 I've got to ask you guys, what was your funniest or most memorable moment from filming? The kids seeing the blue the raptor was a big deal. That's good. Because we had, there were many animatronic dinosaurs that we got to work with. But us bringing our own children onto set so that they could witness the splendor of these amazing animatronic, which is like a fancy word for puppet, these really expensive robotic, half robotic, half human operated puppets. That was really great to see our kids just looking at these animals for all of these purposes were very real. Did you scare the kids? Yes, yes, yes, we did. Unintentionally. Yeah, I thought for sure they'd know it was safe. And I was like, touch its teeth. He was like, nah, I'm okay, I'm sorry. What's it like with bloopers when you're actually filming? Were there any moments where you couldn't stop laughing? With this one scene where Justice Smith, who plays the character of Franklin, gets like blood shot into his face. That's right. And he's just hilarious and that we just all lost it. That sequence was really funny. That was really hard. True. Not to break it. I had to like fully look away. Just like fully. That's true. I do remember that. Yeah. And do you have to do that scene like trying to respray the blood in the face? Yes. You had to do it quite a few times. Yeah. We blew it a couple of times. Yeah. Well, you know, I just have that little bit of it was all delightful. I got on the telephone with Colin Trevorll, who directed the last one, wrote the last one, wrote this one. Talking about what I could say, how best I could say it, what the scene was about, what we were trying to say, all that kind of stuff. And then on the set, I had a good time trying to get it, give them everything they wanted, you know, everything that they could use, contribute a little bit. And my friend, Fernando Treba, was one of the extras. There were a couple of moments that we didn't tell him anything and we knew that it was all of us, and the extras knew that there was something coming and it was a lot of fun. They didn't have many animatronics on set in the first Jurassic World, so I remember how excited they were the first time we were in front of the T-Rex, and they were so excited. They look like kids, and that's exciting also for the director because you can capture all that energy in front of the camera. How much time gets spent into building them and how much input did you have in choosing them? There's so many people involved, from the guys, from visual effects, special effects, the animatronics. And of course, the production designer, the cinematographer, and the sound guys, it's such a big team effort in order to portray that, but it delivers, you see the dinosaur on screen and they look better than ever. I loved the time when I got to see J.A. interacting with all the animatronics that were created for the film. Bryce and Chris and Daniela, he would place them in a room with this absolutely lifelike animal and surprise them and shock them with how real it was and it would snap at them and it would try to bite them and its claws would come out and they would react in real ways and he's very playful as a director so getting to observe that was a blast. The big scene where it's erupting volcano and you're in a tank. Yes. What was the reality like of what you're seeing? Is there real lava? Honestly, yes. There was, I mean, not real lava. Honestly, yes, there was real lava. No. We timed it just right. One of the sequences were trapped in a bunker and there's like lava pouring through the ceiling and I just assumed that was going to be something that was done in post and then all of a sudden all these firemen showed up and they were dropping kitty litter, like lit kitty litter. It was lit on fire. It was lit on fire from the ceiling and so that was my real lava experience. That's pretty cool. A real fire experience. Did you have any kitty litter? No, I didn't have any kitty litter thrown at me on this film. No, I didn't. But going from that stuff to the underwater stuff, we did a lot of really exciting underwater work and that was a lot of fun to do that, really technical and complicated and combined two of my favorite things, which is scuba diving and making films so we got to do a combination. And how long did you rehearse for and how long did it take to shoot? We practiced, I think, starting like weeks in advance. Yeah. We would go into that. We had essentially go through all the training. All the training for scuba diving lessons. The whole crew went to Hawaii and they were there at least a month, pretty much just shooting that section of the film. The underwater section once was all a pine wood and a tank. What you're seeing is real. That was one of the most scary moments to shoot. As a director, when I saw the actors inside the gyrosphere, that pistol ball, singing in the water with the actors inside, I was pretty scared watching that. In Hawaii, the volcano, how much of that is real? From the moment you had to recreate a volcano, erupting, you know, there's a lot of CGI involved. But we had a lot of real things in there. We had a lot of smoke involved. Of course, they had to run for days. It was very exhausting physically for them.