 Hi, everybody. Wow, that's loud. Oh, welcome to this performative panel or panel performance slash performance panel called performing responsibility. I'm not going to say too much. I just want to welcome anybody who is joining us over the howl around live screen. Thank you for being here. We're going to experience a sequence of short performances. And then after that, we will open it up for round people discussion. Is there anything artists that you need to share about what you're going to do or anything like that? No, okay, at your risk. First will be let's all the time. Let's all the time. So next, we'll experience a performance by a rancher around who I think is actually number three on here. Um, next to experience performance by that they might have a junior only you think non collective manifestations of your mind. Secrets to others that these are very non recognition of pristine collective consciousness lapses in connection with pure nature. Even consciousness is temporary. Then formations that he noticed that who still call us patient mean, we need to start straight from the main change and self destructing million years to find yourself. For your dreams placed by ghosts from Aotearoa to I.T. to Chievas to the Monday I.T. whispering to you what to do. Close your eyes. Remember your flesh, your swing, your hand, your feet, your feet, your touch, your burn for the table, your dimensions, water for the ancient, your shape, rising A to C film, and then writing A to C to find your own feeling above the fire, creating the ones you tend to miss here. Troubles, gravitation, touch, dancing, as on the cure of the sick, and breathing into the trance will make the glues cleanse the neurons here. Your fingers will be holding the mind in touch with some of the tendrils, so imagine they are taking and digesting your glues. The glues on your lungs are building, forming, concentrating and forming forms. Stanked one up at the end of the tongue, scheduling, generally one of the women's largest metaphysical beings. burning, bathing in your force, eat and shine together with my ear, in your bones, the gasses, in your little belly, my sick, insolent, crystal-less glass, red and black, melting the seal of this head to colony, inching with the mist that I knew, hurting, right in the ears, so I'm going to take a stint down, release it with the force first, so for oxygen in front of the soul, so we can throw it back into the spine. This is Babe Marta Argenio, so next we'll experience performance by Ayanna Eppen. Ayanna and has both of your videos, but we don't know which order to play them in, so. You know it's funny, it wouldn't matter, but you can play the extended week's fill first. Extended week's fill first, thank you. Down the line, it's everything. It is incredible to feel the vibe, the energy, the empathy, so here's the center where Ayanna and Eppen have been able to bring in both advocacy groups, tech companies, tech museums, and our organization to help assist in the fact that there's all of the LGBTQ people and people that are, you know, largely like the chocolate market, we actually put it there. That is where everyone showed up, was dedicated to moving to more people who didn't have to put it in my name or wherever, so I think that it's just important in the art itself. Perfect, that's where people are to learn. What you started to learn, running early and demonstrating, using it in time life and in long-distance, by exceeding effort, and that's in her practice that brought us together and learned, so he and other folks who have been listening to everybody. I think it's all for the sake of my practice. Y'all ready? Yeah. You know where it was the other day. Raise that. Well, you too. Let's move in. Let's move forward. Yeah. We need to learn people, and we need to learn people. I'm asking you very nicely, now we're going to act right. All right. We need to learn, don't make me throw chairs. I'm not a don't do. What? Come on, okay. Come back after the heels. Almost there, yeah. That was me. I think I should come to the end. I said come to the end. Somebody should get out of the loop. Keep going, y'all. Keep going. Anywhere. Thank you. My dog, Axon. Iona Evans. We have one last Axon constituting the panel. We'll give chairs out of the way. And then we will experience our last responsibility taking space for those present. Hector Kananj. Who is responsibility? Who's ability is it? That was Hector Kananj. Thank you so much to all for being here for these responses. You can find more information about the artist on the internet under the on the Praline website. I think we're out of time for this particular session. But if you'd like to talk more, we're going to be out in the hall and around at the bar and so on. Thank you so much to Crank. And thank you to the viewers on HowlRound and the Tech People. Great.