 Welcome, Devani. Welcome to Arizona State University. Welcome, Whitney. Here we are. Hey, to be welcomed by you is the greatest treat, but we should be the ones welcoming you, of course. How did you research from the script into the novel or either one or both? One of the exciting things about doing adaptations of older material, trying to recreate an older world, is you want authenticity of the older point of view. And so while in most writing, copying other works and being influenced by other works and transposing them is frowned on, it's considered plagiarism, it's career-ending, it's a scandal, it's the exact opposite with this kind of book, where it's much sealing and adapting and fiddling with all things possible. Working with that, people does have disadvantages. I've been listening and reading many, many books set in the period of the second half of the 18th century and the beginning of the 19th century. And one of the problems of Victorian era, and I think it's a problem that we have in our day, is that they were very self-satisfied and impressed with themselves. I listened to a lot of history and a lot of biography of people in that period. I really love reading about our war of independence and what led up to it and how that was perceived in England and the conditions in England leading to that. And so there were a lot of things I could add when I had to. So at a certain point we decided we didn't want to put Chloe 70 through and ourselves through the torture of no matter how great her British accent was, people would be saying, oh, it's Chloe 70, over accent, or how dare they have an American playing this essential English part. So we thought if we changed the character of Alicia Johnson to American from Connecticut to Tory exile, forced to leave, avoiding being tarred and feathered, and this is something that happened, it's really touching story. It also raised the stakes because in the book the reason why Mr. Johnson can oblige his wife, Alicia Johnson, to break with Lady Susan is he threatens to settle in a country village the rest of their days if she keeps seeing Lady Susan. And Alicia just dreads the idea of living in a country village and so she must break with Lady Susan because of this. And in our film, the thread is Stephen Fry says, you know, we will go live in Hartford, Connecticut. And so the fact that I sort of read all this and just immersed as pickled in all the story of the Tories and the Loyalists and all that. And so whenever I could find something to plagiarize, I put it in. But I had to adapt it and make it different. And then I'd sort of come up with a word or something and sort of research that. So in the film we had jokes about peas, but I didn't really know if peas would be considered a novelty vegetable in that period. But it turns out that peas did come in first to France and Royal Circles in the 17th century and plausibly in sort of country aristocracy in Britain they would have still been considered a little bit odd. But novelty vegetable as a phrase is not 18th century, but to get the joke. So sometimes in the film we just go for the laugh.