 everybody. Welcome to Erica's making geodes today. And I hope you've had an awesome day. It is Tuesday because we're live at two o'clock. And I'm Erica. Oh, with me as always are the fur babies going in canvas. And today I'm going to be making a ruby or crimson colored geode or geoid depending on if you heard a friend of yours like a friend of mine say it wrong for so long that I have no actual idea sometimes as I'm speaking of what a geode or a geoid is. What's up at Mac? How are you today? I am mixing this with my I stoio mixer. You can find those in my description box below this video to click on the Amazon link. They're pretty handy because I don't like having to mix resin. It hurts my arm after a while. And this just works so well. I used to get really jealous of the like countertop people that makes such high quantities of resin. And they just use their their drills to mix their resin and they're like paint stir attachment. But when you try to do that with a smaller amount, it actually mixes in a lot of bubbles because if your mixer comes up out of the resin like this, then you're just basically folding in bubbles. And every time I tried to do that with my drill mixer, it just made it a frothy, cloudy mix of resin. And it started way too vigorously. I don't know if you guys can see in there the swirls where the resin isn't quite mixed all the way. Right over here. You'll hear me refer to it as you can really see it on the hold on the screws edges. Yeah, see that swirl that's coming in right there. Sometimes I call it fairy floss. Sometimes I say it looks like like fishing lure wire ropes during twine. I can't remember what it's called actually. But that's what I'm referring to. I'm gonna let this dribble off. What's up, Tim? Hello, Kathleen. You love the mixer? I do too. I wish it was something I came up with, but I didn't. And you can find it on Amazon and my Amazon link down in the description box. It really, really helps the channel when you guys use my links and purchase from my shop. I just, oh, that's not gonna fit. I'm gonna set that right there and let it spin the rest of that epoxy off. Well, that didn't work. Alright, I'll just hold it. I forgot what I was saying. Oh yeah, it really helps. And so I appreciate it every time you guys use any of my links or purchase from my shop, especially in these trying economic times are going through right now. Yeah. The colors I'm using today are Angel White from LaRez, Resin Art Red Plum, Shooting Star or Milky Way from Resin Art, Carmine from Just Resin, Color Passion Black, and maybe the raspberry dye or tint from Color Passion. Even if you use a stand mixer or an auto mixer like I was just showing you guys, it's still good practice to scrape your edges and the bottom of your cup with some other kind of stirring tool because if you don't, the odds of you getting a weak spot or an area of your piece that doesn't quite cure all the way. It's a lot greater. Alright, so I'm going to start since I'm doing such a large size piece, start by separating out my colors. It's also good practice to get your resin out of your big bucket as quickly as possible. Because when it's together like this, resin heats up on its own. That's part of its curing process. And it kind of like plays off of itself. When it's in a large quantity like this, and it'll get hotter than it would if it was in a smaller cup or bucket. So always good practice to get your resin out of the big cup as soon as you can. So let me think for a second. So we want to do translucent white, Milky Way crimson, and opaque white, silver, gray, and I'll save some out for miscellaneous color that I may need. I usually leave a little bit in my cup to use later. But I'm going to make a little bit more resin up to do our something what's it called? Oh, yeah, the Druzy part. I'm going to be using the sorry, mid thought book glitch. I'm going to be using a fireglass and glitter glass, as well as the epsom salt mixture for this piece. I'm just going to put this back into my mixer over here. So you guys don't have to just sit and watch me mix resin because that's not exactly tons and tons of fun. Now is it? Let's get this sucker moving. Cool. Alright, so that's going. And I can concentrate on over here. So I'm going to do majority like whites, light colors. Let me grab my this. Actually, it looks like I'm going to be using pearl shimmer instead of angel light just because it's handy. Whenever I do geodes, I go into it with an idea of what I want to do. But it largely changes as I go, just because as resin does just what resin does and moves and lays out and you know, is resin. Sometimes I just I have to pivot. And I think it's a good practice to have an idea but not be completely 100% into the idea and give yourself some essentially just wiggle room because you never know what your resin is going to just decide it wants to do. So that first color was color passion pearl shimmer. This one is milky way or shooting star by resin arts. I am currently out of this one, but I expect more in soon. You can also use resin art abalone shell for a very similar look. But that's sandy everyone. You can't find what in the link let me make sure of what you're looking for before I tell you how to get to anything. I was going to do a quite bigger bit of my carmine but I may do a little bit less. Typically when I do geodes or it's kind of like when I do marble paintings, I want just a hint of the color because to me, I don't know