think you should take some luminal? I'm not sick. I tell you, I know what I'm dreaming. I just thought, well, it's always Burr and that seems odd. Well, why? Why shouldn't I dream about Burr if I want to? But you don't want to. No, but I can't help it. Everywhere I go with Alexander, sooner or later Burr shows up and makes those nasty remarks. Last night, he elbowed Alexander out of his way, did it deliberately. Alexander? Hamilton. Oh, Alexander Hamilton. Yes, goodness knows I'm familiar enough with him by this time to call him by his first name. Harry, you know, we might go to the Old Rovers Inn this weekend. You like it there. Hamilton has become not only my brother Walter, but practically every other guy I've ever liked. Don't you like the Old Rovers Inn anymore? Isn't it natural that Hamilton should represent my brother and guys I like? That's natural, isn't it? Yes, I suppose it is. Well, then why are you looking at me like that? You know, dear, I wish you'd go and see Dr. Fox. I don't want to see Dr. Fox. I want Aaron Burr to stop sneering at me in my clothes. He looks at me in his lips curl up and he says, lala, Mr. Andrews, what odd taste you have. I wish you'd go and see Dr. Fox. I'm going to the zoo and feed popcorn to the rhinoceros. That makes the singing things seem right for a little while anyway. I thought he'd forgotten all about that ancient pistol duel, because for two days after that, he lost his haggard tired look and actually seemed cheerful. But one night, about five in the morning, he came into my room in pyjamas and bare feet. His hair disheveled and his eyes wild. He got him. He got him. The rotter got him. Alexander fired in the air and smiled at him, just like Walter must have smiled. Like Walter? Oh yes, dear, your brother Walter, who was killed in the cemetery. This was at Weehawken in New Jersey. What? Your brother? No, Hamilton and Burr. They're dual. Hamilton had a white rough around his neck. Burr was in black tights, French clothes. Alexander lifted his pistol and fired in the air and then smiled at Burr. And then that fiend from hell took deliberate aim. He took so long, he meant to take his time about it. I saw him grin. And then he pointed his pistol at Alexander and fired. He killed him in cold blood, the false scum. Oh, darling, don't, darling. Here, here, dear, take some of these pills. I don't want any. Oh, take it. You'll feel better. I don't want any, I tell you. Here, darling, swallow. Please swallow. All right. There, that's better. The cat, the rotten, sneaky cat. He grinned just as he fired and Alexander clutched himself at the stomach and shook his head and tried to walk forward. Then he fell with his mouth open as though he wanted to say something. And Burr stood there, grinning. He was better after that, but I kept urging him to see Dr. Fox. At first he refused, but later he decided to humor me. He was humoring me by this time and Dr. Fox too. Hi, Benfield and Doc. Oh, fairly well, Mr. Andrews. My pulse has been este... Now, just what seems to be the trouble? Nothing. Nothing wrong with me. He has nightmares. You look a little underweight, perhaps your diet. Oh, I'm not underweight. Overweight, maybe, but not underweight. Getting enough exercise? Same as usual. He's worried about something. He always has this same dream. Aha, a dream, eh? What kind of a dream? Just a plain old dream. Aha. No, it isn't. It's about his brother, Walter, who was killed in a cemetery by a drunken man. Only it isn't really about him. Really? Well, very few people are actually killed in cemeteries. It's an interesting coincidence, if I may say so. You mean, you know somebody who was killed in a cemetery too? Is that the coincidence? I know I. I meant your brother being killed in a cemetery. You know, dead in a cemetery. A sort of, uh... Do you follow me? No. I think you should go see Dr. Fox, Dr. Fox. Interesting. Yes, very interesting. I, uh... I wonder if you would mind stepping into the next room, Mr. Andrews. I want to give you a thorough examination. Right in here, sir, and we'll just have a look at you. Hope you're satisfied. You heard what he said. There's nothing to matter with me at all. I'm glad your heart is so fine. He said so, you know. He said your heart is fine. Sure, it's fine. My heart's fine. Everything's fine. And you know... you know what I was thinking? No, what? I was just thinking that now that Alexander Hamilton is dead, why, you won't see any more of Aaron Burr. Yeah. Yeah, I guess you're right. But I was wrong. Aaron Burr did not leave my husband