 It's five o'clock somewhere. All right, let's see here. Or are you just surviving? Thank you. If you're just tuning in. Okay, the website's updated. Okay. I'm sure it's that easy to update my website. People, people, people. Actually, I had so many messages on my site today. I said, hey, the grammar in your site looks pretty bad. Just FYI. Tell them you had chat. I had a fifth grade to make it. I'm not smarter. It swears you can't do pastes. I know I did not make it grammatically. Someone literally emailed you instead of the grammar on your website. They literally used the contact box on my website to let me know the grammar was messed up on my beginning page. Oh well. That was nice of them. Yeah, I already knew. I won't say who DC Douglas. Copied and pasted that website and fixed me up a site. I don't remember misspelling that saying between you and your... It was an ironic misspelling. I guess. That's what it was. All right, so we're hot. I know, we're hot. Well, some of us are hot. Well, that's more than we had. Well, I bring in the numbers. We're going to get those double digits tonight. Woo! Well, lots of people watch the show and replay. But you guys understand that this is what makes the show work is you asking questions and you interacting with us and our social media guy, Jeff, who's over here. Do you guys realize how much harder it is to do a live show than a pre-tape? We got to get John in the studio at a specific time. Yeah, much of a big deal that is. Spectrum was down. Spectrum was down. Spectrum was down. It's on here. Well, I don't live here. I don't know. It's been weird for a while. Ever since the storms and they fixed it, it's been intermittent. Chinese balloon. I think it might have been a circular temperature vortex over the LA area. I think it's interesting that people out there think that that is what happened. Circular temperature vortex? I understand that. Are you trying to fit in as many syllables? That's a real thing. OK, let's get this show on the road. Spectromanalizer to find out. OK. Quiet on the set. Go on live. We are alive. Or are we just living? We're actually in replay right now. Yeah, I guess so. The site is embedded and uploaded. So we are... You got that site in bed quick. So good. Facebook is... Facebooking. And it's not updated. It's not updated. Is it at Zuckerberg? Yeah, there's a new website. There we go. OK, that's live. Facebook is live. You're all live out there? Alive from Offcenter. Anybody remember that show? Sort of. It was like a crazy video submission show on PBS back in the 80s. I was in Memphis. Our local stuff was a dominated PBS. It looked like local access, cable access. But it was like art, performance art. It was really cool. We had Mr. Goodbody. OK. All right. Are we ready to roll here? Good to go. All right. Ms. Merlino is in your control. Three, two... Hey, it's time for VoiceOver Body Shop. How's everybody doing today? We've been gone for a little while. And when we came back, I'm like, got to have somebody who's really good and really funny and will allow me to just sit here and let him do what he does. And dependable. Exactly. John Bailey is our guest tonight. The Epic Voice Guy. Just Epic Voice Guy. I used to have the Epic Voice Guy. People thought it was the Pick Voice Guy. Epic Voice Guy. People still say the. See what I mean. Get your brand name right. If you've got questions for John or if you've got tech questions for George and I, put them in the chat room depending on where you might actually be, whether you're on Facebook Live or YouTube Live. We can do it on LinkedIn now. We can? Yeah. It's now allowing us three streams. We can go on LinkedIn. Graven, Carrier Pigeon, Fax Machine, Smoke Signals. Are you ready? I'm ready. I was born ready. Alright, it's time for Voice Over Body Shop right now. It's time for Voice Over Body Shop. Brought to you by voiceoveressentials.com the home of Harlan Hogan's signature products. Source Elements, the makers of Source Connect. voiceover heroes become a hero to your clients with award-winning voiceover training voice actor websites.com where your voice actor website doesn't have to be a pain in the butt voiceover extra your daily resource for voiceover success and world voices the industry association of freelance voice talent and now here's your hosts Dan and George hello there I'm Dan Leonard and I'm George Wittem and this is voiceover body shop or VOBS most definitely tonight putting the BS in VOBS that's right gonna get you to do more liners anyway I don't do drugs so yeah I'm not getting any lines liners all liners sorry okay John Bailey epic voice guy say I took out the D there you go see it was already edited on a radio I on social media as an actor voice actor content creator social influencer and stand-up comedian with such vocal talent he has taken Hollywood by storm in other words you got to have the talent if you come into town and you definitely got the talent so welcome back to voiceover body shop nice to be here in person yeah it's nice to be anywhere in person to tell you the truth so I mean how long has it been since you've been I I think we had you on once during the pandemic or it's been like a year or yeah well we have you on once a year because right after grand dog day right and this is the day so anyway yeah right next to international women's day yes this now that the thing is and we'll lead off with this and we'll just roll away from it I love that neither one of them knew it was my birthday like right days ago too late too late nobody even knew I thought he would leave this so it was your birthday okay three three happy birthday it's Jeff Holman's birthday how do you like that they got overshadowed happy birthday oh boys are all Pisces it's kind of fishy I'm sorry Pisces fish yeah because my kids want to okay anyhow welcome back there seems to be a little less of you than the last time you were here no I got this suit I mean you look great oh you mean to wait yeah how much should you lose total lost 150 from heaviest to Dennis but I bumped back up a little bit but still kept off that's outstanding that's that's that's how you keep yourself healthy and I'm aiming for 163 figure that's a 16 my well I would kill the 160 the doctor says that I'm supposed to weigh between 150 and 175 right in the middle of 163 so that's the goal but I'm lingering around the 200 mark right now so I so ways to go right so we're if we were on seesaw we'd be balanced yeah pretty okay well that's cool I just wear more Spanx is this your booth outfit because that's a lot of poly I do content in this I go to red garbage of my beautiful girlfriend hunter over there in the south but this is like it's half casual I got the got the purple converse so thank you the mad brand company my girlfriend for the amazing custom colored hat you can get this epic hat for code epic 20 on the mad brand code and I went to explain explain explain thank you and then this stuff it's a wrap in Burbank it's got like oh yeah from some shoot film or TV something is like really cool to get all the reasons to be in Hollywood I know you're making us look like total well I look like kind of I want it to look better than you guys you succeed it was my birthday so I decided to put my birthday suit on yeah now I remember when we first had you on actually when we've George and I first started doing the show from here as opposed to Buffalo and Santa Monica yeah back when it was west coast body shop right east west east west body shop and you were talking about you wanted to come out to Hollywood and then you seem to be like commuting back and forth for a while and then you made the big leap forward or if you were in China the great leap forward and you're here and you've had a lot of success it's been actually it's been very impressive to watch what you've done since you came here and you're a great model for a lot of other people that are like should I come to Hollywood but you gotta have the talent and this guy has the talent you also have to have the drive and that was the other thing you have to grind and grind yeah most people just don't have that they just don't want to they'll sit there and they'll stick their hands and they'll sit on them and they'll like it'll come to me you know I transitioned here instead of just dropping everything and going for multiple reasons some of them personal but it's smart overall I felt it was better to kind of get a feel for the land try to see who I could make contact with to see like how does it I've talked to Rob Paulson about like what areas are the most affordable to live in how much does it cost for you to live here no but he you know he had thrown out this a ginormous number like he's like it easily a quarter you have to to gross a quarter of a million dollars to live comfortably in LA and I was like that seems ridiculous considering I used to make you know 25 27 grand a year in my old job right and he's not wrong to live comfortably with a family the size that I have but most people are using two incomes yeah at the time I only had the ones this then now I've actually got some help so a little bit easier but yeah I had to kind of see where the most affordable places were if it was actually going to be worth the transition here would I be busy enough doing things to make it worth coming and my agent when I was then this is when I was very new to the agency so I mean nothing negative about my agency I freaking love them they've helped me achieve so so much so I'm like extremely internally grateful to them but when I first signed with them you know I'd been with them for a minute but I was I was a you know remote talent and I didn't have a lot of that and they had said it's kind of sounded like a Hollywood thing like oh if you lived here you'd book more and I was like this sounds kind of sounds like a cop out a little bit and so and I was doing very badly or mediocre at best with them at the beginning and I kind of figured that might have to pay with your pay your dues or you know you're the new guy on the poll you don't get submitted with everything when they have guys that are just they're they're booking people right but then I moved here and I was like okay let's just see if that's accurate and sure enough as soon as I got here like it just it was booking after booking it's got to where it was I mean I have vocal stress right now because I'm booking so many things close together which is a good problem to have but also you don't want to overdo it either right just because you can't do it doesn't mean you should like okay well I'm not going to sacrifice my my instrument yeah which it would be long-term work for a few extra bookings here so right usually I found when you get to a certain point they'll work with you and they're like oh well if you can't do that we don't want you to blow your voice out we'll just put it off a day or two or we'll reschedule for next week they're very kind and consider about it they they wouldn't have been back in the day like when you were a rookie like you got 50 other guys that can do it better than you right you know so you have to kind of build up that John can do it he can do it fast you do it right and how many years has it been now it's been 15 15 years since I booked my very first job it's been probably 11 or 12 of that that have been full time because I kind of jumped in a little early right and then you made the move to LA about five I didn't make the choice to go I did not make the choice to go full-time by choice that was because the economy crashed and company I worked for went bankrupt and I didn't have another option they had a lot of folks plan B was voice so it was like well it was well I had only been auditioning when I wasn't at work you know so I'm like well between four and midnight I can't do anything so right and what little bit I did audition for you had to be available during the day hours to you know and my cutoff time was like four o'clock so that kind of limited me on how much I could do so I was still booking like one to three jobs I was like this is this must be horrible how can you make a career out of this and then the engineer who sold me the microphone I still use now the one that you had told me how to replace the tube yeah he had said dude there's been people that have been with us for five years and never booked a single job and and then something that my girlfriend said earlier today about you know people claim oh well it seems to be important how much experience you have like how many years you've been doing this job but you could be crappy at a job and be doing it 15 20 years so there's people that had not booked a single job about I've been a voice actor for five years that doesn't mean they're good they're living on on mac and cheese and right yeah and they're probably still not quit their day job which is my number one recommendation when I coach don't quit your day job this is not something you can dive in full-time like I'm quitting my job today and I'm gonna be a full-time voice actor to find them out no you won't yeah also don't start in debt yeah that's a good one too yeah I learned that one in the life insurance business don't start in debt really really tough so what type of type of work did you start booking and what did you do to maintain doing that well I I was told by somebody that I will I will not out publicly because they were very big in this business but somebody had told me a long long time ago back in the uh do you remember Zurich uh rick party yeah and you're written his original website yeah yeah but that was the site that I first like that's the first online voice over site back in the day and uh somebody in the forums on there they were like oh post your demos here for critique uh I was brand new I was very young and I did it was a re-universe yeah it was a re-universe.com yeah which is still around yeah and uh I had uh yeah it's transposed to to a site now instead of being its own website yeah um but I had posted up you know just impressions of characters that other people had done not knowing any better because I was still pretty I think I was 18 19 years old right and um so somebody very big just like you'll never get anywhere in this business doing impressions doing sound likes for other people you're 10 to 15 thousand dollars away from every booking your first gig you're it's gonna be 10 to 15 years before you book anything like really harsh stuff right and I'm not gonna say who was this is a guy who's well known for doing sound likes for other actors that have that are no longer here or that you know and I was like well at the time though I'm a kid like what the freaking so I just jumped in anyway I'm like I'll freaking show this guy I could do this and he's not wrong he's just not completely right either there is no room in in voiceover the profession for doing sound likes and doing and and doing impressions at least in social media there's a huge room for that because it's become its own genre of people doing doing impressions right and some of them are yeah and some of them have actually made it all the way to actually make brian holt brian holt's got all the way up to hotel transylvania 4 being like the main one of the main characters uh adam sandlers sound alike and uh so I'm not saying it's not a root I'm just saying it's a root that very few take and succeed very much it's usually a oh this person has two million followers on social media we should hire them to do this thing and but they're not their full-time career is not voiceover they're having to put a lot out in social media just to maintain that that kind of stuff is fine you know but I'll give you a perfect example um when I get online and I read you know baby got back but in Winnie