who knows what I'm thinking right now. But this is carmine. Beautiful. Not straight up red. It's a little bit of a darker or deeper red. I had that paced out. And so there may be a chunk or two in here that I have to deal with. But this is essentially for a friend of mine that is she has an Airbnb at the University of Alabama. And she may need some artwork for her wall. And I know she's in the crimson because of the team there. And so I'm essentially making a piece of art to force her to buy it. Because I know she likes these kind of colors. This color is called red queen. Nope, red plum. But I'm thinking it may be too plummy for this piece. So maybe I need to add maybe I'll add a little bit of my carmine in here to make it like a deeper version of a red. But that isn't reading as kind of purple. Also tonight, I will be doing the live on RK three designs page. If you're so inclined to come over there, I'll be doing kind of a play on panda marble, but it will be now it's got a shimmer to it. It'll be a play on panda marble, but it'll be brown with a new floating gold for them. If you're on my channel a lot, you've already seen the floating gold that I'm going to be using tonight. But I haven't showcased it to them. Okay, I'm also going to mix up silver gray from just resin. You guys are asking me questions. I'll be right there. I just kind of get these pigments mixed up. Silver gray is great because it's like, almost a bluish, soft gray. It's not abrasive. Very subtle gray. University of Alabama is crimson, white, and gray. I might need some more of this actually. It's a great gray, very subtle. Keep the paste around in case I have to mix up another little bit. Our other resin is mixing nicely on its own. Another great thing about this mixer is you can set this button. See when it's flashing like that. That means it's going to mix for three minutes, going one way for a minute, and then it'll reverse it for a minute, and then it'll go back the other way. Great. Okay. I feel like I need a darker color. It just so happened to have that black onyx over here that may or may not be stuck to my table. You guys have never seen my art studio. I'm very much a messy artist. Onyx, very deep black color. In my head, I'm going to need this, but factually, we'll see. Super black. Alright, so let's first begin by putting our glass out. So I'm going to use my one inch shard glass. This is fireglass. You can get it at hardware stores. You can get it from my shop. If you don't want to buy 10 pounds, you just want a pound. Put it in areas where I need kind of a list. You're going to put some here. I don't want to just, okay, it's not APD after dark, but I don't want to rim it all the way around. I just want hearts to be kind of lifted. I'm going to do some of that, some of this, maybe bring some up, but I don't know. We'll see. Keep this handy. Right. We also need to mix up our epsom salt, Druzy mixture. If you guys have never seen me do this, it's pretty amazing in that it's just, it looks really accurate and beautiful. And it's a little bit sciency, even though I don't do the sciences. It's awesome. So let me get my other resin, kind of knock off any residual resin, put it in a cup. I don't splatter resin everywhere. Perfect. Some of this resin that I just mixed, I'm going to keep for in case I need it for something. And the rest I'm going to use for my little epsom salt Druzy's. If you are interested in what kind of resin I'm using, it is Stone Coat Art Coat. You can find a link down in the description below this video and use the code YALL, all caps, no punctuation. And I still can't remember if it's 13 or 15% off, but it's a good percent to get a discount no matter how much you order. There's no minimum to use it. And it really, really, really, really helps my shop with you guys use my codes. All right. Let's pour some of this in here. This is going to act as like the binder for my epsom salt. Oh, it comes with a little scooper. I'm going to need more than that. Thank you, Clara. Resin Reflections, you're new to the resin world. Well, welcome to my channel. JJ, I got resin mixed. I don't have time to go mess with shoes. I know I'm going to need more of that, but we're just going to start here. I'm also going to mix in some glitter. This is just some clear, large flake craft glitter. Just to give everything a little bit more of a sparkle, a little bit of pizazz metaz. I'm also going to mix in some just white kind of like rock granules. I think this is from Torgonol. I don't know if you guys remember when we did a lot of reviews for Torgonol products. And I want this to be a very thick slurry. I want it to keep its peak. So see how it looks right now where it's not super liquidy. It's like chunky. It's not all the way incorporated yet. So I can't just use it at its present state. But that's what I'm looking for in totality after I get it all incorporated. It doesn't take long to mix up. And I know that a lot of the questions regarding this method is how well does it hold up over time? And I've had plenty of people come to me and say that it's just fine. So it's still a little bit gooey, a little bit soft. If I were to drop it, it'll kind of like melt down into itself. Kind of like that kinetic sand type stuff. So therefore, I know I don't have as much stuff in here as I need. So I'm just gonna put some more of some salt. And I'm not the originator of this technique, but I don't know who the original OG is that did this. So