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[Brass8] ナブッコより「祭りの晴れ着がもみくちゃに」/ヴェルディ(田村文生)/ “Nabucco” Intoroduzioni/by G.Verdi (arr. Fumio Tamura)

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Published on Nov 12, 2014

[金管8重奏] 歌劇「ナブッコ」より 開幕の合唱「祭りの晴れ着がもみくちゃに」/ ヴェルディ(編曲:田村文生)
[Brass Octet] Nabucco Introduzione - Gli arredi festivi giu cadano infranti by Giuseppe Verdi (arr. Fumio Tamura)
Item: ENMS-84083

《演奏 / Performance》ブラスアンサンブル鯉 (Brass Ensemble Koi)

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編成/instrumentation:
1st Trumpet in B♭
2nd Trumpet in B♭
3rd Trumpet in B♭(doub.Flugelhorn in B♭)
1st Horn in F
2nd Horn in F
1st Trombone
2nd Trombone
Tuba

作品について / Program notes:
合唱が非常に効果的に使用されている。それはオペラの様式的伝統に即していながらも、劇的表出効果は嘗て無いほどに高められたと言えるだろう。ギリシャ劇に源流を持つと言われるコロス(コーラス)の表現は、ヴェルディにおいて、その極致に達したのである。
旧約聖書におけるイスラエル人のバビロン捕囚を題材とした「ナブッコ」、序曲の後に歌われる開幕の合唱「祭りの晴れ着がもみくちゃに」は、バビロニア王ナブッコ率いる軍隊の侵攻を受けたイスラエルの民衆が、聖なるソロモン神殿内で捧げる祈りである。敵軍の咆哮が雷のように神殿に鳴り響くと、イスラエルの民衆は敵対心あらわにする。司祭の男達は、静かながらも力強く祈りを捧げると、乙女達は対照的に、流麗かつ崇高に歌う。そして人々は自らの神とともに、不屈の誓いを新たにする。
(田村文生)

This opera by G. Verdi, coming from his twenties earned him a solid reputation, uses chorus very effectively. It is in the traditional opera style, with a great improvement in dramatic exhibition. The contribution of the Chorus, whose origins come from Greek drama, reached a zenith with Verdi.
Nabucco's setting is the Israelite Babylonian captivity from the Old Testament. The opening chorus "Gli arredi festivi giu cadano infranti" is a prayer that the Israelite people offer in Solomon's Temple during an invasion by troops of the Babylonian king Nabucco. While the roar of the enemy force outside thunders in the temple, the Israelites decry the assault. The Priests offer their prayer quietly but strongly as maidens, in contrast to the men, sing elegantly and nobly. The people then reaffirm their unyielding loyalty to their God.

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