 Hey, it's Anfa, this is a continuation of day 7, actually, because I've realized it's the last day I have to finish this track, so yeah, I gotta finish it today. All righty, I have my coffee, I have my water, I've brought my bigger headphones, closed ones. Let's dive in. There are some resonances that I don't like that we'll need to fix. I wonder if I can. I think we need an interlude here between the two parts. It doesn't mesh very well, so I would like to actually select all of that. That was a lot. No, I need to use a range tool. You see, rearranging your pieces is quite troublesome in order. This is just some notes so I don't give a crap. All righty, now I need to select all the automation lanes, control, yep, because otherwise it's going to be sweet. I'm going to cut it, control X, and I'm going to paste it right here. I hope it's going to be, it's thinking, yeah, it's going to be on beat. Yeah, it's on beat. All right, so you see, it took a while but it did it, which is great. Now we have a room to do something else here that will connect this part with this part. I mean basically the B and then the C. Why is this disappeared? Oh, because there are two markers too close to each other. Okay, I want a different beat. I want a different beat here. Something like this. No, this is not good. I want kind of a triplet movement here. I think I'm gonna, maybe let's do it like this. How about this? Oh no, this is exactly what I don't want. Okay, let's extend it like this and do this. This, yeah. I think we need to fill it in with the kick drum somehow. Yeah, otherwise it's very empty. Putting one of them down. Well, it kind of sounds like a tom. Let's use it as a tom. Interesting. Okay, this is very weird, but interesting. Let's go with it. Yeah. I like this transition. It's very interesting. Okay, more small sounds. How about copying this bass line? I think I see a problem. This kick is too long and it causes tons of, tons of, yeah, there is a bit too much, there was too much compression on the drum bus. However, okay, I'm gonna need more small sounds. Let's call this FX2. So assign me the keyboard and load my init patch. What can we do? All right, so I'm gonna try to have a modulator E modulator later F. Oh yeah, and then modulate. Sweet motherfuckers. Awesome. Oh, that's very cool. Let's make it 127 velocity. Oh yeah, sweet. I think there's a master limiter really as a problem. There's your problem. Now it all sounds much more sensible. What the fuck? Okay, this just needs to be clipped. Now this is bad. This timing is bad. This is crap. I'm not even sure why I passed this. It should have been trashed right away. Better now. Let's try C asterisk wider. It's synthesizing stereo width by applying some filters that don't make, that make it not disappear in mono, which is good. And now, you know, let's just distort it, see what happens. Oh my goodness. It's too loud. Okay. It's nice. We have too many channels. What the heck? Ah, I get it. Okay. Well, no need for that, dude. Just need one instance. Now makes sense, but I need to remove the excessive channels. It's not quiet. I also would like to make a pad synthesizer. To try out these rad FM sounds and pads. So, okay, first operator, first operator. Alrighty. It's interesting because I have sustain on everything on one. So why is it maybe this? Ah, yeah, it looks like this is acting as a release time without release time. Interesting. Okay. This time a value was non-zero and the envelope just snaps to zero after it reaches sustain. Okay. Alrighty. We have a patch. Let's try to make a part for it. I'm going to EQ this thing. For sure. Let's listen. Oh, by the way, I've restarted the machine. How about some delay, huh? Let's go a delay. Oh, there's no sidechain trigger too bad. Oh, let's make it. Just copy. Super mono. Oh, oh, oh, yeah. Super mono. How about this? But I also want to make this one an instance. I think this is what the modulation does. How about this? We need to back it up to compensate for the lazy, lazy envelopes. Oh, this is going to be better. And this now comes like... It doesn't fit at all. Oh, no, it doesn't fucking fit. How about making some chords or at least... What the fuck? What is in there? Oh, yeah. No, that's not going to sound good. Shit. How about this? Well, that's going to be so good. Oh, that's awesome. Let's try again. I forgot to truncate this to start. Yay. Okay, I'm going to make it a little bit more responsive. I'm also going to add Zeta reverb. Guitarics. Jack Zeta Rev. I'm transposing all this shit. One octave up. I'm going to add a transpose... Utilities. Yeah, MIDI transpose. LV2. I want LV2. Now just make it one octave higher. Why not? Why two? Okay, but how about this? And this comes out? Nothing. It's unexpected. It doesn't fit. I think we need some modulation effects. Maybe and potentially distortion. Why not? Wait, can we try? Probably before the reverb. What's going to be? We're really, really fucked. I know what. Our good old filter sweep. Oh, yes, filter sweep. Filter sweep. Filter sweep. It's going to make it sound so sweet. Cool and neat filter sweep. It will fix all the shit. Let's make it sweep from low fucking slow sounds and up to high stuff. I'm going to hurt a cool chord progression if I do this. Good. Somehow, somehow. I think now we should enter... We should get back to this. And then leave this for the final. That's what I think I should do. Okay, let's... It's going to be difficult to move this stuff around. Or maybe not. Let's see. Hey, okay. Control X. Control V. Let's just pray for the best. Fabulous. This sounds really cool, by the way. I think to have some real song structure, we should have some repraising of the themes. Some motherfuckers. So I'm going to try and reprise this thing. Maybe with some slight alterations to make it more interesting. And the automation for the drums. Bus two and we base in the effects one. Okay, I think that's all. Copy, copy, copy, copy, copy. Now, pulling my mouse cursor here, paste. Will it blow or will it go? Well, something happened. Ooh, that's sweet. I don't know what I'm fucking going to do. I'm going to use carpal sata. Yeah. It's going to add some vibration. Come on, come on. Ooh. Oh, yeah. Let's put it before, what, wow, before wave shaper, that's going to make it sound interesting. Because then it's going to affect the gain for the left and right using another foe. Nice. We have some nice stereo image, just like that. Super simple. I think the side chain is a bit non-effective. Save the session and play. Save the session and play. Mess up with these chords because otherwise it's going to be boring. I have a, I have a lead line in my mind, but I need to make the resolution of the beat great. Let's try, let's copy, copy this and put it here. Oh, yeah, sweet. Oh, there's an offset. Oh, that's better. Make it 185. Also make it super loud. And this too. We want this to be freaking lead line, 128, 7. Feel like velocity. Yeah, 127. Go, go. This doesn't make sense whatsoever after that. I'm going to need to offset this by such a specific, oh yeah, I'm going to figure out. I think this is the sound I need. Hello, give me keyboard. Basically D and what we have. Okay, two semitones. All righty, let's, let's try it. I'm going to save the session. I'm going to save it now. Then I'm going to save it as a new snapshot. Oh, nine. Hey, hey, hey, hey, hey. That's going to take a while. This session is getting big. Arturo's having trouble figuring shits out. Maybe I'm like a separate lead instrument. But I like that the phaser just makes it all like, near the end. Yeah, still it's pretty fun. Fun, fun, like, am I discerning? Am I just, yeah, yeah, I'm starting to shake. Shake your session, man. Come on, come on, we can do this. We can, we can wipe all the things. Wipe all the windows. Yeah, motherfucker. Come on. Now we're going to see when it's done. Come on, come on. I don't have all day. There's deadlines, bitch. Do you understand bitch life? Do you understand deadlines? Do you understand life? I so can't wait for Arturo 6. Really, I'm super excited for Arturo 6 because it's going to be a whole huge core rewrite with, oh yeah, with MIDI data being like first class citizens again. Okay, screen doesn't refresh. Come disable the freezer, bitch. Enable the track. Yeah, we have any X runs, lots of X runs. Let me try it. Jack underscore buff size. Okay, all right, this might break it very shit. I'm going to stop recording and bring it back again.