if you know, feel free to leave me a note in the comments. That way I can look it up and give proper kudos to the originator of this process. So when you add more in, I just I usually just kind of stab it down to the the bottom, if you will. So now it's better. It's keeping its little peaks a little better. But it's still not exactly where I want it. So I'm gonna do one more scoop and then we're going to start applying this to the board. Do you guys love this? Okay, so this is going to be a little bit of a longer video. Do you guys mind when it's a little bit more in depth? Or would you prefer multi step pieces like this to be like time lapsed? Keep getting mixed answers about time loss videos. So I'm very interested to know what you guys have to say. Also, I'm going to be having a a fall art sale this Friday at 6pm to sell a lot of my precious artworks. Because bills got to be paid. And so I'll just make more art. And I would love it if you guys would come in and join me for that. It's at 6pm Central. Okay, so now that I have my this, I'm gonna try not to get crazy. I'm going to just put it out in my little gullies, little crevices. And I'm just gonna let it lay. However, it's gonna want to lay because that in my opinion, I feel like it looks more natural when I just let this stuff do what it kind of just wants to do instead of forcing it into forms. I also think it looks more realistic if you have high points and low points. So I may make this bit over here a little bit higher. Let's cover that middle. You can find all the colors I'm using today at artiststilldeath.com by the way. I don't have this particular type of board on my website anymore. It was it's just too heavy to mail to ship. But I can get them cut this way if anyone is interested in this style specifically. Just leaning it up these walls a little bit. Not trying to get too crazy with it because then I have to clean up all of the druzy that kind of went rogue. I'm also allowing the fireglass to peek through because I think it looks really neat when it does that. Anytime you can add like peaks, valleys, depth, dimension, I think you end up with a more well rounded piece. I almost couldn't even say that out loud. Well rounded. Here we go. I'm also coming up over the back lip on this. I'm gonna come over the lip on other areas as well. When you have filler like this, it just saves you from having to just completely fill with resin. And let's be honest, resin is probably the most expensive part about doing resin art. Resin is not cheap. So that's why I always get so excited when I can give you guys sales and things. Let's bring it over the edge on this side too. I think I want to go dark to light on this one. But what do you guys think? Alright, I think we're good for now. I do have some left over in here. Unfortunately, you cannot store it for later. You have to kind of use it before your resin cures. But after I get everything down, I may want to add some more resin to a different area. So I mean, not resin, the druzy to a different area. So I'm going to just set it aside for now. Love check. Thank you so much for saying that. I really like doing longer videos, but those are the ones that I get comments like, Yeah, there's too much chatter. Because I do talk a lot. I like to greet you guys. I like to know that you're important to me and that I appreciate that you're here. Some people that just there's nothing wrong with it. I mean, some people just don't want to listen to it. But I enjoy greeting all of you guys when I see you now that I have all of this cleaned up, we can start adding the resin and that will be the fun bit. I just don't want anything interfering with the flow of the piece. You know what I mean? Jelly beans. Okay, hello Heather. What colors I decide looks like I have gone with black, light red, dark red, white, gray, and Milky Way. So I think I'm going to go outside in on the color depth tone. So essentially start with the dark and move inward. But is that the same feeling that you all get with this piece? Let me know. I'm going to adjust you guys down just slightly. Now you guys seen me work a lot with the amazing quick coat from Illumilite. And so I'm used to working with that. No, Bowie, that's okay. So I'm used to working with that. And so I feel like I have to go faster, faster, faster. But with this, I have a two hour working time. It's bananas ultra UV resistant as well. Chris, thank you so much. I appreciate that. I truly do. I appreciate every time you guys tell me that you like what you see, or that I've inspired you not that I'm you guys have to tell me those things, but it just feels good, you know? Alright, so I'm gonna start in the middle with our Milky Way. And yeah, some of it's gonna roll into our druzy area. And that's fine. That's just gonna further bond our mix to the board. I'm gonna go in I think with the Marty's like deviating from my plan. Okay, I'm gonna go in with the Carmine. And I think actually I'm gonna try to just ride this rim the rail here. Very much the shining right now. Anyone else get that vibe. Now it looks kind of crazy right now. But give me a minute. It's gonna look brilliant. So edge up this area. Edge up this area. Now let's smooth all this out. Trust me, it doesn't look like much right now, but it will. Trust the process. I'm just gonna fill this, I was gonna fill it all in with my finger, but I'm picking up some of my Druzy. So I'm gonna just pour in front of it. I feel like that