the Pooh's voice my anaconda don't want none unless you've got buns on you know that's funny that's tiktok worthy but in voiceover there's very few people that they're gonna call when they made the Winnie the Pooh movie besides Jim to do to do Winnie the Pooh's voice and that sounds so much like the original that no one knows it's not Jim right and that's the difference between they couldn't get a hold of Jim right and they also need to want someone to do you in a greatest voice and I happen to do both so I feel it for you and I'm for pooh for the trailers and that's a full-time scale job pay that nobody will even know about unless they actually heard the spot and be like I made that you know nobody most people would not hear the difference and then they hire for the final spot they'll get Jim and Ewan to come in and do their own or maybe if it's expedient they'll leave mine in but there's usually no residuals for that kind of work but it was it's something where that ability to sound like someone else to the point where people can't tell the difference has turned into a paying career but now I'm curious because this is you know this is a hardware software show I'm curious your guys thoughts on AI because I've seen a lot of crazy interesting stuff with AI voiceover and with the big technology where ADR and loop group is gonna be I mean gonna get wiped yeah it could be I mean because the AI voices are okay enough where some things you could fill in where you wouldn't need somebody to do it yeah revoicer and they don't need anybody to reshoot anything they can literally have the actor come in say a new line and they can make their face say those original words and edit it right so all these two things are gonna be harmful towards my career loop groups and ADR all that stuff where it's like we need to stuff this fast this fast when if they have software they can do that what's the point of hiring somebody no matter how good they are right yeah I mean respeacher has like an actual ADR talking about how she's using respeacher to fix the voices on stuff so she doesn't have to bring the actors in yep that's it's good enough yeah and most people just most studios that this is if it's good enough why spend $800 when they could do it for free right thing is the thing is though with AI you still have to have a pilot yeah right no matter how AI the thing is you still have to have somebody who knows how to drive it and program it just like drums right when electronic drums came out they were stupid and terrible right they were just all they could do was techno right but now you can hire a drum programmer who can do very impressive drums but you have to know how to program those drums and it's actually difficult so AI voice I look at it the same way like if you want really high quality AI voice you're gonna have to get a really high quality you know AI voice programmer right by the time you do that maybe you could have just hired the actor because then they can just bang out those lines like yeah much much quicker too so there's I think what's going to happen is that they're going to use that technology to eliminate the scratch tracks sure no because then you won't need to hire somebody like me to do the temp stuff they'll still hire the final actor for whatever but they won't need anybody to do they'll just need something that's kind of basic but most of them still but especially with animated movies there's been a few that I've worked on where they don't have anything made yet it's all just audio right and there's still just storyboards at that point right and they'd rather have the actors come in because AI cannot match that level of improv and exactly they just can't think that quickly and just write out what you can say right you know but you never know but you run through something two or three times you get something funnier and different each time yeah AI just can't compete with that no I was just curious to bring it up well no there's no emotion there's no I mean they can it all kind of sounds basically the same it sounds like a person it's right and if you're going to put emotion in it that means another model or another thing you have to program into the system to give it the emotion which means it's not authentic because it's just one version of that emotion and then it just it can't respond as quickly it's no doubt it's going to be used and it already is being used all the time on youtube oh yeah there's there's a fake not there at me that's pretty bad though if you've ever seen mr puzzles that's pretty horrible on the floor below you are so cheers they had AI write this horror movie and I can't really get mad at it because all the voices in it are AI voices but the story is ridiculously funny it's like they just fed it like 50 horror movies yeah and then did all the and let AI and then the animations like shrek 2000 level so I mean it's horrible and it's not me but it kudos because it's freaking hilarious yeah so but it will be good for fixing things you know if you if they're still going to use the live actors to do it and they're not available or they need to fix something really quick then yeah they can use AI to do that but I feel like it's going to cause people like me to have to make more competitive rates to compete with software right well what are you planning on doing to get ahead of this because I think that's you know if you if you see the future hard to say I don't really I don't know what else I can do except just be so good at my job that I'm indispensable you know just be the go-to guy that can do it so much faster and it sounds better right and or know the people who do I'm actually talking because I can't remember who it is off the top of my head now I'm gonna I'm gonna hate this later but a friend of mine was oh it was Holly Fields was talking about doing a um I don't know if you know her from Jag and she's she's Drew Barrymore and Cameron Diaz sounded like her face can physically transform into Drew Barrymore when she does the voicemail uh she's basically retired at this point but she had talked about doing their own like loop group thing and I like the idea of like why why hire an outside company just have a people have people that a group of people that already do ADR and do it really really well and just cut through all the who can I cast I'm just like we know a group that does all that right there here's a list of all the actors you can if you need or the crowd you know material I mean we already we already loop so we already know the rules we already know how to do it quickly and easily and there's so many rules if you ever have a chance to if you're a voiceover or interested in voiceover take Johnny Gidcombe's class Johnny Gidcombe is the best ADR teacher out there uh she's actually the one that that recommended him to me uh and he works on big films for Marvel and Fox and you know some of the biggest stuff out there and uh it's really well done and if you don't know what it is you should look up uh Hugh Jackman Logan ADR it is worth a google as Daniel Venakis would say except he'd say it it's worth the google he runs through that whole fight scene and he does the whole thing he gets he gets physical but just physical enough where it works for the audio right and does it he gives 110 and it's insane to watch and when people say like what do you do I'm like watch this video I do this but not quite as good as he does if you are just joining us you've missed a lot already our guest is John Bailey who is epic voice guy uh because he isn't an epic voice the guy of epic voices is what i've been guy of epic voices oh that's too long see the the whole brand thing started with uh with honest trailers having the disclaimer at the end give us something in the comments for our epic movie trailer voice guy to say or every true every movie trailer voice to say and i was like i need to take that and kind of condense it down right and i was like epic voice man and somebody recommended about every voice guy i'm like oh epic voice guy and it's kind of caught on at that point but then it became almost synonymous with arch you honest trailers guy or aren't you the other works for honest or aren't you from honest trailer like i don't like these prepositions right prepositionalist uh i was like i don't want to be known for just the one thing that i do i mean my career expands everything from cartoon and anime to toys to sound likes for a-list celebrities and yet i'm getting typecast or only people only know me for this one thanks so i was like how can i spin this around where people like oh this is the guy who does voices right so just a guy i'm a guy who does epic guy and that guy who does epic voices there you are you still you're still doing trailers uh yeah so i'm actually working on dungeons and dragons right now excellent cool um but you don't get a lot of those trailers but people this is a question you probably get a lot is there a lot of voiceover still in trailer work because people don't hear it but right they don't ever think about where they don't hear it they only don't hear it in the movie theaters right and not on every single trailer if you if you pay attention there's a pattern you will hear voiceover in kids movies and you'll hear voiceover in comedy you'll still and if you anything else you'll probably hear the title or the rating at the end and that's it yeah friday at seven no that's that's promo it's like this friday in theaters read it all you know that that'll be the only part you'll hear the voiceover on right but what they're not thinking about is every time there's radio spotify there's like how many versions of spotify something out there where it's music app they still do ads on those and online the pre-roll ads for youtube so if you're a voice on a trailer twitter pain you're gonna be the voice yeah you can you can literally book each individual platform either they will do a buyout and be like you're we're doing all the trade this is for all online use so they'll be like specifically this trailer is for twitter this trailer is for tick talk this trailer is for instagram but if your voice gets on one of those come there's a lot of money still to be made that that way um this is the the example i always use when iron man first came out ashen smith booked it and ashen smith easy to spot because ashen smith does this thing at the end of his sentences and he's fully aware of it um that he goes down at the end of every sentence and he booked the iron man commercial and the trailer and it was it also included a national car campaign because of tony stark's car and a snickers campaign and a dr pepper campaign and a taco bell campaign and a mcdonald's happy milk it all those things all came in they use the same trailer guy for every single one you're talking about national spots with residuals plus dozens of trailers across several different platforms that's a massive amount of money i've booked a few campaigns like that even small ones on movies that you wouldn't like smurf's too you wouldn't think that was that big i did 27 spots for that for hotel transylvania i did 56 something spots and that was adr but it was the same parade as trailer right and it's like there's a lot out there you just don't know because you don't see not everybody hears it in the same place they're like oh i heard this at one place or they go to the theater like i didn't hear any trailer voice those guys don't have any job right clip well there's clearly a lot of stuff being pumped out of hollywood and it all has to be noted that way and then there's all these people that are doing ripoff versions that they'll hear something honest trailer ish and they'll get like we need a guy that sounds kind of like that and you'll go to the movie theater before the thing starts it's like one of a new you know it's like all the little things before the actual trailer start they're still using the trailer voice yeah right it's true yeah if you've got a question for john now would be a great time to ask it because he loves to answer questions i love it yeah i have children so i love answering questions throw in the chat room right now whether you're on facebook or on youtube live and jeff holman who is sitting right over here i can almost kick him from here uh will not without knocking that thousand cores in microsoft that's why i said almost anyway if you got a question throw it in the chat room because we'll get to your questions in the next segment well all that trailer parody stuff turned you into this parody trailer voice guy right then turned you into this parody parody trailer voice guy in a commercial which is it's it's weird how it works because how did that happen when i first started with them i didn't quite get the concept i thought that they were trying to trick people into thinking this was the real trailer for the movie like they just pulled up some old trailer and then after a few seconds you realize oh they're actually you know poking fun at all the obvious plot hold or whatever it is and then after the first one they're like it sounds too much like a real trailer i'm like oh i get it i'm making fun i'm making fun of my own self i'm not doing a real trailer i'm making fun of my my own trailer voice so what are you working on i mean what's your day like you are saying your voice is worn out i mean you're yeah well uh kind of hours you're working you guys get get the the news first how i don't know if you want to call it news or not since it's under non-disclosure agreement but after 15 years from my very first booking i finally booked a recurring character in a network animated series cool out of that excellent i'm working for them every week i'm also working for marvel and for disney now for multiple projects which is a really cool they marvel freaking really cool to work with great studio they got their acting yeah it was it i wish i could tell you how cool it was um and still doing dubbing still doing trailers um i did the voice for a toy recently which was really really cool i wish i could say what it was but i don't know when it's gonna be out all i know is i will be buying multiple of them myself um and i haven't booked a toy voice in a really long time so that's pretty cool that was actually one of my very first gigs 15 years ago i was doing the voice for really it didn't come out for like three or four years but yeah it was a star wars toys yeah it was fun to go i'm actually found one in freaking a goodwill or something and bought it for me like oh you found it there's my voice in there that's something i know too it was only three dollars it was still in box though it wasn't meant oh wow it wasn't in my sd all right not close all these nerds are like i mean that's a good i think it's really important in a career if you can put yourself in a lot of different places and a lot of different genres i mean you feel like you have to in order to survive in one man to be flexible you have to be good at more than one thing or be the very best at one thing in order to be able to make enough money without any other career or side gig or whatever i mean my social media has blown up since my personal life has changed my my career has also blown up um but i'm not seeing that those numbers translate into you do money yeah you know i have videos that are in the 11 million range two or three of them haven't monetized and they're monetized there's just no money coming like i'm looking like oh your estimated value is 1200 and i'm looking there's like you've paid 38 cents i'm like okay is bonkers is there some kind of fee for being viral is that on youtube that's on tiktok and on instagram i have several of them on both of those yeah tiktok's gonna go i think the the