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Gregorian Chant, Dies Irae - Catholic Hymn





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Uploaded on Apr 6, 2011

http://www.ApocalypseWars.com - Dies Irae (Day of Wrath) is a famous thirteenth century Latin hymn thought to be written by Thomas of Celano.[1] It is a medieval Latin poem characterized by its accentual stress and its rhymed lines. The metre is trochaic. The poem describes the day of judgment, the last trumpet summoning souls before the throne of God, where the saved will be delivered and the unsaved cast into eternal flames.

The hymn is best known from its use as a sequence in the Roman Catholic Requiem Mass. It was removed from the ordinary form of the Roman Rite Mass in the liturgical reform of 1969--1970, but was retained as a hymn of the Divine Office. It can also still be heard when the 1962 form of the Mass is used. An English version of it is found in various missals used in the Anglican Communion.

Those familiar with musical settings of the Requiem Mass—such as those by Mozart or Verdi—will be aware of the important place Dies Iræ held in the liturgy.

It remained as the sequence for the Requiem Mass in the Roman Missal of 1962 (the last edition before the Second Vatican Council) and so is still heard in churches where the Tridentine Latin liturgy is celebrated.

Dies Irae
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The Dies Irae was retained only in part by the "Consilium for the Implementation of the Constitution on the Liturgy" -- the Vatican body charged with drafting and implementing reforms to the Catholic Liturgy ordered by the Second Vatican Council. It is given as the hymn in the Liturgy of the Hours during last week before Advent for the Office of Readings, Lauds and Vespers (divided into three parts).[2]

Nevertheless the same body felt that the funeral rite was in need of reform and eliminated the sequence as such from the Masses for the Dead. A leading figure in the post-conciliar liturgical reforms, Archbishop Annibale Bugnini, explains the mind of the Cardinals and Bishops who were members of the Consilium: They got rid of texts that smacked of a negative spirituality inherited from the Middle Ages. Thus they removed such familiar and even beloved texts as the Libera me, Domine, the Dies Iræ, and others that overemphasized judgment, fear, and despair. These they replaced with texts urging Christian hope and arguably giving more effective expression to faith in the resurrection.[3]


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