was one of the harder parts. Sometimes for me just getting started on a project is the hard part. So just putting resin down a lot of times saves me from just not starting something. Alright, so next I'm going to do this darker red, the red plum from resin art with a little bit of Carmine mixed into it. So it's not quite so purpley. And I'm not pouring the resin right up to the edge. I'm giving it some room so I can just fill it in. And that will just help with my lines not running so much. It'll help it to kind of stick to itself a little bit more in theory. It's still gonna run, but it won't run quite so much. A lot of times with my work, I will add the color and then go about doing the design work after. So I'm gonna do black. I think I'm gonna do quite a large row of black. And I'm gonna fill it in just like I did on the last one. So I'm gonna push it up to the edge of our Druzy area so that I don't pick up the the mixture and kind of make it travel. It's catching a wave of product and pushing it in to the other areas. Since resin self levels, you have to worry about creating any dips, valleys and low points. It it'll smooth back out as long as you are working with it, you know, while it's still fluid. No. I'm gonna do some white up here. Oh my goodness. I'm gonna try to keep it from running down into the piece. No promises. It probably will run down because there's so many steps. Like it's it's a difficult surface to pour on because of all the levels. So I'm trying to push just up to the edge but not break the surface tension, which I just did right there. So we may have to do some hand painting after this piece is cured, but that's fine. Working with reds and avoiding pink is one of the more difficult parts of working with resin if you like to work with, you know, pinks. And so the way around it is to keep some separation. So I have black in between my white and my red. You know what? At first I didn't I wasn't into this, but now I feel like I like it. There's a dip look. I mean, I'm gonna bring you down here to see what I'm talking about. This looks very like pop art and I'm kind of here for it, but I want to know what you guys think. Should I do more of that or try to take it away? I'm gonna do some darker red up here. I'm using the darker red instead of the lighter red. Well for now, if I can make it all the way around. I'm using the darker one to hopefully further prevent any pink from happening. That looks like we're gonna have to put some of the other red up here anyways, but that's okay. You can also help your reds from turning pink by just not manipulating them when they're next to white. So I'm pushing the red up into the white but I'm not wiping over the white. I'm not trying to make the red and the white do literally anything except for being next to each other. Now I just need to spread the red out a little bit. Looks like I can just cover the whole rest of it in red actually because it's gonna self level. When you put resin out, it's gonna pour out at depending on what kind of resin you're using a fourth inch but it's gonna want to self level down to an eighth inch. So you really have to watch yourself and not just pour thick rows of resin without giving it room and the ability to self level and relax to an eighth inch. So that's why I kind of put color down and then manipulate it with my hands. I'm gonna do black up here and we will smooth that out as well real quick. I'm debating on if I want to swipe this one. I feel like I shouldn't because I don't want to risk the pink but I want to know what you guys think. Swipe or no swipe. As soon as I get all this area covered, I will check and see what y'all said. So this area of white that's in the middle, nope on this rim here, it didn't look like it was that much until I saw it on camera and I feel like I need to break that up some but I'm going to do the milky way this edge up here. There's a little bit of raw area. Now every time you add resin, it's going to make everything you have down disperse because your resin's still fluid and it's it's just gonna kind of part the waters wherever you add more product which is alright as long as you're prepared for that. It's gonna change your look slightly. So I'm going to incorporate some of these dribbles that have come down. Kind of like that step down layered look. It looks very different. Looks very different here than it does on camera. But I need to incorporate this gray. Maybe I'll do I don't want I don't want to mess up what I already have but I have to use this gray. I'm thinking about doing a row up here to kind of part the white. We'll see how it looks. I do just a skinny little line with a hair. I'm sure it's mine. It's too long to be a Bowie hair. It's really tough working with reds because of it wanting to make such not that desired secondary color. So for example, if you do red and white, you're going to look like a candy cane or you're going to make pink. If you do red and green for like any kind of reason, if those are your favorite colors, there's no way around it looking Christmassy. And if they mix together, they're going to make an atrocious secondary color. So it's a tough one. I like how that subtle ring looks. Okay. Okay. Okay. Okay. Meow. This is getting a little bit crazy. So I'm wondering if I need to do something with that. I also feel like I need to put a floating silver in this as well. But we'll get there in a second. I feel like I need to do a little bit of a white