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Alvydas Tiktai

  • Schanson

    11,390 views 2 years ago
    A chanson (French pronunciation: ​[ʃɑ̃sɔ̃], "song", from Latin cantio) is in general any lyric-driven French song, usually polyphonic and secular. A singer specializing in chansons is known as a "chanteur" (male) or "chanteuse" (female); a collection of chansons, especially from the late Middle Ages and Renaissance, is also known as a chansonnier.
    Russian chanson (Russian: Русский шансон, tr. Russkiy shanson) (from French "chanson") is a neologism for a musical genre covering a range of Russian songs, including city romance songs, author song performed by singer-songwriters, and blatnaya pesnya or "criminals' songs" that are based on the themes of the urban underclass and the criminal underworld.
    The earliest criminal songs in this style largely came about due to the crumbling Tsarist regime, but the style has changed significantly after the rise of Stalin, when both innocents and criminals were massacred and sent to labor camps.
    Yet another change occurred during the Khrushchev Thaw, when songs from the labor camps started reaching the public, performed by artists like Arkady Severny and Vladimir Vysotsky.
    Modern artists affiliated with the Chanson genre often sing not in the traditional style used even by the Khrushchev-era performers, but more professionally, borrowing musical arrangements from pop, rock, and jazz.
    The musical style of the older Russian criminal songs, much like the Russian Bard songs, are heavily influenced by the classical Russian romance genre of the 19th century, more specifically a subgenre known as the City or Urban Romance. Romance songs are almost always divided into four-line rhymed couplets, rarely have a chorus, and follow a fairly consistent chord progression (Am, Dm, and E, sometimes with C and G added). The strumming pattern is also predictable: it is either a march, or a slow 3/4 waltz pattern often utilizing fingerpicking rather than strumming. Romance songs were traditionally played on a Russian guitar, since its tuning makes playing these chords easier (most of them are played as a single-finger bar chord).

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  • Ralaxtion music Play all

    Relax" is the debut single by Frankie Goes to Hollywood, released in the UK by ZTT Records in 1983. The song was later included on the album Welcome to the Pleasuredome (1984).
    Although fairly inauspicious upon initial release, "Relax" finally reached number one on the UK singles chart on 24 January 1984, ultimately becoming one of the most controversial and most commercially successful records of the entire decade. The single eventually sold a reported 2 million copies in the UK alone, making it the seventh best-selling single in UK singles chart history.[1] Following the release of the group's second single, "Two Tribes", "Relax" rallied from a declining UK chart position during June 1984 to climb back up the UK charts and re-attain number-two spot behind "Two Tribes" at number one, representing simultaneous chart success by a single act unprecedented since the early 1960s.
    Upon release in the United States in late 1984, "Relax" repeated its slow UK progress, reaching number 67 upon initial release, but eventually reaching number 10 in March 1985.
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  • Jie gyvo koncerto nebesurengs Play all

