 I'm a Scott. I grew up in Glasgow, which was a city that loved movies and loved cinema. And so from a young age, I always wanted to do what I've done. When I first came into films as a kid, I would go and watch films as often as I could. And what I saw was enormous diversity. You could go to see Italian films, the neo-realist cinema of the post-war. You could go and see Janczko, the Hungarian filmmaker. Such as Rai, the Bengali filmmaker, Kurosawa Ozu from Japan. So there was a clear sense to this little boy sitting in Glasgow of the world around you, like a paint box. At that time, films were made for themselves. Films were intended as the reason for being, so they were the single business. And that meant they had to be good, interesting to have quality. Cinema ever since the very beginning was an interesting dance between great talents and great risk-taking investment. Famously, the great Hollywood Muggles were men of incredible distinction, actually. Very fine taste, in many cases, Sam Golden, for instance. But they were also able and willing to put their whole lives at risk in the hope of finding the great movie. So that balance between art and money has been at the very heart of the filmmaking business since films were first invented.