way of uh you know well tiktok they're not paying their talent that's the problem yeah well i mean no there's some people on there that have figured out how to do it and they're making really good money at it it's just not me they're not making it on take i mean my girlfriend's over there kind of like looking around they're like me but yeah she's she's got a fraction of my followers it's still amazing though she's getting and she's in the 50k range and she's making more money than i am with the 740 i think today when i check 740k and i'm making pennies you have to use it i just don't know what i'm doing wrong to just use it it's only for marketing it really is it really is just to like let people know that i exist i feel like that data those numbers look good for yeah potential like clients that you know all this guys got well known and so much i mean we'll go somewhere like we went to universal studios a couple days ago and some guy with a mask that i have no idea like i feel like i know you i worked with you or something before and then she goes like she's like epic boys guys look i do know that guy my crap once again we're talking with john bailey who does everything apparently i'm a swiss army knife man you have to be and on camera commercials yeah very rarely uh and not an my agent thought that just because i booked a couple that like we're gonna be your on camera tell i'm like yeah okay no i remember the toyota commercial you miss ubishi miss ubishi some japanese model i was gonna say hannah it's off we all remember we did john bailey tribute again you guys would be failing so hard i forgot my birthday because i was in a hondae toyota commercial very forgettable branding campaign ever well it was like 2018 though so it's been a few years i remember the campaign well i just don't remember what car was for yeah exactly but it was it was clubs cross i still remember and we'll talk about that before you a few other things along with your questions if you just throw them in the chat room right now and we will get to those right after this important message from all of our wonderful sponsors so don't go away we'll be right back with john bailey this is bill radner and you're enjoying voice of her body shop with dan lennard and george widham v obs dot tv have you noticed the increasing demands of clients regarding our home studios are they at a professional level to record vo for broadcast i've seen several now demanding cardioid condenser microphones along with ad converters at 24 bit 44 1k now that eliminates the majority of usb microphones the vo1a and the mic port pro solve that problem you know how i'm always saying that all the equipment we use is designed for making music the vo1a harlan hogan signature series studio condenser mic is tailored to the unique needs of voiceover recording and the mic port pro 3 from centerance has been the industry standard audio interface for over a decade at home and on the road the new mic port pro 3 brings incredible features like the new mic preamp with 65 db of crystal clear gain usb cjax with adapter for compatibility with standard usb ports and a stunning headphone amplifier with a super convenient gain switch you can get them both at voiceover essentials dot com where you'll see all their great products made just for us vo people it's time to talk about source elements the creators of source connect and source nexus which is really getting a lot more attention lately what the heck is source nexus anyway i'm supposed to be remain professional as i'm fondled by my guest um source connect and source elements these are the tools that are being used in so many pro studios because of workflow everybody loves workflow don't they don't you love that buzzword well that is really a big part of why it's such a very well-loved tool and all the best in top commercial studios but what source nexus does we've already talked about source connect a thousand times source nexus is the glue that connects different systems into one studio right it used to be everything was a rack of boxes right you had an isdm box and a phone patch box maybe another isdm box you'd have all these racks of gear that's the old days everything now is in the box it's all software and you need a way to tie everything together and bring it into your DAW and in this case it's pro tools so that's why source nexus is so critical you might want to check it out even if you're a voice actor the ability to route audio in and out of things and play back and do loops and all the stuff is very handy anyway if you want to get set up go over to source dash elements dot com you can get a 15 day free trial of really everything they make and give them a try and see what works best for you they have the best service in the business and we love them thanks for the support source elements let's move on so we can get to more crazy questions with john bailey hey there i'm david h laurance the 17th and with my company vo heroes and my team of coaches and my community of voiceover talent we guide voiceover actors along their journey and you may be watching v obs here and not nearly as far along as many of the other people who are watching you may not even have started yet and we actually specialize in helping you do just that so if you're watching all the stuff going on here on v obs and going i have no idea what they're talking about i don't know but i really want to do this i'd really like to help you please go to vo heroes dot com slash start that's vo heroes dot com slash start and you can take our getting started in voiceover class which tells you everything you need to get started as a voice talent and i'd love to hold your hand along the way and help you with that journey again vo heroes dot com slash start that's vo heroes dot com slash start you're still watching vo bs and we are back are we back we are back are and we're also front uh we've got john bailey with us tonight and we are talking about what it really takes to succeed here in in la la land which is everybody wants to come to hollywood and i you're gonna make a sink into the ocean go away actually the stats are the rain it's like we're already thickened up to feel like it's just ready to fall in now the stats would say the opposite actually people have been leaving california troops so it's actually makes us lighter or more buoyant there yeah i keep getting all these calls from my friends and buffalo saying you're snowed in in la i'm like no yeah those three or four flakes kept me from getting out of my driveway they don't know what a valley is it's fine that's right absolutely once again if you've got a question for john bailey about anything at all no it's not anything at all that's really bad questions throw them in the chat room right now we'll we'll get to those questions in seven inches my microphone is seven inches long i'm glad you filled in the rest yeah i already play without even being asked all righty got the first question is from glenn lindar mr widdum you have the honors yes glenn lindar says what to know want to know i can't say the first word in the sense wants to know the proper protocol for marketing as well as getting representation if only we all knew boy that's a one-teeth question yeah somebody's very one well you can purchase coaching from uh that's uh hmm there there's no specific way to do something my my best advice that i give what i do coach which you can buy right now um and i give you a lot more details about what i'm gonna say uh is to just kind of have your brand be the same across the board whatever whatever you have if it's for example if it's v obs if it's vobs you have vobs.com you have ad vobs on platform platform platform everything's ad vobs don't make it ad vobs 34723 and make sure that your profile picture is the same on every single page make sure that your demos are done your resume is done your site looks like you've done like it make it look like you are a professional voice actor because you're not going to get hired if you don't if you go if you have a website that looks like it was made by a fifth grader and it has one demo on it and it's a character demo people are not most likely not going to hire you unless you're willing to do some things that you may not be proud of later so i suggest having a commercial demo having a character demo and making sure that it sounds like you know what you're doing and it looks like you know what you're doing even if you don't have that many followers if you have that brand down the profile picture looks the same people know how to find you very very simply and easily that is the that is the foundation for what was the word he used again the protocol for the protocol of getting yourself out there as far as getting representation there's a lot of people that don't even have representation that do fine representation is a matter of choice not necessary necessity uh a good example bob and september carter i know you guys know them right over in Atlanta september has made her whole living off of voice123.com without even needing representation she's doing that herself and making very good money at it booking some very big jobs very big games big movies big tv shows and you don't have to have representation if you think you need it maybe you're not ready that's a good point you know i didn't even know i needed an agent at first i just did i did whatever was thrown my way and every time an opportunity came my way if it didn't you know violate how i personally felt or just seemed scammy or whatever i would be like sure i'll give it a shot and if it didn't work out that i learned my lesson if it did work out you know and it just led to a big break after a big break but then my first manager which i didn't even know most voice actors don't have a manager so like i said there's there's multiple ways that people get represented so i had a manager uh second i was kind of self-representative first manager second and then an agent so and then from that agent became agents plural outside of you know around the country so when did you fire a manager uh i've never fired a manager before i switched managers he actually recommended me to my current one okay because he was in a manager himself like it was not his job he was a trailer company right so he just he just heard talent and he's like i think we could work with you i think he could work with another producer sure and just kind of nailed down that epic voice guy voice that's not that's not don't laugh until you're actually smooth it's like my own version you know and uh that's that first year i was at that that's basically what he did but he he had his own business to run and he knew that he couldn't really manage my career the way it needed to be managed and run his company so he found the best in the business business gives good yeah that's what i have now yeah yeah so in other words it's a job yeah it's almost like it's a career i mean the voicing stuff that's the fun stuff that we get to do but the actual finding of work no is really where you've got to put all the effort in because once you're inside the booth you know who you are once you're gonna and there's just there's so many options now for getting work online without an agent it's just right you a lot of people think that they have to have that because they just don't know any better they just think i have to go in and i don't know if i should even have to say it but there's this wonderful website called i want to be a voice actor dot com i feel like every one of your shows should be say before you ask any questions check out i want to be a voice actor dot com literally because d brelly baker did all the work for us already it's literally the f a q of voice it really is right all one place it really is yeah are are you ready you know and you were ready and you came i was i was i was a good amateur at first i was i knew kind of what i was doing but i did not i did not polish it and perfect it until time and getting coaching i used to laugh at people that were like you need coaching like i'm doing fine without coaching i need other people tell me crap i could find out on the internet for free but then i found out that there's more than runs reason to get coaching and you can find out those reasons by hiring me for for a voiceover coaching all right well for example that he's got to pay for his new Lamborghini one example of what a coach did that changed the way you did something i'll give a good one you've got an example on your wall over your debbie dairyberry gave me the she had me come along i wasn't participating in the in the coaching session i was just there in the observable um at anken goose's uh place well far i don't drive that far because it's just good sand can i know another country is where it feels like uh and she let me like audit and i learned about pre and post life and i just never heard of that before i'd been doing a little bit of it just naturally with some of the things i was just doing automatically which is i started to understand what people was like you have natural ability you have natural talent i was doing some things i just didn't know what they were called and then once i knew about it it's like oh now i can actually consciously make sure that that's part of how i do my auditions and how i you know yeah so it's important to put the terminology with it yeah and then actually have some examples as like oh i didn't even think about you know the fact that post life and pre-life sometimes you can do both sometimes you can just one or the other the fact that you can use improv and ignore punctuation there's a lot of things that you can do to change up how you how you think about doing something because you don't have the job yet you know and i it took me a long time to even when i got the job to be like can i just try something you know can i just do something that came up a month you know and disney marvelers like the last session i went to marvel they're like john we really don't need to even give you direction just do that just do your thing just at that point like we're all going to lunch early guys this john bailey's here so yeah you have to get to that point where you're that good a lot of people don't understand that just because they take one coaching class or one or two coaching classes they're ready you know that you can't you can't learn everything in one or two sessions because the business is always changing and sometimes you need to get in front of the right people find the code that the the the coaches that also are casting directors because they're gonna want they're gonna know what it is that you need to be doing in order to be cast and it's not going to be i can do funny voices or i have a great voice so i should be a voice actor i get i hear that at least one to three times a day sometimes a dozen times a day sure i literally the coaching session yesterday i do this little 10 minutes of a ma ask me anything on five or for five bucks because most people just they don't have my kind of coaching you know requirements because my time like i've already lost at least that $3,000 is being here for an hour so you know we're gonna reimburse and the checkbox and i was just i was telling him the exact same thing i was like you know you have to like anyway you get the point yeah so yeah i just people just don't know this stuff and they just assume yeah i mean people send us i have a good voice you know like who said who said that and why did you believe them people send us sound checks or specimen collection cup and i hear these files and i know exactly in that group who has coaches and who doesn't yeah i hear that you can you can tell natural ability you can tell there's natural term but you can tell