 Next to this is another Jacob Lawrence. He painted a study for a mural for New York State on the theme of community. Now this again, it's hard to see unless we come up a little bit closer to it. How is the mood of this piece maybe a little bit different from the mood of this piece? Lighter, everyone's together. Lighter, everyone's together. Okay. There's not that big wall in the middle. Lots of smiles. It really exaggerated smiles in the faces of the people. Sort of a sense of cooperation. People are bringing their tools. Somebody's already started working. So it's a cooperative, productive environment of creation. It's not so much social versus professional in the lack of ability to do anything. And then the other contrast we can draw on this wall is this piece over here. This is later. This is 1962. And it's interesting having it in the context of other works by African-American artists, especially dealing with civil rights. Because it is, of course, very, very abstract. How can you read, if I come up closer, I'm sorry to make you keep moving, but you really need to see. What do you notice about this piece here? Red, white, blue. Okay. So a red, white, and blue. We associate it with America, American flags. We're looking at regionalism here at the United States. I don't know. Each color is in its own area. So how would you, where does the United States fit into this? Where do you see that? Red, white, and blue. But if I can take West Coast, I can take the North, the Northeast, the Mid-Atlantic, the Southeast. So are you saying you see the shape of the country? If you want to see it, you can, yeah. Okay. That is the joy of abstract art. No, you're not, you're not the only one to see the shape of the country in the colors. So maybe we're looking at regional differences. Knowing that this is about civil rights, does anything start to emerge with the colors? Upside down, peace symbol? Oh. Abstract landsmen. Abstract clansmen. Can you point any out specifically? I don't know. We just, that kind of strikes me. Push back there and then this turns into flames when you put. Okay, so if the white maybe represents the white robes of the clan, what might the other colors start to represent? Blood. Flame. Smoke. Smoke, absolutely. So the red, white, and blue is kind of transformed into something very different. The title of the work is Evening Rendezvous. Why choose the title Evening Rendezvous rather than, you know, meeting up the clan? But it sounds better in that way. It doesn't sound bad. Yeah. It's like, it's like a social gathering. Nothing bad's happening. Nothing bad's happening, right? It's part of what's going on, yeah. And it was a secret. If people knew they were coming.