 Welcome back, it is Thursday and that means acting analysis, finameters and today I'm gonna take a look at season four of Gotham. This one's gonna be very short, this is one of those on my list where it's only one scene, but it's something that can be very interesting and it's not used that often when I see student work when it comes to lip-sync and acting, so let's get straight to this. And it's this where the crime boss Falcone is talking to Jim Gordon here and they have this little back and forth. He obviously is asking him a favor. That's the whole thing, that's the whole context you need to know, but what I like about this is this. He tells them, you know, I was like to you, you're a good boy, but I can't do this for you. And what I like about this is that he has a little moment of thought and then he anticipates the no with this. You don't always have to have your no when he says it here, like here right now, but I can't do this for you right now. This is the actual line where I can't do this. He still has a little bit of, it's a mustache, a little bit of left and right as a no, I can't do this, but he does have a much bigger no here at the beginning. And this is something for you to think about where whatever the character is going to say, right now, all the wheels are turning. He's already making up his mind and he knows he's going to say no. So for you, whatever line you have, you can say a yes, you can say a no, it could be a shrug, it could be an eyebrow raise, whatever anticipates what the character and your character is going to say afterwards can be anticipated way earlier. So again, he says, I was like to, now he thinks about it, now he's really thinking about it. And then he says it, but I can't do this for you, which of course triggers a reaction like, whoa, but why, why can't you do this? But I think that's pretty cool. And that's something that's somewhat underused where it could be something where you can almost mislead the audience or they might go, yeah, or you can start with a no and then, but okay, and then you're going to do it. So think about that when you have your shot and you have your lip sync beats and the phrases and all things you want to do. You don't always have to stick to exactly acting things out and moving in sync with the audio and really sticking to when the character is saying something in the audio. You can think about how is it going to have a body language and facial language before or after the line. So you could just say the line and then do something else. So like in this case, anticipate the no and then say the no. So that's why I wanted to show this clip is very short, but it's an interesting thing that I feel is slightly underused and it could be really interesting to add a bit more texture to mislead the audience. What are you going to do in terms of your creativity? Now, speaking of creativity, if you feel like this is a creative idea and you want to use this for your shots and you want me to help you and we can work together in the awesome shots, I have workshops. If you're watching this channel, you know the drill, link in the description with all the information you can sign up at any time. And speaking of time, this was short, but if you're still watching the whole thing, either way, I say thank you. Thank you for your patience. And if you don't want to miss anything that upload, you can subscribe, hit that bell button and hit the all notification options. You don't miss anything that I upload other than that. That's it from me. I want to say thank you and I'll see you in my next upload.