somebody who knows what they're doing yeah and like i said there's a lot of great information i could give you but i cannot give it to you for free because it took me 15 years to learn it so you will have to hire me as a coach in order to learn all the things i can teach you that's why we don't know how to get booked that's why also that's why we all sell the services that we have yeah we've spent many years accumulating knowledge we've been we spent years stealing this information from other coaches so we can sell it for ourselves no no you and refackages with our own name and brand analogy change the words around we're gonna have a circular temperature vortex in there did you drink a truth serum before you came over i'm always i know i know you guys know that's what see that's part of the problem though with with voice over coaching is most people are not blunt and they need they need charlie adler coaches they need people who will rip the band aid off and not tell them what they want to hear because you're giving people false hope when you tell people like oh all you need to do is do more coaching yeah well that might be true but you need to tell them why and you need to tell them what they are good at and what they are bad at and not worry about telling them what they are bad at i've heard people say like well if they're they're not any good as like why don't you try to be a plumber i know that's not true because i've heard those same people say oh what you really need is my advanced class and it's only a thousand dollars so just you can teach people what to do and if people just don't have that knack there's the way to tell people that they can't you know uh i'll never forget out you know alex whitesman from charlie adler's group he had a guy that was on the spectrum come in and he was just not improving you could tell like he had a great voice but i only first saw that guy getting cast as that one particular character like that was the voice he could do he did not have the range to change that and do anything else does that mean he'll never do voice over absolutely not i think that anybody that wants to that has the drive and the determination to keep going at it eventually he could be how many celebrities are are just specifically for the way that they sound christin shaw is a perfect example she's in gravity falls she's in pops burgers she has that specific voice that's unwra- it's distinguishable for all the voices right and nobody can ever really do it and that's just how she sounds so there is a place for that person out there but some people think that you know they can do it all well maybe you're just good at one thing maybe you're good at maybe you just haven't found that yet that's why you need to try coaching because there's coaches for every single thing in the industry maybe you just need to find your niche but don't don't quit and give up unless you just are told by multiple professionals hey this is just not something you're good at try something else because if you if you're if you're banging it at your head against a wall for years and years and years and nothing happens then you're probably not making any progress which means it may just not be something that you can do i do think it does have i do think it's required to have some skill at it like just to have some natural talent to it but i think it's a skill that anybody can learn if they know the techniques and they that's something that they can emulate when they're taught it then you have a shot at this you know you just you just have to find a way to make it your own be unique or do it better than everybody else does and sometimes that's a very difficult thing which is why only those people at the very very top that little tiny circle book so much because they have learned how to get to that point to be the very best or be the most unique at something and then once people the people who are making things or casting for things they know that they're good they don't even need to they don't need to audition they know who they want it's like this smallest of people i freaking want those folks that's exactly what kevin smith did with he-man he's like i don't even need to guess i just give me everybody that was from batman the animated series and we're good to go all right we got a question from our own jeff holman jeff you have the floor hey what is that awesome moniker on your cool hat mean again this is the mad brand co this is the m and the b and they do this really cool logo and this is called the epic hat that my girlfriend ordered for me for my birthday it's got my favorite color on it and it kind of goes with everything so it is pretty cool they have all kind of cool hats i'm still waiting for them to make me a non snap back because i like the fitted stuff but i do like their logo and they're they they send these awesome hats and little wooden crates with a crowbar you can open it up like i don't know let's let's go see people like that i feel like any end of jones looking for you know trade an unboxing experience exactly it really is now you've been doing some stand-up yeah i've been doing stand-up for a minute grace newt is wondering who did you coach with for comedy i didn't he's just like uh yeah so these guys probably know because they're la flappers has this offer where you can do uh a practice stand-up session in front of two or three people who do this brute who do stand-up comedy professionally so i was like i'd been there a few times i'd been to the uh the talking tune stuff and i'd been to um uh the other one with the we talk funny and performed there and while i was there for one of those things i was like you know what i want to sign up for one of these things i want to sign up for the little coaching that you know whatever so i put my name and number on there like oh and then like a week or two and by they're like oh hey we got a an opening if you want to come do stand-up on such and such a night i'm like okay cool so so how do you prepare for that i mean i didn't know i i didn't i never really done stand-up before that first time i'd hosted at mc'd uh you know i had um i had like hosted for like these nerd burlesque you know cosplay contests kind of whatever stuff whatever the convention had me booked for i had to like announce their ridiculous names or right or vote for i had to be a judge so i'd been on stage and i'd done a little sometimes especially with cosplays there's some there's some complicated crap so getting them on stage sometimes take a hot minute and so i would like have to fill in some funny whatever stuff and sometimes it would bomb horribly yeah and but i wasn't really doing stand-up i was just bombing hard so i kind of like found some funny stories that happened there were real life stories that i kind of had polished over the years and you know kind of just improv segues in between each story and just kind of give it a shot but i thought i was going to practice in front of two or three people and then i'm out there with these other guys that i'd never seen before so i'm assuming they're all brand new too and they're like oh is this your your your first time doing i was like yeah he's like oh man that's cool they all kind of seem like oh really your first time and i didn't think anything about it because i'm like well isn't it all your first time you know and then i walk in the room and there's freaking it's standing around me there's like 70 something people in there and my body goes freaking no and you flopped wet i it was opposite of sweat my body went cold i got super pale i felt my legs about to go and thankfully flappers has somewhere to sit in every single one of their rooms which is the only stand-up place that has places to sit down so i literally just said i was like ah you guys have kids in the whole room just like cracked up laughing i was like okay we're all right and because i don't the only reason why i sat down because i really thought i was gonna pass so you so i use so i just kind of and i didn't know where the red they said to look for the red light i didn't know where the red light was i didn't know where to look apparently i'd gone way over finally saw somebody by the door like waving me down the room's pitch black right and it was so funny because afterwards but everybody was like oh that's such a great set i'm like that was a set and other people like i'm not told and they're like that was my very first time doing stand-up a lot of people like really like that's the first time doing this and it didn't a lot of people didn't think i had never done it before and i had a there i don't know if you know erica rode she does the sad sad lemons and she's from local here i performed with her and i'd seen her before because her uncle was garrison keeler and he was in town and if you don't know no show we used to listen to radio prayer i'm companion and an amazing voice too which is one of the reasons why i knew him and the sound guy the sound guy from that show i listened to him on fisher price of reading rainbow he does allow the sound effects with his mouth not michael winslow he's a real white-haired guy uh anyway so i i was going to that and somebody had brought me to see her show and then when i saw that she was on the ticket i'm like oh it's a professional comedian that she'd been on nbc because i was like hey can you give me feedback tonight because it's only my third time doing this and i had tried something new that went horrible i tried to do like audience interaction thing and tried to like come up and tell me what you do and i tried to make a trailer out of it and kind of like the the pranks that we don't know and it did not go the rest of it went fine but that part is kind of work okay so i asked her after she's like actually if if you just rearranged your your stuff a little bit better that was a really good i'm like okay well that comes from a professional person that i know has done this for a living so i didn't feel too bad like i was doing horribly and then it just got kind of it got kind of easy when i realized i couldn't because that was the night i tried to like memorizing set up set up punchline set up started reading out this it this i didn't i can't do it that way there's i know there's people that do that it's like you know it's such and such is such and such ha ha ha you know it's such and such is such and such ha ha i just can't i have to just tell my freaking funny stories and find some funny segue to go in between whatever you're not steve martin no no he is one of our having crazy he rehearses everything everything's to the no there's no rehearsal for me i do that all blind all completely raw up there whatever freaking if it bombs it bombs if it doesn't jim carry style really without all the physical stuff involved and i uh i i i kind of just feel the room out too because i i feel like when you're doing stand-up comedy it's not about your material it's about what they're in the mood to laugh at right and you can always tell when a crowd is a little more into the adult humor as opposed to whatever and i try to keep it on the clean side but i do have a a censored version of 50 shades of winning the poo see that's all i have to say people automatically start laughing oh hot and bother i say well you change out christopher robin with christian gray and suddenly christopher robin's red balloon spraying free whole bother and just i read actual i read i read the actual lines from the freaking book and it's so bad in one of the poo's voices just so much funnier yeah so just a little weird stuff like that but i try not to do things where because i've seen voice actors or people that do voices when they do stand up and it's like i have to find a way to force voices into this so they chew on them in like this reminds me of that one character that i do and then i'm going to do it or this one guy's there i can't remember what actor it was but this is i've had more than one people show me this where literally all he would would do is say and this voice actor is doing this and then or this this character doing this and he does that thing or this is what it sounds like when character x and character y are doing it and i'm like this is the lowest hanging fruit like this is the worst use of voices in comedy i feel like it should come naturally if it doesn't come naturally you don't do it right so sometimes i improvise my my my comedy is just whatever pops in my head at the time i tell the story about when i went to the universal for the very first time um and uh i was hoping to ride the harry potter ride i did not know that the harry potter ride was made in china for for smaller people it was literally fitted for chinese children and not american adults and at the time i was very tight 280 pounds at the time i mean something 28290 and i uh i went in the road we waited through that line i didn't have a fast pass we waited in line for an hour and 15 minutes and if you know the ride i was to the sorting hat that's how close i was to getting on the ride it's right around the corner from there they don't have they don't have like the thing at the airline where you have to fit your carrying you're you're getting we're getting there that's to be at the front of the line this this tweenish looking young lady carons me to the side it's like excuse me sir have you tried our test seat i'm like you have a test seat i didn't and so i went to the test seat which is right there around the right in front of the sorting hat and the literally the next corner is the ride you get on at that point and the light didn't go blue and she's like i'm sorry sir and she like game of thrones shames me back through the line all the way back to the front entrance from there now what you may not know if you don't live here is that there's a waiting room right there around the corner that i could have waited for my friend to ride the ride and literally takes you back to the gift shop instead of walking all the way back through the airline with her going shame shame hell shaming you with a wand it's felt that way and then i lost like 60 something pounds and i came back and as i'm coming to the thing there's a tessie right there right there in the front of the building but nice to know if i had there was testing there that whole time i never knows that for but it'd be nice wouldn't it the little thing that i just thought of about the fact that there wasn't a that was a tessie that i didn't notice and i just threw in a little bit of like that have been nice to know the first time around by the way shaming lot of embarrassment next time you ride that ride because you can go into the locker room area and you can cut and cut off you know outside area where you wait in line yeah you can cut off that whole thing you just go into the locker we have fast passes so we just well you can do it that way yeah that yo you can do that john it is always a pleasure that when you're here so it's good to see you go man awesome thank you all righty peace yeah thanks for all i'm gonna be everybody thanks for your energy yeah anyway i think she gave me caffeine before i got it oh excellent we'll be right back to wrap things up and rack it up for tech talk right after this don't go away yeah hi this is carlo solis rocky the voice of rocko and you're watching voice of a body shop we are the world voices organization also known as woebo we're the not-for-profit industry association of freelance voice talent voiceover is a complex entrepreneurial business woebo is there to promote the professional nature of voice work to the public to those already established in their voiceover practice and to those who want to pursue voiceover as a career membership benefits include a supportive and