Loading...

Engine On - Rikki Bergen and Nara Monteiro

74 views

Loading...

Loading...

Transcript

The interactive transcript could not be loaded.

Loading...

Rating is available when the video has been rented.
This feature is not available right now. Please try again later.
Published on Nov 15, 2016

Artist's Statement:
In this video, we interpret Jason McLean’s portrait, Move It or Lose It, as a visual manifestation of a diary entry. McLean has created a portrait of the artist in the past, in a specific moment, but not necessarily of the artist now. This phenomenon is clear in Move It or Lose It, but also raises the question of the temporal nature of any portrait. The video attempts to live through a version of the artist’s experience and interact directly with the portrait. McLean’s piece is effective in demonstrating complex concepts as rapidly and sporadically as they would be addressed in one’s own thoughts. The surreal images are accompanied by individual words and fragmented phrases that frequently have double meaning. This style mimics thoughts, and the significance beyond what is visual is unusually clear and can be grasped quite quickly. In the video, we relive and relay the artist’s exploration into temporal and geographical aspects of identity. The piece is a mental journey with no identifiable beginning and end. The medium of film almost forces a directed flow into the viewer’s experience of the painting; it is made linear simply by the need to address images and ideas in a certain order.

Students’ note: New York City’s flood evacuation zones are colour coded by level of danger. In some systems, the Purple Zone is the most critical area, first to be evacuated.

Loading...

to add this to Watch Later

Add to

Loading playlists...