to sweet her or more peaceful dreams. Harry said nothing about it for several mornings, but I could tell he was still being tortured by those ghosts. He brooded over his breakfast. He didn't answer me when I spoke to him. I dropped my butter knife and he jumped. What was that? Only my knife? Oh. Harry, are you still dreaming about that man? Oh, I wish I hadn't told you about it. Forget it, will you? I can't forget it with you going on this way. Can't you forget I mentioned it? Maybe you should see a psychiatrist. Oh, gosh. What... what does he do now? Who does who do? Aaron Burr. I don't see why he keeps coming into your dreams now. He goes around bragging that he did it with his eyes closed. Says he didn't even look. Didn't look when? When he killed Alexander in that duel. Well, what? He claims he can hit the ace of spades at 30 paces blindfolded. Furthermore, since you ask what he does, he... he jostles me at parties now. I think you should stay out of this, Harry. It wasn't any business of yours anyway. And it happened so long ago. I'm not getting into anything. It's getting into me. Can't you see that? I see that we've got to get you away from here. Oh, maybe if you slept someplace else for a few nights, you wouldn't dream about him anymore. I don't know. Let's go to the country tomorrow. We'll stay at the Limelock Rodge. Bess, why can't we visit the Crowley's? They live in the country. All right, fine. Bob has a pistol and we could do a little target shooting. What do you want a pistol for? Plenty of open space. I think you'd want to get away from shooting. Yes, sure, dear. The vacation seemed a success at first. When we arrived at the Crowley's house in the cab, I thought I'd left my suitcase at the railroad station. Harry laughed his old, normal laugh for the first time in many days as he found the bag and handed it to me. And then he leaned over and kissed me. Good old kinetic. Oh, Harry, this is wonderful. Oh, we'll have a grand time, Bess. Yes, dear. Hello, Bess. Hi, Harry. Here they come. Good old Bob. Remind me to tell you that rabbit joke. Hmm, hello, Madison. I'll take your bag, Mr. Andrews. Thank you, Madison. Good to see you. Thank you, sir. Hello there. Well, Bob, how's the old country squire? Oh, fine. Never better. Boy, it's good to be here. Hello, Alice. Well, you too. I'm so glad you've come. It's kind of dull here in the hinterland. Oh, I'm glad too. Say, will you get one of our extra special cold martinis into you? You'll feel ship-shaped. Still know how to mix them, huh? Better never. Get lots of practices, long countrywinter. Oh, it was ground, seeing Harry's face relaxed and smiling over his cocktail glass. When I went to bed that night, I felt that at last that nasty old business of the dream was over. And I was happy. But when I woke the next morning, when I woke, I saw my husband lying rigid on his back, staring at the ceiling. One Henry Andrews and architect. What's the matter, dear? Nothing. Oh, why don't you go back to sleep, Harry? It's only eight o'clock, and this is the country. One Henry Andrews and architect. What are you talking about? That's what he calls me. Calls you who? One Henry Andrews and architect. He keeps saying in his nasty little sneering voice. One Henry Andrews! Harry, Harry, please don't yell. You'll wake the whole house. It's early. People want to sleep. I'm beneath him. I'm just anybody. I'm a man in a gray suit. Be on your good behavior, my good man, he says to me. Or I shall have one of my lackeys give you a taste of the writing crop. Why should he say that to you? You ask me why. He wasn't such a great man, was he? I mean, didn't he try to sell Louisiana to the French or something behind Washington's back? He was a traitor. Then why worry what he says? He was a scoundrel, but a very brilliant mind. I was in hopes you weren't going to dream about him anymore. I thought if we came up here... It's him or me. I can't stand this forever. Neither can I. As I had expected, Harry spent most of the afternoon with Bob shooting at targets. At first they just aimed at the paper squares. It all seemed to be good nature and in fun. After a while, Harry stood with his back to the dead tree trunk on which the targets were nailed. Then he walked 30 paces ahead in a stiff-legged manner and his face was set in stern lines. His revolver was at arm's length above his head when he turned suddenly and fired. Bob dropped to the ground, scared. Hey, what's a big idea, Harry? But Harry didn't answer. He started to walk back to that dead tree trunk again. Then with his