 Like I've been a Kiki fan. Like, you know, I'm one of the ones who grew up out for him. So, you know, when I first meet him, to see my nigga sing and my shit. Now he rapping my shit to me. Five grand to get you buried up under land. Quad is kept from G'd up. And I'm like, yeah, look at this nigga, this nigga sang in my shit, but I'm a fan of him, right? So, you know, that was just like, yeah, man. Like, you know, that's hard. You know, I didn't never say nothing, but you know, I'm just like, yeah, that shit was hard. You know what I'm talking about? Nigga, I'm used to being in the car with the beans don't burn and keep trying. The commissioner done key. Yeah, yeah, yeah. You know, so he was like, yeah. Yeah, we on boss talk one on one, one on one. Yeah, we gonna talk. Like, when I talked to Kiki, I was messing with him about it. And he told me y'all did that project together called Missing About the Dallas and Houston thing. And he threw your name out there. I think he threw Big Tuck out there. And I think he threw, it was a few, he was out there. We was in Houston at his place when we did it. But your name, because he said, no, man, I love Dallas, man, me and chief got, we got a whole project together. Man, we love Dallas. I think this, the way we do music is different from them because we, like we say, we came from the screw tape. And just to be honest, our screw tapes didn't go that way as hard as that. I tell people this all the time, Dallas is a very big market and their market is more up. If you notice, and I would love for them, a lot of Dallas artists don't do a lot of shows here on Austin, but they go up Oklahoma, Arkansas, that way, which is great because to be honest, when you're trying to get a deal, you need to break the, but Dallas market a little bit faster and you break the deal. The majors love the Dallas market. It's just that I think we had more in, based on the screw tape era, we had more individual legend. It's more of a legend city, you know what I'm saying? All these different, and our fan base really follow us very, very hard. You know what I'm saying? From a standpoint, I don't know if Dallas fan base followed the Dallas artists as hard as the Houston fan base followed the Houston artists. So we don't have a Dallas Houston thing, you know what I'm saying? I was in Dallas last week, I loved that, I was a legend. Was there a lot of collaboration between artists here and artists in Dallas? I don't really see that a lot. Not a lot, because like I say, their music wasn't really coming here. And we have a, we go, like for instance, I'll tell you, Pokey wasn't a guy that did a lot of Dallas. He always mentioned, we Dallas love you. I love Dallas. I go to Dallas a lot, you know what I'm saying? I go to Dallas a lot, a lot. Slim goes to Dallas. I switch house, got a good movement in that. So it's all about the music. You know what I'm saying? The Howard transitions together. Like for instance, the, we did more, we did more probably with Louisiana artists because they're closer and we're more tied to them. But the point I'm trying to make it, it's not a beef thing. Like, we don't like it. We just like, like for instance, man, we embrace when Yellow had his movement. Trap boy for, me and chief got a whole album. You know what I'm saying? Me and chief got a whole album. I go to Fonky Town a lot. It's just, I think that like Big Tut, I'm down with all of them. We just didn't get a chance to mesh music together as we were going. Like our era is a little bit before them. And, but from the standpoint, no beef though. Like now me and Kiki and I met Kiki and Faris. I met both of them together, you know? So like they been fucking with me since 2010. You know, they, I invited them down. I had there the show. I had a head Ross. I had brought Ross down and I was like, man, I just want to try to fuck with me. Cause Faris and Rayface, Rayface, Slim brother. They, he, they, down that north side, they fuck with their chief. I didn't know they were just coming fucking with Cap doing they work and them boys turning them on. Hey man, it's this nigga from, so I didn't know, but that's what we're going on. But you know, me and Kiki and Faris met. We just hit it off, you know, and that nigga, like, like I've been a Kiki fan. Like, you know, I'm one of the ones who grew up out for him. So, you know, when I first meet him to see my nigga saying in my shit, now he rapping my shit to me. Five grand to get you buried up under land. Quad is kept from Jida. And I'm like, yeah, look at this nigga, this nigga saying in my shit, but I'm a fan of him, right? You know, that was just like, yeah, man. Like, you know, that's, that's hard. You know, I didn't never say nothing, but you know, I'm just like, yeah, that shit was hard. You know, I'm used to being in a car with the beans don't burn and cut your head. The commissioner done Kiki. Yeah, yeah, yeah. You know, so it's like, yeah, yeah, it was cool. And it was real cool. And then during the album, you know, I went out to Houston, stayed at his crib at five. Hey, we put that boy together, album coat, drop that boy. We just been rocking out ever since, doing shows together, man. Everything, you know what I'm saying? I break bread with broke. That's dope, man. That's real, that's real spiel, huh? Yeah, I break bread with broke. So when is the book coming, man? I mean, I mean, we ain't doing the book. We doing the documentary. Okay. Yeah, I'm doing the documentary. So I'm in the process of doing the D of W document. The other side of D of W documentary in my own personal one is gonna feed off of that. So right now we, I mean, cause at the end of the day, nobody can do a documentary on theyself if you ain't did nothing about the city cause nobody bigger than the city. You know, so, you know, I'm finna tell the story from other city, from the underworld. So that's what I got going on right now. So we in the process of doing that. I done got interviews from DOC. Hey. Like I'm getting on them. Boy, I'm gonna get everybody that's who's who, but I'm also going for your street figures like Ray Charfields and your West Dallas legends, your Saab Dallas and old Cliff legends that really put their foot in this game in this city and really helped turn it into what it is. I'ma salute them. I'ma get them. They fly. I was guys such as myself that was before me. Yeah. Yeah. And that's dope. You said that cause the documentaries is going down. That's where it said, I was hearing that a mode three, that 50 may be working on a mode three documentary. That's cool. That's dope. That's what I heard. Now I ain't seen the, you know, I hear a lot of things. Some of it falls, some of it knows dive, but I did hear that. I mean, that's cool. That's cool. That, I mean, it all to be good for the city. For the city. You know what I'm saying? I'm pro city, you know? But that's something that it matches up with what you said. The niggas never has seen this place like that. And that's why something like that could happen. Yeah. Now they seen it, they know like, but I'm here to tell them stories that were before. He ain't the first youngster that was laid out in the middle of the street. You know, it's plenty of them. You know, John L. Kennedy, it's plenty. Now there's plenty of guys that's been laid out in the middle of the street and I'm gonna give that side of the story now. It ain't about just cowboy boots and the white boys and you know, the cowboy cheerleaders now, it's some gangster shit that goes on around here. And that's what I'm saying. The other side of DLW, that's the whole thing to show the aspect like how you can't, you don't even know nothing about the city come tell the story around one individual. You gotta know what this city about to tell the story around any individual. No, that's one, that's really one, that's 100, man.