creative community a profile and demos on voiceover.biz our searchable directory of vetted professional voice talent our exclusive demo player for your personal website our mentoring program business resources and our video library our annual woebo con conference a fun and educational weekend with other members with the chance to learn and network webinars and great speakers and weekly social chats with other members 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for a free subscription to newsletters and reports it's all here at voiceover extra.com that's voiceoverxtra.com in these modern times every business needs a website when you need a website for your voice acting business there's only one place to go like the name says voiceactorwebsites.com their experience in this niche webmaster market gives them the ability to quickly and easily get you from concept to live online in a much shorter time when you contact voiceactorwebsites.com their team of experts and designers really get to know you and what your needs are they work with you to highlight what you do then they create an easily navigable website for your potential clients to get the big picture of who you are and how your voice is the one for them plus voiceactorwebsites.com has other great resources like their practice script library and other resources to help your voiceover career flourish don't try it yourself go with the pros voiceactorwebsites.com where your vio website shouldn't be a pain in the you know what this is ariana rattner and you're enjoying voiceover body shop with dan lennard and george widham vobs.tv back we back john bailey what a guy just pull string and let him go anyway next week on this very program all you have to do is watch tech talk number 98 that's right 98's the next one yeah and we're gonna have a lot of great stuff to talk about so uh stay tuned for that you got a question you can still ask your question if you got a tech question about your home voiceover studio now would be a good time to throw it in the chat room so jeff holman can get it to us before his next no i feel bad john didn't really properly get to plug his coaching no not at all i mean he kept teasing it but he never really truly easy to find j o n b a i l e y just google him okay we'll find his coaching all right so you're doing stuff on tiktok you making any money with that no no in fact i've lost momentum i i just the last month has been launching a new website right you know you're very full of what that takes right and debugging it and finding every little thing that drives me crazy about the new website um all the things that you guys see pretty much were solidified quite a long time ago right it's all the back end stuff that i have to interact with that's been a work in progress right like i want a preference to do this i want to be able to resort everything this way you know so it's been a tremendous amount of little things but um it's coming together it's been built by skills hub and skills hub dot life dot life is the actual company they're they're a coaching platform for voiceover but they also built the platform that my new website at george the dot tech runs on and it's been an amazing learning experience and we've got i think a much better place to be great it's a more comfortable place to operate it's easier for the actors to use so come check it out and if you want to get a deal everybody wants a deal getting a deal you go to gtt to the number two wrote to numeral two point p o i n t o h gtt 2.0 and that gets you 20 off on anything on the website until the end of march cool all right hey there are people that donate to our show to make sure that it is technically magnificent technically yeah like we have uh see the bristol group grace newton robert ledham steven chandler kasey clack jonathan grant tom pinto greg thomas a doctor voice ant land productions martha con nine four nine designs christopher epperson sarah borges philips appear brian page patty gibbons rob rider or raider depending on where you are uh shana pennington baird don griffith trey moseley trey how you do and diana birdsall in san jimenez you got it finally you finally were able to pull that up and we need to thank our sponsors too like uh harlan hogan's voiceover essentials voiceover extra source elements vio heroes dot com voice actor dot com and world voices dot org the industry association of freelance voice talent reminding you to go to wovo con may 5th through 7th in orlando right yeah hey go go to world dash voices dot org and learn all about it join the organization because it's it's it's a different type of voice conference it's not like big commercial thing but we'll talk more about it cool all right we also need to thank uh jeff holman who just gets it done with all the questions from people calling in and uh writing in and typing in and uh of course driving herself nuts over there is su merlino whose mouse my mouse died on her while she was doing it and she's like oh what's this gonna work you wouldn't even know it no you wouldn't know from watching that's right and uh and of course lee pinney for being lee pinney well that's gonna do it for this particular show we're gonna re-racket for tech talk don't go away if you're watching us live if you're watching this in replay you didn't get the chance to ask your questions um so stay tuned for that anyway this is not an easy business if you listen to john bailey it's hard work to get it done but the bottom line is if it sounds good it is good i'm dan lennard and i'm george woodland and this is voiceover body shop or vo be ass good night everybody see you on the plastic i need someone who's strong to help me lift this okay i'll get well it's like their brother yeah my back is not doing well just just fine okay all right all right people are watching this what is what's going on in there oh they know where do you want it moved to we'll put it here for now and then put it back over there and then put that one in there oh i have this game do you want me to move these cords back a little bit back yeah all right this is gonna be a great tech talk everybody don't go anywhere i hope you got good questions because i only got that much to talk about that's fine i got stuff to talk to you good thanks jeff sure all right he still wants to come back in come on good girl i do a good girl all right i'm just gonna go for it all right all right this is thing too low or too high or what he went to the bathroom what you want to come up here i will feed you in a little bit um i can i was gonna throw up one thing about bone conduction headphones but i can just i can throw that up here whoosh like the wind let's see i'll have it put together let's see i'll share okay so i can show that why is it shutting off because the computer's going to sleep is the computer going to sleep is that why no it's just it just decides that it wants to not work anymore oh oh can we switch my cables real quick no no more my cables with those silver connectors they're always a problem noi trick only i will actually is that better yes i'll tell you in a moment okay one two three four one two okay good clean as a whistle oh that's what i like a clean whistle we want it clean as a clean whistle anyway okay are we ready about 10 after the hour here so we'll keep it short i don't have that much to talk about this is mic in front of my face it's 98 98 yeah all right we'll just we'll just act don't worry about it okay the helicopter's cleared all right he's not me before we're ready to go are we ready good to go i'll count you in five this camera two three two hey it's time for voiceover body shop tech talk tech talk tech talk tech talk now jeff says tech talk tech talk tech talk we got lots of tech to talk about uh you got a couple of things i got a i want to talk about sound treatment a little bit something acoustic treatment acoustic talk okay cool you know so that that'll be that'll be interesting wax poetically on that for a long time right and if you have a question about home voiceover studios you know you don't get the chance to talk to two experts that actually know more about this than just about everybody else because and for free yeah really i mean you can hire us but we're giving you the information here that you need but then again you got to learn how to do it and having the equipment isn't necessarily what makes you good so anyway people are also upgrading equipment upgrading the equipment that they have no business upgrading to because they feel my career requires me to upgrade now oh then they buy things and they have no idea why they bought them and yeah all righty so if you got a question about stuff like that or anything else with it regarding voiceover technology put it in the chat room whether you're watching on facebook live or youtube live or on cbs you know they might pick us up if their program really sucks anyway voiceover body shop tech talk right now tech talk brought to you by voiceover essentials dot com the home of harlan hogan's signature products source elements the makers of source connect voiceover heroes become a hero to your clients with award-winning voiceover training voice actor websites dot com where your voice actor website doesn't have to be a pain in the butt voiceover extra your daily resource for voiceover success and world voices the industry association of freelance voice talent and now here's your hosts dan and george hey there i'm dan lennard and i'm george widdell and this is voiceover body shop or vio b s tech tech talk tech talk tech talk not tiktok tech talk that's right we may talk about tiktok but but tiktok don't have tiktok that's right and the audio and tiktok and tiktok is really bad it is okay i'm in one of those moods tonight so oh tiktok yes anyway um this is a show about home voiceover studios you want to talk about a niche it's you know in the entire world of subject matter it's a niche but when you only have a couple of big fish swimming in this little lake you're going to get all the right information because you and i have built probably close to a thousand studios or more yes i mean we've both been doing this for over like 15 years and you learn stuff i mean we knew what to do when we started and then you go through everybody's place and it's like well well this could be like this that could be like that i you know i was at that was it a young lady's house this week and she's like should i be in this closet or that closet and it's like well this one is bigger this one has more crap in it this one has an air conditioning vent that yeah there's that but you have to you don't you don't know those things until you go in there and hear it you know sniff around a bit right i mean and she was telling me how what some panel company i won't mention who was came in and they've got all these calculations and they're measuring the whole thing and i'm like you don't need all that overthinking it and you know what a lot of times those those companies they do all these measurements right they actually don't know how to properly acoustically treat a small booth and you know why because the math doesn't work the physics models of acoustics don't apply to small rooms so they just even if they do all the measurements it don't matter what matters is experience exactly knowing what works and what you hear right you know my ears are still pretty sharp don't tell my wife but they're still pretty sharp i can hear things i'm like there's a note over here anyway you want our expertise because we know what's going on and you can work with either one of us sometimes you end up working with both of us because you'll like ask a question on here and like well what do you think that we should i don't know but i believe that guy i'm going to hire that other guy exactly but if you want to work with george all you got to do is go over to george the dot tech we have a shiny new website um and you'll notice there's a tremendous amount of options of services over there we now have services for every popular doll so if you are if you want somebody that really knows their thing when it comes to a w audition the people that are available that to hire in our website are specifically experts in a w audition including dan so you'll be able to hire those folks directly through our site and get the help you need on the schedule that works for you at george the dot tech and dan has this world happening over at home voiceover studio dot com i mean i know you would have killed to have that one but what are you gonna do i i've had too many brands already in the last 15 years well at least i stay consistent yeah if you go over to home voiceover studio dot com one of the first things you will see and i'm i've been thinking about it is my specimen collection cup and i wonder if people see the humor in it or they're like well that's disgusting i hope they get the humor i know that's anyway you click on the specimen collection cup and it opens up a drop box where you can place an mp3 of your audio you follow my instructions because i'm looking for very specific things i need to hear the background noise i need to hear you talking on your microphone and then i need to hear more of your background noise so i can compare all these things yeah and you need both folks don't send in just room tone right we need to hear voice we hear signal and the noise exactly and you'd be amazed at what we can find from there there are things that are i'm finding are consistent in a lot of people's audio but a lot you can tell the size of the room they're in oh oh easily easily yeah within probably a small margin of error if it's badly treated yeah which we will talk about in a little bit right uh but yeah it's um there are a lot of techniques for getting a room to sound the way it's supposed to um but you have to go into each individual one because yeah every voice is different every room is different and everyone has to be when we say it has to be custom built it doesn't mean that you've got to bring in a crew and it's like okay we're going to measure this and do all that no it's more a matter of trying to keep it as simple as possible so you're not spending a fortune on stuff especially if after a while you're like voiceover is not for me you're not investing in a tremendous amount in it if you start making money then you can upgrade things a little bit but we'll also talk about that a little bit right speaking about talking about a little bit of things what's in your tech update this way well i mean in absolutely zero particular order um starting off i think it was i think it was jason linear white it was on the show about a month ago yeah mentioned bone conduction headphones so i've started looking into it i haven't bought any yet um but they the brand the brand apparent the brand that's kind of like the one that is the kind of the innovator in this space it's called shocks used to be called aftershocks and you can buy their open run for example for well roughly 130 dollars right but of course like many different technologies especially bluetooth there are plenty of knockoffs and so you might want to consider looking at some of the lesser less expensive ones that are like on things like amazon if you're on a budget and you don't want to over invest in something that you're kind of dubious as to how useful it is so why would you want these things the idea is kind of the best of both worlds it's the pros of wearing headphones meaning you can hear communication so if you're on a phone patch you're being directed you're on zoom source connect whatever you can hear them speaking to you so and and you're you've got it it goes with you you can physically move around because it's bluetooth yeah i know people who ski