 We are here today to present the new body of work by Argentinian artist Cecilia Bengoléa entitled Dairy Steel. We decided to invite Cecilia Bengoléa to produce this new body of work because we thought that the multitude of languages and mediums that she explored could perfectly fit with this sort of theme of duality that we really wanted to transmit. What we wanted to do with this project was to inhabit two spaces. So the Grand Hall of Moudam, here we are today, and Socluosie, which is the foundation work of the former blast Venice sea in Belval in the south of Luxembourg in the Minets region. What's interesting about those spaces is that they both are very different. So one of them is basically your ruin while the other one is a space for art and a space that is extremely pristine. The first time that Cecilia came to Luxembourg for a site visit she was extremely fascinated by this industrial region of Luxembourg and she decided to really focus the entire project on the theme of working class and industries and the fact that it's still one of the biggest active sites in the world. What you see behind us is the video installation Dairy Steel, nine bodies of the dancers from the Jeanne Ballet des Lyons that are superimposed on a collage of found footage that the artist selected through the course of a year and a half. All of these elements seem to be a random selection of references to our world of today. And all of these elements put together sort of become extremely relevant with the times that we are living. The same way we see this, this sort of reflects also in the performance work. The performance is a 30-minute piece which once again sort of plays on collages. So we see a mixture of different sounds but most of all a mixture of different dance rituals and different dance movements coming from all over the world. So in some way there's a very strong coherency and relevance within the whole project and it's this sort of frenetic attitude in representing so many different layers and sides of the world of today. Our world is very much defined by the way we extract elements from Earth. Nowadays it's a bit different of course, especially in this specific steel plant where we are not extracting iron ore from the Earth anymore but we are extracting them from existing metals. So basically recycling. I would also like to put a small focus on the installation that surrounds us at the moment. Cecilia created this landscape. She has entitled it, Levergating Slag and as you might see what is inside of the Great Hall are these 20 pieces of slag that are positioned on these ear pillows made out of paper. What is fascinating is that we see the dichotomy between the lightness of these ear pillows and the heaviness of the slag. Something that runs through Cecilia's work is the mixing of movements from different origins and something that she's added to this this time is free dance and that calls for rejection of very strict movements from the classical dance a kind of like moving away of restricting the body to a specific kind of movement that are kind of linked to machine. Having the body functioning as a machine, the body doing extremely precise movements free dance allows for flow and allows for the body to be more free some sort of like freedom into moving into the world. So Cecilia really worked in the creation of this piece with the dancers itself nine dancers aged between 18 and 23 so it was one of the first experiences for the dancers to go out of the conservatory out of the traditional dance environments so also for them it was a very experimental approach to be in a museum context and to get outside of their comfort zones. Exactly and also for Ash 2022 for us it was quite interesting to work with an existing institution which has a very specific role within the Luxembourg art scene we also wanted to function with an institution that has knowledge and experience working with performance while at the same time allowing to produce a work that is ambitious and which as Jo has said kind of like goes beyond the rules of the museum and can exist in different places. Thank you.