line. I don't know if I like that. You have to just meld that in a bit. A lot of times, if you don't like something, just meld it in. It'd be fine. I think I need a floating color. So I'm going to grab some silver. Really quick. Maybe girl. This is a floating silver. It's essentially spray paint that is not in an aerosol can. It is in just 10. You want to try it for I think it's five dollars on my website. It's called floating silver. And I have it in the back of a paper Dixie cup because I'm going to let the propellant or what keeps it liquid soak out into the cup. I'm not putting it in the inside of the cup because Dixie cups are usually wax lined and it's not going to allow for any of the propellant to soak out because it's wax line. That's kind of you're putting liquid in it. They don't want it to just soak the cup. So they line it with wax. So I don't know if you guys can see without me completely toppling this over that light tinge around this rim on the top. So that is the propellant soaking out and I shake it and it cracks a little bit right here. That's the propellant as well. And so I'm just see where it looks darker or just not shiny. That's all propellant. I just splashed. And so I need that. I need all of or a lot of that to soak out. And so I'm just letting it soak into the cup. I'm going to do just a roadside test to see how far it blooms. Oh, the reason why I let the propellant soak out is because that's what keeps it liquid. And so I want to have more control over it so I soak the propellant out. If I were to just put it on now in the state that it is it's going to grow because of the propellant. It's going to bloom and it can only do that so much before it dries and then it's going to crack. Right now I'm just popping bubbles. When you use a floating color like this it needs to be kind of in the last bit that you add. And I don't want to add too much heat because that's just going to thin my resin and it's going to make things blow even more. And we don't want that. We want it to stay where it is. Meow. I'm going to hope this has no it's still pretty thick. So I'm going to get your opinion on something else while I can. If you don't mind coming down here with me for a moment. So when I had to kind of get rid of that white that I added I kind of just swiped it around to kind of bury it. And I'm kind of digging that look between the colors. Just getting a little bit out of hand. I liked it a lot better when it was just subtle. So I feel like I need to swipe. I feel like I need to swipe this out. This wrote not the not the gradient but this level. And I feel like I need to do the same here. But I want y'all's opinion on that before I do it because you guys always give me the best advice. Add glass to the gray later. Could do that. Okay so it's going to go ahead and add the silver. But I'm going to see what it looks like if I just swipe part of this now. So when you do resin art there's always this know when to quit moment where it's like I'm not that upset with how it looks. And if I do something to it and it looks worse then what like what then what do I do. Thank you Lois. Thank you so much. And so this is that moment where it's would it look better if I do this or would it look worse. And so I'm going to just do like a little partial swipe over here just to see if we like it. If we don't we'll just have to fix just a little bit. We're not committing to you know the whole piece having to be doctored you know. Whenever I teach my art classes I tell people don't freak out if something isn't how you envisioned it or you don't like something just take deep breath and let's let's work on how we can fix it. And so sometimes I have to tell myself that in my head like okay that's not what you were going for but don't freak out. Everything is fixable and I think that's probably a good motto for just life like don't freak out whatever it is is fixable. I've had to tell myself a lot lately don't freak out everything is fixable. Am I the only one that has to you know like self soothe and assure myself that okay this isn't how you thought it would be but that's fine. Don't stress. Let's just evaluate and step out smartly and I think I like what this is doing now. I'm going to just continue that around just to kind of tie in the drips so it looks like it's part of a piece not well it happened and now I just have to deal with it even though that is exactly what's going on it happened now I have to deal with it but I want it to look like it's a choice in art no matter what goes on it's a choice. You have a potential buyer and they have questions on something find a word around it so that it sounds like totally meant to do that for sure meant to do that and I think that may be just a life motto in general well for me anyways thank you so much Krish now I like how that evolved I was going to do the same up here but I think I'm okay with most of how it's flowing I just don't want these little mushroom cloud looks that didn't quite flow all the way down and so I'm just going to swipe my way around that this one isn't being quite as awesome as I wanted it to be happy accidents are totally great so there's still a lot of propellants in here but it's a lot less but it's at the point now where we can add it to the piece and it not be it's not going to bloom out too intensely this is a floating silver which I fully love to work with floating anything's Tiffany wants a red geode so I'm trying to so I'm just pulling