with these things absolutely yeah it also has the added benefit of not plugging your ears so it's not yeah here anything going around around you right and it's not so it's not really like wearing headphones because what you don't listen to on these bone conduction headphones is yourself the whole point is to only use these to hear what's playing back and so that's really nice because now when you're performing you don't have that feedback loop into your headphones you don't have your ear canals being plugged within your monitors or some kind of thing which changes the way you hear yourself right so your ears can hear you can hear your voice in the natural way your voice sounds the way it should be right and and so you have this way of monitoring only things that you really need to hear which would be like let's say you're doing punch and roll of an audiobook you can hear the pre-roll right you're being directed you can hear the director right but you don't hear anything else you don't need to hear including yourself and i think that's a really interesting thing to consider and i would be loving i would love to hear in the comments on facebook or youtube who has tried these right and found these to be really useful it'd be no feedback either no feedback in front of a mic and it wouldn't it wouldn't feedback that's right so so i'm curious to see if you've tried them before what was your experience let us know down below in the comments because i i would love to hear how people have used them and if if i'm getting a lot of good feedback about them i'll start recommending to our clients excellent so that's that's kind of a different direction to go with headphones coming up also my cables we all deal with my cables this studio we've got a lot of cables because we have a lot of microphones a lot of leftover cables and a lot of leftover cables and what we find is that the cables that we have the most trouble with dan where's the one that we just unplugged they tend to have a connector that looks like this can we try this camera maybe this one gives us a better a better view of it soon they tend to have this kind of a connector now this is an old-fashioned design connector from the original was made by i think switchcraft does that sound right yeah and the problem with these is a lot of them the wiring inside is terminated with little screws instead of actually being soldered in place that's one problem which guarantee is going to cause lose connections the other thing i've noticed with these is i don't know if it's a shielding issue but these tend to allow more rfi and noise to get in versus the noitrick style connectors now the noitrick ones and one on dan's mic right here there's one on my mic actually actually have a good look at it right here this is this is a noitrick style this is actually a noitrick brand connector and they seem to have a better a better better termination with the cable pardon me better termination better solder joints and they seem to be they seem to hold up to a lot more abuse yeah soldering these things as a nightmare yeah these i don't know what it is about these types of types of connectors but the ones that have give us the most trouble overall look kind of like this so when you're looking at my cables gravitate though the ones that have the connectors that look like this the noitrick style they tend to just be a lot more robust and more reliable and i think the connector is probably the most important thing of all out of my cable here's another thing there seems to be a gap between the outside and the inside wiring oh you can almost feel it twisting around inside oh yeah you're right you're right and that could be you know what it is in this case probably it's a thin outer rubber coating with a big airspace inside where the wiring inside floats around right so that's probably what's going i don't know if that's why it was giving us trouble but when you squeeze one of these high quality whirlwind this is a whirlwind you can feel it has a lot of it's substantial you're not squeezing the thing right it's got a very heavy coating and it's got a very good shielding and the shielding is that metal foil that's on the outside that keeps the rf from getting into you yeah so important so when you're looking at cables it's not really how expensive it is it's the quality of the connectors and it's the quality of the shielding um and so yeah you can spend 60 to 80 dollars for one my cable if you get like a mogami gold but if you start googling and look for the words like noitrick uh belden or mogami and look for other my cables you'll find some out there that are about half that price that still have those important features right so gotta stop buying these at all electronics around the corner yeah some of them some of them come from china they're just designed to be cheap and they forget some of the important details that make a cable reliable next up going into the software side of things um i recently started playing around with waves plug-in called studio rack and what's cool about it or has multiple layers of coolness but one of the main things that i love about studio rack is it is free first of all it's absolutely a free plug-in i have it installed here on twisted waves so i can throw a screenshot so you guys can see what it looks like so it runs on twisted wave it really runs on absolutely any dawg let's go to window and twisted wave and now now you should see my whole twisted wave window as well as the studio rack plug-in me you gotta hire me again you gotta have another one made the cool thing about studio rack is it allows you to make a chain of plug-ins that you want in their plug-in and they they don't have to be waves plug-ins so what you see right here on this screen every plug-in you see in this window with the exception of ozone that's a not a free one but a cheap one every plug-in in here is a free plug-in tdr nova denoiser um from bur tom denoiser loud max which we're all quite familiar with for setting your output level your your makeup gain and then when i throw in the end called dp meter it's a little bit like the waves meter but you know it's it's a free meter and so i was able to put together a completely free chain of plug-ins that you can now install in another dawg i could take this same rack and then install it on install it on adobe audition or audacity and it will get back exactly the same settings everything and it's portable from system to system the next part that's cool about it is this macro area these macro knobs i can set up knobs that do specific jobs so for example you don't have to understand that a low-cut filter is go to tdr nova pardon me a lot of dust in the air i don't know what it is i don't have to know to go into this kind of complicated looking plug-in to go find the hp or high pass filter plug-in and learn how to excuse me and learn how to dial this thing in because if somebody like george set it up for you now you can turn the low-cut filter knob that's been predetermined to adjust exactly that tool and now you'll be able to adjust the tdr nova high pass filter without having to understand how the tdr nova high pass filter works you don't have to open this go over here and turn this knob i don't have enough room maybe i can make these work but what happens oh look at that when i turn the low-cut filter knob i'm actually adjusting the high put high pass filter cutoff right going from like 80 hertz to 100 hertz to 120 and this is all real time if you're playing back your track you will hear the effect in real time as you adjust it and as you can see looking at all these knobs i have one for reduced noise now this is tied to the denoiser plug-in right and it's adjusting the threshold i have one for warm which adds sort of a low frequency warmth right i have a bright which adds some top end et cetera et cetera at all these knobs and they're predetermined to do certain features so you don't have to understand the minutia you don't have to be afraid to actually adjust your settings but you got to know what to listen for that's right and that's the beauty of this instead of having potentially 77 parameters to play with you can have six or eight and now there's far far less controls do you ever go into a car museum and you see a Model T many times and you look at and go wow there's two different little levers on the steering wheel and then there's another dial on the dashboard and you look at the floor and there's like how many foot pedals are there these things were really complicated to drive back then because they didn't know how to automate a lot of things like choke and everything else as cars got more modern choke became automatic there's a lot of things in a modern car now electric cars are the logical conclusion you know you just press it's like a golf cart you press the the pedal and it starts to go right this is where we're trying to go this is where i'm trying to go with this processing right where it's not a Model T anymore you don't have to understand how adjust the timing the spark all this other stuff you can just get in and drive that's the idea and that's what's so cool about studio racks so i'm looking forward to making more use of that and showing more folks how to use it and i've set up a studio rack service on the website where you can actually get that set up for you very very last thing i'll jump into real quick jump in and out do you know twisted wave has a video editing function i've heard that and i use twisted wave i just haven't had the occasion to use it yet well i'll tell you the video editing function is nice because if you're doing self tapes and you want to edit something up really quickly it's a very quick way to just chop up something and take out the dead space right it's beautiful for that but what i found the other hidden benefit of the twisted wave video editing isn't the video editing at all it's the audio processing so you've recorded something on your iphone or your camera and there's rumbling background noise because the air conditioning the heater was on there's you know it sounds a little bit thin or whatever it is it's hard to use the processing tools in in uh let's say for example iMovie they're not that great they're not very intuitive blah blah blah now you can drag that video clip into twisted wave and use the processing in twisted waves i think is more intuitive yeah especially if you have a stack made for you for your video editing and now you just drag your video in apply a processing stack of appropriate for the for the video production and then save the video again and you don't have to know oh wait a minute now that i'm saving the video again what resolution am i supposed to save it at what bit rate am i supposed to do you don't have to think about it it's just going to it's just going to use the same settings that the original video had wow so it takes away a ton of that annoying video stuff you know there's too many settings in video software because you have to worry about the video and the audio twisted wave just i think just makes it so elegant and easy to get a file in do a little audio cleanup get it back out again and not worry about loss of video quality you know bit rate settings and all this other stuff so i thought that was a really i just i've been playing with it more i found it to be a really useful sort of side effect right of having a audio slash video editor like twisted right if you do a lot of video editing it you know if you're doing a lot of video because everybody's doing video these days yeah it's probably a very valuable tool i mean i love twisted wave because it's just so simple it's it's it is the simple audio editing twisted wave equivalent for video right i don't know of anything that's more efficient and easy to operate everything else is considerably more complicated and people are very thankful when we recommend it i wish we had a nickel for every time we've sold a copy of that well we just we we get it back because we give up the right advice for the right tools and it comes back around and we get to thank thomas the developer of twisted wave he is the man thank you thomas you're awesome yeah that's a that's a great program i actually used it this way i mean i usually use adobe audition yeah for everything but if it's a long format thing just let it roll it's not gonna i mean not not that anything that's going to make my computer sweat we've got those mac minis with the m1 yeah the m1 ships are smoking fast but i but i've gotten used to use the wave and you know i just you could take a file and throw it in something else yeah that's the other thing it's a lot of people are like well oh how i i want to use this program but i got to do it through this to do that and like take the file and you put it in the other one yeah twisted waves not good for over thinkers right like if you're like i want to know every single parameter i need to i need under no it's good for a very efficient workflow it's like it's it's a switchblade you know it's on a swiss army knife so to speak so that's what i love about anyway sound treatment acoustics yeah i i've been dealing with league well i've had a it's been a week of people as you just mentioned who overthink things there's everybody's they read too much they ask a lot i mean it's important to ask questions sure but they ask questions to people who don't give them the right answers yeah you know don't ask on facebook somebody told me that dot dot dot i heard that dot dot dot right yeah i get that four or five times a day yeah one of the things that i keep hearing and hearing badly uh people not understanding the physical difference between soundproofing and sound treatment yeah you know it's like you know should i put more or alex to keep to isolate myself more yeah yeah no they are two very different physical things right you have when it comes to the acoustics of your room which george and i agree is by far the most important thing that happens with your your audio because if it's clean on the outside when you're doing it it saves you so much trouble on the back end because you don't really have to do a whole lot to it if you if you record it right yeah isolation requires a number of things mass thickness uh being far away from noise you know like if you're if you live under a you know the runway of an airport not a great place to be doing voiceover yeah it's gonna be expensive right let's put that on well i know it can be done if you want to spend the money that's right you know and as i always like to say you live where you choose to live yeah and if you want to do voiceover you better choose a good place you know out in the woods is a good place out in the cow pasture is a good place you know just the occasional moo every now and again but sound proofing is a is not easy and it is by far the most expensive part of having a home voiceover studio yeah so one of the things we recommend is well one find a good closet that has doesn't have an exterior wall right doesn't have a window got to deal with the closet that has a window got to do a window plug in there you know i mean it's like right on third avenue it's like trying to go in both ways and you know it's tough too in apartments a lot of times those closets a share a wall with the corridor right exactly and yeah clunk clunk clunk and yeah or somebody else flushing a toilet or something like that right right so you you have a couple of choices when it comes to sound proofing one you could spend a crap load of money on something something good like a studio brooks yeah or you know whisper room or you know vocal booth yeah i mean there's a lot of companies and there's obviously more now i think people need to understand the simple concept