 Alrighty, let's play this this has music Cool. All right. I'm gonna turn off that music It sets the tone and you are saying you want to work or or you are trying to work here on a more subtle acting shot But a circumstance of the girls. She's moving out and she has some happy moments She had some happy moments and then it's also a bit sad and You haven't worked on facial detail just yet some stuff in there. So my My subjective thoughts when I was watching this was I was slightly Distracted I think was the was the feel by a the camera So I'm going is she slowly going down an elevator, which I know she's not but this is this weird thing of why are we so low? Now if you look at my horribly Centerline there's so much headroom here. I'm waiting like it's someone else Going to peek in. Hey guys. What's going on? So I'm slightly confused because it also doesn't reveal anything gonna mean like is there maybe a sign that's gonna come up here So I'm I to me it feels like stick to this. This is your framing. I'm gonna try it again here Oh, those are horrible thirds You think after all those years, I'd be good at drawing thirds. I'm really not But that's kind of where I would leave her so personally I wouldn't really move the camera at all unless you want to do some panning and tilting just to reframe So her head is in in the same spot, but even here. She doesn't go too low and it's back here I mean, it's also cameras movie. I think you'd be totally fine. Keep it around here Because then we have a good view on this we had a good view on her luggage, which is very subtle But I think it's cool there as a detail You might want to move it over so that it's kind of like this and then that and then we see the end of The luggage so you understand what that is at first. I thought it was kind of like a balcony thing or something I don't know because I'm an idiot, but a is the camera The second thing that was distracting was this Now this is very subjective you can say, well, I don't know. I want to keep this totally fine for me. It was weird like why She's she just finished a sandwich and still here there's so much It's also the lighting where we can see the tongue illuminated So with different lighting that doesn't go through the body putting some shadows on It might not be so dramatic, but right now all I'm seeing is the tongue Just I'm yeah, that was a really good sandwich in this place. Yeah, good restaurant. All right. I'll miss you restaurant That's kind of the feeling that I had other than that. Let's pretend the mouse stuff is not there. I think it's really cool technical things like when you move That forearm up the way you have it and be a bigger influence on the wrist. This kind of yells IK hands Other than that it's really cool. I like the all the mechanics of this I got the hand is doing here the sliding off the door is cool That look I like the lean It's cute with all this has a nice line there and her looking at it and having All the nice memories like you say like she has that look and you're gonna work a little bit more on the Facial features, but they're already fairly clear And I like this too. I like that. Yeah. All right with this I love this and also love the change in hand posing. So there's contrast, right? I'm always a big fan of this where you start a bit wider and then it's a bit more Together here and then into a different pose. So there's no repetition. I think that's really cool The only thing I would do is was you mentioned that she's also feeling a bit sad is that imagine we're Not looking at the sandwich mouth She looks here and that's the moment because she is ready to get out like throwing through here ish That's when I would go sad And especially with especially here on that pause where the smile kind of goes away And it's mostly like she that's it like she is Physically closing the door on her on her memories on her child or whatever, you know that that house represents to her So it's like, all right. This is all cool. I'm still here. I'm still here. That's cool But now that she's making the physical Uh, the act of actually leaving and closing the door on her chapter on her past chapter That's when I would start shifting and to me personally I would push The the visuals of her being more sad so that we leave on a on a less smiley but more on a on a uh, you know sorrow Kind of look there because you already have that music so while keeping Keeping the camera. I mean you can always then have a little bit of maybe a bit of pan a little bit of tilt Maybe for some handheld if you want. Well, those are to me the big things sandwich mouth camera And just that expression at the end that I would push Zupi a nice little contrast and then like I said to me it's like symbolizes I'm closing the store on on my chapter, but you know with a little bit of not regret but it's kind of sad but And that's it Then your name demoreal 2020 It's the end the sad end of your reel. I think that's it. All right. 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