 Well, here's the thing. Sorry to burst your spell, but burst your bubble even. Break the spell, isn't it? No, breaking bubbles, bursting spells. No, we actually all didn't meet. Oh no, we most of us met right towards the end. Ships in the night, most of us. Yeah, recap at the very, very end. But in fact, most of us didn't work with each other, because there are lots of different plot lines and characters meeting up. But there was a moment, because on the first film, there was a lot of this thing of like, because there were the American actors and the British actors and this weird thing of words that are lost in translation. One random, slightly frenzied moment on this film, we decided to start, I introduced to the actors that we should do the Hokey-Cokey. He says we decided to start. This is what happens to Eddie at 4 p.m. when he starts getting loopy. The musical numbers come out and lots of singing. So I thought we should all do the Hokey-Cokey and there was this sudden uproar from the Americans going, what the hell's the Hokey-Cokey? And they were like, it's the Hokey-Pokey, which sounds a bit dodgy and slightly rude to me. And we had a huge riot and discussion about whether the Hokey-Pokey or the Hokey-Pokey was the Hokey-Pokey. It sounds druggy or sexual, either way you go. It's the Hokey-Cokey. It's better than cheesy pineapples, isn't it? That's the only other thing I could think of. There's so many things people say that are insane. Chalk and cheese. We say oil and water for chalk and cheese. Yeah, eggplant and aubergine. Coriander and cilantro. You didn't even ask because sorry. How's the interview going? I was hanging out with Johnny for a second. I got to hang out with him and it was weird. I was just standing there in between takes. I was getting some air outside. He's got the full Grindelwald outfit on with the eye and everything. And he's like, he's like, hey man, what are you doing? I'm just like, uh, just getting some air. He's like, you wanted to chill in my tent for a second. I was like, yeah, sure, why not? So I'm sitting there in his tent and he's got the fight and he starts playing guitar. And just the image of like, this villain. Just like gleefully playing a guitar. You like this song? That's just an idea. It was so lovely and awesome and wonderful. I'll never forget that. I get to ask him all sorts of questions. I think he was just practicing for his band or something. Like, because he's in a band. He's like that. You like that riff, man? I love it. He's thinking so cool. That's hilarious. I get to ask him about Brando and stuff. Anyway, what about you? What did he say about Brando? That's another hysterical story. So supposedly this is like, the first time you met Brando, he was nervous. So he brought this little fart machine with him. You know, like one of those little like machines you have in your pocket? No, it's like a machine. Like it's like a box where you press it down. It's like, that's different fart sounds. So he has it in his bag. So Johnny puts it in his bag pocket and he sits down next to Brando and he's just farting up a storm. And Johnny's just like, I'm sorry, man. I ate something weird today. And Brando's like, Jesus, Johnny, you have to get that fixed. It's disgusting. We have a dinner later. And then Johnny, Johnny's like, he can't help it when he shows them the device and then cut to the two of them just peeing their pants, laughing on the floor like, this is the greatest thing we have to bring it to the dinner. And then the two of them brought it to the dinner and just farted throughout the whole dinner, just chuckling to themselves. And everyone's just like, who is stinking up the joint? I ate a lot of croissants. So many every single day. This is pretty good. More croissants that were delivered by this amazing baker that figured out the right size, like not too big, not too small in the hands. And it was so buttery. It was like literally the best croissant I had ever had. And they had it delivered every single day because we had this scene where am I allowed to say? Yeah, totally. So Flamel is handing us these croissants and it was only we shot only for like less than an hour a day for that exact scene because it was a sunset. The sky was so beautiful. And it's amazing that they care about those details. You know, they wanted to keep the actual sky. And we shot that. So many of us ate so many croissants for weeks. And then that scene was gone. It was at least at least three weeks, three weeks, at least every single day. Every single day for an hour of eating croissants. They would bring people into work just to go and try and get this scene in the golden hour. And they did it every day for weeks. And it is 100% not in the movie. 