    Afterlife, also known as after-world, the realm of the dead, passed away - a theoretical idea that the human soul (consciousness) continues to exist after physical death of the body. This can be understood as a transcendent space, and as a real place. The idea of ​​the afterlife or other forms of existence after death, found in virtually all faiths and cultures.
    Abraominėse religions (Christianity, Islam, Judaism) believed that after death the soul separates from the body and placed in one of the two post-mortem spaces - Paradise or Hell (part Christian movements still distinguishes between space - purgatory). Divine Court concludes that the soul enters the Paradise and is next to God, and which fall into hell suffering. The Jewish sect of the Sadducees believed in God but did not believe in the afterlife.
    Indian religions (Hinduism, Buddhism, Sikhism) believed in reincarnation - the dead soul enters a new body and forget the previous learning. Reincarnation will depend on past lives (karma) - the better the person was, the better the conditions will get a new life, and lived properly can reincarnate into an animal to experience suffering. The circle of reincarnation is called samsara, and the believer's goal is to eventually reincarnate to God (moksha) or (Buddhism) to achieve nirvana.
    Ancient Egyptians believed the soul of the deceased travels to the land of the dead Aaru. There Osiris weighs the deceased's heart - if it is lighter than a feather, the soul goes away, and if worse - given demon Amit. The Egyptians also believed in the resurrection of the dead, and performed mummification, the deceased left a book of the dead. The ancient Greeks believed that after death the soul of Hermes helped, travels to Hades - Hades. It your boat navigating through the Styx Charon. There, the deceased soul is judged and placed in Elysium, Hades, or Tartarus. Similarly, the afterlife conceived and Scandinavian mythology - it is divided into Valhalla (the elect kingdom), HeLa (most of the rest in place) and Niflhelą (place of torment for sinners).
    Various pagan, esoteric beliefs, cults of nature, there is often a non-religious beliefs in the nature of the soul Reincarnation creaturehood, space objects idea or belief in afterlife.
    Scientific point of view, there is no evidence that after brain death in some form of human consciousness remains. This condition is called eternal oblivion. Admittedly, this approach appeals through the so-called post-mortem impressions from survivors of clinical death. However, they are usually considered to be hallucinations, drugs, altered states of consciousness consequences. Other scholars deny a mechanical approach to consciousness and offers a quantum theory of consciousness, according to which death does not terminate the existence of consciousness.
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  • Lietuviu muzikantai Play all

    Man patinka rodyti savo nuotraukas skambant muzikai,o labiausiai tai gaminti video...
    Muzika (gr. μουσική (τέχνη) -- musiké (téchne) -- mūzų menas) -- garsų menas, meniškas garsų komponavimas ir tokių akustinių kompozicijų atlikimas.
    Muzika -- išraiškos forma laiko terpėje, naudojant garsų ir pauzių struktūrą. Tai sudėtingos formos kūriniai, išreiškiami per natūraliai išgaunamo dirgiklio, dažniausiai garso, kombinacijų ir modelių konstrukciją. Muzikos funkcijos: estetinė, meninė, komunikacinė, pramoginė, apeiginė. Nuo kultūros ir socialinio konteksto priklauso, kaip mes skirstome muziką.
    Bardas -- senovės keltų genčių dainius.
    Pritardami sau muzikos instrumentais bardai deklamuodavo savo poeziją Galijos, Velso, Airijos ir Škotijos kunigaikščių dvaruose. Viduramžiais jie tapo poetais profesionalais ir sudarė atskirą luomą.
    Dabar bardais dažnai vadinami dainuojamosios poezijos atlikėjai. Lietuvoje titulo bardas atitikmuo yra dainius. Tai žmogus, kuriantis savo bendravimą su socialine aplinka muzikos ir žodžio galių subendrinimu. Bardas/Dainius Lietuvių/baltų gentyse turėjo eilę socialinių paskirčių: Bardai būdavo jungiančiąja informacine grandimi tarp senųjų baltų šventikų ir bendruomenės, Bardai buvo švenčių kūrėjai ir jų įprasmintojai. Vėlgi, senolis, sugebantis dainomis bendrauti su keliomis kartomis jaunesniais asmenimis pagarbiai buvo vadinamas dainiumi/bardu. Bardas/Dainius privalėjo turėti talentą muzikos skambėjime įtaigiai perduoti prasmingą žinią. Dainuojamoji poezija - besiformuojanti Lietuvoje muzikinės kultūros sritis. Jos pradininkai ir pasekėjai akcentuoja žodžio galios svarbą dainoje, tačiau muzikine prasme dainuojamosios poezijos žanro suvokimas ir įprasminimas kol kas yra padrikas. Dainuojamajai poezijai priskiriami ir liaudies kūrinių aranžuotės, ir dainos išgarsėjusių poetų tekstais, ir kabaretinių spektaklių kompozicijos ir džiazo liberalumas ir įvairių tautų folklorinių skambesių perpinimas. Bardo/dainiaus statusas ir atitinkamas kurybinis fondas šiuo metu dar neturi jokios klasifikacinės pozicijos Lietuvos Respublikos kultūros puoselėjimo programose. Dainuojamoji poezija
    Dainuojamoji poezija
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