this silver through the piece I haven't mixed any resin into it you guys probably can't even see what the floating looks like from here I had to grab the that one time so be careful I was going to just wipe it off after I was done with the live you guys my husband just came home most of you know him but if you don't his name's Jeff and he is amazing and talented and awesome and the biggest sweetheart so I'm going to see what it looks like running down these drips here one of the cool things about this floating pigment is that you can put it down at an angle like this and it'll stay at said angle so a lot of times when we do countertops and we have a vertical area that we have to address we will just add that area and with the floating colors and the silver to this area the geode s area I'm choosing a pipette to do that but you can just use a stick as well oh I didn't like glue it down or anything is that what the question was yeah I didn't glue it down um does it look metallic on camera I'm just going to bring this up into that part it's almost like chrome isn't it I'm going to do which this last bit of silver that I have in here well I thought I was well I'm going to do this I'm going to have to go for it and then just make it look like it's supposed to be there I think I feel like I need to add more of my this in areas that kind of got taken over so you can see right here it's kind of like red where the resin went over I'm going to take this druzy that we made that I have left over and just patch that work right up and I have some patching to do down here and then we're going to add the glitter glass which is my favorite and it adds all of the amazing sparkle that we love to see in geodes or geodes huh it's a lot of business okay I'll check it when we're done the amp's probably already all over it though I'm just making the edges make sense I want to trail off in these areas there that's more like it and now we can add our sparkle resmedez pizzazz aka glitter glass so this is glitter glass it is actual glass but it sparkles like glitter but it's not like abrasive and tacky like glitter can be so we're just going to sprinkle that over top like it's cheese and we're making some nachos be careful when you use this stuff you can also get it on my website artistslet.com but uh yeah be careful because it is glass and it will cut you it won't ask any questions doesn't care how long you've been working with it the stuff is sharp rain it's no fun all right I think I'm done with this first layer I know that it is quite crazy looking but it is in the appropriate colors so I would love to know what you guys think I'm just getting all the resin off of my tripod so let me take you guys down and show you up close the beauty uh I'm trying to clean off my there we are flex that is because of the glitter glass I do have it in different colors but I think it looks best in the clear because you can just put it over everything and it works love the look of this right here then I added the silver on this wall definitely 100 not what I thought this piece would end up looking like however I still like it and I hope my client does too so let me know what you think down in the comments like it love it hate it indifferent let me know I'm always interested in seeing what you guys think have you ever used glare glass before have you ever done the druzy deal like this before I want to know that is a piece I'm working on I think this one is almost finished from yesterday's live and so yeah let me know what you guys think down in the comments and do you have any questions before I leave you guys did you put everything anything over the epsom salt mixture I didn't because I mixed in the resin and I think it'll be enough to hold it everything down resin scares you it can be very intimidating thousand percent for sure this may be like some of my favorites this like trail down um resin can definitely be intimidating but I think that if you take your time and have proper materials take proper precautions for your own health status then it's a beautiful glorious medium to work with so you guys I have to go but I hope you enjoyed this feed let me know what you think down in the description box below this video and I'll see you tomorrow at 6 p.m. central if you want to know what colors I use they were carmine from just resin red plum from resin arts milky way or shooting star you can also use abalone from resin arts um floating liquid silver onyx from color passion pearl from pearl shimmer from color passion glitter glass extra large geode all of all of which can be found on my website including our awesome amazing handy dandy stir sticks you just wipe them off and reuse them they're great because you reuse them forever and not just have one use popsicle sticks and popsicle sticks are porous therefore it's not going to do that much damage but it'll mix bubbles into your resin if you're looking for a full bubble three mix don't use popsicle sticks that rhymes anyways I hope you all have an amazing day uh support small businesses like mine and order from artistledeath.com I believe claire put everything I used in the comment box and I'll see you guys tomorrow at 6 p.m. central till then be kind to one another because you never know what someone's going through I don't know where he is but always remember that we do the test so you don't have to I'll see you guys in the next video bye okay bye bubba yeah he's dead bye my precious boy bye y'all