 All righty new clip here. Let's watch this and Okay, good stuff in there. I will probably Give the end another 10 frames It's like we're just going hot and caught. It's almost like you want a bit of a resting point there Other than that, there is some good stuff in there What I would say in terms of policy things like when you have like a side step like this You look at the angle of that foot, but then this is pretty flat. I think you can easily Go even more Rotate it this way so that this side comes down first and then if you go like this this feels like the Foot roll is just activated towards like basically in your channel. You just have foot roll on but I would put banking Pivoting off this side Towards us if that makes sense because you're going this way with the character as in towards camera But this feels like this is just a foot roll activated and I think you can go This ended towards us which I does a little bit of a Look that his left knee goes forward forward up and then something to the right So you can kind of tweak that either with the hip thing or with the foot roll to make this up a bit more Bit less poppy Again this coming down. It's a bit odd because it has a little bit of ease in I guess you can slow down a little bit, but then I will go down and touch with the toes first and again banking Where it's touching this side more than this this feels like we're getting Right as you actually Put the foot down. It's all flat There's a bit of a complexity in there. I think that's pretty cool here as you lift You can see it's kind of pulled this way and he has a slight rotation pivoting off the toes Just pretty good, but then careful at the very end. It feels like it's just that but nothing else in here You can have a little bit of finishing rotation Just as this plans like these are like that like super polishy Super polish your notes Making sure this one also is not completely fine. I see a side here I think just means to rotate it this way. We're just good. So it's kind of polishy things like that I think you polish Arcs of arms All seems pretty good. You might argue that right through there We're kind of moving away from camera to maybe have a bit of a bigger arc, but it's it's minimal I'm also looking at spacing wise because we're here And it gets a bit over then it kind of stays there go to the right and then whoops Then as we go to the right This spacing is much bigger there can see that goes up and whoops, I need to the right You can always have a little bit of a higher arc Getting in there. I think that's a bit much in your drag in the wrist Just a tad there I have the biggest comments are probably right when you sit down But I do want to and I know you said that's from reference and maybe it's just Again, not that it's super wrong. I mean there are you can use you can Google crossed arms And you there is this pose in it. I think I'm just mainly Thinking in terms of there's going to be one Arm hands that's underneath for arm in the bicep and one where it comes out and only the fingers are visible I think that's always in my mind when I think in terms of Crossed arms, right? So it could be Crossed arms one underneath is another one on the knees, you know This is it always seems I know it's there some people have it But it always feels almost uncomfortable like it's kind of trying to rest on there That's the same one and then here's like some other Google. So like this one he has Both on there But even then it has at least a little bit of a hold on and bring up my drawing tool a Bit of a push up with a grouping of fingers Which gives us a nice little contrast. So at least that but I you know I don't I don't get quick search and it's again might just be me And maybe I know maybe it's like a specific thing that I'm just gravitating towards but to me It's always one hand in compared to Both on there and see I guess you have a little bit of a grouping there It just seems it just seems like it's trying to rest. I don't it's just this feeling of of of not Having weight and maybe it's because how this goes down if this arm was like this and the wrist was up a bit So that if there's a slight feeling of weight like this on there if that makes sense, right the weight Imaginary weight Brings this down so that the wrist goes up a bit And then careful, I'm not sure if this means zoom in here see see how The fingers here and then they go out. This is just it adds to me to the feeling of like this is not really on it Like this even here the fingers go down and like the whole finger slide And that's why to me doesn't feel like it's actually across arms. However, you have it It's at least one side. That's fairly locked You can't see you what I'm doing this even if I have both arms out. There's a certain feeling of at least one side That would be really locked in it wouldn't that move that much. So when you have something like this, all I'm seeing is Besides the angle of those kind of almost trying to stay the same for Some of the frames there. I just don't feel like there's an interlocking and weight on this But the biggest comment is that this is almost supposed to pose. I know he sits down here. We have one two One frame so there's like a one frame Completion and then you already go up and this is something odd to me where it's only one frame He goes really low was almost trying to look at it like his thighs It feels just it feels like the return is very fast return as you need to go down down and immediately up There's like a one frame direction change. So this feels pow feels really hard It's really fast. It adds to that bump feeling and this feels almost uncomfortable in how how compressed he is versus maybe between these two max and Then once we get to here watch out. There's a I See how this ends first and the head is ending at the end But because of that you can go through this and I'm gonna try to Go ahead a bit more I do this here There's a little bit in here and then it kind of locks a bit I see some pixels moving I mean, it's mostly because I zoomed in and then at the very end. It really feels like it's mostly the head So watch out for polish that there's still some movement in there Especially through here. I go through this. I don't really feel like there's anything going on in here And then that's the end right because then he goes down Then again, it feels at the very end that last frame is mostly in here. I see a little bit shimmering in there It just has a general feel of watch out once you're done like that And you're just doing those last moves here and here, right? So You go up and then we stop it's only feels like everything is only in here Rotating out of here with not much going on in here This is good, I do like how the legs come in It's just something in here and also probably because I'm still looking at those hands Because it's never really a change in the hand pose and finger pose through all of this Like once we hear it feels like that's it That's the finger pose you have and nothing else is changing which again It just adds sort of feeling of just kind of they're there Just placed parent to whatever it is without without life that is Reacting to this or being influenced by you know all the rest if that makes sense I really hope that makes sense But I know you've been living over this and it's only fine if you don't continue it because I think this has this started off I Mean already in a good place, but it's definitely so much better than what you started with So I think you can totally just look at those notes and gestos and I think about your next shot It's probably good jumping that we talked about And you don't have to do one more version of this if you don't want to all ready. 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