back to the target, he began marking off the 30 paces. Bob called to him. I think they kept their arms hanging straight down. I don't think they stuck them up in the air. But my husband continued to count off. At the 30th step, he lowered his arm, wheeled about suddenly and fired from his hip. Two of the shots missed the tree, but the last one hit it. Like a mechanical man or someone in a trance, Harry began to walk back to the tree again without a word. His lips tight, his eyes bright, his breathing coming fast. And look, it's my turn. But Harry aboutfaced and stalked on. This time when he fired, his eyes were closed. Poor Bob didn't know what to make of this strange behavior. Hey, good heavens, man. Give me that gun, will you? Without a protest, Harry let him have it. For the first time, he spoke. I need a lot more practice, I guess. Well, not with me standing around. Come on, let's get back to the house and shake up a drink. Gee, I've got the jumps. I need a lot more. I guess I must have slept soundly that night, because I didn't hear him leave the room. He must have crawled out of bed, dressed silently and crept out of the room. The sun was just coming up and the light was hard and the air was cold. Then I heard the shots. I threw on a dressing gown and ran downstairs. The Crowley's were in the hall. Oh, good heavens, Beth. Is Harry all right? It sounds like it. Where is he? What's he doing? It sounds as though he's out behind the studio. Oh, shoot him. Alice. Take it easy, Beth. Bob will go out and get him. Maybe he had a nightmare or walked in his sleep. No, no. He never walks in his sleep. He's awake all right. Let's go down and get some coffee. He'll need some. Yes, I'll need some, too. What the tickens? It doesn't matter with him, anyway. I don't know. I'm so sorry to... Bob, you go get him. At your service, madam. Alive or dead. Bob, stop it. Okay. I'll do my best. Come on, Beth. We'll go to the kitchen. Nice. Where? In the kitchen. Oh, it's you, Madison. Yes, ma'am. Well, you're shaking. I was just wondering, ma'am. No, no, no. It's all right, Madison. You go on back to bed. Clotheter was scared, ma'am, and I thought... Well, you tell Clotheter that it's all right. Mr. Andrews is shooting a little. He couldn't sleep. Yes, ma'am. Yes. I don't know what to do, Alice. I guess the Crowleys were relieved when the cab came to drive us to the station early that day. Their maid had threatened to leave. The neighbors were complaining about the early morning disturbance and their own nerves were ragged. Boy, I'll need a drink after that. Yes, and make mine a stiff one. Gee, I'm sure Gladdy's gone. Well, it was either here or Clotheter. You can't afford to lose a good cook these days. So what do you think's the matter with him? I don't know. It's what Clotheter would call the shoots, I guess. You know, he said a funny thing when I went out and got him this morning. Well, let's have it. I could stand the funny thing. I asked him what the doosie was doing out there in that freezing air with only his pants and shirt and shoes on, and you know what he said? What? I'll get him one of these nights. That's just what he said. By this time, I was really frightened. When we returned to the city, Harry was a picture of gloom. Our first night back, I looked at him as he lay on the chaise long in my bedroom in his blue dressing gown, smoking a cigarette. He was haggard and tired, and he kept biting his lower lip. I mixed a Scotch and water nightcap for him. No thanks, no liquor. I need a steady hand. Watch my hand. Does it tremble? No. Is it steady? Yes, very. That's good. That's very good. You need a steady hand, you know. For what, dear? Oh, things. Harry, will you sleep in my room tonight? No, you keep shaking me all night to keep me awake. You're afraid to let me meet him. Are you still on that? Why do you think everybody's better than I? I can out-shoot him the best day he ever lived. Oh, of course, dear. In the Wesket, right next to the middle button. He has three big pearl buttons on his Wesket. Came from France. Why don't you dream about somebody else? Anybody else, please? You'd like that, wouldn't you? You'd like to have me dream about somebody who wouldn't hurt a fly, somebody like that. Because you'd know I'd never get in a duel with him. A duel? You're dreaming of a duel now? Ever since Hamilton died. Burr knows I hate him. It's nearly over now. It's him or me. I'll get him the rotter. But, Harry... I know I'll get him. You see, I have a modern pistol. He has to use an old-fashioned single-shot