about booths they were never designed to do voiceover they were designed to prevent and somebody actually called me about this this week i yeah i'm gonna be doing voiceover but i have to i have to practice my my saxophone so um mm-hmm that i want to bother my roommates mm-hmm well you need something like that to do that well something that most of those iso booths i think it would get into are better at keeping the sound in the booth as opposed to then they are keeping sound on getting into the booth exactly outside and that's right that studio bricks is one of the few companies that give you test data mm-hmm showing both both types of isolation right both sound originating outside and getting in and sound originating inside and getting out and you'll notice that the booth has pretty different levels of performance for those two things and the guy that started studio bricks started it because he's a saxophone player it's the play saxophone so it makes no sense yeah so you either invest in a booth or you find the right closet and then you talk to you or i and we're like okay here's how you isolate yourself better one of the things that one of the sounds that comes in more than anything else aside from air conditioning and furnaces is refrigerators oof it's like why i you can look at it in a waveform you can look at it at a spectrogram it is a a steady mechanical noise you know below 180 hertz or thereabouts and how do you deal with it well you can filter it out because it usually your voice doesn't even i think it's one of the more kind of easier type of things to filter out but i've learned to recognize it yeah hear it i'm like well of course you don't even hear it but it shows up on the meter because it's actually pretty loud you know if you have you know elephant hearing i suppose um but isolation is important soundproofing is preventing sound from coming into where your microphone is right all right right the other part of this is sound treatment right and that requires a lot of different things because you can use materials that you have sitting around the house to do it a duvet cover duvet cover killer just fabulous i call it practical acoustic treatment exactly it's like what you have right because no one needs to see how the sausage is made if it sounds good it is good that's right so that's the important thing there are there are products you know we've got uh audio mute and uh you know vocal booth to go makes makes the producers choice and those work really really well but they're not really that cheap so if you're just starting out use what you got you know to put it on the walls old duvets from good will yeah exactly or even old curtains work real old draperies heavy stuff but the thing is heavier the better you got to drape it because not only does it have that we're pleading that's right so it you know it will diffuse the sound so it bounces and then it gets absorbed yeah but there's a difference between soundproofing and sound treatment and the next person says i'm gonna get some foam to soundproof my studio soundproof home dot com it's yeah it's it's not it's not gonna help yeah that one's been driving me nuts lately yeah well okay it's been driving me nuts for about 15 years yeah since ever since we've learned the difference ourselves right exactly it's been driving us nuts right yeah anyway so that's that's my little rant for this week so learn that get it in your heads there's a difference between soundproofing and sound treatment thank you dan you're welcome all right we got more to come uh do we got any questions there jeff oh we've got them all right we're gonna get to those right after these very important messages so do not go away from voiceover body shop tech talk this is the latin lover narrator from jane the virgin anthony mendez and you're enjoying dan and george on the voiceover body shop have you noticed the increasing demands of clients regarding our home studios are they at a professional level to record vo for broadcast i've seen several now demanding cardioid condenser microphones along with ad converters at 24 bit 44 one k now that eliminates the majority of usb microphones the vo 1a and the mic port pro solve that problem you know how i'm always saying that all the equipment we use is designed for making music the vo 1a harlan hogan signature series studio condenser mic is tailored to the unique needs of voiceover recording and the mic port pro 3 from centrance has been the industry standard audio interface for over a decade at home and on the road the new mic port pro 3 brings incredible features like the new mic preamp with 65 db of crystal clear gain usb cjax with adapter for compatibility with standard usb ports and a stunning headphone amplifier with a super convenient gain switch you can get them both at voiceover essentials dot com where you'll see all their great products made just for us vo people all right well let's talk about one of our other wonderful sponsors source elements the creators of source connect and source nexus and a whole cadre of other tools well the thing about these tools is they're all about facilitating a session in a most efficient possible way at a certain point in your voiceover career you start realizing that your job is to make the job of everybody else on the production go smoothly and easily there's a lot of people out there with talent right but at the end of the day if you're the one that brings the talent and is easy to work with understands your own tools and gets consistent performances every time not just performance acting wise but technical performance every time you're going to be they're going to want to keep hiring you i mean that's the bottom line they want someone that fits into their their workflow you might say you're a cog in a giant machine doesn't sound very glamorous but it's true and the best voice actors know that that's true and they're the ones that are going to keep getting hired so if you want to be that really smooth running cog that really fits into workflows you probably want to have source connect so go over to source dash elements dot com and you can just kind of kick the tires over there get get your account set up you can get a trial license and see how it works and if you want help they have tremendous amounts of training and resources i am also available over at george d.tech to help you with our tech team over there as well so there's lots of resources anyway thank you source elements let's get on with the rest of the show there's too many questions let's get to it hey there i'm david h laurence the 17th and with my company vio heroes and my team of coaches and my community of voiceover talent we guide voiceover actors along their journey and you may be watching v obs here uh and not nearly as far along as many of the other people who are watching you may not even have started yet and we actually specialize in helping you do just that so if you're watching all the stuff going on here on v obs and going i have no idea what they're talking about i don't know but i really want to do this i'd really like to help you please go to vio heroes dot com slash start that's vio heroes dot com slash start and you can take our getting started in voiceover class which tells you everything you need to get started as a voice talent and i'd love to hold your hand along the way and help you with that journey again vio heroes dot com slash start that's vio heroes dot com slash start this is bill radner and you're enjoying voiceover body shop with dan lennard and george wittem v obs dot tv and we're back here on voiceover body shop tech talk and we got questions from our amazing worldwide audience you guys tune in you know you can ask the questions here and we appreciate it and jeff holman is over here typing them down just as fast as you are typing them in it's pretty amazing anyway this one came from email right the first one absolutely from daniel brit all right this is a fascinating question why don't you read it so all righty i've stopped coughing now i'm good good um i have a whisper room uh booth in the basement of my house i have taken care to use double sheet rock on the ceiling above my whisper room and plan to add mass loaded vinyl to that construction as well to help mitigate footfall noise footfall noise foot footfall oh footfall noise yes footfall noise yes okay but an idea hit me would there be any benefits surrounding my whisper room with mlv instead if i don't necessarily need the whole basement to be sound treated can essentially place the mlv either inside or outside the walls of the whisper room and achieve some of the same benefit and ultimately take it with me if i move rather than installing it permanently in the ceiling above me wow you're going to need a crane to get it out there mlv is heavy so every heavy stuff typically it's one pound per square foot right it's pretty heavy stuff it's close to as heavy as like a sheet of drywall so mlv there's a lot of misconceptions about what mlv is good at and what it's not right or mostly what they think it's good at well here's where you don't want to use mlv this is where it's a big waste of money putting it flat up against a sheet of drywall or putting it between two pieces of drywall just making a sandwich right this is not a good use of mlv if you're going to spend that kind of money you're not getting the maximum benefit if you're going to just sandwich it i hit this mic again this is why we put mics up here folks that's right only for on camera do i do this you know i don't um the whole point of mlv is that it's allowed to be left limp it's limp so mass loaded vinyl is flimsy it's flexible and it does its job when it's allowed to be limp so if you have it flat against something just glued to a wall or just stuck to something else you might as well just have another layer of sheet rock it at the cost of sheet rock way cheaper than the same amount of mass loaded vinyl easier to work with it's easier to work with yeah absolutely and you're going to get the benefit the only way you're going to get benefit truly the maximum benefit of mlv is to mount it to studs like in a in a in a wall cavity where there's a space between the stud and the drywall where that material is allowed to sort of essentially limply hang there limp mass um and then you want to airtight seal the perimeter all the way around it that's when you get the full maximum effect out of mlv only when you use it in this way and i've only learned this in the last four or five years getting to talk to some really and much more experienced acousticians than i have i've learned that this is really where mlv shines this is what it's really made to do will you get benefit sticking on the wall of your booth yeah maybe a little bit expensive for doing that oh it's a lot of money for what it is you might as well just literally sheet the outside of your whisper room with another layer drywall and just just to give you more mass i mean but footfall noise is by far the most difficult thing to eliminate really it really is we have gone to great lengths to eliminate footfall people walking around upstairs from going into a wall coming out through the ceiling coming into your whisper room or any kind of booth for that matter it is by far the most complex and challenging thing to eliminate completely i know how to do it because i've worked with the best guys in the business when it comes to figuring out isolation for vibration and other things and i we have systems there's it's sort of the turducken approach or the belton suspender you've got multiple layers of things that are all working together but one thing like mass little vinyl on its own whether you attach it to the wall above the inside of your booth or the outside is going to give you very very little improvement right not enough to justify the card like an onion or a russian doll essentially yeah well there you go i like the russian doll one yeah absolutely all right thanks for the question uh daniel if you don't overthink that one yeah and if and if you're realizing that the cost is not making sense or if you want to find out how to make use of the stuff because you already you already bought it then reach out to me i'll i'll help you come up with a plan all right next jeff holman has a product question our very own should i swing the mic around to jeff for sure all right go jeff what do you think of the apple watch and what do you think about the ultra versus the regular all right well my wife and i got her got our apple watches for our anniversary a couple years ago i used it for a while and it started to bother me because it sometimes it would you could answer the phone with sometimes you couldn't sometimes suddenly you hear someone talking to you over it sometimes there was all sorts of weird stuff and i'm like there's a clock on the wall i have my iphone why do i need it to be connected to this thing yeah there were things i did like about it how about the ekg functionality did yours have that it did yeah but i you know i figure if i'm still breathing it doesn't really matter so i you know i i'm i'm i wasn't really sold on it it was neat it was like oh i don't have to answer the phone i just go you know dick tracy calling joe jitsu or whatever it was fun but it was more of an annoyance to me than anything else but i think to some people who are who can multitask like that and and and understand how to use wearable technology like yeah and that was probably one of the first real pieces of wearable technology the really good one yeah really good i mean it works but programming it and you know just putting the mickey mouse face on it was tough you know and then suddenly you do an update like where's mickey mouse where'd he where'd he go yeah i i mean it's a good question jeff i mean neither of us are wearing one right i i don't have one i and believe me trust me i've thought about it many times especially when the ultimate came out the thing that the ultimate at eight hundred dollars the thing it was missing was the feature that i wanted it to have that the phones now have which is this gps two-way communication for someone that goes out mountain biking and is off the l i'm completely off the 5g lte network a lot sand gear real mountains all that stuff's off the grid like you are offline all the time and it's it's stressful for your your lovely partner at home is wondering when the heck you're coming home where are you are you alive handlebars right and so so the iphone 14 has that feature but the ultra watch doesn't now if the ultra watch had it and i bet the next one probably will that's a lot more compelling because it's built into the watch it's all new all the time and that feature i think would be kind of worthwhile but that's the problem the problem is and i love tech but i think i would be fussing with that thing constantly that's what i didn't like fiddling with it wanting to look at it it's bad enough that the phone is this constant addiction to hold it i think i would just be using it constantly um the one thing that i that would use i might buy like a cheap used one just for this one thing and that is it can be a second screen for your camera on your phone so if you're doing self tapes with an iphone right and you want to shoot with the good camera the one on this side uh it's a big pain in the ass because you don't know if you're in frame you can't hit record etc but with the watch you can preview this the camera on the watch and hit record on the watch that is like to me the killer that's the killer app that's the one thing that would can i would maybe i'll get like the apple watch three on ebay you know just to have that feature but i don't think i would wear it all the time i wear