100% gone. It's just the fat from the croissant that is definitely left in my body. Please stop and don't even. But it was so funny because Nagini eating a croissant. Nagini with a croissant. That was funny. Our favorite scene that we shot over 20 days It was magic hour. And we went there every single day. We get kitted up for like five minutes of filming. We did it movie series and the reshoots. They were like, yeah, it didn't work. It was this lovely scene where Nicholas Flamel comes out at the end of the movie with croissants. With croissants that were flown in from London. And everyone's sitting there eating croissants and the sun's fair and it's beautiful. And they probably got to the edit. Everyone's crying. Everyone's crying. Everyone's doing like their best acting. They get to the edit. They're just like, we can't have a whole long scene at the end of the movie. It was just like, we need to get out of this movie. It's hilarious. Yeah. Yeah, that's an alternate ending. And they all filled it down into just like us all looking. Which is always more powerful anyway, isn't it? Yeah. It's just good to the tape. I can't believe it. I had a scene with my feet that I really am sad that didn't get in. Because at first of all, Colleen and I would make these incredible shoes that were just beautiful. In the French Ministry of Magic, there is like a sloped floor. So like everywhere is sloped and all of the Parisians are just walking around like so just like floating practically. It's no big deal. Yeah, but in the thing, they were walking slowly and carefully. But Queenie is a little off her center. She's a little ungrounded. And so I was just walking and just like losing my footing. And they just did like a shot purely on my feet. And it was so funny. Just you see like little feet just like And it didn't. I was like, where are my feet? That's all I cared about in the whole film. I like the bit with the floating teak at all. The most aggressive teapot that ever was. Well, I don't know if it would be a favorite because I never saw it. But I just found out something. Something was cut where we did it. Take care of New, which I thought was a nice balance to the beginning of the first film where he saves me when I'm in the scary chair. And it was a cut. I had a scene. We don't want. Are we allowed spoilers in there? I don't know what to say. I had a scene with another professor, a female professor, which didn't make it, which I wish had because I just love that she's in she's back in this world. It was at Hogwarts. Yes. Well, she she's in the film. But fleetingly, we had this scene where she really got to do the full volunteer. It was really funny. There's a lot of great stuff that was shot that isn't in the movie. That's how it always goes on things like this. Because I think David really likes to flesh things out. He likes to try things and he likes to get it in its best form to have that material to make the movie that is really ultimately the movie that wants to be made. And in this case, there's so much intricacy. There's so much complexity. David and, you know, and Mark Day are edit. They've done an incredible job of making a fluid story out of this hive of information. And so And for me, I'm always checking this guy for the perfect light and perfect settings. Yeah. That's the nature. They maintain such a such devotion to the art form that is cinema. Even as we, like other productions, just have the resources where we could blow right past that stuff. They're extremely attentive. And the result is croissant for all. There's a lot of love for Dobby in our cast. Yeah. Oh, that's a great answer. Because of course they were around, yeah, hundreds and hundreds of years old. Yeah. Yeah, because that's a, there's a logic issue of like who would be alive. Who's the honorable one? There's Dobby and then there's, what's he's called a preacher. Yeah. Yeah. Yeah, not him. Not him. Like lock him in a cupboard. Get on him. Dobby. Dobby's our man. I'm just a hacker, a young hacker at the bottom. I just think it would be creepy, creepy, creepy if you just catch a glimpse of young Tom Riddle. Bullying someone in the corner. Just in the background. Just as you pan pass and everyone will, everyone will get their heebie-jeebies. Do you call it the heebie-jeebies in America? Yeah, yeah, yeah, we do. Heebie-jeebies in America. The whole good job of us. I think we invent heebie-jeebies. I remember when we called it the PGPGP. Oh, mock me, mock me. Yeah. Oh, keep poking. Oh, keep poking. Oh, keep poking. More Hogwarts. More Hogwarts, more Dumbledore. More Beasts, maybe. More Beasts, Beasts. I want a Leather Fold. I want a Leather Fold. I want a Leather Fold. Wait, when does Dobby... Like, how old is Dobby? That's a good question. And Tom Riddle, of course. Tom Riddle. Is Tom Riddle- Tom Riddle has to, yeah. We think the year of this film means... Yeah, 1926 or 20. So what's Tom Riddle's birthday? The 31st of December. Right. Right? Yeah, but... 1926, I think. You are sure. Don't play. Own it. Maybe. Exactly. Yeah, maybe. That's exactly right. So Tom Riddle is now like an infant, like one year old. And as we move to the next film, which I think skips a few years, Toddler Voldemort. Toddler Voldemort. He's so cute. We want that. That's mine. That's my choice. And maybe we're just like... December 31st, 1926.