muzzleloader. Is that quite fair? Fair? What do I care if it's fair or not? Was it fair the way he shot Alexander? Was it? Don't be mad with me, Harry. Oh, I'm... I'm sorry, darling. I'm very unhappy. I'm sorry, darling. And I'm worried sick. I'm sorry, darling. Please don't cry. It upsets me when you cry. And I mustn't be upset. I must be very calm and rested. My hand must be steady tonight, especially tonight. I'm so worried, Harry. Don't worry about me. I'll be all right. I'll be fine. My hand is like a rock. Later, when I kissed him goodnight, I knew it was really goodbye. He didn't say anything and neither did I. It's just that he seemed so far away in... in another world. And each moment, I felt that he was becoming more and more remote. Something told me he wasn't coming back. I couldn't sleep. After an hour of tossing and turning, I went to Harry's room. He was sleeping peacefully. I sat down in his chair and watched over him for a long while. Then, finally, I must have fallen asleep. A beautiful morning? It was about five in the morning when I awoke. Harry was talking in his sleep. Oh, yes, the doctor. Good of you to come, doctor. Yes, often misty at this hour. Harry. Are they loaded? Splendid. Yes, I'm perfectly ready. Is Mr. Burr? He is good. Shall we proceed? No, I do not care to make a statement. Very well. Yes, I understand perfectly. Ten paces. Turn and fire at the dropping of the handkerchief. Yes, ten paces. Harry. Thank you for acting as my second, Mr. J. Of course, extremely good of you. Very well, then I'm quite ready. One, two, three, four, five, six, seven, eight, nine, ten. Harry dear. Dr. Fox was puzzled when he examined Harry the next morning. Extraordinary. His heart was as sound as a dollar when I saw him the other day. He seemed to be fine, Dr. Fox. I can't understand it. What? Why is heart stopped as if he'd been shot? Shot. Yes. Of course, there are no gunshot wounds and no... Shot. Now, Mrs. Andrews. That's it. Shot. Now, now you'll have to calm yourself. You can't open now. I should have known it would happen at Harry's right hand. The three fingers next to the index finger were closed stiffly on the palm, as if gripping the handle of a pestle. The taut thumb was doing its part to hold that invisible handle tightly and unwaveringly. But it was the index finger which held my eye the longest. I looked carefully to make sure I was right. Yes. Yes, it was so. That index finger was curved inward slightly, as if it were about to press the trigger of a pestle. So, there had been a duel after all. Perhaps there was no gunshot wound. But Harry had been shot, as surely as he was dead. Dr. Fox saw me staring and spoke to me. What are you looking at, Mrs. Andrews? Harry never even fired a shot. Aaron Burr killed him the way he killed Hamilton. Well, what are you talking about? Aaron Burr shot him through the heart. I knew he would. I knew he would. Yes, but there's no evidence to... I knew he would. Then Dr. Fox put an arm around me. He looked at me gently and a bit frightened, the way I used to look at Harry when he told me about his dreams. He led me to his assistant and whispered something. He thought I didn't hear him, but I did. She's crazy. Stark raving crazy. I let the assistant take me away. Maybe he thought I was crazy too. But now I knew. Aaron Burr got Harry, just as he had killed Hamilton in that old quarrel long ago. So closes a friend who Alexander, starring Robert Young and Geraldine Fitzgerald, the James Thurber story which was tonight's tale of suspense. The producer of these broadcasts is William Spear, who with Robert Louis Shea on guest director, free a Howard author, and Bernard Herman and Lucy and Marowak conductor and composer collaborated in presenting a friend to Alexander. Now CBS is pleased to announce that beginning August 17th at 10 to 10 30 Eastern wartime, Mr. Robert Young, whom you've heard as star of tonight's suspense, will begin a brand new CBS series entitled Passport for Hunter. Passport for Hunter will bring you each week the adventures of an American newspaper reporter among the people of the United Nations. Next week's broadcast will be written and directed by Norman Cowan, with music by Bernard Herman, and the stars we have said will be Robert Young. This is your narrator, the man in black, inviting you to be with us next week at this same time when with Ms. Agnes Morehead and with a repeat performance by popular request of the play called Sorry Wrong Number. We again hope to keep you in suspense. This is CBS, the Columbia Broadcasting System.