a garmin watch when i go mountain biking it's cheaper it's lighter the battery lasts for a week i don't have to think about it it tracks my ride it does what it needs to do it has heart rate tracking and stuff so it's i don't know i'm so tempted but it's it's gadget too much gadget get a fit bit well yeah again my garmin was like 90 and it does just enough stuff yeah it'll show me notifications i can read a text on it i can't reply but i can see if it was important and it's nice if your phone's in your pocket or not on you to have something occasionally that gives you a text message how many times do you miss texts oh i didn't see that until later you know but that is handy and it's just distracting enough not to the point of being constant annoyance so ah i don't know there you go it's not an easy answer but i hope that was helpful yeah okay grace newton asks for the guys on tech talk that would be you and me oh us right yeah um where are the one of the pros and cons of the new road nt1 fifth generation especially for one who likes to record well upfront and do less editing in post well gee that sounds like just about everybody sure um now the generation five that's the combination xlr and in usb that's right yeah now the nt1 now that's a that's a mic that i recommend all the time it's it is a i would call it a gold standard at this point right at the budget level right absolutely right and the fact is is it's great price uh this particular model is very versatile because you can use it as a it's got its own interface in it right but you can also hook it up to xlr and it becomes just a regular good old road nt1 right the nt1 is great one because it's very quiet it's a has very low noise very low self-noise they claim it to be the lowest in the business it's gets right in there with a couple others so it's hard to say is the quietest but it is it is really quiet yeah yeah and it comes down to that equation that you and i always talk about for every thousand dollars you go up in price on a microphone you maybe get one percent increase in actual vocal quality you know yeah it's it and sometimes it's worse yeah because the mic has too much color everything or too sensitive or too much character or whatever you know exactly so you know the and the and the real bottom line with a microphone and this is one that you know people have yelled at me about it and said they're absolutely wrong i'm like oh man there is no microphone out there that is going to change the way you read copy unless it's unless it's a mic that literally is in your freaking way that's right and so you know i've seen people with like yeti and a giant chaotic eyeball and they're like they're they're like craning their neck or they have to try to read their script or they have a big round pop screen they their script they're trying to read i'm like that's when that's where it can help you read copy exactly you know and as you can hear you don't need a pop screen if you use your mic properly right as we have it set up here right well the road in t1 is interesting and i've seen videos i've seen the tests i know it sounds good it's it's they they know how to make a usb mic because they've made the nt usb for a while i have the usb plus so they just probably took the same technology shoved it in the tube i think so i mean and what's interesting is you there's a trade-off between the nt usb plus and the nt one fifth gen fifth gen the big trade-off is that there's no zero latency monitor headphone level mixer headphone jack right so again if you need that feature you don't get it right a lot of us know that you don't need headphones while you're at voice acting so for then you won't need it and the whole idea of this listen listen the 32-bit float technology is getting a huge amount of hey let me in let me explain to you what it really does right at the end of the day it's not a game changer it's just another technology that you're going to be mystified about right just at the recording levels with peaks between minus 12 and minus 6 and move on with your life if the script says oh we want peaks somewhere around minus 18 don't even freaking worry about it just read it just record don't worry about just make sure you're getting nowhere near clipping you're going to be fine and this microphone's usb interface is going to make that easy for you if you want to buy this mic as a spare or a travel mic so you don't have to have an interface with you great right it it's it's a really awesome mic it's the same price within a few bucks of the prior generation and you get usb for free so it seems like a no brainer i don't want to try it so you see how yeah i wouldn't i wouldn't like buy it if i already have an nt1 and an interface right i would need that right i already have that but if you have if you want that backup capability or that all-in-one capability then it's then it's cool so anyway good it's a good product proven proven technology yes tony disander you get this one right i'm a newbie to vio welcome no great great to have i'm glad you're here um and have been trained on audacity good um sounds like you prefer adobe audition um appreciate your thoughts on adobe audition versus audacity i'll go and then dan goes because we both have opinions um audacity is perfectly fine except um the problem with audacity is it's free software maintained by a bunch of volunteers you don't have tech support directly for audacity because there's nobody nobody directly to call on to get help um because it's free software all the third party plug-in companies like waves and others don't take it seriously they don't usually test it so um when audacity does updates sometimes there are a little bit irrational they add a feature that makes no sense or it's not well bought out or they remove a feature or they kind of do things that don't really make a lot of sense and that's the problem with audacity as good as it is and as good as it's getting all the time it's still this little bit of unpredictableness to it i get that a lot i just upgraded audacity now this doesn't work and that's what really bugs me and this is why i know dan loves adobe audition because it's stable and you get support and you can count on it solid as a rock you know and it's and they they make little improvements on it yeah they're not adding a lot of new features no no they're really it really it's as as the product ages as they continue to update it the engine gets faster yeah it uh it does things very very quickly the spectrograph in that is as good as anything else for getting rid of lip smacks absolutely the spectrograph and audacity is got a long way to go i mean getting rid of mic pops not that i ever do mic pops because i use my mic right and occasionally you know you might lift up and go oh peter piper picked a peck of pick you know you want to get oh crap yeah but but it shows up so clearly in a spectrograph as a big bright yellow blob with gets darker in the middle hey just highlight it and you hit on it a few times gone and you'll never even know it was there which is which is nice and and then you don't have to worry about lots of plugins i know you love the plugins i never use any plugins i just i find that software that has like audition or even twisted wave has basically everything you need to produce proper recording you know voiceover yeah if you record properly as we said the environment has to be right your mic technique has to be right and you've got to understand how to set levels properly and that seems that's another one that people don't get it's like uh because as you say they're you're getting instructions from engineers who currently don't know what they're talking about either they know what game of telephone right exactly it's oftentimes you're seeing these specs from you know casting companies and video game companies and that they don't really understand how would you even get that number to begin with right how would you how would you measure that i remember an email thread that you had with with the producer that was talking about and it was like well they said this and they said that and you would not realize it's like well this person talked to that person that talked to that person that and they and not and only one person at the beginning of the line actually may have owned what they were talking about i want to see the family tree or the genealogy chart on how that information made it from you know from one end of the other because yeah somebody initiated originated that spec right somebody i don't know who i'd love to talk to them yeah call me they're they're hiding behind a brick wall because they knew you were there uh terry frisco asks uh what's your take on the sphere l 22 how good is it how good is ability to mimic the mics it claims it can well really good yeah it can do it exactly here's the thing why would you want to keep mimicking all these different mics it's not going to change the way you read copy i don't get that at all if it's a good mic on its own if your environment's right you set your levels right and you use it properly what do you okay maybe it sounds like a u 87 i don't know an engineer i don't think even you could tell if jeff was using a u 87 and i was using a u 87 that you'd be able to tell where i was using say a caddy 100 you wouldn't know or even this the ma 50 m v 5 i would probably end up liking the sound of me 50 better than anointing i like this mic this is it's yeah it's it's smooth it's it's but and it's still crisp and it's not peeky it doesn't have like a nasalness or honk to it or just it's pleasing right um yeah the l 22 is an amazing piece of technology and it's not just the mic it's the software right it's a whole system it has a learning curve it has an expense attached to it it's really impractical unless you also have already invested it in an apollo it's harder to get you know you can use it without the apollo but it you won't get the same kind of workflow and yeah it's it's amazing if you just have absolute uncurable gas or you're a guitarist and you're like trying to you know do different things and different effects yeah if you're a multi instrumentalist performer and you need to record drums and a guitar and then acoustic guitar and then a cello and then some singing and you don't want to have 1215 microphones it makes a heck of a lot of sense if you're a voice actor and you just you've you you don't know your career is stuck you don't know what it is you've tried everything you've been to the best coaches and you're like i just gotta get a new mic okay go ahead and give it a shot because at least then you're not married to one choice you can now try with other mics it's kind of the tender of microphones you don't have to commit to anybody from personal experience you can swipe left and right and then try them all out until you find one you like and then when you're done sell it and buy the real thing i had more fun with my ribbon mics you know it was like well that's what's i mean you can if you've always wanted to play with ribbon mics there's ribbon mics in this sphere and you can play with those too so it's great for playing around and it's fun to experiment with and yes with the right training and the right tech setting it up for you yes i can help you it can sound amazing if you're just playing around with it it will lead you down many many rattles of of distraction okay we got a couple more questions one comment okay i which you know you know we appreciate your comments but it's our show we get to make all the comments and one was about ai and john bailey was talking about that last week and it came up when john bailey was talking about it yeah got sure he didn't get to Terry's comment got you right okay so last one what do you think of the mk 600 i haven't used it using the the double a battery for on-the-go recording with its high-pass filter that's on it i've never i'm not familiar with the noisy it's annoying it's a noisier mkh 460 that's the mk 800 is fine it's noisier like it's just got more noise it's his year um yeah bait bottom line um terry and i know you want to get your comment ai won't be able to replace character acting but it is a real problem for vio genres like corporate narration and i vr yeah you're probably you're probably right right well we we don't know we just don't know when it comes to ai i think it's a whole nother discussion that you know maybe we need to bring all these conferences are going to have round tables about we have a webinar coming up with with world voices uh with the with a bunch of different experts on it people who are licensing voices people who are using it you know and and that's gonna i think it's on the 23rd so join world voices and then you can listen to that webinar and yeah and figure that one out but i we're gonna hear a lot about that in that voiceover at land for sure for sure which you and i will both be at and very quickly just to put rob williams's question to bed you're using a 15 year old version of adobe audition that's not supported what do you want what do you want for nothing exactly all right sorry well that's gonna do it for your questions and for tech talk and we're gonna take a quick break right now and then we'll wrap it up right after these messages yeah hi this is carlos ellis rocky the voice of rocko and you're watching voiceover body shop your dynamic voiceover career requires extra resources to keep moving ahead there's one place where you can explore everything the voiceover industry has to offer that place is voiceover extra dot com whether you're just exploring a voiceover career or a seasoned veteran ready to reach that next professional level stay in 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you're like what equipment do i buy go over there for the advanced stuff well advanced stuff but also something i'm actually going to vio atlanta i'm actually a speaker yeah i'm paying to be a sponsor so i can be at vio atlanta yeah and i'm doing an x session so help me offset the cost of attending vio atlanta would you like showing up can i hang out in your session yeah so the x session i think there's 12 seats yeah last time i checked i think i had eight remaining so there's plenty of seats it's 199 books and it's three hours of me talking about mic to mp3 it's really sort of just everything you know to get great audio and get it quick like get y'all don't have time to mess around so it's like how do you get efficient great sounding audio to your clients with the least amount of fuss and all that stuff so that's what mic to mp3 is about so if you're going to vio atlanta check out my x session please i'd love to see you there it's on thursday so anyway that's that's what i'm plugging 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hype no selling it's just members helping members so that's going to be great anyway thanks to jeff holman for doing a killer job tonight on the couch over here just getting us all those questions and sumer lino for you know getting it done even with her with the mouse the gimpy mouse yeah it's interesting without and thanks for wearing the hokey's colors sweatshirt tonight i really appreciate it yeah go hokey's yes and lee pennie because he's lee pennie all righty that's going to do it for us this week we're here to help you with your home voiceover studio because your audio is really really important the thing is is if it's right it's right and if it's bad it's usually something that is wrong that's going to prevent you from getting the job not if it's right so if it sounds good it is good i'm dan lendard and i'm george wim and this is voiceover body shop or vio bs tech talk tech talk tech talk tech talk tech talk have a great week everybody later everybody